Late Night Retro Television Review: Friday the 13th: The Series 2.14 “Face of Evil”

Posted on October 18, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

It’s sequel time!

Episode 2.14 “Face of Evil”

(Dir by William Fruet, originally aired on February 6th, 1989)

In this sequel to the first season episode Vanity’s Mirror, Joanne Mackey (Gwendoline Pacey) returns to Curious Goods for the first time since the death of her younger sister, Helen. Joanne reveals that she’s the one who stole the cursed gold compact at the end of Vanity’s Mirror, explaining that she simply had to have something that belonged to her sister. Jack is not amused, telling her that she should have turned it over so that it could be stored in the vault.

Calm down, Jack. Joanne knows she did something wrong and she’s trying to make amends. She is especially concerned because the compact is now in the hands of an aging supermodel named Tabitha Robbins (Laura Robinson). Tabitha is upset that her career is struggling and she’s been told that not even plastic surgery can reverse the fact that she’s just not as young as her competition. Tabitha has figured out that anyone whose face is caught in the reflection of the mirror will either die or, at the very least, suffer a terrible disfigurement. Apparently, in this case, the antique’s curse changes depending on who owns it.

I have mixed feelings about this episode. On the one hand, I could relate to Tabitha’s feelings about aging. No one wants to age and that’s doubly true when you’re working in an industry where youth is the most valuable commodity. I also enjoyed the very 80s fashion shoots that were featured in this episode. On the other hand, there were a lot of rather silly scenes of Tabitha trying to catch Ryan and Micki’s reflection in the mirror while Mick and Ryan ducked around with their hands over their faces. There’s no other way to put it other than to say it all looked really goofy.

The biggest problem with this episode is that the majority of it was taken up with clips from Vanity’s Mirror. Every few minutes, Joanne would think about Helen and we would get a flashback. Unfortunately, a lot of the flashbacks didn’t even feature Joanne so you have to wonder how exactly she was able to remember them. The constant flashbacks made this episode feel like a clip show and you know how much I hate those.

In the end, Tabitha accidentally catches her own face in the mirror’s reflection and she immediately starts aging. I guess that’s the risk you take when you try to use a mirror as a weapon. Micki and Ryan finally retrieve the compact and Jack mentions that Joanne could have saved a lot of lives by not stealing the compact in the first place. Look, Jack — she feels bad enough already! I’m sorry everyone isn’t beating down the doors of the antique shop to give you their cursed items. Get off Joanne’s back!

Oh well. At least the evil compact will hurt no one else….

Late Night Retro Television Review: Friday the 13th: The Series 2.13 “Eye of Death”

Posted on October 11, 2024 by Lisa Marie Bowman

This week, Ryan goes into the past.

Episode 2.13 “Eye of the Death”

(Dir by Timothy Bond, originally aired on January 30th, 1989)

Atticus Rook (Tom McCamus) is an antiques dealer, one who is well-known to Jack. No one seems to really like or trust Atticus Rook. Everything about him seems to scream sleaze. But Atticus has somehow managed to get artifacts from the American Civil War that no one else has ever been able to find. His latest claim is that he will soon be selling Robert E. Lee’s sword.

How is Atticus accomplishing this? He has a cursed magic lantern that he uses to project old pictures onto his wall. He’s then able to step into the picture and enter the time period in which it was taken. (Hey, that sounds like a fun cursed object to own!) Atticus has been going into the past and telling Gen. Lee (Bernard Behrens) that he’s a spy. However, the information that he gives Lee is just stuff that he remembers from history class. Atticus thinks that he’s got a pretty good operation going but there are two catches. To go to the past, he has to kill someone in the present. To return to the present, he has to kill someone in the past.

Naturally, Ryan ends up in the past while trying to retrieve the magic lantern. Ryan meets General Lee and tries to present himself as also being a spy but it turns out that Ryan paid even less attention in history class than Atticus did. Ryan being Ryan, he also falls in love with a widow named Abigail (Brooke Johnson). As we all know, having Ryan fall in love with you is pretty much a death sentence on Friday the 13th. Abigail’s death does allow Ryan, Jack, and Micki to return to the present. Moving the lantern allows Atticus to get trapped in his own wall, where he suffocates while trying to return to the present.

This was a surprisingly good episode. I say “surprisingly” because you wouldn’t necessarily think that a low-budget Canadian show would do a great job of recreating the American Civil War but this episode pulls it off. The costumes, the sets, the words used by the people encountered by Ryan and Atticus, all of them work to make the episode’s Civil War setting feel very realistic. Tom McCamus is a great villain and Bernard Behrens is well-cast as Robert E. Lee. Even the obviously doomed romance between Ryan and Abigail works remarkably well.

