From Denmark comes today’s music video of the day.
The video inspired by this dream-like Chirstmas song is both beautiful and oddly disturbing. It’s apparently the story of two fairies, one good and one bad. It’s also the story of a dancing bear and who doesn’t appreciate a dancing bear? Unfortunately, things don’t really work out that well for the bear but nature gets revenge. The fact that the entire story takes place on a stage only serves to make things even more surreal. Whenever I see anything strange happen on a stage, I automatically start to think about the Club Silencio sequence from Mulholland Drive.
Personally, I absolutely adore the Taylor Swift version of this song but sadly, Taylor’s never done an official music video for it.
As for this version, it features everyone’s favorite Swedish CGI creation saving Santa Claus from …. something. I guess Santa somehow managed to lock himself up in his workshop or something. I don’t know. I’m also not sure what exactly the Crazy Frog is supposed to be. Apparently, he was originally known as “The Annoying Thing” and his creator is adamant that he is neither a frog nor is he crazy.
For today’s music video of the day, we continue with the holiday theme that’s run through most of the recent music video posts. We also continue with the Lindsey Stirling theme. I wasn’t initially planning on making this Lindsey Stirling week on the Shattered Lens but, now that I think about it, why not?
This video finds Lindsey performing in the snow. There’s a chance that it might snow in my home state of Texas this weekend. I certainly hope so. Of course, when we say “it might snow” in Texas, what we actually mean is that it might sleet. And, if it does snow, we’ll probably get like an inch at most. But still …. snow is snow!
I was planning on just picking Christmas videos up until the 25th of December but then I came across this video of Lindsey Stirling and Pete Hollens performing the main theme from Skyrim Elder Scrolls and I simply knew that I had to pick it.
My love for music may not be on the same level as my love for film, but it’s up there in terms of the range of types of music that has appealed to my personal taste. Pop music may be a bad word for those who see themselves as gatekeepers of what’s good or bad music, but pop music has always been a major part of music throughout history. One can even say that the music that Mozart wrote a couple hundred years ago was a form of pop music for it’s time.
Even pop music has branched off into different subgenres. Every country which has its own music industry has their own take on what’s pop music. This is why there are such terms as J-pop (Japanese pop music), K-pop (South Korean pop music) and everything else pop in-between.
Fellow site contributor pantsukudasai56 knows all about J-pop (this type of pop music being a major contributor to all things anime), but he also knows that K-pop is right there just waiting in the wings to snatch the unwary with it’s brand of pop music. I am one such unwary music traveler who has fallen to dark side, as pantsukudasai56 has told me.
Yet, while I have begun to appreciate the merits of K-pop and the hard work and creativity which goes into the creation of K-pop groups, albums and music videos, I am still very conscious of which type of K-pop music I’m drawn to. While many K-pop fans love all types, I have been more drawn to K-pop that’s not as sugary and cute. I’ve enjoyed the more mature and different sounding K-pop which draws music influences outside of dance and electronic. Influences that ranges from soulful jazz to Middle-eastern.
One such K-pop group that has become a favorite of mine of recent is the girl group Red Velvet from S.M Entertainment (yes, these groups come out of production companies). They made their debut in 2014 and with each passing year they’ve continued to grow (both creatively and by adding a 5th member to what was a 4-girl team).
Their second single, “Be Natural,” is a departure from their debut single “Happiness.” This second offering is a cover of an earlier song from S.M.E. first girl group (S.E.S.) and is less to do with the catchy, dance pop of their debut single and more in line with the original S.E.S. track that was all soulful jazz with more than just a hint of sensuality dripping through every line of music.
I do love this song and the original it covers. The one part of the song that does break the mood for just a moment is the rap section in the song where the break would typically be. Other than that part the song is a major must-listen and the video itself is sensuality personified. Lisa Marie is probably a better judge on the video’s choreography and fashion style worn by the group’s four member (Irene, Seulgi, Wendy and Joy).
Above is the song without the rap section while below is the official music video. Unfortunately, the music video does still have the rap section instead of just an instrumental break. It would’ve been preferable to have either group member Irene or Seulgi handle the rap section. At least, the tone of the song would’ve kept the sensual nature intact.
Oh, if I have a bias from the group its a toss-up between Irene and Joy with Seulgi being my bias wrecker.
I am a totally unapologetic fan of Lindsey Stirling. I imagine some of that is because I wish I could play the violin. It’s an instrument that has always fascinated me and I’ve always regretted that I never learned how to play it. I also regret that I never learned how to play the piano or really any musical instrument. Back when I was in the third grade, I had a music teacher who told me that I had the worst singing voice she had ever heard and that I needed to pay more attention in class. Oh well!
