Late Night Retro Television Review: Check It Out 2.18 “My Girl Friday, Saturday, Sunday”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Howard runs afoul the mob.  Don’t worry, it’s only the Canadian mob.

Episode 2.18 “My Girl Friday Saturday Sunday”

(Dir by Alan Erlich, originally aired on February 22nd, 1987)

While taking Edna to the airport (and seriously, how many vacations does Edna take during the year?), Howard is the victim of a hit-and-run.  Another car literally takes off Howard’s driver’s side door.  Howard is determined to find out who was driving the car and make them pay for his door.

After Marlene puts signs up around the airport asking if anyone witnessed the accident, Howard learns that the other car belonged to Canadian gangster Meatloaf Rothko (Chuck Shamata) and it was being driven by his mistress, Jerri (Heather Smith).  Of course, Meatloaf already knows whose car Jerri hit and, in fact, he’s arranged for Jerri to get a job as Edna’s temporary replacement at Cobb’s.

Meatloaf requests that Howard meet with him at an Italian restaurant.  Howard is hesitant but finally agrees to not only meet with him but to wear a wire.  But, it turns out that Meatloaf is actually a nice guy who is willing to give Howard $10,000 to keep quiet about the accident.  So, in other words, there really wasn’t much point to any of this.

As you probably already guessed, the plot of this episode was dumb.  As I’ve often commented in the past, Check It Out has never been able to figure out who Howard Bannister is supposed to be.  Sometimes, he’s the best boyfriend in the world and a respected father figure to all of his employees.  This week, however, his employees are back to having no respect for him and Howard starts to hit on Jerri as soon as she shows up in the store.  (Sorry, Edna, I hope going on your tenth vacation of the season was worth it.)  Sometimes, Howard is a brilliant guy who always tries to do the right thing.  This episode, he’s back to being a coward who has to be pressured into standing up for himself.  Considering that the episodes in which Howard is a good boss are a hundred times better than the ones where he’s a total jackass, it’s a bit annoying that the jackass version of Howard seems to be the one who shows up the most.

On the plus side, this episode featured a lot of funny bits from the show’s supporting cast.  Kathleen Laskey, Jeff Pustil, and Gordon Clapp all got in a few good one-liners.  Of course, it helps that Laskey, Pustil, and Clapp all play characters who behave in a consistent manner.  Jeff Pustil’s Jack Christian is always going to be smarmy in an oddly likable way.  Gordon Clapp’s Viker is always going to be earnestly dumb.  Kathleen Laskey’s Marlene is always going to be a sarcastic agent of chaos.  Their characters have been consistent since the show started and, as a result, a lot of the humor comes from knowing how they’re going to react to certain situations.  I will sit through an entire episode just to hear Marlene’s sarcastic response to whatever plan Christian comes up with.  They’re funny characters.

So, my feelings about this episode were mixed.  The story was incredibly dumb and Howard was incredibly annoying.  But the employees of Cobb’s made me smile more than once.  This episode wasn’t particularly memorable but it amused me.  I’ve learned that’s the best one can hope for with this show.

Lisa Marie’s Week In Television: 10/27/24 — 11/2/24


Last Sunday, I took part in one of my favorite October traditions and I watched It’s The Great Pumpkin, Charlie Brown with my sister, Erin.  I always enjoy watching these old Peanuts specials with my sister.  It’s been a part of our holiday tradition for as long as I can remember.  You can read Erin’s thoughts on the Great Pumpkin here.

I watched the latest episode of American Sports Story: Aaron Hernandez.  This week, Aaron murdered Odin Lloyd.  This was the crime for which Hernandez was arrested and eventually sent to prison.  You would think that this would have been a major episode of the show but it was actually pretty meh.  Who cares?  Everything that this show had to say about Aaron Hernandez and his crimes was said several episodes ago.

I enjoyed the latest episode of Hell’s Kitchen on Thursday.  The Blue Team is finally getting it together.  Chef Ramsay is being a bit nicer than usual this season but he’s still entertaining.  I actually kind of like it when Ramsay’s nice.  One gets the feeling that he really does want everyone to reach their full potential.

How did I not know that Dr. Phil started his own television network?  On Friday, I came across it while looking for something to watch in the afternoon.  I ended up watching two episodes of Jail.  Usually, the cops and guards on Jail get on my nerves but, in these two episodes, they actually did a pretty good job and treated everyone with a modicum of respect.

