20 Films For The Week (10/19/25)


A Few Classics

The original The Omen (1976) can currently be viewed on Tubi.  The Omen is still the best of all of the 1970s apocalypse movies.  Whereas later Omen films would increasingly get bogged down with overly elaborate death scenes, the first Omen still holds up as a genuinely scary movie.  The scene with David Warner and that plate of glass …. agck!  Damien Thorne was never creepier than he was in The Omen, perhaps because little Harvey Stephens didn’t know that he was playing a villain.  Unfortunately, it doesn’t appear that the sequels are available to stream for free.  I have a soft spot for the mess that is Damien: Omen II.  The Omen can be viewed here.

Of the many film that were inspired by The Omen, my favorite remains The Visitor (1979).  John Huston — yes, the director — plays a Polish angel who lives on a plant far away.  Huston is sent to Earth to rescue 8 year-old Katy, who has psychic powers and who has apparently been picked to mate with her half-brother and give birth to the Antichrist.  Lance Henriksen plays a Satanist who also owns a basketball team.  Mel Ferrer, Shelley Winters, Glenn Ford, and director Sam Peckinpah all have small roles.  Franco Nero plays Jesus!  This is a visually stunning and narratively berserk film.  The Visitor is on Tubi.

The Changeling (1980) is an absolutely brilliant horror film that should definitely be seen by more people.  After a family tragedy, widower George C. Scott moves into a mansion that turns out to be haunted.  It all links back to potential scandal involving a U.S. Senator, played by Melvyn Douglas.  Well-acted, this film has tons of atmosphere and one of the best seance scenes that I’ve ever seen.  The Changeling is on Tubi.

If The Changeling is an unusually intelligent haunted house film, Burnt Offerings (1976) is perhaps the opposite.  It’s a remarkably dumb film but thanks to the performances of Karen Black and Oliver Reed and the no-holds barred direction of Dan Curtis, it’s still a pretty scary movie.  Poor Bette Davis is wasted in one of her final roles.  You’ll cheer when the chimney collapses.  Burnt Offerings is on Tubi.

John Saxon later said that making Cannibal Apocalypse (1980) was one of the most depressing experiences of his career, just because he wasn’t prepared for how gory the film would get and he wasn’t particularly happy about the idea of playing a veteran-turned-cannibal.  That feeling certainly comes through in his performance, which ironically is so authentic that it elevates Cannibal Apocalypse above the typical Italian zombie/cannibal film.  Giovanni Lombardo Radice and Tony King give excellent performances as Saxon’s fellow cannibals and the entire film is far more emotionally effective than it has any right to be.  Cannibal Apocalypse can be viewed on Tubi.

The Black Cat (1981) never gets as much attention as it deserves but it’s probably one of Lucio Fulci’s more accessible films.  An adaptation of the Edgar Allan Poe short story, it features David Warbeck at his most likable, Patrick Magee at his most demented, and a killer cat with more than 9 lives.  The Black Cat can be viewed on Shudder.

I, Madman (1989) is a personal favorite of mine, largely because I relate to the main character played by Jenny Wright.  Wright plays an aspiring actress and bookstore employee who becomes obsessed with the horror novels of an obscure pulp fiction writer named Malcolm Brand.  Suddenly, murders start to occur that seem to match the murders in the books.  Both Jenny Wright and Clayton Rohner give likable performances in this film and Randall William Cook’s disfigured surgeon is a wonderful villain.  I, Madman can be viewed on Tubi.

Time After Time (1979) provides viewers with the rare chance to see Malcolm McDowell play a gentle soul.  McDowell plays H.G. Wells, whose time machine is used by Jack the Ripper (David Warner) to escape into the modern age.  Wells pursues him.  Time After Time is as much a love story as it is a thriller.  (McDowell married his co-star Mary Steenburgen.)  McDowell, Warner, and Steenburgen all give excellent performances.  Time after Time is on Tubi.

Malcolm McDowell is far more sinister in Paul Schrader’s 1982 film, Cat People.  Cat People was made at a time when cocaine was very popular in Hollywood and the film has all the excessive hallmarks of a production that was under the influence.  It’s about thirty minutes too long, the plot makes little sense, and Schrader sometimes seems to be struggling with determining what it is he’s trying to say.  That said, it’s also an atmospheric and stylish film and it has a killer soundtrack.  The sequence where Annette O’Toole is menaced while jogging and then swimming still creeps me out.  Cat People can be viewed on Prime.

Tombs of the Blind Dead (1972) was the first and the most effective of several Spanish horror films to feature Templar zombies wrecking havoc on the countryside.  This film is atmospheric and creepy and features some of the most convincing zombies to ever appear in a movie.  This film also actually manages to effectively use slow motion.  The Blind Dead are pure nightmare fuel.  Tombs of the Blind Dead can be viewed on Tubi.

