Music Video of the Day: I Quit by Blotto (1983, directed by ????)


Just in time for Friday, today’s music video is all abut quitting your job.  This is the video that asks, “If Nixon could do it, why not you?”

I previously wrote about Blotto last year, when I shared their music video for I Wanna Be A Lifeguard.  Sadly, despite the success of Lifeguard, Blotto never really broke into the mainstream.  They did, however, have a strong cult following in the Northeast, especially among college students who appreciated their humorous lyrics and DIY style.  While this video never made it into the regular MTV rotation, it did show up on Canadian television.

One final note: at the time this video was released, Blotto was being managed by none other than actor Burt Ward, who was best known for playing Robin on the 60s Batman television show.

Enjoy!

Music Video of the Day: Mother 93 by Danzig (1993, directed by ????)


“Al Gore wanted to tell people what they could listen to and what they couldn’t…it was basically coming down to the idea that he wouldn’t let anybody record any music that he didn’t think you should be doing. There was going to be an organization that would tell you what you could and couldn’t record. And certainly if you couldn’t record it, you couldn’t put it out. It was really fascist.”

— Glenn Danzig, on the inspiration for Mother

There’s been a lot of debate about what Glenn Danzig is singing about in Mother.  Some people think that the song is supposed to be pro-Satanist, even though Danzig himself has said that he’s not a Satanist and is merely interested in the occult.  Others think that the song is sung from the point of view of a teenager who is warning his parents that he has decided to reject their values and embrace his evil side.

More likely, the song is exactly what Danzig has often said it is.  It was a song written to protest the 80s push by Tipper Gore’s Parents Music Resource Center to have the government step in and regulate music.  The “mother” that Danzig is singing to was probably Tipper herself.

The above video was the second one for Mother, hence why it’s called Mother ’93.  It features live footage of the band performing at the Irvine Meadows Amphitheater in California.  At around the same time this video was in rotation on MTV, Glenn Danzig was invited to audition for the role of Wolverine in one of the early attempts to make an X-Men film.  Danzig, who had the right look for the role, had to turn down the opportunity due to scheduling conflicts.

This video also inspired a classic line from Beavis and Butt-Head: “That little dance isn’t very cool.”

Enjoy!

Music Video of the Day: Ride Like The Wind by Christopher Cross (1980, directed by Bruce Gowers)


Ride Like The Wind tells the story of an outlaw who has been convicted of multiple murders and condemned to hang.  He is now trying to outrun the posse and reach Mexico where, apparently, the posse would have no jurisdiction.  The plot sounds like something from the Doobie Brothers so it’s appropriate that Michael McDonald provides the backing vocals.

Christopher Cross wrote this song while on acid and traveling between Houston and Austin and it went on to become the lead single off of his debut album and one of his biggest hits.  Cross would later go on to win an Oscar for writing the theme song for Arthur but, by his own admission, neither Cross nor his music were a good fit for the network that came to dominate pop culture in the 80s, MTV.

Speaking of MTV, the video for Ride Like The Wind clearly comes from a time when music videos were viewed as being a novelty.  If the video had been made a few years later, it probably would have dramatized the song’s story.  Instead, like many early music videos, it’s just a performance clip.

As for Cross, he’s still recording and performing and Ride Like The Wind continues to be a soft rock staple.  It was most recently covered by Belgian DJ Laurent Wery.

Enjoy!

Music Video of the Day: Robert De Niro’s Waiting… by Bananarama (1984, directed by Duncan Gibbins)


Robert De Niro might not seem as if he would be the most likely of subjects for a teenage love song but this song is hardly a traditional love song.  The song was originally conceived as being sung from the point of view of a girl who deals with the trauma of being raped by escaping into a pretend world where Robert De Niro is her boyfriend.  By the time the song was actually recorded, the rape angle had been dropped but this it’s still darker than your normal teen crush song.

Originally, the subject of the song was going to be Al Pacino, which might have made more sense.  (Remember that while Robert De Niro was shooting pimps in Taxi Driver, posters of Al Pacino as Serpico were decorating dorm rooms.)  However, it was decided that, musically, Robert De Niro sounded better than Al Pacino.

This video features the members of Bananarama being followed by two “gangsters” who could have stepped out of a De Niro film.  It was directed by Duncan Gibbins, a talented director who tragically died in 1993.  I wrote more about Gibbins and his career when I reviewed his video for Smuggler’s Blues.

Enjoy!

Music Video of The Day: I Want A New Drug by Huey Lewis and the News (1984, directed by David Rathod)


Despite what Patrick Bateman might try to tell you, Huey Lewis and the News has never been a band that most people would associate with drugs.  Instead, Huey Lewis and the News wrote and performed the type of songs that you might expect to hear in a sports bar (albeit a sports bar with an 80s theme).  If you need proof, just take a look at the cover of their third album, 1983’s Sports:

That cover sums up who Huey Lewis And The News were as a band.  While only the members of the band can say for sure what they did behind closed doors, most people would look at this cover and say that these weren’t the guys you’d find smoking weed and debating philosophy or doing coke and going crazy on Wall Street.  These were the guys who were waiting for you to come down to the local bar and shoot some pool, with the winner buying the next round.

Ironically, one of their biggest hits was so widely misinterpreted as being a pro-drug song that they actually made a music video with the expressed intent to show everyone that it wasn’t.  I Want A New Drug wasn’t about wanting a new drug.  It was about being so in love with a woman that the feeling was better than anything that any drug could provide.