On Friday night, I watched two episodes of Night Flight.  It was all about 80s music and 80s films.  I enjoyed them.

Today, I watched an old episode of Dragnet from 1970.  Sgt. Joe Friday (Jack Webb) was enrolled in night school.  An anti-cop professor tried to kick him out of class.  Fortunately, one of Joe’s classmates was an attorney and threatened to sue the college on Joe’s behalf.

As far as my retro television reviews are concerned, I finished up T&T finally.  I also watched and reviewed Friday the 13th, Welcome Back, Kotter, and Check It Out.  Welcome Back, Kotter is no longer on Tubi so I had two bucks to watch this week’s episode on Prime.  Welcome Back, Kotter’s later seasons are far more tolerable when you can view them for free.

Horrorthon is over!  I’ve got a lot of television to get caught up on, starting this upcoming week.  Apparently, I’m being given an extra hour to do so.  That was nice of whoever’s in charge of all that.

 

Late Night Retro Television Review: Friday the 13th: The Series 2.16 “Scarlet Cinema”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, a nerdy film students takes his love of a 1940s horror film too far!

Episode 2.16 “Scarlet Cinema”

(Dir by David Winning, originally aired on February 20th, 1989)

Darius Pogue (Jonathan Wise) is a nerdy film student who is obsessed with The Wolf Man.  When Darius steals an old antique movie camera, he discovers that, by looking through the camera’s view finder, he can bring The Wolf Man to life and send him to kill anyone who annoys him.  Darius kills a snooty antique store manager.  He kills a bully.  He kills his professor.  He even sends the wolf after Ryan and a girl that Darius likes.

However, as much as Darius enjoys sending the Wolf Man after people, he wants to be the Wolf Man himself.  After allowing the Wolf Man to scratch him, Darius shoots him with silver bullets.  Transforming into a werewolf himself, Darius goes after Ryan, Micki, and Jack.  Unfortunately, Darius didn’t consider that film stock is full of silver nitrate.  Live by the film, die by the film….

This episode was a case where the premise was pretty interesting but the execution didn’t quite work.  The episode mixes in archival footage from The Wolf Man with scenes of Darius’s victims meeting their fate.  So, for example, one sees Lon Chaney Jr. turning into the Wolf Man and then the viewer sees The Wolf Man killing one of Darius’s classmates.  The problem is that the Friday the 13th werewolf makeup doesn’t really look much like the Wolf Man makeup.  Regardless of how darkly lit each scene is, it’s pretty obvious that the Wolf Man from the film is not the same Wolf Man that is doing Darius’s bidding.  It not only negates the whole idea behind the cursed antique but it’s also pretty distracting for those of us just trying to watch the show.  And, again, it’s a shame because the idea behind this episode was actually pretty clever.

Myself, I’ve always liked the original Wolf Man.  Eventually, Larry Talbot got a bit too whiny for his own good and it’s pretty much impossible to buy the idea of the hulking, very American Lon Chaney, Jr. as the son of the sophisticated and very British Claude Rains.  But, even with all that in mind, The Wolf Man holds up as a classic American horror film, full of atmosphere and featuring a pretty impressive monster.  Friday the 13th deserves some credit for making Darius a Wolf Man fan because The Wolf Man, with its portrait of a man being driven mad by a curse that he cannot control, fits in perfectly with the main idea behind Friday the 13th.  Darius, like most of the villains on this show, isn’t really evil until he starts using the camera.  Each times he picks up the camera, his actions become progressively worse.  Just as Larry Talbott was cursed by the werewolf, Darius is cursed by the camera.  Much like a drug addict, Darius falls in love with the camera and he just can’t stop using it.  His addiction changes his personality as it becomes all-consuming,.  Eventually, it drives him to become the Wolf Man himself.

The episode ends with another cursed antique safely hidden away and Darius joining Larry Talbot in the cold embrace of death.  There was a lot of potential to this episode so it’s a shame that it didn’t quite work.

The Films of 2024: Gary (dir by Robin Dashwood)


Wow, what a depressing documentary!

