Music Video of the Day: Don’t You Want Me by The Human League (1981, directed by Steve Barron)


Inspired by a story that the Human League’s Phil Oakley read in a teen-girl’s magazine, Don’t You Want Me is a song not about love but instead a song about two people battling for control.  While the song was originally conceived as being a male solo, Oakley made the last-minute decision to turn it into a duet, with Susan Ann Sulley taking on the role of the girl who once worked in a cocktail bar but always knew she was meant for a much better life.

After the song was recorded, Oakley disliked it because he felt that the song’s sound was too “poppy” and he was not happy when Virgin decided to release Don’t You Want Me as the fourth single off of The Human League’s third studio album, Dare!  Despite Oakley’s misgivings, Don’t You Want Me went on to become the band’s biggest hit and one of its signature songs.

(As of 2014, Phil Oakley still didn’t think much of the song.  In an interview with Classic Pop Magazine, Oakley said, “‘Don’t You Want Me‘ might have shifted gazillions, but either I’ve heard it too many times or the rest of Dare! is just so far ahead that it puts it in the shade. Still, it made the band.”)

The music video was shot at a time when MTV was still in its infancy and many people weren’t even sure what a music video was supposed to be.  Filmed on a cold, rainy night in Slough, Berkshire, the video featured Phil Oakley as a director and Susan Ann Sulley as the actress who walks out on him during the filming of a murder-mystery.  Director Steve Barron used 35mm film, giving the video a richly cinematic look that was unusual for the music videos of the time.  Reportedly, Barron was influenced by Truffaut’s Day For Night, which is why the clapper board features the inscription, Le League Humain.

The video not only helped to make the song a hit but it also did the same for MTV itself.  At a time when many were still wondering if people would actually watch MTV, the popularity of this video gave them a reason to do just that.  The video proved that music videos didn’t have to just be bland performance clips.  Instead, like any film, a music video could tell a story of its very own.

Don’t You Want Me was the 1981 Christmas number one in the UK, where it has sold over 1,560,000 copies, making it the 23rd most successful single in the history of the UK Singles Chart.  In 2015, in an ITV poll, it was voted the 7th most popular number one single of all time.

Music Video of the Day: True Faith by New Order (1987, directed by Philippe Decouflé)


As is the case with many of New Order’s songs, the meaning of True Faith depends on who you ask.

True Faith has long been assumed to be about the sense of detachment felt by users of heroin, an interpretation that was denied by New Order’s bassist, Peter Hook.  As he told Songfacts, “‘True Faith’ features some of the best New Order lyrics in my opinion, but no, it is not about heroin, that is not something that any of our lyrics ever touched on. I think it’s clear to see though that the lyrics do reflect being under some sort of influence.”

However, in an interview with Q Magazine, lead singer Bernard Sumner said that, though he had never used heroin, he still wrote True Faith from the perspective of someone who had.

Regardless of what it’s about, True Faith is one of New Order’s most popular songs.  It’s my second favorite, after Blue Monday.

As for the video, it was directed by the French mime, dancer, and choreographer, Philippe Decouflé.  Starting with a slap fight to end all slap fights, it also features a person in green makeup hand signing the song’s lyrics.  According to Wikipedia, the video was inspired by an earlier video performance piece that was done by the Serbian performance artists, Marina Abramović and Ulay.  I’ll have to take Wikipedia’s word on that.

Philippe Decouflé went on to direct the video for the Fine Young Cannibals’ She Drives Me Crazy, as well as choreographing the opening ceremony of the 1992 Winter Olympics.

Music Video of the Day: Touched By The Hand of God by New Order (1987, directed by Kathryn Bigelow)


23 years before she made history as the first woman to win the Oscar for Best Director, Kathryn Bigelow directed this video for New Order.

The video features the members of New Order as you’ve never seen them before.  With the band’s long hair and the codpieces and the explosions going off in the background, you might think that an aging glam metal band is trying to rip off the British new wave sound.  Instead, it’s the members of New Order, wearing wigs and poking deserved fun at the bands like Poison, Cinderella, and Great White.

While New Order performs, Bill Paxton runs through traffic and makes out with Femi Gardiner.  Bill Paxton was everywhere in 1987.

Music Video of the Day: Devil Inside by INXS (1988, directed by Joel Schumacher)


Even if you did not already know it, you could probably guess who directed this video.  Everything from the back lighting to the color filters to the fog machine to the leather jackets and the gang of shirtless body builders identifies this video as being the work of Joel Schumacher.

This video, which was filmed in Balboa, California, was made during Schumacher’s Lost Boys/Flatliners phase.  His infamous Batman films were still several years away.  INXS guitarist Kirk Pengilly has gone on record as disliking this video because he felt that, unlike the other videos that INXS was doing at the time, it was “too American.”  He was probably right.  The video’s mix of strippers, bikers, yuppies, and rent boys feels more appropriate for a film adaptation of a Bret Easton Ellis short story than an INXS song.  Even if it isn’t an ideal INXS video, Devil Inside is still probably one of the better entries in Joel Schumacher’s filmography.  If I have to choose, I will always pick this video over watching Batman and Robin.

