The Films of 2025: Happy Gilmore 2 (dir by Kyle Newacheck)


I love 1996’s Happy Gilmore and, over the past few months, I have very much been looking forward to the release of the long-delayed sequel, Happy Gilmore 2.  Still, I was a bit concerned when I opened the film on Netflix and discovered that the sequel had a nearly two-hour running time.  (The original clocked in at an efficient and fast-paced 90 minutes.)  Comedy is all about timing and, in general, shorter is funnier.  I know that Judd Apatow and Adam McKay might disagree with me on that but let’s be honest.  For all of the acclaim that it was met with, when was the last time you actually felt any desire to rewatch The King of Staten Island?  For that matter, if you have to pick between Anchorman or Anchorman 2, which are you going to pick?  The 90 minute original or the sequel that takes more than two hours to tell essentially the same story?

Having now watched the film, I can say that Happy Gilmore 2 does run a bit too long.  There are a few sequences that could have been trimmed without hurting the film.  I can also say that I thoroughly enjoyed the film.  I laughed more often than not.  It’s a funny film but it’s also a surprisingly touching one.

Taking place 29 years after the first film, Happy Gilmore 2 features an older and slightly more mature Happy.  It also features an older and slightly more mature Adam Sandler and, to its credit, the film acknowledges that.  It doesn’t try to convince us that Sandler and Gilmore are still the young hell-raisers that they once were.  (Happy’s Happy Place has changed considerably.)  I’ve often written that there are two Adam Sandlers.  There’s the youngish Sandler who made silly and often stupid films where he basically just hung out with his friends and didn’t seem to put much effort into anything.  That’s the Sandler who has won multiple Razzie awards.  And then there’s the older and wiser Adam Sandler, the sad-eyed character actor who gives sensitive performances as world-weary characters.  This is the Adam Sandler who seems to be overdue for an Oscar nomination.  If an alien came to Earth and only watched Adam Sandler’s serious films, they would probably think he was one our most-honored actors.  While Happy Gilmore 2 is definitely a comedy, it still features quite a bit more of the serious Sandler than I was expecting.

At the start of the movie, Happy is not in a happy place.  His grandmother has passed away.  His wife, Virginia, was killed by an errant tee shot.  He has four rambunctious sons and a daughter, Vienna (played by Sunny Sandler, who was so good in You Are So Not Invited To My Bat Mitzvah).  After Virginia’s death, Happy gave up golf.  He lost his money.  He lost his grandmother’s house.  Now, he’s working in a grocery store and he’s an almost forgotten figure.  He’s also an alcoholic, keeping bottles of liquor hidden around the house.  (A tiny liquor bottle is hidden in the cuckoo clock.)  And while this film is certainly not Uncut Gems or even The Meyerowitz Stories, Sandler still does a good job of capturing the reality of Happy’s depression.  There’s a true sense of melancholy running through the film’s first hour, as Happy returns to golf to try to make enough money to pay for Vienna to attend a prestigious dance academy.  The second hour, in which Happy leads a team of pro golfers against a team of “extreme” athletes is far more goofier but Happy’s love for his family is a theme that runs through the entire film.

Aging is the other theme that runs through the film.   Forced to play with three younger players (including Eric Andre and Margaret Qualley) at a local golf course, the rusty Happy grimaces when he hears one of them say, “Is he trying to do the Happy Gilmore swing?”  When Happy rejoins the PGA, he discovers that all of the younger players now hit the ball as hard as he used to.  An obnoxious tech bro (Benny Safdie) wants to start a new, extreme golf league, one that will “continue the revolution” that Happy started.  Happy finds himself defending traditional golf and it’s an acknowledgement that both Gilmore and Adam Sandler have grown up and have come to appreciate that not everything needs to change.  Sometimes, you just want to play a nice round of golf on a pretty course without having to deal with the sensory overload of the 2020s.

It’s a funny movie.  Even when he’s playing it straight, Sandler still knows how to deliver a funny line.  Ben Stiller returns as Hal L., who is now an addiction recovery specialist.  (His techniques include ordering people to wash his car.)  Christopher McDonald also returns as Shooter McGavin, having escaped from a mental asylum and now fighting, alongside Happy, to save the game that they both love.  As someone who always felt that Shooter kind of had every right to be upset during the first film, I was happy to see him get a bit of redemption.  Several professional golfers appear as themselves.  A running joke about Scottie Scheffler getting arrested and then forcing all of his cellmates to watch golf made me laugh a lot more than I was expecting it too.

The sequel is full of shout-outs to the first film.  A fight in a cemetery reveals that everyone who died during and after the first film just happens to have a gravestone and it was actually kind of a nice tribute.  (Even the “Get Me Out Of Here” Lady gets a headstone.)  It’s a sequel that truly appreciates and values the legacy and the fans of the first film.  It’s also a sequel that seems to truly love the game of golf, which is not necessarily something that could be said about the first film.

