Nancy Locke | Through the Shattered Lens

A group of drug dealers try to pressure football player Buddy Harris (Tom Campitelli) into throwing the big game. Buddy fakes an injury to get out of playing so the dealers murder not only Buddy but also his mother and his younger brother. Big mistake! Buddy’s older brother, Clete (Wings Hauser), is a CIA agent who is working as a listener in Honduras. Clete returns home and, with the help of an arms dealer (Robert Tessier, playing a good guy for change), Clete hunts down and kills everyone who killed his family. Clete not only gets revenge for his family but he also heads down to Bolivia to show the syndicate that, for them, there is no safe haven!

This is one of the ultimate Wings Hauser films, one that he both wrote and starred in. When Clete seeks revenge, he doesn’t mess around. One gunman gets set on fire while standing on his balcony. (He can either burn to death on the balcony or he can jump to a quicker death below. Either way, Clete’s going to take a lot of pictures) Wings chases the villains down with speedboats and helicopters and he does it all with a slight smirk that suggests he’s not only getting revenge but he’s also having the time of his life. This is Wings Hauser at his most demented and he’s playing the hero! Luckily, the villains are even crazier than Wings. I have to make a special mention of Branscombe Richmond, laughing and yelling and killing in a way that you would never expect if you only knew him from Renegade.

This is Wings Hauser at his best, in a movie that’s mean, violent, and never less than compelling. Clete kills a lot of people but it’s okay because, to quote True Lies, they were all bad. Wings throws himself into the role with his trademark intensity and shows why no one’s safe from Clete Harris. I’m going to miss Wings Hauser. Only he could have played Clete Harris. Only he could have made No Safe Haven the B-action classic of 1987.

The 1981 horror film, Dead & Buried, takes place in the small town of Potters Bluff. It seems like it should be a nice place to live. The people are friendly. The scenery is lovely. The town is right on the coast of the ocean so the view is great. It’s a bit of an artist’s colony, the type of place where you would expect to find Elizabeth Taylor painting the sunset while Richard Burton battles a hangover in the beach house. It’s the type of small town that used to by very popular on television. It’s just one Gilmore girl away from being an old CW show.

It’s such a nice town. So, why are so many people dying?

That’s the mystery that Sheriff Dan Gillis (James Farentino) has to solve. Actually, it’s one of the many mysteries that Dan has to solve. There’s also the mystery of why his wife, Janet (Melody Anderson), has been acting so strangely. And then there’s the mystery of what happened to the person who, one night, Dan ran into with his car. The person ran away but he left behind his arm. When Dan gets some skin from the arm analyzed, he’s told that the arm belongs to someone who has been dead for at least four months!

Who can explain all of this? How about William G. Dobbs (Jack Albertson), the folksy coroner who seems to enjoy his work just a little bit too much. In fact, Dr. Dobbs seems to be a bit more than just a tad eccentric. One would necessarily expect a coroner to have a somewhat macabre view of life but Dr. Dobbs seems to take things to extreme. Is it possible that Dr. Dobbs knows more than he’s letting on?

Dead & Buried has a reputation for being something of a sleeper, a deliberately-paced and often darky humorous horror film that had the misfortune to be released at a time when most horror audiences were more interested in watching a masked man with a machete kill half-naked teenagers. Because the studio wasn’t sure how exactly to market Dead & Buried, it failed at the box office and it was only years later, after it was released on home video, that people watched the film and realized that it was actually pretty good. And make no mistake about it, Dead & Buried is a fairly clever horror film, one that is full of effective moments and which does a good job of creating a creepy atmosphere. If I’m not quite as enthused about this film as others, that’s because I do think that it’s occasionally a bit too slow and the film’s twist ending, while well-executed, didn’t particularly take me by surprise. This is one of those films that you enjoy despite the fact that you can see the surprise conclusion coming from a mile away.

In the end, Dead & Buried fills like a particularly twisted, extra-long episode of one of those old horror anthology shows, like Night Gallery, Twilight Zone, or maybe even Ghost Story. It’s a nicely done slice of small town horror, featuring a study lead performance from James Farentino and an enjoyably weird one from Jack Albertson. Though the film is not heavy on gore, Stan Winston’s special effects are appropriate macabre. Even if it’s not quite up there with Gary Sherman’s other films (like Vice Squad and Death Line, to name two), Dead & Buried is an entertainingly eccentric offering for Halloween.