I have to admit that I’ve always assumed this show took place in Canada, largely because of all of the Canadian accents and the Canadian scenery. This episode reveals that Friday the 13th is supposed to be taking place in the United States, despite the way that people pronounce the word “sorry.” When Ryan ends up in the Civil War, he says that he’s from Chicago. (It’s not necessarily a good idea to go back to the Civil War era and immediatly tell everyone that you’re a Yankee.)

Well, this show can pretend that the antique store is in Chicago if it wants to, but it’ll always be Toronto to me.

Late Night Retro Television Review: Friday the 13th: The Series 2.12 “The Playhouse”

Posted on October 4, 2024 by Lisa Marie Bowman

Agck! Stranger danger!

Episode 2.12 “The Playhouse”

(Dir by Tom McLoughlin, originally aired on January 28th, 1989)

Mike and Janine Carlson (played by Robert Oliveri and Lisa Jakub) are two young siblings living in the suburbs. They don’t have much of a life. Their mother (Belinda Metz) is neglectful and continually complains that her children are the reason why she can’t find a rich boyfriend. Mike and Janine don’t appear to have any close friends. Children are vanishing all over town and parents are telling their kids, “Don’t go off with strangers!” but no one seems to care enough about Mike and Janine to even check to make sure that they haven’t been kidnapped.

Mike and Janine have a playhouse, a gift that was given to them by one of their mother’s former boyfriends. The playhouse is the only place where they feel happy. It’s a place where they literally get anything that they wish for. But sometimes, the door to the playhouse is locked. When that happens, Mike and Janine have to convince someone else to go into the playhouse. Once someone enters the playhouse, they find themselves trapped in a nightmarish world that is full of evil clowns and other circus figures. Mike and Janine have to chant, “I hate you! I hate you!” while the playhouse claims its victims.

Agck! Seriously, this is a disturbing episode! Not only are Mike and Janine terribly abused but almost all of their victims are children. Perhaps because of the age of the people involved, this is the only episode of Friday the 13th: The Series in which no one dies. They’re held prisoner in the playhouse and probably traumatized for life but they don’t die. Fortunately, that means that they can be freed once Jack convinces Mike to chant, “I love you!” instead of “I hate you!”

Yep, this episode is all about the power of love but you really have to wonder if all of Mike and Janine’s problems can be solved by chanting, “I love you!” I mean, aren’t the other kids going to remember that Mike and Janine held them prisoner in a nightmare universe? The episode may end with the playhouse defeated by Mike and Janine are still living in that terrible suburb and their mother is still a resentful alcoholic. Even though this episode has what would most would consider to be a happy ending — the kids are free! — it’s still incredibly dark.

This episode definitely left me feeling a bit shaken. I hate seeing children in danger and that’s what this episode was all about. Even things that sound kind of silly — like Mike chanting “I hate you!” while the playhouse does its thing — are actually rather disturbing when viewed. The child actors are almost too convincing in this episode. In the end, Jack says that all you need is love but this episode leaves you wondering if he’s correct.

Late Night Retro Television Review: Friday the 13th: The Series 2.11 “The Sweetest Sting”

Posted on September 27, 2024 by Lisa Marie Bowman

Agck! Bees!

Episode 2.11 “The Sweetest Sting”

(Dir by David Winning, originally aired on January 16th, 1989)

I have never been stung by a bee or a wasp.

I’m extremely lucky. All of my sisters and all of my cousins have been stung once or twice. My mom was stung multiple times when I was little. But I have never once been stung. I once had a wasp fly straight into my hair and I was able to shake it out without it stinging me. I have had bees land on my bare arm and just sit there without stinging. I once knocked a wasp nest off of a farm doorway and the wasps, while obviously angry, made no attempt to sting me in retaliation. For whatever reasons, the wasps and the bees have decided not to mar my beautiful skin with any of their stingers and I appreciate them for that.

Of course, I’m also very scared that they might someday change their mind. I have no idea what it feels like to be stung but I know it’s painful. On a more serious note, I have no idea whether or not I’m allergic to bees or wasps. I appreciate their kindness but I’m still terrified of their capriciousness.