I’m taking about Gary, which is currently streaming on Peacock.  Gary tells the story of former child actor-turned-security guard Gary Coleman, who went from being one of the top stars in television to eventually struggling to pay the bills.  The documentary tells the story of Coleman’s life, from his start as a cute kid with a mischievous smile to his stardom, his health struggles, and the controversy over why all the money that he made as a child eventually disappeared.  Gary blamed his parents.  His parents blamed Gary’s managers.  The woman who eventually married Gary blamed everyone.  Gary, himself, ended up as tabloid fodder, in which he was treated as not only being the poster child for the problems that young stars encounter but in which he was also regularly ridiculed for having those exact same problems.  Watching the documentary, one gets the feeling that the world took an odd joy in Gary Coleman’s downfall.  Coleman himself died under mysterious circumstances and the documentary, though even-handed, leaves one feeling that there’s definitely a lot about his death that could stand to be examined.

Gary Coleman’s stardom was a bit before my time, though I have seen a few episodes of Diff’rent Strokes online.  The show, to be honest, always seems a bit cringey to me but, still, it’s obvious that Coleman was a capable actor even when he was having to repeat the catch phrases that he came to hate.  Unfortunately, his kidney problem stunted his growth and, as he got older, the acting opportunities dried up.  He was reduced to parodying his former stardom, appearing on talk shows and sitcoms and repeating, “What you talkin’ about” to anyone who asked.  The documentary was painfully sad to watch.  Gary Coleman definitely comes across as being a bit of an eccentric but it’s hard not to feel that he never allowed to grow up and that the people who should have been looking out for him, like his parents and his manager and his wife, were only looking out for themselves.

The film features interviews with the people who failed Coleman.  None of them really take any sort of responsibility for their actions.  At first, his wife comes across like she really cared about him but, as the documentary progresses, we hear too many stories about her abusing and manipulating him to take anything she says at face value.  When she sells a picture of Coleman on his death bed to a tabloid, that’s pretty much last straw as far as any sympathy for her is concerned.  Coleman’s business manager also initially comes across as being genuine and sincere but, again, there are just too many stories of misusing Coleman’s money.  If he doesn’t seem to be as ruthlessly mercenary as Coleman’s wife, it’s still obvious that he shouldn’t have been managing Coleman’s career.  As for Coleman’s parents, the less said about them the better.  Everyone that is interviewed is very good at blaming someone else for what happened after Coleman’s stardom ended.

Again, this was depressing documentary.  Watching this, I really felt bad about Gary Coleman.  It’s hard to know what to do about child stars.  On the one hand, there are child stars who grow up to lead what appear to be perfectly normal and stable lives.  But, there’s also a lot like Gary Coleman, whose lives are pretty much destroyed by their early success.  No kid should be supporting their family.  And no family should be paying their bills exclusively with their kid’s salary.  To me, it all comes down to the parents.  You can’t depend on an industry to raise your child for you.  In the end, though, Coleman was let down by a lot of people.  There’s more than enough blame to go around.

Late Night Retro Television Review: Highway to Heaven 2.23 “Children’s Children”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark find themselves in a Douglas Sirk-style melodrama.

Episode 2.23 “Children’s Children”

(Dir by Victor French, originally aired on April 30th, 1986)

When I watched this episode, I saw that the script was credited to David Thoreau and I immediately assumed that it had to be a pseudonym for the actual writer.  Fortunately, for once, I actually did some research and I discovered that the writer’s name actually was David Thoreau.  He wrote a few scripts that were produced in the 80s and 90s and, in fact, this was the first of seven scripts that he wrote for Highway to Heaven.  He’s also credited as writing the screenplay for the classic beach volleyball film, Side Out.

As for this episode, it finds Mark and Jonathan working at a home for unwed mothers.  Just the term “home for unwed mothers” brings to mind the 50s melodramas of Douglas Sirk and I found myself thinking about just how old-fashioned Highway to Heaven must have seemed even in the 80s.  I did a google search and I discovered that homes from unwed mothers do still exist, though they’re now called “maternity homes.”

The manager of the home for unwed mothers is Joyce Blair (Bibi Besch), who finds herself being hounded by a reporter named Dan Rivers (Robert Lipton).  Dan is determined to take Joyce down and, to do so, he brings up a past incident in which Joyce was arrested.  Dan twists the facts to make Joyce look like a criminal and soon, Joyce finds that she might not be able to keep the home open.  Why is Dan doing this?  Like most reporters on Highway to Heaven, he’s just plain evil.  But when one of the girls at the home suggests that Dan might be the father of her child, Dan learns what it’s like to be falsely accused.

Meanwhile, evil businessman Jack Brent (James T. Callahan) hopes for a chance to foreclose on the home so that he can bulldoze it and replace it with condominiums.  (Bad guys in the 80s always wanted to build condos.)  But how will he react when he discovers that his teenage son (Scott Coffey) is going to be a father and that the girl he impregnated in currently living at the home?