Hack and Slash

Directed by Bill Rebane, Blood Harvest (1989) tells the story of a young woman who returns to her family home, just to discover that her parents are missing and the house has been vandalized.  As the bodies are strung up in a nearby barn, viewers are left to try to figure out who the killer is.  Is it the handsome and hunky Gary?  Or is it his brother, Mervo?  Mervo, who deals with stress by putting on clown makeup, is played by Tiny Tim, a notably eccentric singer.  This is one of those odd films that everyone simply has to see once.  It can be viewed on Tubi.

Directed by Joseph Zito, The Prowler (1981) is a notably gruesome but undeniably effective slasher film.  The gore effects were provided by Tom Savini.  Zito keeps the action moving, the cast is filled with actors who are likable enough to make up for the fact that none of the characters are written to have much depth, and the killer is truly frightening.  The Prowler can be viewed on Tubi.

Terror Train (1980) is another classic slasher film that is perfect for Halloween viewing, as all of the victims are in costume and the killer is a master of disguise.  The train makes for a wonderfully claustrophobic setting and the film owes as much to the Italian giallo genre as it does to the typical American slasher film.  Jamie Lee Curtis, Hart Bochner, and Timothy Webber are amongst those being stalked.  Ben Johnson is wonderful as a conductor.  Even magician David Copperfield is put to good use.  Terror Train can be viewed on Tubi.

Prom Night (1980) is another Canadian classic.  This is film the mixes disco with slasher thrills.  Jamie Lee Curtis rallies the school with her dance moves.  Leslie Nielsen gives one of his final “serious” performances at the principal of the school.  The kills are genuinely frightening and, given that most of the victims are either likable or determined to live, genuinely sad.  The twist ending works a hundred times better than it should.  Prom Night!  Everything is alright!  I love this movie.  It can be viewed on Tubi.

The House on Sorority Row (1982) is a diabolically clever little slasher film about a prank gone wrong.  One minute, you’re accidentally causing your house mother to have a heart attack after you pull a gun on her.  The next minute, you’re getting tossed in a shallow grave.  The main lesson here is don’t try anything like this when you’ve also got a big, end-of-the-year college bash to put together.  Director Mark Rosman comes up with some truly inspired visuals.  Eileen Davidson gives a great performance as the sorority sister who can’t believe how difficult it is to cover up a murder.  It can be viewed on Tubi.

Finally, Mountaintop Motel Massacre (1983) is not as well-known as some of the other films that I’ve mentioned but it features a memorably isolated location and a few effective scares.  It’s a good example of the rural slasher.  It can be viewed on Tubi.

Odds and Ends

Zombie Nightmare (1987) features a long-haired zombie, an early performance from Tia Carrere, and an oddly serious performance from Adam West.  The zombie is played a heavy metal musician named Jon-Mikl Thor.  It’s a film so ludicrous that it becomes entertaining.  It can be viewed on Tubi.

Ghost Story (1981) features a dead woman whose ghost returns, seeking vengeance on a group of elderly men who, decades before, covered up her death.  Fred Astaire, John Houseman, Melvyn Douglas, and Douglas Fairbanks Jr. play the four men.  Alice Krige is the ghost.  Patricia Neal is Astaire’s wife.  Craig Wasson plays twins.  It’s a bit of an uneven film but it still has its moments.  It can be viewed on Prime.

Night Terror (1977), which is also known as Night Drive, features Valerie Harper as a woman trying to drive from Phoenix to Denver over the course of the night and finding herself pursued by a mute psycho played by Richard Romanus.  Clocking in at 74 minutes, Night Terror is suspenseful and features good performances from both Harper and Romanus.  It can be viewed on Prime.

Finally, The Little Girl Who Lives Down The Lane (1977) is a creepy little film starring Jodie Foster as a child who will stop at nothing to keep people from figuring out that she’s living on her own.  The true monster in this film is played, quite memorably, by Martin Sheen.  It can be viewed on Prime.

Here’s What Won At Cannes


And so, another Cannes film festival has come to a close!  Despite my initial predictions and some generally respectful reviews, Ken Loach did not win a third Palme d’Or for The Old Oak so I’m happy about that.  Here’s what did win:

COMPETITION

Palme d’Or: “Anatomy of a Fall,” Justine Triet

Grand Prix: “The Zone of Interest,” Jonathan Glazer

Director: Tran Anh Hung, “The Pot au Feu”

Actor: Kōji Yakusho, “Perfect Days”

Actress: Merve Dizdar, “About Dry Grasses”

Jury Prize: “Fallen Leaves,” Aki Kaurismaki

Screenplay: Sakamoto Yûji, “Monster”

OTHER PRIZES

Camera d’Or: “Inside the Yellow Cocoon Shell,” Thien An Pham

Short Films Palme d’Or: “27,” Flóra Anna Buda.