That’s why this somewhat silly episode of Friday the 13th freaked me out. I say silly because it was about McCabe (Art Hindle), a psycho beekeeper who kept all of his bees in a cursed hive. Whenever he would unleash the bees, the cheap special effects were so bad that it would have made me laugh if not for the fact that I’m already scared enough of innocent bees. Imagine how I feel about cursed ones!

The bees produced cursed honey that can be used to restore the youth of people who allow themselves to be stung by McCabe’s bees. (Because they’re magic bees, they don’t die after stinging someone. I always understood that stinging someone caused a bee to be ripped in half so I’m not sure how the magic works but whatever. I actually kind of feel bad for bees now.) However, the people who accept McCabe’s youth treatment have to have a constant supply of honey and McCabe needs a constant supply of dead bodies so that his clients can fake their own deaths. So, McCabe orders his clients to kill if they want to remain young.

To be honest, the whole plot kind of feels like it was made up on the spot but the great Canadian character actor Art Hindle gives an amusingly over-the-top performance as McCabe. McCabe is the type of villain who laughs whenever he’s thinking about doing something evil. There’s nothing subtle about Hindle’s performance but it works in the contest of the episode’s overall absurdity. The bees are obviously fake. Art Hindle chews up every piece of scenery he can get his hands on. The episode’s a lot of fun.

Late Night Retro Television Review: Friday the 13th: The Series 2.10 “Night Hunger”

Posted on September 20, 2024 by Lisa Marie Bowman

This week, we’ve got the saddest episode of Friday the 13th yet!

Episode 2.10 “Night Hunger”

(Dir by Martin Lavut, originally aired on January 9th, 1989)

As a young boy, Michael Firono was constantly told by his father, Dominic (Nick Nichols), that he should always play to win and that, if he lost, it was because he was a wimp. Needless to say, once Mike became a teenager, he did not have a great relationship with his father. Seeking an escape from his abusive household, Mike spend all of his time at the local antique store where, on his 16th birthday, the store’s owner, Lewis Vendredi (R.G. Armstrong), gave him a special silver chain.

Mike (played by Richard Panebianco) has grown up to be an angry young man. He always wears the chain around his neck. Hanging on the chain is the key to his car. Mike loves to race his car and, far from being the loser that his father claimed he would grow up to be, Mike cannot be beat. His car is amazingly fast and Mike is incredibly (one might even say supernaturally) skilled behind the wheel. His main goal is to defeat his childhood rival, Deacon (Real Andrews), who is now a street racer himself. Deacon is hesitant to race Mike, precisely because Mike seems to be so driven to win that racing with him can be even more dangerous than usual. To Deacon, street racing is fun. For Mike, it’s an obsession.

Of course, Mike has a secret. As long as he’s wearing the silver chain, he can’t be defeated. But he has to kill people and dip the key in their blood for the chain to work. Jack, Micki, and Ryan set out to reclaim the silver chain but an accident results in both the chain and the key being absorbed into Mike’s body. With the chain and the key now sitting next to Mike’s heart, Mike’s eyes not only glow red but his car seems to have a mind of its own….

This is another one of those episodes of Friday the 13th where the villain is himself a victim. Even before he met Lewis and received the silver chain, Mike was doomed. His abusive father left Mike feeling so insecure and so obsessed with winning that there was really no way Mike wasn’t going to end up snapping eventually. In the present day, Dominic finally understands how much he hurt Mike and he feels guilty about it but it’s too late to undo the damage that’s been done. Like a pusher befriending people most likely to get addicted to his product, Uncle Lewis saw Mike as someone who would easily succumb to a cursed antique. Mike becomes addicted to using the key and that leads to him doing a lot of bad things. But the real curse here is not the silver chain but instead Mike’s abusive childhood. Mike never had a chance.

This is a genuinely sad and well-acted episode, with Mike’s obsession eventually destroying him. As happen so often with this show, Ryan and Micki are left with the knowledge that, while they can reclaim the cursed objects, they can never repair the damage that they’ve done.

Late Night Retro Television Review: Friday the 13th: The Series 2.9 “13 O’Clock”

Posted on September 13, 2024 by Lisa Marie Bowman

This week, time stops.

Episode 2.9 “13 O’Clock”

(Dir by Rob Hedden, originally aired on January 2nd, 1989)

Wealthy but dorky Henry Wilkerson (Ron Hartmann) owns a watch that he inherited from his father. The watch can stop time at exactly one a.m., giving the owner the chance to do whatever he or she wants for an hour while the world is frozen. The only catch is that someone has to be murdered before the watch will do its thing. Henry, like his father before him, has killed a lot of people and stolen a lot of money while the world was frozen. But then Henry is murdered by his wife, Reatha (Gwynyth Walsh), who wants the watch for herself and her adulterous, criminal lover, Eric (David Proval, who later played Richie Aprile on The Sopranos).

