4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Yesterday was the birthday of one of our greatest filmmakers, Paul Thomas Anderson! It’s never too late for….
4 Shots From 4 Paul Thomas Anderson Films
Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)
Phantom Thread (2017, dir by Paul Thomas Anderson)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, let us take a look back at a classic cinematic year. It’s time for….
4 Shots From 4 1997 Films
Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)
Kundun (1997, dir by Martin Scorsese, DP: Roger Deakins)
Lost Highway (1997, dire by David Lynch, DP: Peter Deming)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Today, the Shattered Lens wishes a happy 80th birthday to Roger Spottiswoode. After starting his career as Sam Peckinpah’s editor and co-writing the script for Walter Hill’s 48 Hours, Spottiswoode went on to become a dependable director who effortlessly moved from genre to genre. He may not be a household name but he’s a director who has been responsible for some truly memorable films.
It’s time for….
4 Shots From 4 Roger Spottiswoode Films
Terror Train (1980, dir by Roger Spottiswoode, DP: John Alcott)
Under Fire (1983, dir by Roger Spottiswoode, DP: John Alcott)
Shoot to Kill (1988, dir by Roger Spottiswoode, DP: Michael Chapman)
Tomorrow Never Dies (1997, dir by Roger Spottiswoode, DP: Robert Elswit)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Today is the birthday of one of our greatest filmmakers, Paul Thomas Anderson! This edition of 4 Shots From 4 Films is dedicated to him and his brilliant career!
4 Shots From 4 Paul Thomas Anderson Films
Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)
Phantom Thread (2017, dir by Paul Thomas Anderson)
A few years ago, Dan Gilroy, Jake Gyllenhaal, and Rene Russo excited film viewers everywhere when they collaborated on Nightcrawler, a portrait of a psychologically damaged man who proves to be quite adept at playing the media game. The combination of Gillroy’s atmospheric direction and satirical script with Gyllenhaal’s wonderfully unhinged lead performance made for an incendiary and prophetic film. Just why exactly Nightcrawler was totally snubbed by the Academy continues to be one of the most perplexing mysteries in recent Oscar history. Despite strong support from the critics, not even Gyllenhaal picked up a nomination.
Dan Gilroy followed Nightcrawler up with Roman Israel, Esq., which was as forgettable as Nightcrawler was memorable but which still managed to accomplish what Nightcrawler didn’t. It received an Oscar nomination for its leading man. One gets the feeling that nomination had more to do with Denzel Washington’s reputation for award-worthy work than for anything that actually happened in the movie. Gyllenhaal went on to give award-worthy performances in films like Southpaw and Stronger but the Academy has continued to snub him. As for Russo, she’s only appeared in three films post-Nightcrawler and none of them were worthy of her talents.
Well, this year, Gyllenhaal, Russo, Gilroy, and Nightcrawler‘s cinematographer, Robert Elswit, have reunited for Velvet Buzzsaw! That’s right, they’ve got the band together again! The film appears to be a mix of horror film and an art world satire. As the film’s plot description puts it: After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art. The trailer would seem to suggest that paintings themselves are coming to life to enact revenge on sell-outs, everywhere. The idea of haunted paintings has been explored by everyone from Oscar Wilde to H.P. Lovecraft to Lucio Fulci and I look forward to seeing what type of spin Gilroy puts on it.
Along with Russo and Gyllenhaal, this film also features John Malkovich. Honestly, I don’t think you can do an art world satire without finding a role for Malkovich. Much as how Bill Paxton simply belonged in Nightcrawler, it seems that Malkovich would just belong in Velvet Buzzsaw.
Velvet Buzzsaw will be playing at this year’s Sundance Film Festival and it will be officially released by Netflix on February 1st! I get the feeling that we’re either going to love it or we’re going to hate it. I don’t think there’s going to be much in-between.