Spring Breakdown: The Sand (dir by Isaac Gabaef)


The 2015 horror film, The Sand, is the movie that asks, “What would you do if the beach was literally eating you?”

The answer, to judge from this film, is “Die.”

I mean, seriously, think about it.  If you’re on the beach and you’re still hungover from the night before and your friend is like literally trapped inside of a trash can (and yes, that does happen in this movie), then you’re pretty much screwed if the sand suddenly decides to start ripping apart your body.  I mean, that’s one thing about the beach.  There’s a lot of sand.  The sand has the advantage.

Of course, despite the title of this movie, it’s not really the beach that’s eating people.  Instead, it turns out that some sort of previously unknown sea serpent hatched out of an egg in the middle of the night and burrowed under the sand.  We don’t learn much about the serpent, other than it has tentacles and it apparently injects a numbing poison into your body before killing you.  That leads to a lot of scenes of people sinking into the sand while screaming, “I’ve gone numb!  I can’t feel anything!”  I can’t remember if anyone in the film actually yells, “The sand’s got me!”  It seems like a missed opportunity if they didn’t.

This is one of those movies that opens with a big spring break party, which means booze, lost bikini tops, and drunken hook-ups in the lifeguard tower.  As I mentioned before, it also means that one unfortunate fellow ends up getting tossed into a trash can, where he promptly gets stuck.  Making things even worse is that his friends use a felt tip marker to draw a penis on his face.  He’s definitely not going to die a dignified death.  That’s just the way things go when the beach turns on you.

The next morning, a few people wake up and discover that almost everyone else from the party has disappeared.  That probably has something do with the fact that only a few people were smart enough to fall asleep somewhere other than on the sand.  So, you’ve got one couple in a lifeguard station.  And then you’ve got four people in a car.  And then you’ve got the poor guy in the trashcan.  They’ve got to figure out how to get to safety without getting eaten by the beach.

They also have to work out their own personal issues.  For instance, one of the girls in the car cheated with the girl in the station’s boyfriend and the boyfriend happens to be in the car so there’s a lot of scenes of people apparently forgetting that they’re on the verge of dying so that they can argue about who cheated first.  It gets kind of annoying.  I would put all that personal stuff to the side if I was trying to figure out how not to get eaten on the beach.

(Actually, I probably wouldn’t.  Sometimes, personal drama just can’t wait.  But then again, I’d never survive a horror film….)

On the plus side, The Sand doesn’t take itself seriously at all.  It knows that it’s a ludicrous, low-budget horror film and it doesn’t pretend to be anything other than what it is.  Jamie Kennedy shows up as a fascist beach patrol guy.  When he’s told that his shoes are the only thing that’s dissuading the beach from eating him, he promptly takes his shoes off.  He’s an idiot.  Everyone in the movie is an idiot.  But the movie understand that they’re all idiots and it plays up the fact because it understands that everyone watching is going to be on the side of the monster under the sand.  GO, MONSTER, GO!

So, I guess my point is that The Sand is what it is.  It knows its audience and it goes out of its way fulfill their expectations and you always have to give credit to a film that understands both its strengths and its limitations.  If you want to watch a bunch of unlikable college students get eaten by the beach, have had it.  This film has what you’re looking for.

Cleaning Out The DVR: Open Marriage (dir by Sam Irvin)


(Lisa is not just watching horror movies!  She is also trying to clean out her DVR!  She has got over 200 movies that she needs to watch before January 1st!  Will she make it?  Keep checking here to find out!  She recorded Open Marriage off of Lifetime on February 4th!)

Sometimes, cleaning out the DVR really does make you feel as if you’ve stepped into a time machine.

Take Open Marriage, for instance.  I recorded this film on February 4th and, as soon as I watched it, I was transported back to those romantic days leading up to Valentine’s Day.  Suddenly, I once again found myself in a time when every other commercial was either for Fifty Shades Darker or Adore Me lingerie.  I was reminded of how, from the beginning of January to the end of March, not a single day went by that I didn’t say to my boyfriend, “You like it too.  Right, babe?”

(If you’ve seen the commercial, you know what I’m talking about.  If not, don’t worry about it.)

Anyway, it’s appropriate that Open Marriage aired in between all of those commercials for Fifty Shades Darker.  Much like the Fifty Shades movies, Open Marriage is one of those films that pretends to be all decadent but which is actually kind of silly.  Ron (Tilky Jones) and Becca (Nikki Leigh) are young, pretty, and married but they’ve got some problems.  Ron recently hurt his back and he’s been out of work for a year.  They’ve got a huge house but they’re struggling financially.  Despite Ron’s big sexy tattoo, there’s no more spark to their marriage.

However, things change when they visit their friends, Mindy (Kelly Dowdle) and Max (Jason Tobias).  Mindy and Max are young, pretty, and married but they don’t spend all of their time fighting.  How is this possible!?  Could it be because they’re rich and have an even bigger house than Ron and Becca?  Or could it be the fact that they have an open marriage?  Ron and Becca may say that they’re skeptical about the whole open marriage thing but they get so turned on by the idea that they have very passionate Lifetime-approved sex right before the first commercial break.

Naturally, all of this leads to the two couples experimenting with each other.  This means going to a secret club and getting a private room in back.  One of the rules is that the two couples always have to be together but, instead, Becca and Max go off on their own.  Ron gets upset and demands an end to all the swinging.  Becca agrees but soon finds herself tempted to return to the club.  The club, by the way, is named Caligula.  I assume that Nero was already taken.

Anyway, I liked Open Marriage because it offered up three of my favorite things: trashy sex, trashy lingerie, and trashy melodrama.  On the one hand, the movie is totally ludicrous and kind of silly.  On the other hand, it’s so totally over the top that it’s impossible not to be amused and entertained by it all.  If nothing else, Open Marriage was better than Fifty Shades Darker so let’s give credit where credit is due.