Quick Review: Brave (dir. by Mark Andrews & Brenda Chapman)


Brave already has a great review by Lisa Marie, check it out to get another insight into the film. One of the great things about the Shattered Lens is that even if a movie’s been reviewed once, another review can create a review as well.

Before Brave starts, Pixar presents their Oscar Nominated short film, La Luna, directed by Enrico Casarosa. La Luna is a simple piece about a little boy (Bambino) on a tiny boat who is taking on the Family Business. Sitting with his father and grandfather, they watch as a full moon rises high in the sky above them. Setting up a ladder, Bambino heads up to the moon, to find it littered with tiny glowing stars. The trio act as cleaners of the Moon. It’s a cute little story that for me, anyway, makes me smile when I look up at the Moon. I’m hoping Pixar maybe considers making a best of video with all their mini stories.

Brave is the story of Merida (brilliantly voiced by Boardwalk Empire’s Kelly MacDonald), a young princess in what appears to be Scotland, who is due to be married off to one of the children of her area’s neighboring lands. Granted, this isn’t something she’s looking forward to, as the wedding plans are being set up by her mother. Honestly, in watching Brave, I got the feeling that Merida really wasn’t into any of the Princess things she was supposed to be following (“No weapons on the table.”, “A princess is proper”, etc.), she seemed to just enjoy her freedom of being a young woman, of just living her life.

Brave marks the second film that wasn’t directed by one of the Pixar Majors (Pete Doctor of Monsters Inc., John Lassiter of Toy Story and Cars, Andrew Stanton of Wall-E, Finding Nemo and John Carter, and newcomer Brad Bird  of Ratatouille and The Incredibles), the first being Toy Story 3. With all of the staff that Pixar has, it makes sense that eventually, the Pixar Babies would have to step up and try their hand at feature films – even if this means that Pixar breaks their streak of great animation and filmmaking.

If Brave is any indication, Pixar is in very good hands. Directors Brenda Chapman and Mark Andrews carry Chapman’s story far better than Lassiter did with Cars 2. It’s the story of a daughter, her mother and the connection between them. It’s of wanting to follow your own path vs. the paths that others want us to follow, and it manages to do all of this effortlessly. Like Tangled, our heroine takes charge of her own path, even if it means stumbling here and there. What makes Brave even better (and what my Mom would personally enjoy) is that Merida, much like Drew Barrymore’s character in Ever After, doesn’t need any guys rescuing her from her situation, save for perhaps one key moment that doesn’t count only because it’s family oriented anyway. There’s a great sense of strength in the character.

When Merida decides to fight for herself in an Archery test to ward off the would be suitors,  she gets into a huge argument with her mother (Emma Thompson), that ends up with some harsh things being said. Merida eventually finds her way to a witch who lets her change her fate. Like Disney’s Brother Bear, the change in question is that her mother is turned into a bear. With Merida’s father (voiced by The Boondock Saints’ Billy Connolly) swearing vengeance against the black bear that took of his leg, Merida and her mother have to both keep away from him as well as fix the relationship between them or else the mother will stay a bear, forever.

This is where Brave shines. Between the communications between the Mama Bear and Merida and the gravity of their situation, Chapman creates some great emotional opportunities for them. An added touch was the notion that the longer the mother stays a bear, the more she loses her humanity and becomes a real bear. I took this to be similar to someone suffering from dementia or Alzheimer’s in a way, and that was where Pixar really got me on this one.

If there’s anything about Brave that I would change, it would be that there could have been a bit more back story on the legend that the mother told Merida (on the villain). I would have liked to know more about all of that, but in hindsight, the movie tells you all you really need to know, because the focus is still just on Merida and her Mother. There’s also just a hint of nudity, nothing terrible at all, but it’s a different route than other Pixar films have went. Additionally, kids may also find that the bear attack sequences may be a little too scary (at least the younger viewers might).

Overall, Brave’s a wonderful film and I’m ready to pick up the Blu-Ray the moment it comes out.

Pixar’s Brave – “The Prize” Latest Trailer


Last Night, while getting ready to see John Carter, one of the trailers shown was for Pixar’s Brave. It’s one I haven’t seen before, but I really like the way it ended. Here, suitors perform in an archery competition for what appears to be Merida’s (Kelly MacDonald) hand in marriage. Looks like fun!

Film Review: Cars 2 (dir. by John Lasseter & Brad Lewis)


There was once a rumor that the major heads of Pixar – John Lasseter, Pete Docter, Andrew Stanton, and Lee Unkrich (I don’t count Brad Bird because he came later) were afraid to let any of their staff take on directing any of their films. With such an illustrious track record, it’s understandable. Pixar has picked up quite a reputation as being one of the few production companies one can count on to have Supposedly, they felt that the quality wouldn’t be as great.