With the video’s help, Devil Inside was one of INXS’s most popular songs in America, reaching the number two spot on the Billboard Hot 100.  By comparison, it peaked at #6 in the band’s native Australia and only reached #47 in the UK.

Music Video of the Day: And She Was by Talking Heads (1984, directed by Jim Blashfield)


What And She Was is about depends on which member of the Talking Heads you ask.

In an interview with WCNX, drummer Chris Frantz interpreted the song literally, explaining that “It’s a story about a woman who has the power to levitate above the ground and to check out all her neighbors from a kind of bird’s eye view. And the guy who’s writing the song is in love with her and he kinda wishes she would just be more normal and, like, come on back down to the ground, but she doesn’t. She goes floating over the backyard and past the buildings and the schools and stuff and is absolutely superior to him in every way.”

David Byrne, on the other hand, said that it was a song about a “blissed-out hippie chick” that he knew in Baltimore who once told him about an acid trip that she had while lying in a field next to a Yoo-hoo chocolate soda factory.  Byrne explained, “Flying out of her body, etc etc. It seemed like such a tacky kind of transcendence… but it was real! A new kind of religion being born out of heaps of rusted cars and fast food joints. And this girl was flying above it all, but in it too.”

As for the video, it was created by experimental filmmaker, Jim Blashfield.  Blashfield previously pioneered collage-animation style with his short film, Suspicious Circumstances.  The members of Talking Heads were fans of the film and asked Blashfield to create a similar video for their song.  Blashfield, who cited Terry Gilliam as being his number one influence, went on to direct similar videos for Peter Gabriel, Michael Jackson, Tears For Fears, and Weird Al Yankovic.

Music Video of the Day: Death No More by IC3PEAK (2018, dir by Nick and Nastya)


Some things that just have to be seen because they really can’t be described.  That’s certainly the case with today’s music video from the day.

Coming from Russia, it’s IC3PEAK with the sublimely creepy music video for Death No More!

Enjoy!

Music Video Of The Day: We Are Never Ever Getting Back Together by Taylor Swift (2012, dir by Declan Whitebloom)


This is a fun video and a fun song, which is why I picked it for today.  I always think it’s a good idea to start the day after any election with something positive.

(Of course, not everyone agrees.  I made the mistake of selecting Everything Is Awesome for my song of the day for November 9th, 2016 and there are people who still refuse to talk to me as a result.  Even though I like picked and scheduled the song way back in October and I had absolutely no way of knowing that it was going to be the first thing those people would see the morning after Donald Trump was elected president.  Anyway….)

(Seriously, I always tell people not to read too much into the songs and the music videos that I pick.)

The plot here is that Taylor is never ever getting back together with her ex, who is played by Noah Mills.  Personally, I always thought that was wishful thinking on her part.  You always get back together at least a handful of time before a breakup really becomes official.

Anyway, enjoy!

 

Music Video of the Day: The Business of Emotion by Big Data featuring White Sea (2015, dir by ????)


Eventually, all words will be replaced by emojis.

Hopefully, it won’t be as bad as The Emoji Movie.

This song is from Big Data, who put on a great show at the House of Blues in Dallas last week!

Enjoy!

Music Video Of The Day: Drive by Tara Lee (2018, dir by Tara Lee)


This video has kind of a Purge feel to it.  It also has a Mad Max: Fury Road feel to it, as well.

Watching this video, I thought about all of the times that I’ve been tempted to tap the bumper of someone in front of me.  That may sound like an extreme overreaction to the stress of driving but anyone who has ever been on North Central Expressway will know what I’m talking about.

When I wasn’t thinking about road rage, I found myself thinking about those terrible Liberty Mutual commercials.  Those are the commercials where people stand in front of the Statue of Liberty and talk about how its unfair that they should be penalized just because they can’t drive.  Right now, there’s one that features a woman talking about how she was in an accident but the other car got a scratch so minor, it could be fixed with a pen.  Because, seriously, who doesn’t want to mark up their car after some moron runs into it?

Even worse is the guy who says that if your insurance won’t pay the full value of your car, you’re better off just throwing your wallet right into the harbor.  And then he does just that and mutters, “I’m going to regret that.”  No shit, idiot!  Why am I listening to you about car insurance when you don’t even have the impulse control not to throw your wallet in the harbor!?

Anyway, enjoy!

Music Video of the Day: Dreamin’ by ADI featuring KDC (2015, dir by Shir Rosenthal and Adi Ulmansky)


For today’s music video of the day, we have more from Adi Ulmansky.

The video switches between shots Adi defiantly performing and shots of Adi defiantly walking down the streets of Tel Aviv.  The important thing to remember here is defiance.  This song, which features the American rapped KDC, was produced by Austin’s own Eric Dingus.

Enjoy!