Happy Gilmore 2 is a worthy sequel, even if it is a bit long.  It made me laugh but, at the same time, it was hard not to be touched by the obvious love that Happy had for his family and that they had for him.  (It didn’t hurt that Happy’s daughter was played by Sandler’s daughter.)  In the first film, Happy played golf for his grandmother.  In the second film, he returns to the game for his daughter.  It’s all about family, as Adam Sandler’s unexpectedly heartfelt performance makes clear.

Music Video of the Day: Pour Me A Drink by Post Malone, featuring Blake Shelton (2024, dir by ????)


It’s not quite football season yet but it’s approaching so this video feels appropriate.  Fortunately, I neither watch football nor drink so I’ve spared myself a lot of angst.

Enjoy!

Film Review: Spenser Confidential (dir by Peter Berg)


Spenser Confidential, which is currently streaming on Netflix, is the latest Mark Wahlberg/Peter Berg collaboration.

It’s a crime film and it’s set in Boston and it will probably remind you every other Boston-set crime film that you’ve ever seen.  It’s got all the usual ingredients.  People sing Sweet Caroline.  A fat gangster wears a tracksuit.  We get a long overhead shot of the streets of Southie and there’s a scene set in an Irish bar.  One of the film’s big scenes takes place at what appears to be a deserted racing track.  (I’ve never been to Boston but, just from the movies, I know that the city is basically made up of Harvard, Southie, and hundreds of deserted race tracks.)  The Red Sox get a shout-out.  And, of course, the movie stars Mr. Boston himself, Mark Wahlberg.  Seriously, if your Boston movie doesn’t feature Mark Wahlberg or an Affleck brother, it might as well just be a St. Louis movie.

In this one, Mark Wahlberg plays Spenser.  Spenser was a cop until a gangster in a tracksuit murdered someone from the neighborhood and the head of homicide tried to bury the case.  This led to an angry Spenser beating the man up in front of his own house.  Spenser was sent to prison, where he served five years as an ex-cop in the general population.  That’s right!  He wasn’t even put in protective custody but somehow, he survived.  Right before Spenser is released from prison, he’s attacked by a Neo-Nazi who is played by Post Malone.  It’s not really that relevant to the overall plot but it does give viewers a chance to say, “Wait a minute …. is that Post Malone?”

Anyway, once he gets out of prison, Spenser moves in with his mentor and former boxing coach, Henry Cimoli (Alan Arkin).  He also gets a new roommate, an aspiring MMA fighter named Hawk (Winston Duke).  After Captain Boylan,  the head of homicide — yes, the same guy that Spenser beat up five years ago, is decapitated by 20 sword-carrying assailants, Spenser is the number one suspect.  Fortunately, for Spenser, another cop commits suicide and it’s quickly announced that the cop who killed himself also killed Boylan.  It’s a murder/suicide!  So, Spenser’s off the hook and I guess the movie’s over, right?

Nope, it doesn’t work like that.  It turns out that Spenser has his doubts about the whole story and he wants to investigate because he has “a strong moral code.”  Unfortunately, as a convicted felon, Spenser is not allowed to become a private investigator.  So, Spenser and Hawk conduct an unofficial investigation, which largely amounts to talking to Spenser’s former partner, Driscoll (Bokeem Woodbine) and getting into a brawl while Sweet Caroline plays in the background.

It’s a Boston thing.

The mystery are the heart of the film pretty much leads exactly where you think it’s going to lead.  For a 2-hour crime thriller, there aren’t exactly a lot of twists and turns to be found in Spenser Confidential, which is a problem.  The mystery’s solution is so obvious that it’s hard not to resent the fact that Spenser is apparently too stupid to figure it out on his own.  There’s an extended scene where he gets attacked by a dog and you know what?  That would have never happened to any other movie detective because every other detective would have figured out who the murderer was long before getting attacked by that dog.

On the plus side, Peter Berg knows how to stage a fight scene and he also knows how to make the best use of Wahlberg’s mix of sensitivity and working class arrogance.  Unfortunately, the rest of the cast is let down by a script that doesn’t give them much to do.  Winston Duke is physically imposing as Hawk but he spends too much of the film standing around and waiting for Spenser to take the lead.  Alan Arkin appears to be having fun in the role of Henry but again, his character is underwritten.  About the only person, other than Wahlberg, who gets to make much of an impression is Iliza Shlesinger, who is cast as Spenser’s ex-girlfriend.  Shlesinger may be playing a stereotype (she’s loud, crude, and has a thick Boston accent) but she fully embraces the character and makes her seem like the only person in the film who actually has a life beyond what’s happening onscreen at any given moment.

Anyway, Spenser Confidential isn’t terrible as much as it’s just forgettable.  It’s a generic Boston crime film and you can probably safely watch it if you’re not looking for something to which you would actually have to pay attention.  Some of the action scenes are well-shot.  If you liked Mark Wahlberg in other films, you’ll probably like him in this.  Whether you enjoy it or not, you’ll probably forget about this film about an hour after watching it.