When Jack reads a series of newspaper articles about a bunch of murders and thefts that all seem to take place near the subway station at one in the morning, he figures out that someone is using a cursed watch. (Actually, it’s kind of strange just how quickly Jack manages to figure that out. Jack, is there something you need to share with everyone?) Micki and Ryan investigate the area around the station and they meet two homeless teenagers, Skye and Johnny-O (played by Ingrid Veninger and Jason Hopley). Skye witnessed Reatha killing Henry and she is about to become Reatha’s next target.

This was one of the better episodes of Friday the 13th. The scenes where time froze were remarkably well-done, with the world not only stopping but also transforming into black-and-white. Only Reatha and anyone who is with her can move and they are also the only things not stripped of color in the frozen world. The sight of Reatha, Eric, and eventually Ryan walking through the frozen and eerily silent subway station is a surprisingly powerful one. This is an episode that really does seem to capture what it would be like to actually live in a world where magic collides with everyday, mundane reality. The special effects earned this show an Emmy nomination and it was certainly deserved. They’re still effective, even when viewed today by eyes that have been jaded by too much CGI.

Reatha, Eric, and Henry make for a memorable trio of villains and Gwynyth Walsh especially deserves some credit for fearlessly embracing the melodrama in her performance as Reatha. If you ever wondered what would happen if a femme fatale from a classic noir made a deal with Satan, Reatha is your answer. I will admit that I cringed a little when the homeless teens showed up but Ingrid Veninger and Jason Hopley were well-cast and they turned their stereotypical characters into sympathetic human beings.

I wish this episode had been a bit clearer on how the stopwatch works. At the end of the episode, Reatha and Eric appear to be permanently frozen in time but they’re frozen in a very public place and you really do have to wonder what’s going to happen when people notice two monochrome people standing frozen on the train tracks.

But that’s a minor quibble. Overall, this was a superior episode of Friday the 13th.

Late Night Retro Television Review: Friday the 13th 2.8 “Read My Lips”

Posted on September 6, 2024 by Lisa Marie Bowman

This week, Oscar will haunt your nightmares….

Episode 2.8 “Read My Lips”

(Dir by Francis Delia, originally aired on November 21st, 1988)

When you watch as much horror as I do, you automatically assume that anyone who is a ventriloquist is going to have an unhealthy relationship with their dummy. Sometimes, the dummy is alive. Sometimes, the dummy is possessed. Sometimes, the dummy is just a dummy but the ventriloquist has decided that it’s alive and urging him to kill. (For some reason, evil ventriloquists are always male.) I’ve seen a lot of creepy ventriloquist dummies but nothing quite compared me for Oscar….

AGCK! I mean …. LOOK AT THAT THING!

Oscar is at the center of this week’s episode of Friday the 13th. Oscar is wearing a boutonniere that once belonged to the noted ventriloquist, Adolf Hitler. The boutonniere not only brings Oscar to foul-mouthed life but it also inspires whoever owns Oscar to commit countless murders. When we first see Oscar, he is owned by Edgar Van Horne (played by a youngish Billy Drago). After Edgar attempts to break his bond with Oscar, Oscar drives Edgar crazy and then invites another ventriloquist, Travis Plunkett (John Byner), to be his owner. Things don’t turn out well for Travis either.

Sadly, Jack is not in this episode. With its emphasis on desperate nightclub performers and Oscar’s corny sense of humor, it’s hard not to feel that this storyline would have been right up Jack’s alley. Instead, it’s left to Micki and Ryan to deal with Oscar and the ventriloquists. Micki’s best friend from high school, Gabriella Montrose (Linda Griffiths), is planning on marrying Edgar but, needless to say, that all goes out the window once Edgar loses his mind and end up in a mental hospital. For the most part, Micki and Ryan are largely bystanders in this episode. All of the action revolves around Oscar and his unfortunate owners.

Billy Drago gives a wonderful performance as Edgar, making him both frightening and, in the end, surprisingly sympathetic. Edgar is desperate to escape the clutches of Oscar but, in the end, it turns out that he’s grown addicted to performing with Oscar and the attempt to quit cold turkey leads to him losing his mind. (Many episodes of Friday the 13th feature storylines that felt as if they were meant to be a metaphor for drug addiction and that’s certainly the case here.) John Byner plays his role a bit more broadly than Drago but still, it’s hard not to feel bad for Travis as he comes to realize that he’s in over his head with Oscar.