The video features Huey waking up late and remembering that he has a show that night.  He races across San Francisco and, noticeably, he doesn’t do a single drug during the journey.  He does spot a woman played by Signy Coleman, whose mom was friends with Huey’s mom.

This video was directed by David Rathod, who also directed the videos for two other songs from Huey Lewis and the News, Heart and Soul and He Don’t Know.

Enjoy!

Music Video of the Day: Somebody Save Me by Cinderella (1986, directed by Mark Rezyka)


Today’s music video of the day comes from 1985, the year when anyone with big hair could be a rock star.

It starts with two women running down a hallway in Philadelphia.  Are they excited to see Cinderella, the generic glam rock band that had a few hits in the 80s just to be washed away, as so many similar bands were, by the arrival of grunge?

No, of course not!

The girls are excited because they’ve heard that Jon Bon Jovi and Richie Sambora are in the building!  Bon Jovi and Sambora’s cameos are significant because Jon Bon Jovi was the person who initially discovered Cinderella and convinced PolyGram Records to sign them.  So, basically, this is all Bon Jovi’s fault.

To be honest, this video would probably be totally forgotten if not for it’s appearance on an episode of Beavis and Butthead:

Enjoy!

Music Video of the Day: Vallotte by Julian Lennon (1984, directed by Sam Peckinpah)


I am as shocked as anyone to discover that this sedate video was directed by the director who was known (affectionately or not) as Bloody Sam but indeed it was.

Valotte was the first U.S. single from Julian Lennon, a musician whose talent was often overshadowed by the fact that he was the son of John and Cynthia Lennon.  John divorced Cynthia, leaving her for Yoko Ono, when Julian was only five years old and, by his own admission, Julian’s feelings towards his father have often been mixed.  (Paul McCartney reportedly wrote what would become Hey Jude in an attempt to console Julian after the divorce.)  When Julian Lennon pursued his own musical career, many reviewers spent more time discussing Julian’s physical and vocal resemblance to his father than his music.

As for the song, it was a ballad about finding love and not, as many have incorrectly assumed, a song about Julian’s relationship with John.  The song was initially written at a French chateau known as the Manor de Valotte, which is how the song got its name.  The single was subsequently recorded at Muscle Shoals Sound Studio in Alabama.  The line, “Sitting on a pebble by the river playing guitar” is a reference to the location of the studio.

As for Sam Peckinpah, both his career and his health were in decline when he directed this video.  Peckinpah made a huge impression in the late 60s and early 70s with films like The Wild Bunch and Straw Dogs but, by the time the 80s came around, the critics had turned on him and his abuse of drugs and alcohol had become so notorious that he couldn’t get a job in Hollywood.  Peckinpah directed both this video and Lennon’s follow-up, Too Late For Goodbyes.  His work on the videos was critically acclaimed but unfortunately, Peckinpah would pass away shortly after they were released.

Enjoy!

Music Video of the Day: Eve of Destruction by the Chemical Brothers, featuring AURORA and Nene (2019, dir by Marcus Lyall and Adam Smith)


Oh hell yeah!

From The Chemical Brothers, here’s the video for the lead track off of No Geography, Eve of Destruction!

Judging from what AURORA and Nene have to say on this track, it would appear that the world is on the verge of ending.  Humans minds are simplified.  Sacrifice is justified.  We can’t afford the water.  But maybe — just maybe — you can find a friend to dance with for the weekend.

And really, that’s the whole meaning of life, isn’t it?  Things are frequently terrible but at least you can still dance.  So, what are you going to do?  Sit around and whine on twitter or are you going to get out there and dance and at least enjoy the eve of your destruction?  Because seriously, if the whole world’s going to end anyway, you might as well have a good time before your turned into ash and wiped off of the face of history.

Fortunately, judging from this video, it does appear that we do have a plan in place in case the world gets attacked by vaguely goofy kaiju.  So, there’s at least one reason to be optimistic.

Anyway, I love the Chemical Brothers, I love this track especially, and I am totally in love with this video.  AURORA and the Chemical Brothers are exactly what the world needs right now!

Enjoy!

Music Video of the Day: Everybody’s Crazy by Michael Bolton (1985, directed by Wayne Isham)


“I’ll be honest with you, I love his music, I do, I’m a Michael Bolton fan. For my money, I don’t know if it gets any better than when he sings “When a Man Loves a Woman”.

— Bob (John C. McGinley) in Office Space (1999)

Yeeeesh!

I guess we can put this one in the “It Seemed Like A Good Idea At The Time” file.  In 1985, your aunt’s favorite adult contemporary singer, Michael Bolton, tried to change his image by recording a hard rock album.  The end result was Everybody’s Crazy and a title track that attempted to mix easy listening with hard rock.

It also led to this video, which starts with Michael Bolton telling his manager that “normal” is only something that people are until you get to know them.  “Everybody’s crazy,” and I guess Michael Bolton is including himself in that.  It’s not that Bolton doesn’t have an adequate voice as that there’s nothing dangerous about him and hard rock has to be dangerous.  In this video, Bolton comes across as such a goof that he makes Kip Winger look like James Hetfield.

Bolton did at least bring in some talent for the video.  For instance, he got Bruce Kulick, who was then with KISS, to play guitar on the song and he brought in Wayne Isham to direct the video.  Wayne Isham’s one of the busiest music video directors around.  If your favorite singer or band was around in the 80s or 90s, chances are that Wayne Isham directed one of their videos.

Enjoy!