This episode is the type of episode that most people think of when they dismiss Highway to Heaven as just being an old-fashioned and slightly preachy melodrama.  There’s not a single subtle moment or particularly nuanced moment to be found in this particular episode.  It’s note quite as heavy-handed as that episode where Mark begged the President to talk to the Russians and reduce amount of nuclear missiles but it’s close.

Bonus Horror on TV: The Curse of Degrassi (dir by Stefan Brogren)


This is a special episode of my favorite TV show of all, Degrassi!  Originally airing on October 28th, 2008, The Curse of Degrassi features Degrassi’s main mean girl, Holy J Sinclair (Charlotte Arnold), getting possessed by the vengeful spirit of deceased school shooter, Rick Murray (Ephraim Ellis).  Chaos follows!  Fortunately, Spinner (Shane Kippel) is around to save the day.  As any true Degrassi fan can tell you, only Spinner has a chance against the forces of the undead.

What I like about this episode is that, in the best tradition of Degrassi, it goes there.  Holly J does get possessed.  Just about the entire cast end up dying horribly.  Spinner has to battle the undead spirit of Rick Murray and he has to do it without the help of Drake.  And, as far as we know, this episode is canon.  So, yes, Rick Murray’s ghost actually does haunt Degrassi Community School and yes, only Spinner can save us all.

Go Spinner!

Enjoy!

Retro Television Review: Malibu, CA 1.16 “Mrs. Murray”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  The entire show is currently streaming on YouTube!

This week, Murray gets married!

Episode 1.16 “Mrs. Murray”

(DIr by Gary Shimokawa, originally aired on February 7th, 1999)

It may seem strange to review an episode of Malibu, CA on Halloween but this episode does feature Murray dressed up as Elvis so I guess that’s kind of Halloween-y.

Why is Murray dressed as Elvis?  That’s what he decides to wear to his wedding, which is being held in the restaurant for some reason.  Murray is marrying Amber (Anastasia Horne), who is only interested in Murray because of his money.  (At one point, Amber’s friend refers to Murray as being the “mayor of Freak City.”  No, Murray was mayor of Malibu …. remember?)  Murray will receive a billion-dollar trust fund as soon as he gets married.  Jason and Scott try to warn Murray about Amber so, at his wedding, Murray announces that he will not accept a dime of money from his trust fund.  Amber quickly leaves the restaurant and Murray starts to sing “I feel so lonely I could die.”

Poor Murray!

While it’s tempting to praise Scott and Jason for looking out for Murray, I’ve seen enough episodes to know that Scott and Jason were probably just concerned that Amber would take all of Murray’s money before they could get a chance to cheat him out of it.  Scott and Jason have certainly never had any problem with the idea of taking Murray’s money before.  I’d probably be trusting of their motives if not for the fact that they embezzled money from Murray’s campaign just a few episodes ago.

Meanwhile, Tracy tries her hand at becoming a hairstylist, which leads to Sam and Stads looking like this:

Hey, just in time for Halloween!  Are we sure this isn’t a holiday episode?  It originally aired on February 7th, 1999 so …. nope.  It’s just a coincidence that the episode I’m reviewing on Halloween happened to feature a lot of costumes.

This episode was essentially just a re-do of the Saved by The Bell episode with Screech’s Spaghetti Sauce, with the main difference being that Brandon Brooks is a bit more likable as Murray than Dustin Diamond was as Screech.  On a personal note, I have to say that, as someone who has big boobs and is proud of it, I kind of resent that that every similarly endowed woman on Malibu, CA is portrayed as being either an airhead (Tracy) or a golddigger (Amber).  For a show set on the beach, this show certainly does seem to take issue with those of us who actually look good in a bikini.

(Personally, I think Tracy should marry Murray and start digging into the trust fund….)

Oh well.  I could complain more but it’s time for me to get ready to hand out candy.  Happy Halloween!

Horror on the Lens: Night of the Living Dead (dir by George Romero)


Happy Halloween everyone!

Well, as another horrorthon draws to a close, it’s time for another Shattered Lens tradition!  Every Halloween, we share one of the greatest and most iconic horror films ever made.  For your Halloween enjoyment, here is George Romero’s Night of the Living Dead!

(Be sure to read Arleigh’s equally famous review!)