Brad reviews THE GHOST AND MR. CHICKEN (1966), starring Don Knotts.


I love Don Knotts. I’m one of those people who have watched every episode of THE ANDY GRIFFITH SHOW (1960-1968) multiple times. And while it’s true that there are good episodes in the last three seasons, the series was at its best when Sheriff Andy Taylor and his sidekick Barney Fife were serving the townsfolk of Mayberry, North Carolina during the first five seasons. In Barney Fife, Don Knotts created one of the best characters in television history, earning five Emmy Awards in the process. When Don Knotts left the series at the height of its popularity, the first movie he made was THE GHOST AND MR. CHICKEN!  

In THE GHOST AND MR. CHICKEN, Knotts plays Luther Heggs, a meek typesetter at a small-town newspaper in Rachel, Kansas, who dreams of being a serious reporter but is treated like a joke by nearly everyone around him. When the town prepares for the 20-year anniversary of an unsolved murder at the supposedly haunted Simmons Mansion, Luther unexpectedly gets a chance to prove himself. He volunteers to spend the night alone in the mansion to see if it really is haunted. As you might expect, Luther is scared out of his mind as he hears banging on the walls, discovers secret passageways, and observes blood-stained organs playing themselves. The night culminates with Luther seeing a portrait of poor Mrs. Simmons with gardening shears piercing her throat! By surviving the night, and then telling the truth about what he experienced, Luther just may uncover a real crime being committed behind all of this “supernatural” activity!

Since Don Knotts left THE ANDY GRIFFITH SHOW to pursue a movie career, I’m glad to report that his decision to star in THE GHOST AND MR. CHICKEN was a really good choice. His performance is a masterpiece of physical comedy. Sure, Knotts trembles, shakes and delivers his lines in his awkward, nervous way for a lot of laughs, but he also provides a vulnerability that really makes you root for him. Knotts knew how to play lovable losers in a way that shows a quiet decency. He may actually be scared, and he may seem like a real pushover, but he also finds the courage to do the right thing even when it’s not easy. This was true for Barney Fife, and it’s also true for Luther Heggs in THE GHOST AND MR. CHICKEN.

Aside from Don Knotts, THE GHOST AND MR. CHICKEN has a solid supporting cast! Joan Staley is very beautiful as Luther’s love interest, Alma. Staley was a Playboy Playmate in 1958, so I can definitely see why Luther is in love. I like the fact that her Alma is more than just a pretty face. Rather, she’s one of the few people who sees Luther as more than a joke, which makes her even more appealing. Meanwhile, Luther’s newsroom boss (Dick Sargent) and office rival (Skip Homeier) never miss an opportunity to be condescending. The director Alan Rafkin directed 27 episodes of THE ANDY GRIFFITH SHOW, so he definitely knows how to get the best comedy out of Knotts and the rest of his cast. He also keeps the tone light, with the haunted house set pieces playing out like gentle, kid-friendly chills rather than anything truly scary. The blood-stained organ / garden shears sequence in the mansion is especially effective, with Don Knotts perfectly walking the line between raging fear and slapstick comedy. Signaling that there was a big audience for Don Knotts in the movies, THE GHOST AND MR. CHICKEN proved to be a box office hit, taking the number one spot during its first week of release, and grossing about eight times its budget!  

Ultimately, THE GHOST AND MR. CHICKEN endures because it understands the special qualities of its star. Don Knotts is funny, and he’s also human. He may be scared out of his mind, but he also has decency and an ability to find courage when he must. In that way, it’s a comfort movie, a should-be Halloween staple, and finally, a reminder that sometimes the bravest person in the room is the one who can’t quit shaking.  

Horror On TV: Kolchak: The Night Stalker 1.10 “The Energy Eater” (dir by Alexander Grasshoff)


 

On tonight’s episode of Kolchak….

Kolchak investigates a series of accidents at a hospital and discovers that they’re all connected to a recently reawakened monster known as the Matchemonedo!  This episode features the great character actor William Smith as Jim Elkhorn, who teams up with Kolchak to battle the Matchemonedo.

This episode originally aired on December 13th, 1974.

Enjoy!

Horror on TV: Thriller 1.37 “The Grim Reaper” (dir by Herschel Daugherty)


For tonight’s episode of the Boris Karloff-hosted anthology series Thriller, we have “The Grim Reaper!”

The Grim Reaper tells the story of a mystery writer (Natalie Schaefer) who purchases a painting of the grim reaper.  She claims that she’s just bought the painting as a bit of an ironic joke but her nephew (William Shatner!) claims that the painting has a violent history.  Everyone who has owned it has died.  At first, Schaefer is dismissive of Shatner’s story.  But then, blood appears on the reaper’s scythe.

This enjoyable and fun little episode was written by Robert Bloch of Psycho fame.  It was originally broadcast on June 13th, 1961.

Enjoy!

Horror on TV: Thriller 1.29 “The Devil’s Ticket”


Down here in Dallas, channel 133 is the local Me-TV affiliate.  Me-TV specializes in showing old TV shows from the 50s, 60s, and 70s.  The network sells itself as a nostalgic refuge for people who are several decades older than me, a place where they can go to escape from Seth McFarlane cartoons and Maury Povich conducted DNA tests.

But you know what?

I like Me-TV and I’m glad that it exists.  It probably has something to do with me being a history nerd at heart.  I love the chance to see what the world was once like.  Add to that, some very good shows were produced in the 50s and 60s.  Just because a lot of us weren’t there to experience them firsthand doesn’t mean that we can’t appreciate them in rerun syndication.

Case in point: Thriller.

Thriller aired for two seasons in the early 60s.  It was an anthology series, in the tradition ofThe Twilight Zone.  Whereas The Twilight Zone was hosted by Rod Serling, Thriller was hosted by horror icon Boris Karloff, who always introduced the macabre material with a bemused gleam in his eyes.

The Devil’s Ticket was the 29th episode of Thriller and it originally aired on April 18th, 1961.  It’s an effectively creepy little story about an artist (MacDonald Carey) who sells his soul to the Devil.  It was directed by Jules Bricken and written by Robert Bloch.