Tag Archives: Rick Springfield

Nick Knight (dir. by Farhad Mann)

Posted on by Leonard Wilson

Directed in 1989 by Farhad Mann, Nick Knight (a.k.a. Midnight Cop) was a made for tv movie meant as a pilot for a series filmed in Los Angeles. It would take another 3 years to for the show to be picked up as Forever Knight, and even then, it was difficult show to catch given you could really find it sometime after Midnight on Saturdays and/or Sundays. As Vampires in media go, Nick Knight is tucked away in a very small place between the success of Kathryn Bigelow’s Near Dark in 1987 and Francis Ford Coppola’s Bram Stoker’s Dracula in 1992. It’s nowhere near as good as either of those films, but plays on most of the vampire tropes. Allergic to Garlic? Check. Aversion to sunlight? Sure. As I’m writing this the way I would cover a TV episode, this review will have spoilers and will be a bit long in the tooth. My apologies in advance. For the TSL Horrorthon this year, I’m hoping my contribution will be (at least) the first season of Forever Knight. For the film, If you search for it, you can find on YouTube.

Detective Nick Knight (Rick Springfield, Hard to Hold) loves to work the night shift, but not before getting in a quick visit at a local suntan spa. It’s a bit uncomfortable, enough for him to hit the panic button and bring in a few staff to check in on him. He blames it on claustrophobia, “It’s like a coffin in there.”, he says and moves on. When an ancient jade goblet is stolen from a museum, leaving a guard murdered, Knight is brought on to the scene where Don Schanke (John Kapelos, The Shadow, The Breakfast Club) is already helping the cops take photos of the crime scene, and putting himself in the way of things. Nick interviews Dr. Alyce Hunter (Laura Johnson, TV’s Falcon Crest) about the homicide. Alyce reports the goblet was used in ritual blood drinking sacrifices (something that Knight sounds like he’s aware of since he can understand some of the ancient writing in the museum).

Cleaning up the scene, the media approaches Knight and asks if it’s “another Vampire murder”. Word has gotten out that there’s no blood in the course. Knight’s rescued by Captain Brunetti (Richard Fancy, The Girl Next Door) who asks to have him stop by his office after he gets the autopsy work. At the morgue, Nick is given a mug of tea that he just can’t stomach. Thankfully, Dr. Jack (Robert Harper, Twins)knows about Nick’s true nature, and is working helping him find a cure (which includes the tea). “How is your tanning coming along?”, Jack asks. “I’m up to ten minutes.” is Nick’s response, with a smile. When Nick returns to the Precinct, the Captain assigns Knight a new partner to help him with the vampire crimes. Nick’s been able to work alone for the most part, but now he finds himself paired with Schanke. This poses a few problems with hiding his nature.

Schanke and Knight get to know each other on their first night shift, with some talk about Schanke’s married life vs. Nick being forever single. The conversation is interrupted by a dispatch call about an Uzi toting gunman terrorising a local gym. They arrive on the scene, and much like Riggs & Murtaugh, Nick is gung ho about the situation, which causes a third cop on the scene to get killed. With a hostage in stow, the gunman threatens Nick. The girl gets herself out of trouble with a swift knee to the gunman’s gut, causing him to unload a full magazine into Knight. This brings out the vampire in Nick, who throws the gunman into an electrical fence, killing him.

With the case wrapped up, Nick visits Alyce, who spent her evening going through a book on the dig that discovered the cup. Before his arrival, she found a picture of the archeological team that includes someone who looks just like Nick. She makes a copy of the picture, but never mentions it to Nick during his visit. They have a moment, leading to a kiss. Of course, this also causes Nick’s fangs to sprout. He makes a hasty exit.

Having not seen Nick during the evening, Dr. Jack visit’s Nick’s haven, a closed down movie theatre with It’s a Wonderful Life still on the marquee. He finds Nick chugging on a wine bottle full of blood. They have a small argument over Nick’s humanity, leading Nick to admit his desire for love and companionship despite the vampiric side effect of watching people die around them. They make up and move on, there’s crime on the streets and the city needs it’s Midnight Cop. Nick explains that the stolen goblet is part of a pair (one of which he owns) that may be able to cure one of vampirism. The other goblet was coveted by Nick’s maker, LaCroix (Michael Nader, TV’s All My Children), who wants Nick to embrace his vampirism instead of trying to fix it. Could he be the thief?

When a homeless couple goes missing, Nick visits a local vampire nightclub. There he finds Janette (Cec Verrell (Silk). She informs him that while, yes, LaCroix is in town and yes, he may have something to do with the goblet, the missing couple has nothing to do with him. On his way out of the nightclub, Nick bumps into Alyce, who followed him. When some other vampire locals approach the couple, she notices a scar on Nick’s chest (matching one in the photo she had), and confronts him. He doesn’t outright admit to being a vampire, but she gets the feeling she’s on the right track. She even dares him a little, baring her neck. Nick doesn’t take the bait.

On the radio, we hear “The Nightcrawler” who is really LaCroix. The Nightcrawler hosts “Metal for the Ages”, lamenting that he hasn’t seen his old friend Jean Pierre (Nick) in some time. LaCroix dedicates his next song to him, which just happens to be Bobby Brown’s “My Prerogative”. I don’t remember Bobby Brown’s music ever being Metal, but we’ll roll with it.

Eventually, Nick has to deal with both LaCroix and the real villain in this tale. The story ends on a bit of a dark note, resolving the whole mystery, but still leaves open the promise of Nick’s search for Mortality. The city is safe for now, and that’s what counts.

Though the film isn’t terribly strong on the plot, it does shine with the music choices. With classic 80s hits like Steve Winwood’s “Don’t You Know What the Night Can Do” and “Human” by The Human League, Nick Knight definitely has a bit of style, though it’s a bit over the top and campy on the action sequences. It was one of those films that I had a better memory of than what it truly was.