This was an effectively creepy episode, even if it did owe an obvious debt to the 1978 film Magic. Oscar makes for a memorable monster. Hopefully, he’ll never be seen again.

Late Night Retro Television Review: Friday the 13th: The Series 2.6 “Master of Disguise”

Posted on June 28, 2024 by Lisa Marie Bowman

The search for cursed antiques continues!

Episode 2.6 “Master of Disguise”

(Dir by Tom McLoughlin, originally aired on November 11th, 1988)

A side job delivering antiques for use in a horror film leads to Micki meeting her favorite actor, the amazingly handsome and charming William Pratt (John Bolger). And when the film’s leading lady refuses to shoot a scene because of Pratt’s method obsessiveness, Micki finds herself cast as her replacement. Soon, Pratt and Micki are having a torrid romance. Ryan feels that there’s something wrong with Pratt but then again, we all know that Ryan has unrequited romantic feelings for his cousin (ewwww!).

That said, Ryan is right. Pratt is actually Jeff Amory, an actor who was so disfigured that he was previously typecast in horror films. Amory disappeared after the murder of one of his co-stars, an actress who looked a lot like Micki. Using a cursed makeup box that once belonged to John Wilkes Booth (“the actor who shot Lincoln,” Ryan helpfully explains), Amory has transformed himself into the handsome Pratt. Unfortunately, the box needs to constantly absorb blood to work and Pratt has become a one-man murder spree. (One of his victims is played by Aaron Schwartz, of Check It Out! fame.) Will Micki become his next victim?

(An interesting piece of trivia: Booth is often described as just being “the actor who shot Lincoln,” but he was actually a legitimate star and a celebrity in both the North and the South in the years leading up to the Civil War. The youngest and best-looking of the Booth brothers, he was an acclaimed and popular Shakespearean actor who was so handsome that women would flock to the theater whenever one of his show’s came to town. He was the 19th century stage’s version of Ryan Reynolds. Everyone who was into theater knew his name, even before he shot Lincoln. America has seen many assassins who wanted to be celebrities. Booth was a celebrity who wanted to be an assassin.)

This was an okay episode. I liked the fact that Pratt was a bit more tormented by his actions than some of the other villains who have appeared on this show and I was also happy that Micki got to be at the center of the action, even if the episode’s script did make her a bit more flighty than she’s ever been previously portrayed. Ryan’s romantic feelings for Micki are a little bit awkward, seeing as how they’re related but, again, they were necessary to establish why Micki was originally dismissive of Ryan’s concerns.

This episode ended with a bit of trivia, with Jack mentioning that William Pratt was also the real name of one of the gentlest men in show business …. Boris Karloff. Again, you have to wonder why no one else noticed that is before Jack and why it took Jack so long to mention it. Still, it’s nice that Karloff got a shout out.

Mini Late Night Retro Television Review: Friday the 13th: The Series 2.5 “Symphony in B Sharp”

Posted on May 24, 2024 by Lisa Marie Bowman

Hi, everyone! I sprained my wrist yesterday and today, it still hurts to type so, just as with T and T, today’s review is going to be a quick one. You might even call it a mini-review!

Episode 2.5 “Symphony In B Sharp”

(Dir by Francis Delia, originally aired on October 31st, 1988)

Oh, Ryan!

You would think that, by this point, Ryan would know better than to fall in love with anyone, seeing as how he had to leave one girlfriend behind in a Mennonite village and he lost another girlfriend to an insane news anchorman. Add to that, Ryan has also seen Micki repeatedly lose the people with which she has fallen in love. But, once again, the episode finds Ryan falling in love.

This time, his lover is Leslie Reins (Ely Pouget), who plays violin in the local symphony. Her former boyfriend, Janos Korda (James Russo), was believed to have been killed in a car accident but instead, he’s alive but terribly scarred. He hangs out in the rafters and the basement of the symphony hall and kills anyone who get too close to Leslie. He has a cursed violin that is slowly healing his disfigured appearance in return for Janos using a sharpened bow to kill people. Janos’s newest target is Ryan.

