Horror on the Lens: 13 Ghosts (dir by William Castle)


Since I reviewed the remake yesterday, today’s Horror on the Lens is the 1960 original, William Castle’s 13 Ghosts!

Now, William Castle was famous for his gimmicks.  For instance, theaters showing The Tingler were wired to give electrical shocks to random patrons.  He had a special gimmick for 13 Ghosts, a film about a house haunted by ghosts that you can only see while wearing special goggles.  Since I’m a lazy film blogger, I’m going to quote the film’s Wikipedia article on this particular gimmick:

“For 13 Ghosts, audience members were given a choice: the “brave” ones could watch the movie and see the ghosts, while the apprehensive among them would be able to opt out of the horror and watch without the stress of having to see the ghosts. The choice came via the special viewer, supposedly “left by Dr. Zorba.”

In the theatres, most scenes were black and white, but scenes involving ghosts were shown in a “process” dubbed Illusion-O: the filmed elements of the actors and the sets — everything except the ghosts — had a blue filter applied to the footage, while the ghost elements had a red filter and were superimposed over the frame. Audiences received viewers with red and blue cellophane filters. Unlike early 3D glasses where one eye is red and the other is cyan or blue, the Illusion-O viewer required people to look through a single color with both eyes. Choosing to look through the red filter intensified the images of the ghosts, while the blue filter “removed” them. Despite Castle’s claims to the contrary, not many heart failures or nervous breakdowns were averted by the Illusion-O process; although the blue filter did screen out the ghostly images, the ghosts were visible with the naked eye, without the red filter.”

Personally, if I had been alive in 1960, I totally would have watched the whole movie through the red filter.  Go ghosts go!

Anyway, 13 Ghosts is actually a lot of fun in a low-budget, 1960s drive-in sort of way.  Watch it below and, as always, enjoy!

 

Horror Film Review: The Car (dir by Elliot Silverstein)


The_Car_movie_poster

“THE CAR IS IN THE GARAGE” 

— Captain Wade Parent (James Brolin) in The Car (1977)

Yes, that’s right!  The car is in the garage and it’s hunting for blood!

The Car is a pretty stupid movie that doesn’t really work but at least it’s enjoyably stupid.  From the minute I started watching this movie, I knew that the only way I could recommend it would be if James Brolin shouted, “The car is in the garage!” at some point.  When he did, I had to cheer a little.  I love being able to recommend a movie.

The Car takes place in the small desert town of Santa Ynez.  Nothing much ever seems to happen in Santa Ynez, which perhaps explains why the police force is so large.  (Why wouldn’t you want to be a police officer in a town with no crime?  It wouldn’t be a very demanding job.)  Sheriff Everett Peck (John Marley) keeps the peace and sends his time talking about how much he hates bullies.  Wade Parent (James Brolin) is his second-in-command and has a 70s pornstache.  Wade’s best friend is Deputy Luke Johnson (Ronny Cox), a recovering alcoholic with impressive sideburns.  And then there’s a few dozen other cops.  Seriously, this tiny town has a HUGE police force.

One day, however, the police finally get something to do.  A black Lincoln Continental has suddenly appeared, stalking the roads around the town.  It doesn’t have a licence plate and the windows are tinted a dark red so it’s impossible to see who — if anyone — is driving.  Stranger still, the car’s doors have no handles.  When the car does show up, it seems to appear out of nowhere and once it’s run someone over, it seems to vanish just as quickly.

When the car first appears, it runs down two cyclists.  A few hours later, it kills an obnoxious hippie hitchhiker (John Rubinstein).  The only witness was alcoholic wife beater Amos Clements (R.G. Armstrong).  When Amos goes to the police, the car tries to run him over as well but instead, it ends up killing Sheriff Peck.

Now, Wade is in charge and he has to do something about the car.  Unfortunately, Wade’s girlfriend, Lauren (Kathleen Lloyd), made the mistake of screaming insults at the car when the car attempted to run down the school marching band.  Now, the car is stalking her.  Meanwhile, Luke is convinced that the car is being driven by none other than devil.  Wade says that’s impossible.  Luke points out that the car refuses to drive through consecrated ground.

And eventually, the car does show up in the garage…

The Car is one of the stupider of the many Jaws ripoffs that I’ve seen.  You’ll be rooting for the car through the entire film, which is good since the car kills nearly everyone in Santa Ynez.  (If any of them were likable, The Car wouldn’t as much fun to watch.)  It’s dumb but the film does have an appropriately silly ending and James Brolin does get to yell, “The car is in the garage!”

So, there is that.