Gorky Park (1983, directed by Michael Apted)


Earlier today, I saw that the writer Martin Cruz Smith has died.  He was 82 years old and was best known for a series of detective novels about Arkady Renko, a Russian police detective.  Starting with 1981’s Gorky Park, Smith’s novels not only dealt with Renko’s adventures but also provided a look at contemporary Russia, as it went from being controlled by the communists to being controlled by Putin.  Renko was a cynical observer whose cases often exposed the corruption of the Russian elite, regardless of who was in charge.

The first of Smith’s Renko novels was turned into a movie in 1983.  Gorky Park stars William Hurt as Renko.  Renko investigates the discovery of three dead bodies at a ice skating rink in Moscow.  One of the victims in an American whose brother (Brian Dennehy) is a tough New York cop who has come to Russia to investigate his disappearance.  Renko’s investigation leads him to an American businessman (Lee Marvin) who is smuggling sables out of Russia and who is also a KGB asset.  Joanna Pacula plays a woman whose hope to escape from Russia leads to her getting caught up in the murders and the subsequent investigation.

Gorky Park‘s mystery is easily solved.  Just by casting Lee Marvin in the role, it is automatically clear who is responsible for the murders and it doesn’t take long for Renko to figure it out either.  Instead, the movie is about how Renko’s investigation exposes the corruption of the Russian state, with the KGB first protecting Lee Marvin’s businessman when he’s considered to be an asset and then expecting Renko to assassinate him once it becomes obvious that his activities are becoming a liability.  The subdued William Hurt and the brash Brian Dennehy make for an compelling investigative team while the underappreciated Joanna Pacula gives an outstanding performance as a woman who is so desperate to escape the oppression of the Soviet Union that she’ll risk everything.  (Even though the murderer is an American businessman, the Soviet Union still banned Gorky Park as both a book and a film.)  Gorky Park’s snowy cinematography and Michael Apted’s measured direction captures the chilly paranoia of Smith’s story and the bleak depiction of a society where national pride mixes with healthy a dose of fear.

Upon release, Gorky Park was a box office disappointment, which meant that there would be no further adventures of William Hurt’s Renko on the big screen.  Martin Cruz Smith continued to write, ultimately publishing ten novels about his unconventional hero.

Excalibur (1981, directed by John Boorman)


During the Dark Ages, Britain is at war.  King Uther Pendragon (Gabriel Byrne) leads his men against The Duke of Cornwall (Corin Redgrave).  Uther and his men swear their allegiance to God and St. George but they trust in the magic of the mysterious Merlin (Nicol Williamson).

Merlin negotiates peace between Uther and Cornwall but Uther throws that peace away when he becomes obsessed with Cornwall’s beautiful wife, Igrayne (Katrine Boorman).  Merlin uses his magic to disguise Uther as Cornwall so that Uther can spend one night with Igrayne.  When Cornwall is killed in battle, Uther marries Igrayne and realizes it was never necesarry to use Merlin’s magic and that Merlin, who has the power to see the future, knew that.  Merlin takes Uther and Igrayne’s infant son from them and then disappears.  Later, Uther is killed by by three of Cornwall’s men.  Before dying, Uther drives his magic sword, Excalibur, into a stone.  On the true king of England will be able to remove it.

Uther’s son, Arthur (Nigel Terry), grows up with no knowledge about his parentage.  When he accidentally draws Excalibur out of the rock, Merlin returns to counsel the new king.  And the new king has much to learn, as not all of the nobleman are willing to accept him as their ruler.  Arthur proves himself worthy to be king while his half-sister, Morgan (Helen Mirren), waits for her chance to get revenge.

Excalibur is one of the most ambitious films made about King Arthur.  John Boorman fits the entire legend of Arthur, Lancelot (Nicholas Clay), Percevel (Paul Geoffrey), Guinevere (Cherie Lunghi), and the search for the Holy Grail into one movie and, as a result, there’s not a dull moment.  Boorman presents the reign of King Arthur as a conflict between England’s pagan past and the new era of man.  Merlin and Morgan’s magic is powerful but, in the end, power is determined by bloody battles fought by men encased in clunky armor.  Arthur, Lancelot, and the other knights claim to live by the honorable, chivalric code but only one of them is able to live up to the ideal.  The others become consumed by lust, jealousy, and a thirst for power.

In my opinion, Excalibur is the best movie made about King Arthur, mostly because John Boorman takes the story seriously and makes us feel like we are watching people who truly are living in different world and a different time.  The chivalric code is necessary to keep the peace in a time when there are multiple pretenders-to-throne.  Mordred (Robert Addie) is not just a villain because he seeks to overthrow his father but also because he is the one person to have no respect for the code or the mystic power of the Holy Grail.

Excalibur has a large cast with many familiar faces.  Keep an eye out for Patrick Stewart as one of Arthur’s earliest supporters and also Liam Neeson as a surly Sir Gawain.  Of all the Lancelots who have appeared in the movies, Nicolas Clay is the best and Helen Mirren is the perfect Morgan.  Nicol Williamson steals the movie as the mysterious Merlin.  And while Nigel Terry was too old for the scenes where Arthur is supposed to be a callow teenager, he grows into the role just as Arthur grew into being king of the Britons.

Monty Python and The Holy Grail will always make me laugh but John Boorman’s big, beautiful, and bloody Excalibur is the best film about Camelot.