4 Shots From 4 Films: Special John Schlesinger Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been the birthday of director John Schlesinger.  It’s time for….

4 Shots From 4 John Schlesinger Films

Darling (1965, dir by John Schlesinger, DP: Kenneth Higgins)

Far From The Madding Crowd (1967, dir by John Schlesinger, DP: Nicolas Roeg)

Midnight Cowboy (1969, dir by John Schlesinger, DP: Adam Holender)

Marathon Man (1976, dir by John Schlesinger, DP: Conrad Hall)

4 Shots From 4 Films: Special Francois Truffaut Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 94th birthday, TSL pays tribute to the great Francois Truffaut.  No one captured the act of falling in love in life, people, and cinema with the skill, sensitivity, and humor of Francois Truffaut.  It’s time for….

4 Shots From 4 Francois Truffaut Films

Shoot the Piano Player (1960, dir by Francois Truffaut, DP: Raoul Coutard)

Fahrenheit 451 (1966, dir by François Truffaut, DP: Nicolas Roeg)

Day For Night (1973, dir by François Truffaut, DP: Pierre-William Glenn)

The Story of Adele H. (1975, dir by Francois Truffaut, DP: Nestor Almendros)

4 Shots From 4 Films: Special Edgar Allan Poe Edition


by Paul Green

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

217 years ago today, Edgar Allan Poe was born in Boston, Massachusetts.  From his humble beginnings as the son of two struggling actors, Poe would go on to become one of the first great American writers.  (It’s been said that, when Charles Dickens first traveled to the United States in 1842, he specifically wanted to meet Edgar Allan Poe.  Unfortunately, it appears that popular story my not be true but it’s still a good story.)  Poe was controversial in life and even his death generated more questions than answers but no one can deny his strength as a poet and as a prose writer.  Both the detective and the horror genres owe a huge debt to Edgar Allan Poe.

Today, in honor of Edgar Allan Poe’s legacy, TSL presents 4 shots from 4 films that were inspired by the work of Edgar Allan Poe!

4 Shots From 4 Films

House of Usher (1960, dir by Roger Corman, DP: Floyd Crosby)

Pit and the Pendulum (1961, dir by Roger Corman, DP: Floyd Crosby)

The Raven (1963, dir by Roger Corman, DP: Floyd Crosby)

The Masque of the Red Death (1964, dir by Roger Corman, DP: Nicolas Roeg)

4 Shots From 4 Films: Special Nicolas Roeg Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been the 97th birthday of the great and enigmatic director, Nicolas Roeg.  As both a cinematographer and a director, Roeg was responsible for some of the most visually striking films ever made.  Today, we honor his legacy with….

4 Shots From 4 Nicolas Roeg Films

Walkabout (1971, dir by Nicolas Roeg, DP: Nicolas Roeg)

Don’t Look Now (1973, dir by Nicolas Roeg, DP: Anthony Richmond)

The Man Who Fell To Earth (1976, dir by Nicholas Roeg, DP: Anthony Richmond)

Insignificance (1985, dir by Nicolas Roeg, DP: Peter Hannan)

6 Shots From 6 Films: Special 1968 Edition


6 Shots From 6 Films is just what it says it is, 6 shots from 6 of our favorite films. As opposed to the reviews and recaps that we usually post, 6 Shots From 6 Films lets the visuals do the talking!

Today, we pay tribute to the year 1968!  It’s time for….

6 Shots From 6 1968 Films

Night of the Living Dead (1968, dir by George Romero, DP: George Romero)

Petulia (1968, dir by Richard Lester, DP: Nicolas Roeg)

Once Upon A Time In The West (1968, dir by Sergio Leone, DP: Tonino Delli Colli)

2001: A Space Odyssey (1968, dir by Stanley Kubrick, DP: Geoffrey Unsworth)

Psych-Out (1968, dir by Richard Rush, DP; Laszlo Kovacs)

Dracula Has Risen The Grave (1968, dir by Freddie Francis, DP: Arthur Grant)

4 Shots From 4 Films: Special Roger Corman Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today would have been the 99th birthday of the legendary filmmaker, Roger Corman!  And that means that it’s time for….