Yep, it’s Phantom of the Opera all over again, with Leslie Reins’s last name deliberately invoking the name of a past actor who played the Phantom, Claude Rains. It’s not a bad episode. There’s plenty of atmosphere and James Russo makes for a good villain. That said, the cursed antique is not that interesting and the whole episode leans a bit too much into the Phantom of the Opera story. It was a bit predictable, right down Janos accidentally killing Leslie before taking his own life and Ryan ending yet another episode in tears, with a concerned Jack and Micki watching from a distance. Ryan listens to a recording of Leslie playing her violin and swears that he’ll never fall in love again. We know that’s not true, Ryan. I guess we should be glad that Ryan is no longer looking to hook up with his cousin but still, it’s hard to feel that the guy just can’t get a break!

Next week, hopefully, things will look up for Ryan. (It would seem that they certainly couldn’t get any worse.) We’ll find out soon enough.

Late Night Retro Television Review: Friday the 13th: The Series 2.4 “Tails I Live, Heads You Die”

Posted on May 17, 2024 by Lisa Marie Bowman

This week, a flip of the coin leads to tragedy!

Episode 2.4 “Tails I Live, Heads You Die”

(Dir by Mark Sobel, originally aired on October 21st, 1988)

Finally, Jack, Micki, and Ryan have a night to relax. Jack does some reading while Micki poses for Ryan, who is apparently a sculptor now. Micki says that it’s unfortunate that Ryan is stuck having work at Curious Goods when he has so much artistic talent. Micki has a point, even if this is the first time that we’ve heard about Ryan’s artistic interests.

Suddenly, the phone rings. A reporter named Tom Hewitt (Bill MacDonald) is calling because he’s heard that Jack is an expert in the occult. Tom says that he’s tracked down a Satanic cult that is planning on doing something big. He tells Jack where he can find all of the evidence that Tom has gathered over the course of his investigation. While Jack and Ryan head over to the bus depot where Tom has hidden his research, Micki stays at the store. As for poor old Tom, he ends up dead with the image of a bloody ram’s head imprinted on his forehead.

Looking through Tom’s papers and photographs, Jack discovers that the head of the Satanic cult is a taxidermist named Sylvan Winters (Colin Fox) and that Sylvan is in possession of a coin that is imbued with Satanic energy. When the owner of the coin flips it, it leads to the death of whoever is standing nearby. After the coin kills someone, it can be used to bring someone back to life.

First, Jack goes to the taxidermy shop with Ryan but the two of them fail to find the coin. Later, Jack returns with Micki and the two of them stumble on a Satanic ceremony. When they are spotted by Sylvan and the cultists, Jack and Micki make a run for it. Sadly, they get separated. While Jack manages to escape from the cultists, Micki is caught by Sylvan. Sylvan flips the coin and …. KILLS MICKI!

Seriously, Micki’s death took me totally by surprise and it actually left me feeling really upset. I’ve got red hair. Micki has red hair. Micki tends to be a skeptic. I tend to be a skeptic. Micki was pretty much me on this show! And now she’s dead? Agck!

Arriving at the taxidermy place, Ryan sobs over Micki’s body and then tells Jack that, after he gets the coin and destroys Sylvan, he is done with the cursed antiques business. Ryan says that he’s ready to live his life and he can’t handle losing anyone else close to him. (Remember that Ryan’s father was killed by a cursed pipe last season.)

Returning to the taxidermy studio, Ryan and Jack discover that Sylvan is planning on using the coin to raise two powerful warlocks and a witch so that they can combine their power to bring Satan into the world. However, Ryan and Jack steal Micki’s body from the morgue, put a mask on her to make her look like the witch that Sylvan wants to raise from the dead, and then the replace the witch’s body with Micki’s body. As a result, Sylvan brings Micki back to life. (Ryan and Jack’s plan is incredibly complicated and I’m kind of surprised that they were able to pull it off. But who cares as long as Micki is no longer dead.) Satan gets angry, the taxidermist studio collapses. and Ryan grabs the coin and flips it in front of Sylvan. Sylvan dies but the coin is still out there.

But no matter! The important thing is that Micki comes back to life! Yay! And Ryan decides not to leave Curious Goods, mostly because he’s in love with his cousin, though that’s something that the show rarely acknowledges.

By the time this episode came around, Robey, Chris Wiggins, and John D. LeMay had developed into a tight enough ensemble that Ryan’s tears and Jack’s anger over the death of Micki felt very powerful and very real. As well, Colin Fox was a wonderfully hissable villain. He was so smug that I couldn’t wait to see him get his comeuppance. This was an excellent episode.

Next week, Ryan falls in love with a cursed violinist because Ryan is never allowed to be happy for long.