So, I’m certain that the Pixar Heads are eating their own pie when they realize how Cars 2 turned out. It’s a fun film that the kids will adore, but it really lacks the heart that many of the other Pixar films are known for. Mind you, I’m not blasting the movie and saying it should be avoided. Not at all. It’s just that this is more of a movie for the kids and less of one for the adults. I feel that’s the problem everyone’s having with it. This is a good thing. It reminds Pixar of what they need to do to keep winning Oscars, while still being entertaining for the kids. Hopefully, because one of the head honchos made a mistake, maybe the company may consider letting some of the new kids try a hand at it.

In short, the Kid in me loved Cars 2. The Adult in me felt “Well, at least the Kid enjoyed it.” It suffers from two problems – a great story that would have been better set in the world of The Incredibles and a forced moral to the story. This may be the first Pixar film since A Bug’s Life where I haven’t teared up, this coming from someone who couldn’t make it out of the first 15 minutes of Up without tissues.

Previously on Cars, Lightning McQueen (Owen Wilson) won his very first Piston Cup after a pit stop in the small town of Radiator Springs, where he learned to slow down and relax. He also met up with Tow Mater (Larry the Cable Guy), who may not be the brightest spark plug in the engine, but means well and manages to help when he can. Now, we find that McQueen has earned a number of Piston Cups and is one of the best racers in the world. After returning to Radiator Springs, he finds himself greeted by Mater – who’s been anxiously waiting for his best friend. Mater, being who he is, can’t help but be a little overboard in his fun, which ends up getting McQueen involved in a brand new race that’s sponsored by a clean fuel magnate.

Finn McMissile (Michael Caine) and Holly Shiftwell (Emily Mortimer) are also investigating what could be a dangerous situation. While meeting with one of their American contacts (a great cameo by Bruce Campbell), the contact passes on some special information to Mater. Mater, not realizing what he’s been tagged with, is mistaken for a spy by the duo and brought into the investigation. That’s basically what Cars 2 is. It’s “Mater becomes a Spy”, and for the most part it works, but only if you really like the character. Mater is finally given his time to shine and he pulls it off well. I myself don’t mind Larry the Cable Guy, so it’s okay for me. For the grown ups, it could be a Mater overload. The kids will eat it up. The parents may actually get a little annoyed at how clueless Mater can be at times.

I have to admit that both Michael Caine and John Tuturro (Francesco Bernoulli) were two of the strongest character voices in the film. Owen Wilson’s okay, but the story really is only about him in terms of his relationship to Mater. I really didn’t care too much about Lightning this time around. We know his story, he’s grown about as much as he can in my eyes. More or less, he’s playing second or third fiddle. Seeing Caine in this made me want to watch Harry Brown again, or The Fourth Protocol. The fact that he’s also playing an Aston Martin DB5 type Vehicle is a sweet touch for me. He ’s smooth with his lines and pulls off the British Agent role pretty well. Mortimer is also relaxed in her role. Tuturro’s Bernoulli is as over the top as he was in The Big Lebowski, and he was a treat here as McQueen’s main rival. He may have had more fun than the others working on this, from the way he sounds.

Visually, Cars 2 is as beautiful as the other Pixar films, but doesn’t really seem to break that much new ground. Toyko looks nice, Paris is perfect (right down to the Ratatouille reference, if you catch it) and Italy looks sweet, but we know Pixar can do that. The 3D, however is downright magical, and I’m one who honestly believes the medium is best served with Animated films rather than filmed ones. It’s not exactly How to Train Your Dragon, but it’s still good in it’s own right.

I mentioned earlier that the story could have been better set in the world of The Incredibles. It’s an interesting spy story (the reasoning behind why what’s happening was funny in the sense of cars and the like), but the idea that cars are actually doing all of this action kind of pulls away from the story. At least, the adult in me comes off with this thought. For kids, it’s cars doing cool stuff, and I doubt it’ll come across as boring. The other problem is that the moral of the story – accepting your friends for who they are, despite their quirks (because we all have them) – feels a little forced. It’s like someone concentrated so hard on trying to do it that when it does occur, you go..”Okay, I get it.”, But I didn’t walk away feeling anything. Ratatouille’s Remy had a passion for cooking, one so great that he even made the most wicked food critic believe that “Anyone Can Cook”. In Up, Carl Fredricksen learned to let go of what he was holding on to and found new adventures. Mater undergoes a change, but it isn’t quite a big or a substantial. Actually it doesn’t even last long. It’s just clean fun.

Overall, looking at Cars 2, it’s not the greatest Pixar film they’ve done – far, far from it, but it’s a kid’s film. It’s quite enjoyable, but it sacrifices heart for action, something that Kung Fu Panda 2 managed to hold onto this year. Your kids will love it and you’ll enjoy that they’ll love it, but just don’t bring any tissues. They’re not necessary. You really wont find your heartstrings pulled here too much.