Anyway, this is a really nice and heartfelt performance of Silent Night. Silent Night is actually one of my favorite Christmas songs. I certainly prefer it to that one where everyone’s singing about the bells.
This video was filmed at Temple Square in Salt Lake City.
If Sucker Punch had taken place during the Christmas season, one could very easily imagine this video as being a scene in the film. It just needs a giant ninja and Scott Glenn offering up words of pithy wisdom.
That said, what this song and this video do so well and what I love about them is that it provides a whole new spin to a very familiar song. Does the Grinch now own a casino or an Old West saloon? Is the Grinch now a gangster? And what exactly is the Grinch’s relationship with Sabrina Carpenter? This video leaves us with much to ponder during the holiday season.
This video was directed by Joshua Schultz, who has also directed videos for Juliet Simms and Haley Reinhart. According to the imdb, he’s currently in pre-production for a film called The Fog.
Happy Holidays! Trust Linsdey Stirling to elevate one of the worst Christmas songs ever written with an energetic performance and an entertaining music video.
(I should admit that I have a personal bias against Santa Baby, one that goes back to my dancing days. Let’s just say that falling flat on your ass in front of a huge crowd of people while dressed like one of Santa’s helpers and while Santa Baby plays in the background is not necessarily one of my happiest holiday memories.)
Today’s music video of the day finds the world’s best-dressed salsa artist in a whole heap of trouble… Why has Kid Creole been kidnapped by a group of New Wave Amazons who are now threatening to hang him in a warehouse? Their leader is Annie and she wants Kid Creole to admit that he is her father. The Kid, however, says differently.
Annie, I’m Not Your Daddy is often compared to Michael Jackson’s Billie Jean, though Annie came out a few months before Jackson’s song. Much like Billie Jean, Annie, I’m Not Your Daddy features its singer denying being the father of a child. The big difference is that, while Jackson’s song was inspired by a fan who swore that Jackson had fathered her child, Kid Creole has stated that his song is in no way autobiographical. The lyrics of Annie, I’m Not Your Daddy are also considerably more savage than Billie Jean‘s but, because of the song’s upbeat sound, you don’t really notice until you read them:
They say that all is fair in love and war and child, believe it When mama stayed in St. Tropez, she had a fall or two And I’m telling it to you straight So you don’t have to hear it in another way
Oh Annie I’m not your daddy Oh Annie I’m not your daddy
They say that out of sight is out of mind and child, believe it Your mama was in search of love, but all she got was used And I’m telling it to your face So you don’t have to hear it in another place Bring it to me gently now Don’t forget, I’m just a child
Oh Annie I’m not your daddy (mama’s baby’s papa’s baby) Oh Annie I’m not your daddy (mama’s baby’s papa’s baby)
See, if I was in your blood then you wouldn’t be so ugly Oh!
I don’t wanna, I don’t wanna be a I don’t wanna, I don’t wanna be a I don’t wanna, I don’t wanna be a I don’t wanna, I don’t wanna be a I don’t wanna, I don’t wanna be a I don’t wanna, I don’t wanna be a I don’t wanna, I don’t wanna be a I don’t wanna, I don’t wanna be a
Yes, I’m telling it to you straight So you don’t have to hear it in another way Bring it to me gently now Don’t forget, I’m just a child
Oh Annie I’m not your daddy (mama’s baby’s papa’s baby) Oh Annie I’m not your daddy (mama’s baby’s papa’s baby)
Kid Creole (real name: Thomas August Darnell Browder) has said that the income royalties off of this song alone are enough for him to live comfortably for the rest of his life. The third and final single from the album Tropical Gangsters, Annie, I’m Not Your Daddy peaked at number 2 on the UK Singles Chart and it reached number 18 on the U.S. Club Play Chart.
Don’t Stop Believin’ is now probably destined to be forever associated with The Sopranos but the song itself had established itself as a classic long before it was used in the finale of HBO’s famous show about the New Jersey mafia.
In fact, the song means so much to Journey’s Steve Perry that he was hesitant to give HBO permission to use the song until it was explained to him exactly how the song was going to be used and he was assured that it wouldn’t be played over any type of violence. Other than the members of the cast and the production crew, Steve Perry was one of the few people to know, in advance, how The Sopranos was going to end.
While Perry has said that the majority of the lyrics were inspired by his own early struggles to find success in the music industry, keyboardist Jonathan Cain says that the name was inspired by something that his father told him when Cain was thinking about leaving Hollywood and returning to Chicago. Cain’s father told him, ‘No, son. Stay the course. We have a vision. It’s gonna happen. Don’t stop believin’.”
As for the video, it was filmed in Houston and features Journey performing the song as a part of their Escape tour. With the exception of the infamous video for Separate Ways, Journey was known for keeping things simple and straight-forward when it came to their music videos. This one is no exception.