Retro Television Review: St. Elsewhere 2.16 “After Dark”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, it’s time to name the Doctor of the Year!

Episode 2.16 “After Dark”

(Dir by Eric Laneuville, originally aired on February 29th, 1984)

It’s time for the annual end-of-the-year dinner, during which the Women’s Auxiliary will announce their pick for Doctor of the Year.  Last year, to Dr. Craig’s shock, Westphall won the award.  This year, Dr. Craig is sure that he’s going to win.  Even though Craig says that he doesn’t care about awards, he still has his wife, Ellen (Bonnie Bartlett), write out a speech for him.

The dinner is just as boring as usual.  The majority of the doctors who show up mention that their spouse couldn’t make it because they suddenly came down with the flu.  When it is time to announce the Doctor of the Year, Dr. Craig prepares to accept the award.  However, the award is given — for the second year in a row — to Dr. Westphall!

Seriously?  I mean, what the Heck?  Nothing against Dr. Westphall but what exactly has he done to deserve the award this year?  Dr. Auschlander has continued to see patients while battling cancer.  Dr. Craig performed a heart transplant!  Meanwhile, Dr. Westphall has dealt with the administrative stuff and been kind of grumpy.  I’m totally on Dr. Craig’s side here.  There’s no way Westphall deserved that award for two years running.

Westphall, himself, had to leave the awards dinner early because of an emergency at the hospital.  (More on that below.)  Dr. Craig accepts the award in Westphall’s place and — surprise! — gives a sincere speech about how much he appreciates Dr. Westphall’s leadership.  Good for Dr. Craig!  That said, there’s no way Dr. Westphall deserved the award this year.

Meanwhile, Kathy Martin, who we last saw being raped by Peter White in the morgue, is missing.  Peter wanders through the hospital in a narcotic-induced haze, carrying his ski mask in his pocket.  He nearly attacks Shirley.  He does attack Wendy Armstrong and this time, he doesn’t even put on his ski mask.  Fortunately, Fiscus hears Wendy’s screams and knocks Peter out with a fire extinguisher.  Peter is taken away by the police while Westphall heads to Peter’s home to tell Peter’s wife that her husband is the Ski Mask Rapist.

Victor is thinking of getting divorced.  Bobby, on the other hand, decides to ask Joan to marry him.  And Dr. Morrison continues to get too involved with his patients.  When Joseph (Dan Hedaya), a construction worker dealing with random bouts of blindness, is told that he’ll have to quite job, Morrison calls out a fellow doctor being callous.  Good for Morrison!

The episode, a well-acted one that deftly mixed drama and comedy, ended with some unanswered questions.  Peter’s been arrested.  Is he gone for good?  And where is Kathy Martin?  And seriously, how did Dr. Westphall win that award!?

Late Night Retro Television Review: Highway to Heaven 2.8 “The Smile In The Third Row”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark head to Broadway!

Episode 2.8 “The Smile In The Third Row”

(Dir by Michael Landon, originally aired on November 20th, 1985)

Fred Fusco (Lorne Greene) is a veteran actor who is appearing in a Broadway play.  In the play, Fred plays a man who learns that he’s about to die.  During the third act, Fred’s character actually does die and Fred ends the play with a monologue about owning the choices he made in his life before he ascends into Heaven (via a harness).

It’s a depressing play and the theater is usually half-empty whenever Fred performs.  But one night, Fred claims that he spotted God sitting in the third row.  Fred also says that God really enjoyed the show.  When the news get out, the play becomes a huge success as audiences turn out to see a play endorsed by God.  Fred becomes a huge celebrity and befriends a terminally ill boy who promises to say hi to God when he goes to Heaven.  However, when Fred starts to talk about leaving his fortune to charity, both his sister (Mary Ann Gibson) and his nephew (David L. Lander) conspire to have him committed.

Fred also happens to be Jonathan and Mark’s later assignment.  Mark gets a job at the theater while Jonathan puts on a collar and becomes Father Jonathan.  While Mark is convinced that Fred is actually seeing God, Jonathan is skeptical because Jonathan doesn’t see God in the theater.  Why, Jonathan asks, would God reveal himself to an actor but not an angel?  There’s an interesting subtext here, as it quickly becomes obvious that Jonathan isn’t so much skeptical as he’s jealous.  He even rather recklessly reveals to Fred that he’s an angel in his quest to convince Fred that he hasn’t actually seen God.  Fred reveals that he’s willing to accept Jonathan’s word that he’s an angel but then asks why Jonathan is not willing to accept his word that he sees God in the theater.

Is God in the theater?  At the end of the episode, Fred’s harness is broken but, at the end of the third act, he still ascends above the theater and then vanishes.  The newspapers call it a hoax but the show suggests that, much like Elijah, he’s been assumed straight to Heaven.  Is Fred meant to be a modern day Elijah?  Would that therefore make his sister a modern-day Jezebel?  Perhaps but, fortunately for her, she is never eaten by wild dogs.

As usual, there wasn’t much subtlety to be found in this episode of Highway to Heaven but it still worked surprisingly well.  When Fred met the dying child, my first instinct was to roll my eyes at the obviousness of it all but those same eyes had tears in them by the time the scene was over.  The episode benefitted greatly from Lorne Greene’s strong performance as Fred Fusco and Michael Landon’s strong portrayal of Jonathan’s mixed feelings about Fred’s claims.  All in all, this was a strong episode.