This scene, of course, is from Alfred Hitchcock’s 1963 revenge of nature film, The Birds.
Seriously, what type of idiot smokes a cigar near a gas station? It kind of makes you think that maybe the birds had a point.
This scene, of course, is from Alfred Hitchcock’s 1963 revenge of nature film, The Birds.
Seriously, what type of idiot smokes a cigar near a gas station? It kind of makes you think that maybe the birds had a point.
From 1990’s Troll 2.
No further description is necessary.
Today, I’m taking a break from sharing horror movie scenes that I can pay tribute to the great actor, Robert Forster.
Forster passed away on Friday, shortly after his final film — El Camino — dropped on Netflix. Forster had a small but pivotal role in the film, reprising the Breaking Bad character of Ed. Ed may look like a vacuum cleaner repairman but he’s actually the guy you want to see if you need to start a new life far away from New Mexico.
Admittedly, Forster doesn’t say a lot in the scene below. Aaron Paul’s the one who does most of the talking but then again, Forster wasn’t an actor who needed a lot of lines to make an impression. Forster excelled at playing down-to-Earth men who may not have said much but who still meant every word that they said. Forster does so much with just his eyes and his taciturn expression here. And when he does speak, the lines are killer.
Obviously, this scene is going to count as a spoiler if you haven’t seen El Camino yet.
Robert Forster, R.I.P. He was one of the greats.
This scene from 1974’s Young Frankenstein is not only funny but kinda poignant and sad. I mean, you can tell that the Monster (Peter Boyle) is trying so hard to do a good job and what does it get him? Not only does the audience turn on him but even his creator (Gene Wilder) starts yelling at him.
I mean, considering that the Monster had only been alive for a few days, I think he deserves a lot of credit for handling the performance as well as could be expected! To me, the true monsters in this scene are the theater patrons who apparently brought cabbages and other vegetables with them to the theater. I mean, you don’t pack a salad unless you’re planning on using it.
The performers didn’t have a chance.
Enjoy!
Take Shelter was one of my favorite films of 2011. It was not only the first to introduce me to director Jeff Nichols but it was also the first time that I ever watched Michael Shannon act and thought to myself, “Hmmm….so, yeah, he’s a really good actor.”
The film was usually described as being either a “psychological thriller” or “a character study” but that’s just because critics were trying to justify how good the film was by ignoring the fact that it was totally a horror film. Shannon plays a man who is haunted by disturbing nightmares of the end of the world. The film perfectly integrates the nightmares into the narrative, so that you’re never quite sure when one of them is going to pop up. It’s always raining in the nightmares but sometimes, it’s cloudy while Shannon’s awake as well and you’re just like, “Oh no….”
Anyway, this is one of the nightmares and I remember it totally freaked me out when I saw Take Shelter in the theaters. I was like, “Uhmmm….did anyone else just notice a shadow walk by the window?”
Take Shelter‘s a really good movie so you need to see it if you haven’t already.
Obviously, you don’t have to be from a Catholic background to find this scene from The Conjuring 2 totally creepy but it definitely helps.
I remember watching this scene in the theaters. As soon as Vera Farimga stepped into that room, I was like, “Uhmm …. see the painting? Uh, there’s a painting behind you. You might want to turn around and look at the painting….”
I really liked The Conjuring 2 and the first Conjuring as well. I even liked the Annabelle films. But one thing that I’ve always noticed about haunted house films is that nobody ever just turns on the lights. It always seems to me like so much trouble could be avoided just by turning on the lights in every room and leaving them on. Scary things only seem to happen in the dark.
Anyway, enough of my rambling! Here’s today’s scene:
Today’s horror scene that I love comes from the classic 1958 British film, Horror of Dracula. Horror of Dracula was not only one of my favorite horror films but iit was also a favorite of Gary’s as well and, as I spend today considering how best to honor his memory and his love of cinema, sharing a scene from this film just feels very appropriate.
Horror of Dracula was not only the film that introduced the world to Christopher Lee as Dracula but it was also the film that, for lack of a better term, “rebooted” the whole Dracula legend. It was the film that showed that Dracula could still be intriguing and frightening in the modern era. Even more so than the original Dracula starring Bela Lugosi, the Hammer Dracula films — and Lee’s performance as Dracula — have influenced every vampire film that has come out since.
In this scene, Jonathan Harker (John Van Eyssen) leaves his room at Castle Dracula and runs into one of Dracula’s brides (Valerie Gaunt). Lee’s Dracula doesn’t make an entrance until towards the end of the scene but what an entrance it is!
This scene epitomizes everything that made the Hammer Dracula films so memorable. You’ve got sex, horror, and Christopher Lee playing Dracula. What had before merely been the subtext in previous vampire films was revealed by Hammer in all of its glory.
Enjoy!
So, last night, at the TSL offices, Jeff, Leonard, Case, and I watched Insidious! It was an enjoyable experience. I think we were all surprised to discover just how well Insidious holds up. When the film reached the seance scene, in which the ghosts were asked questions and a possessed Lin Shaye would write out their answers, I said, “This scene reminds me of the seance scene from The Changeling!”
And then I thought to myself, “That should be our next horror scene that I love!”
So, I went to YouTube and I searched for the classic (and really scary) seance scene from Peter Medak’s great 1980 ghost story, The Changeling. And guess what? I couldn’t find it! I found a lot of scenes from The Changeling and I found a lot of people talking about how much they love the seance scene but I couldn’t find the scene itself!
So, here’s the best I could do. This scene that I love takes place immediately after the seance and features George C. Scott listening and re-listening to a tape of the seance until he can finally hear the voice of the child who, years before, was murdered in his house.
Even if it’s not the seance scene, it’s still pretty good. I personally consider this to be one of George C. Scott’s best performances. And the sound of the little boy’s voice on the tape is chilling.
The Changeling is really good, by the way. You should watch it, if you haven’t already!
After all of the sequels and the rip-offs, it’s easy to forget just how scary Insidious was when it was first released, way back in 2011.
Believe it or not, it’s still pretty scary. Take the scene below, for instance. I screamed the first time I saw it and then I screamed again rewatching it on YouTube.
The reason this scenes works is because, from the start, you know that those two ghosts are going to show up. You just don’t know when. With each click, you know you’re getting closer and closer to something bad appearing in that hallway. And then when they do finally show up and the movie’s soundtrack goes “BOOOOM!” and then you see the smiles on their face — AGCK! Seriously, this is one of the best jump scares of the past decade.
The scene below comes from the 1979 Lucio Fulci masterpiece, Zombi 2.
In this scene, a mysterious boat is floating towards New York City. Two cops are sent to check the boat out and, as they eventually discover, the boat isn’t quite as deserted as they thought it was.
Now, there’s a few reasons why this scene is important. Number one, Zombi 2 is an Italian film that was designed to pass for an American film. (Technically, it was sold as being a prequel to Dawn of the Dead, which was released under the title Zombi in much of Europe.) In order to maintain the illusion, Italian filmmakers would often spend a day or two shooting on location in a recognizable American city. More often than not, that city would turn out to be New York.
Number two, since Zombi 2 was promoted as being a bit of a prequel to Dawn of the Dead, one could argue that this scene shows how the whole zombie apocalypse began in the United States. It wasn’t radiation from space or Hell running out of room. No, instead, it was juts a boat floating from an island in the Caribbean all the way to New York.
This scene is also memorable because of the “boat zombie,” who is one of the best-known of the movie zombies. Even people who have never heard of Lucio Fulci will probably recognize the boat zombie. He’s an icon of the undead!
Finally, this scene sets up one of the greatest closing shots in the history of zombie cinema. New York beware!