4 Shots From 4 Roger Corman Films

Not of this Earth (1957, dir by Roger Corman DP: John J. Mescall)

The Fall of the House of Usher (1960, dir by Roger Corman, DP: Floyd Crosby)

The Masque of the Red Death (1964, dir by Roger Corman, DP: Nicolas Roeg)

The Wild Angels (1966, dir by Roger Corman, DP: Richard Moore)

4 Shots From 4 Films: Special 1976 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, let us take a look back at a classic cinematic year.  It’s time for….

4 Shots From 4 1976 Films

Taxi Driver (1976, dir by Martin Scorsese, DP: Michael Chapman)

Logan’s Run (1976, dir by Michael Anderson, DP: Ernest Laszlo)

Carrie (1976, dir by Brian De Palma, DP: Mario Tosi)

The Man Who Fell To Earth (1976, dir by Nicholas Roeg, DP: Anthony Richmond)

4 Shots From 4 Films: Special 1985 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, let us take a look back at a classic cinematic year.  It’s time for….

4 Shots From 4 1985 Films

Insignificance (1985, directed by Nicolas Roeg, DP: Peter Hannan)

The Breakfast Club (1985, dir by John Hughes, DP: Thomas Del Ruth)

Rambo: First Blood Part II (1985, dir by George Pan Cosmatos, DP: Jack Cardiff)

Brazil (1985, dir by Terry Gilliam, DP: Roger Pratt)

EUREKA (1983) – Gene Hackman strikes gold and tries to strike Rutger Hauer with a meat cleaver in the same move!


I’ve been thinking a lot about Gene Hackman as he recently celebrated his 95th birthday. He’s an incredible actor who has been a part of my life since I first really discovered my love of movies beginning in the mid-80’s. I’ve also been writing about Rutger Hauer every Sunday here on the Shattered Lens. Hackman and Hauer made a movie together back in 1983 called EUREKA, and to be honest, I almost forgot about it. It’s a movie I watched a long time ago and hadn’t watched again until today. It seemed like the perfect time for a revisit.

EUREKA opens with a stunning aerial shot that descends upon obsessed gold prospector Jack McCann (Gene Hackman) who’s fighting with a man on a snow-covered mountain in the Yukon territory. The man has asked Jack to partner with him in their search for gold, and Jack makes it clear that he will never “make a nickel on another man’s sweat.” Next, we see Jack as he’s walking through a nearly deserted town. In another unforgettable shot, Jack watches a man, who’s clearly gone mad, commit suicide just outside of the local “Claims office.” Before watching again today, that was the only scene that I could remember from my initial viewings of the film so many years ago. Next, we see Jack lying down below a tree at night, in windy, frigid temperatures, just about to freeze to death. Three hungry wolves have even approached ready for dinner. And this is where things get strange. Out of the blue, this clairvoyant madam (Helena Kallianiotes) from a local brothel sees him in her crystal ball, as a mysterious stone falls right next to him, starting a fire that warms him and drives away the wolves. He goes to see the madam at the brothel where she tells him that he will strike gold, but he “will be alone now.” Jack leaves the next morning and finds gold, rivers of gold. It’s another stunning sequence showing the obsessed man, who’s been searching for gold for 15 long and hard years, finally finding the object of his obsession. 

Cut to 20 years in the future, where Jack is now the richest man on earth, living on his own Caribbean island. It also appears he may also be the unhappiest man on earth. He has all the money in the world, but there is no peace in his heart or soul. His wife Helen (Jane Lapotaire), who he was once deeply in love with, is now detached and addicted to alcohol. His daughter Tracy (Theresa Russell) has fallen in love and married Claude Maillot Van Horn (Rutger Hauer). Jack cannot stand Claude as he suspects that he seduced and married Tracy so he could get to his money. His best friend Charles (Ed Lauter) has somehow gotten mixed in with Miami mobsters, led by a guy named Mayakofsky (Joe Pesci) and his lawyer Aurelio D’Amato (Mickey Rourke), who want to force Jack to sell them land on his island so they can build a casino. Jack feels like everybody just wants a piece of him and his money. He has lost the joy in his life. The rest of the film plays out against this backdrop as Jack tries to separate Tracy from Claude, and as the mobsters try to force Jack to sell to them by any means necessary.