Short Films Special Mention: “Fár,” Gunnur Martinsdóttir Schlüter

Queer Palm: “Monster”

UN CERTAIN REGARD

Un Certain Regard Award: “How to Have Sex,” Molly Manning Walker

Jury Prize: Asmae El Moudir, “Hounds”

Best Director Prize: “The Mother of All Lies,” Asmae El Moudir

Freedom Prize: “Goodbye Julia,” Mohamed Kordofani

Ensemble Prize: “The Buriti Flower,” cast and crew

New Voice Prize: “Omen,” Baloji

DIRECTORS’ FORTNIGHT

Europa Cinemas Label: “Creatura,” Elena Martín

Society of Dramatic Authors and Composers Prize: “A Prince,” Pierre Creton

CRITICS’ WEEK

Grand Prize: “Tiger Stripes,” Amanda Nell Eu

French Touch Prize: “It’s raining in the house,” Paloma Sermon-Daï

GAN Foundation Award for Distribution: Pyramide Films, “Inshallah a boy”

Louis Roederer Foundation Rising Star Award: Jovan Ginić, “Lost Country”

As far as the Oscars are concerned, I think the big winner at Cannes was Martin Scorsese’s Killers of the Flower Moon.  Yes, it was screened out of competition but the response to the film was so enthusiastic that it pretty much confirmed that, for now, it’s the Oscar front runner.  If nothing else, the response temporarily silenced those who have been insisting that Killers of the Flower Moon would be a disappointment.  (Bizarrely, there’s a whole generation of film commentators who seem to be obsessed with claiming that Scorsese is somehow overrated.  I’d hate to think this is all about something as petty as Scorsese’s criticism of the Marvel films but then again, we live in petty times.)  I would also keep an eye on Jonathan Glazer’s The Zone of Interest, which many expected would win the Palme but which had to settle for the jury prize.  From what I’ve read, Glazer’s film sounds like it could be an Oscar contender.

Music Video of the Day: Omen by The Prodigy (2009, dir by Peter Dugdale)


I’m still mourning Keith Flint.

Apparently, there’s a lot of people online who are convinced that the girl playing the glockenspiel grew up to be Greta Thunberg.  Just the fact that Greta was 6 years old at the time that this video was released should put that rumor to rest.  (In the defense of many, the rumor did start and was frequently shared as a joke.  But you know how the Internet is.)  Personally, I think she looks more like Wednesday Addams or maybe the little girl from The Ring.

Enjoy!

Horror Film Review: Omen IV: The Awakening (dir by Jorge Montesi and Dominique Othenin-Girard)


Omen_IV_DVD_cover

“Why am I watching this crap?”

That was the question that I asked myself many times last night as I watched Omen IV: The Awakening.

Seriously, it is just the WORST* and, if not for my own need to be a completist, I probably would have stopped watching after the first ten minutes.  But you know what?  I love movies, I love this site, and even more importantly — I LOVE YOU!  And I would do anything for you so I watched Omen IV: The Awakening so you wouldn’t have to.

Of course, when would you ever have to?  I probably should have considered that before I sat down to watch the film.

ANYWAY — let’s keep this quick.  The Omen IV: The Awakening was made for television and was originally broadcast way back in 1991.  It tells the story of Virginia Congressman Gene York (Michael Woods) and his wife, Karen (Faye Grant, who is currently in the news because of a tape that’s surfaced of her ex-husband Stephen Collins confessing to being a child molester).  Gene and Karen cannot have children so they adopt a baby from a bunch of nuns.  What they don’t suspect is that some of the nuns are actually in league with Satan and that their new daughter is actually the child of Damien Thorn!

Seven years later, they’ve named their daughter Delia and Delia has grown up to be something of a sociopath.  A bunch of new age hippie types suspect the truth about Delia but, whenever they get close to revealing that truth, they end up getting killed in freak accidents.  Meanwhile, Gene insists nothing is wrong while Karen…

Oh, forget it.  This movie is so bad that it’s painful to even try to describe the plot.

Let’s just say that this is an amazingly bad movie that has none of the power of the first Omen.  Nor is it as unintentionally fun as Damien: Omen II.  And none of the actors do as good as job as Sam Neill did in The Final Conflict.  Instead, it’s just a rather dull film where the tedium is only occasionally interrupted by somebody dying a terrible death.  There are two effective sequences — one in which a private detective (Michael Lerner) is chased by demonic spirits and another where a snake handler gets distracted just long enough to get bitten a few thousand times.  Otherwise, Omen IV: The Awakening deserves its terrible reputation.

AVOID IT AT ALL COSTS!

(Which probably won’t be hard since I imagine that the only way you could be tricked into watching it would be if you’re one of those film bloggers who insists on being a completist…)

http://www.youtube.com/watch?v=4TBDZPRiJ0A

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* Yes, it’s so bad that it gets the all caps treatment.