Sandy Alan | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, death comes to California.

Episode 4.2 “Sick Leave”

(Dir by John Florea, originally aired on September 28th, 1980)

Andy (Robert Viharo) is a veteran member of the highway patrol who, when he’s not chasing down bad guys, is a student at the the local college. He wants to become an archeologist and go to Peru. Unfortunately, Andy has a brain lesion and may not get the chance. His behavior is erratic. His vision is failing. He refuses to admit that there’s anything wrong. Can Ponch and Jon get him off the street before he gets someone killed? Andy says that if he wants to die, he wants to go out saving someone’s life and not sitting behind a desk. An escalating fraternity prank war makes Andy’s dream come true. The theft of a fraternity’s prized bird sculpture leads to a high-speed chase and several overturned cars. Andy manages to save a young woman from a crashed car but, when the car explodes, he ends up with a hunk of shrapnel sticking out of his back. Ouch! He dies in Baker’s arms. If Ponch had been the one holding him, one can only assume that Andy would have been magically healed by the power of Estrada.

This is the rare episode of CHiPs in which someone dies. In fact, I think this is only the third episode in which a traffic accident has led to a fatality. It happened once during the pilot. During the second season, several people were killed in a multi-car pileup. For the most part, though, CHiPs features people who somehow manage to survive the most horrendous of crashes. Andy is killed by a sharp hunk of metal but, the show suggests, he would have died anyway from the brain lesions.

Along with a rare death, this episode featured a lot of slo mo of doom. At the start of the episode, Andy’s reckless driving causes Ponch to crash his motorcycle and we get to watch Erik Estrada’s stunt double fly through the air in slow motion. Later, when Andy runs away from the exploding car, the entire scene is in slow motion. It works. There’s a reason why slow motion is so overused. It’s incredibly effective.

Overall, this episode had good intentions but a somewhat shaky execution. Robert Viharo went so overboard with his performance that you couldn’t help but wonder why Ponch and Baker were the only ones who noticed that Andy obviously wasn’t doing well. Not even Sgt. Getraer seems to notice! The main problem is that silly scenes of the fraternity prank war (one fraternity even rents a helicopter!) were mixed with scenes of Andy’s mind literally shutting down as we watched. Tonally, this episode was a mishmash. CHiPs, with its bass-heavy theme and Erik Estrada’s blinding smile, might not have been the right place to try to pull off a heart-rending drama.

The 1978 film, Killer’s Delight, opens with the usual beautiful shots of San Francisco in the 70s. It’s a lovely city, full of attractive people with their entire lives ahead of them. The camera lingers on the Golden Gate Bridge. If your movie doesn’t feature the Golden Gate Bridge, is it really set in San Francisco?

A van drives through the city and into the countryside. My first instinct was to think, “Oh, that’s definitely a rape van,” and yes, it is. (Seriously, don’t ever accept a ride from someone with a van. Actually, you shouldn’t be hitchhiking to begin with! Shame on you!) The owner of the van, Danny (John Karlen), pulls over to the side of the road and tosses a naked woman’s body over the side of a cliff.

AGCK!

Now, I have to admit that Killer’s Delight (which is known by about a dozen other titles, including The Dark Ride) is a film that I’ve tried to watch several times but I’ve always struggled to make it all the way through. That’s not because of the subject matter, though as a woman who once thought of herself as being invincible, I could certainly relate to many of the women who appeared in this film and made the fatal mistake of getting in that van. No, the reason why I’ve always struggled with Killer’s Delight is because it’s a slow movie. It’s not necessarily a bad film but it’s not one to watch if your eyelids are already starting to feel heavy.

This is an early serial killer film, made before it was decided that every killer should be portrayed as being an erudite and witty anti-hero. Instead, the film’s killer is a loser named Danny (John Karlen) who has never gotten over his childhood and who, when he’s not killing, is busy sobbing. It’s certainly a more realistic portrayal of a serial killer than anything that one might find in any of the films or books about Hannibal Lecter. Danny has two skills. He’s good at disguising himself and he’s fairly good at getting rid of bodies whenever there’s no one else around to see him. Otherwise, he’s a total loser. This realistic portrayal actually makes Danny into a very scary character. You’re never going to meet Hannibal Lecter in real life. That’s one reason why it’s so easy for some people to accept his crimes. However, there are hundreds of people just like Danny out there. There’s probably at least a few in your city right now.

The majority of the film is taken up with Sgt. Vince De Carlo (James Luisi) and his attempts to prove that Danny is the killer. Vince is married and very protective of his daughters. He’s also having an affair with a psychiatrist (Susan Sullivan) who runs the potential of becoming one of Danny’s victims. Vince becomes obsessed with Danny but, much like Charles Bronson in Ten To Midnight, he knows that the justice system does not know what to do with a monster like Danny.

As I said, it’s a slow film but it is well-acted and, if you stick with it, it does cast an ever-growing atmosphere of doom. It’s the type of film that will make you double-check the locks before you go to bed.

As for why this is a true crime film, it’s loosely based on the crimes of Edmund Kemper and Ted Bundy. At the time the film was made, Bundy was still at large. Killer’s Delight was the first film to be based on Bundy’s crimes, though Danny ultimately has more in common with Kemper than with Bundy.