Music Video of the Day: I Get Excited by Rick Springfield (1982, directed by ????)

Posted on by Jedadiah Leland

Rick Springfield’s performance in this video confirms that he was excited and he wanted to make sure that everyone knew it.  This is the type of video that was very popular in the early days of MTV, where the emphasis was on both the musicianship on the band and the number of people willing to pay money to see them perform.  Watch the audience get excited as Rick points at his drummer.

Enjoy!

Music Video of the Day: Don’t Talk To Strangers by Rick Springfield (1982, directed by Paul Justman)

Posted on by Jedadiah Leland

This is the music video where Rick Springfield sets a landline phone on fire. That’s one way to keep your girl from talking to strangers. Even though the video suggests that Springfield is saying that you shouldn’t talk to strangers because you never know who they could actually be and you might be putting yourself in dangers, Springfield has admitted that the song’s message was less altruistic. Instead, it was a message to his girlfriend (and later wife), telling her not to talk to strangers while he was away because he was worried that she would end up cheating on him.

As Springfield explained to Variety, “Back then, I was scared that she was screwing around because I was doing the same thing.” Jesse’s girl could probably tell you something about that.

This video was directed by Paul Justman, who also did videos for The Cars and the J. Geils Band.

Enjoy!

Music Video of the Day: Celebrate Youth by Rick Springfield (1985, directed by David Fincher)

Posted on by Jedadiah Leland

When I first read the blandly generic title and I saw that it was performed by Rick Springfield (who I don’t think has ever ben anyone’s idea of a cutting edge musical artist), I assumed that Celebrate Youth was going to be another cheesy, feel good anthem from the 80s.  Then I discovered that this song rocks!

As you could probably guess just by its visual style, this was one of the many music videos that David Fincher directed before moving onto feature films.  The black-and-white cinematography with the only splash of color coming from that red scarf clearly identifies this as one of Fincher’s videos.  The interesting thing about Fincher’s music videos is that they show that, even before he directed his first film, Fincher already had a clear and unique artistic vision.  Just as you would never mistake any of Fincher’s films for the work of another director, the same is true of his music videos.

Enjoy!

Music Video of the Day: Jessie’s Girl by Rick Springfield (1981, directed by Rick Springfield)

Posted on by Jedadiah Leland

Who was Jessie’s girl?

We’ll probably never know.  Not even Rick Springfield, the man who first sang of her existence, seems to be sure.  Here’s what he told Songfacts about the subject of his most enduring song:

I don’t know her name. It was a brief relationship I had when I was making stained glass for a while. I was going to a stained glass class in Pasadena, and I met this guy and his girlfriend. I was completely turned on to his girlfriend, but she was just not interested. So I had a lot of sexual angst, and I went home and wrote a song about it. Then about four months later I stopped going to the class and lost contact with them. The only thing I remember is his name was Gary, so I changed the name, because ‘Gary’ didn’t sing very well. But the whole thing is absolutely what I was feeling. He was getting it and I wasn’t, and it was really tearing me up. And sexual angst is an amazing motivator to write a song. Actually, Oprah’s people tried to find her, and they got as far back as finding the stained glass guy. I couldn’t remember his name, but I said it was late ’70s; they found him, and he had died two years earlier, and they’d thrown all his papers out a year after that. So we missed finding out who she was by a year.

As the old saying goes, “When not even Oprah can find you…”

Today, this song is probably best remembered for its prominent use in Boogie Nights and for one frequently misheard lyric.  Many people still continue to believe that Springfield sings, “I wish I was Jessie’s girl,” instead of “I wish I had Jessie’s girl.”

This simple video was directed by Rick Springfield himself.  The song was Springfield’s second top 20 hit, the first being the now-forgotten Speak To The Sky.  At the time that this song and video came out, Springfield was better known for appearing on General Hospital.  Though he had started out as a singer, when Springfield’s musical career temporarily stalled, he followed the advice of his then-girlfriend, Linda Blair (yes, that Linda Blair), and pursued an acting career.

Enjoy!

Music Video of the Day: Bop ‘Til You Drop by Rick Springfield (1984, directed by David Fincher)

Posted on by Jedadiah Leland

When you think of which 1980s pop singer was most likely to fuse his music with a science fiction epic about a group of intergalactic prisoners being enslaved by some sort of smirking lizard king, Rick Springfield is probably not the name that immediately comes to mind.  But that’s just what happens with the music video for his song, Bop ‘Til You Drop.

Not surprisingly, this video was directed by David Fincher.  Before Fincher moved into feature films, he specialized in music videos that took artists to new and unexpected places.  According to both the Internet Movie Database and the Internet Music Video Database, this was Fincher’s first music video.  A year earlier, he had worked as an assistant cameraman on Return of the Jedi and both the slaves and the aliens in this video feel like they would not have been out of place as a part of Jabba the Hutt’s entourage.  Visually, the video also has much in common with Fincher’s feature directorial debut, Alien 3.

This song was recorded for the soundtrack of Hard To Hold, an apparently unsuccessful attempt to turn Rick Springfield into a film star.  I haven’t seen Hard to Hold but Wikipedia offers up the following plot description:

James “Jamie” Roberts (played by singer-songwriter Rick Springfield), being a pop idol, is used to having his way with women. He meets child psychologist Diana Lawson (Janet Eilber) in a car accident, however, who not only doesn’t swoon at his attention but has also never heard of him. He tries to win her affection but complicating things is that his ex-lover, Nicky Nides (Patti Hansen), remains a member of his band.

It sounds like the music video was more interesting than the movie.

Enjoy!