EUREKA is not a film that everyone will love, but I enjoyed watching it again after so many years. Director Nicolas Roeg, who also directed PERFORMANCE (1970), DON’T LOOK NOW (1973) and FULL BODY MASSAGE (1995), creates some truly amazing and brutal images that once seen are not easily forgotten. The scene where Jack McCann finds his huge vein of gold is so beautiful, but there are alternatively horrific scenes of brutal violence that play out almost to the point of overkill. The movie also takes some surprising twists and turns in the third act that you may not see coming. I always like it when a movie surprises me. It’s a melodramatic film that doesn’t have a lot of likable characters, but with a cast this good, I’m willing to go along with the filmmakers. In addition to the excellent work of Gene Hackman and Rutger Hauer, Theresa Russell has the important role as the daughter stuck between the man she loves and the dad who adores her. Her acting style exemplifies the melodrama of Roeg’s vision, so it works well in the context of this film. Jane Lapotaire has a couple of strong moments as Hackman’s alcoholic wife who yearns for days long gone when they were so in love. We were quite spoiled in the early 80’s when a movie could round out its already impressive cast with actors like Joe Pesci, Mickey Rourke, Ed Lauter, Corin Redgrave and Joe Spinell.

Nicolas Roeg appears to be trying to make deep statements about the meaning of life in EUREKA. I’m not a person who generally consumes films for deep meaning, but I thought it might be fun to at least take a surface-level view of some of the items I noticed while watching the movie. Jack spouts a lot of profound things throughout the movie, things that he feels describe him as a person. I mentioned one earlier when Jack tells the competing prospector prior to finding gold that, “I’ll never make a nickel off of another man’s sweat.” He will continue to use this saying throughout the film, even after he’s a rich, jaded, older man. The truth is that he would not have found the gold without the help of the clairvoyant madam, with her even passing away right after he hits the jackpot. In another scene at an extremely awkward dinner party, Jack tells his guests that the only rule that matters is the Golden Rule, “Do unto others as you would have them do unto you.” While I agree with the importance of this rule, Jack does not seem to follow the Golden Rule in any way that helps others or gives him any sense of peace or connection. Jack does not seem to understand the contradictions in his use of these phrases as played out in his own life, but I also think that his lack of understanding helps to illustrate a truth that plays out at times in many of our own lives. So often we’ll claim certain beliefs and values, but our lives as lived will be much more complex and often hypocritical. We can see them in Jack, but can we always see them in ourselves?

EUREKA also seems to be a movie that’s open to different interpretations based on who’s viewing the movie and where they are in life at that specific time. In a moment of clarity with his wife, Jack seems to recognize the hypocrisy in his life when he tells her “I once had it all… now I just have everything.” Jack is finally reflecting on the important things in his life, rather than dwelling on his current distrust of everyone around him. This final quote got me to thinking about my own life and just how different I am as a man in my early 50’s compared that naïve 20-year-old who first watched this film. I didn’t know what it was like to chase my dreams, catch them, and then try to figure out how to keep striving with a purpose. I didn’t know what it was like to be married with the responsibility of loving my wife and genuinely caring about her needs, through both the good times and the bad times. I didn’t know what it was like to be a dad who wanted nothing but true happiness for his children. Jack has lived through these specific opportunities in life, and we can see how he’s dealt with them. Each of these things have now played out in my own life. There have been times that I’ve failed, and there have been times that I’ve succeeded. I just keep reminding myself to try to focus on the things that matter and not get distracted by the things that don’t. Even now, it’s not always easy to do.    

I’ve included the trailer for EUREKA below: