Happy Birthday in heaven to RANDOLPH SCOTT!!


Happy Birthday in heaven to Randolph Scott, who was born on January 23rd, 1898. The picture above is from probably my favorite Randolph Scott film, RIDE LONESOME (1959). Scott made so many great movies, but my personal favorites are the series of westerns he made with director Budd Boetticher from 1956 – 1960. I highly recommend that you search those films out!

Randolph Scott made the film RIDE THE HIGH COUNTRY with director Sam Peckinpah in 1962 and then retired from acting. Through his work in film and his excellent investments, he would pass away in 1987 as one of the richest men in Hollywood. I’m so glad that my movie hero Charles Bronson was able to work with Scott in the 1954 film RIDING SHOTGUN. Rest in peace, Mr. Scott!

4 Shots From 4 Films: Special Also-Ran Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Since today is Oscar nomination day, today’s edition of 4 Shots From 4 Films is dedicated to films that were nominated for Best Picture but which did not win.

4 Shots From 4 Best Picture Nominees

Citizen Kane (1941, dir by Orson Welles, DP: Gregg Toland)

High Noon (1952, dir by Fred Zinnemann, DP: Floyd Crosby)

Goodfellas (1990, dir by Martin Scorsese, DP: Michael Ballhaus)

Lost In Translation (2003, dir by Sofia Coppola, DP: Lance Acord)

Here Are The 2024 Oscar Nominations


Here they are!  The 2024 Oscar nominations!

There’s a few surprises, like I’m Still Here getting nominated for Best Picture.  I will say that if Kamala Harris had won in November, Sebastian Stan and Jeremy Strong would not have been nominated for The Apprentice.  The same impulse that causes the Academy to honor the films of Adam McKay is responsible for the nominations of Stan and Strong.  Pamela Anderson getting a nomination for The Last Showgirl would have made for a great story but it didn’t happen.

After all the hype, the actual announcement of the nominations is always a bit of a let down.

Best Picture
“Anora”
“The Brutalist”
“A Complete Unknown”
“Conclave”
“Dune: Part Two”
“Emilia Pérez”
“I’m Still Here”
“Nickel Boys”
“The Substance”
“Wicked”

Best Director
Jacques Audiard, “Emilia Pérez”
Sean Baker, “Anora”
Brady Corbet, “The Brutalist”
James Mangold, “A Complete Unknown”
Coralie Fargeat, “The Substance”

Best Actress
Mikey Madison, “Anora”
Karla Sofía Gascón, “Emilia Pérez”
Cynthia Erivo, “Wicked”
Demi Moore, “The Substance”
Fernanda Torres, “I’m Still Here”

Best Supporting Actress
Monica Barbaro, “A Complete Unknown”
Ariana Grande, “Wicked”
Felicity Jones, “The Brutalist”
Isabella Rossellini, “Conclave”
Zoe Saldaña, “Emilia Pérez”

Best Actor

Adrien Brody, “The Brutalist”

Timothee Chalament, “A Complete Unknown”

Colman Domingo, “Sing Sing”

Ralph Fiennes, “Conclave”

Sebastian Stan, “The Apprentice”

Best Supporting Actor
Yura Borisov, “Anora”
Kieran Culkin, “A Real Pain”
Edward Norton, “A Complete Unknown”
Guy Pearce, “The Brutalist”
Jeremy Strong, “The Apprentice”

Original Screenplay:
“Anora”
“The Brutalist”
“A Real Pain”
“The Substance”
“September 5”

Adapted Screenplay
“A Complete Unknown”
“Conclave”
“Emilia Pérez”
“Nickel Boys”
“Sing Sing”

International Feature
“I’m Still Here”
“The Girl with the Needle”
“Emilia Pérez”
“The Seed of the Sacred Fig”
“Flow”

Animated Feature
“Flow”
“Inside Out 2”
“Memoir of a Snail”
“Wallace & Gromit: Vengeance Most Fowl”
“The Wild Robot”

Documentary Feature
“Black Box Diaries”
“No Other Land”
“Porcelain War”
“Soundtrack to a Coup d’Etat”
“Sugarcane”

Best Editing
“Anora”
“Conclave”
“Emilia Pérez”
“Wicked”
“The Brutalist”

Best Original Score in a Motion Picture
“The Brutalist”
“Emilia Pérez”
“Conclave”
“Wicked”
“The Wild Robot”

Production Design
“The Brutalist”
“Conclave”
“Dune: Part Two”
“Nosferatu”
“Wicked”

Best Costume Design
“A Complete Unknown”
“Conclave”
“Gladiator II”
“Nosferatu”
“Wicked”

Best Sound
“A Complete Unknown”
“Dune: Part Two”
“Wicked”
“Emilia Perez”
“The Wild Robot”

Best Makeup and Hairstyling
“A Different Man”
“Emilia Pérez”
“Nosferatu”
“The Substance”
“Wicked”

Animated Short
“In the Shadow of Cypress”
“Wander to Wonder”
“Yuck”
“Magic Candies”
“Beautiful Men”

Live Action Short
“Anuja”
“The Last Ranger”
“A Lien”
“The Man Who Could Not Remain Silent”
“I’m Not a Robot”

Documentary Short
“Death by Numbers”
“I Am Ready, Warden”
“Incident”
“The Only Girl in the Orchestra”
“Instruments of a Beating Heart”

Best Original Song, Motion Picture
“Mi Camino” from “Emilia Pérez”
“El Mal” from “Emilia Pérez”
“Never Too Late” from “Elton John: Never Too Late”
“The Journey” from “The Six Triple Eight”
“Like a Bird” from “Sing Sing”

 

Happy Birthday in heaven to RUTGER HAUER – a personal reflection.


Quite simply, Rutger Hauer has been one of the most important actors in my life. I write about his movies every Sunday here on The Shattered Lens.

I first saw him in THE HITCHER when I was around 13 years old or so. I spent the night at a friend’s house where we watched the movie, and it scared the crap out of me. I will never, ever, ever pick up a hitchhiker I do not know because of this movie. Although I kept up with him after that fateful night, my next real meaningful memory of Hauer was from 1990 when, as an incoming senior in High School, I attended a six week summer program called Arkansas Governor’s School. We would watch movies every Sunday evening, and one of those movies was BLADE RUNNER (1982). After the movie, we would get together with an instructor to discuss the film. We all thought that Hauer had stolen the film from Harrison Ford, and we had a good time sharing theories about the doves and his character sticking the nail through his hand. I believe this was the first time I ever analyzed a film with a group of film lovers. None of my friends or family members in my “real life” cared about movies like I did.

I think it’s fair to say that I’ve been somewhat obsessed with Rutger Hauer from that point forward. I searched out his history of Dutch films and discovered important works like TURKISH DELIGHT (1973 -not one of my favorites) and SOLDIER OF ORANGE (1977 – one of my very favorites). I always wished Hauer would have worked with Director Paul Verhoeven again after 1985’s FLESH AND BLOOD. How cool would it have been to see Hauer as Robocop?! I delighted in seeing him steal the film NIGHTHAWKS (1981), his American debut, from Sylvester Stallone. After 1990, any time Rutger Hauer had a movie playing in a theater near me, I would be there. This included his early 90’s movies like SPLIT SECOND (1992 – where I was the only person in the theater), BUFFY THE VAMPIRE SLAYER (1992), and SURVIVING THE GAME (1994), to his character roles in the 2000’s in movies like CONFESSIONS OF A DANGEROUS MIND (2002), SIN CITY (2005), and BATMAN BEGINS (2005). The last time I saw him on the big screen was in THE RITE (2011), where he co-starred with Anthony Hopkins.

Rutger Hauer has so many credits. Aside from his big screen credits, he worked on so many low budget direct to video features, made-for-TV films, as well as quite a few TV series. And I tried to watch them all. I saw some good films and some not so good films, but I always found Hauer interesting no matter what the material was. I remember being excited when it was announced that he would be joining the cast of the hit HBO series TRUE BLOOD (2008-2014), a series that I watched faithfully. The last two films of his that I was truly excited about were HOBO WITH A SHOTGUN (2010) and DRACULA 3-D (2012). It was satisfying to see him getting a lot of attention that late in his career.

I was sitting on the beach in Perdido Key, FL in 2019, when I got a notification on my phone that Hauer had passed away. It made me sad, as I had no idea he had been sick. It was also fitting that I was sitting in such a beautiful place, because Rutger Hauer had brought such joy to my life for over 30 years. Rest in peace, Mr. Hauer!

Lisa Marie’s Final 2024 Oscar Predictions


The Oscar nominations are due to be announced tomorrow so I guess I should post my final predictions.  2024 has been a rough year for me and my sisters.  Our Dad was in a car accident in May and, after two months of physical rehab, passed away in August while in home hospice care.  Needless to say, going to the movies was the last thing on my mind for much of 2024.

(I’m very thankful that my fellow contributors who kept the site going during our frequent absences.  Their hard work not only kept TSL alive but it also rekindled my own passion for the Shattered Lens.  I am still very much in mourning but writing for this site and sharing my thoughts with our readers has definitely helped me to regain some semblance of stability.)

So, there’s a lot of Oscar hopefuls that I have not seen.  That’s one reason why I haven’t done a best of 2024 list this year or my usual “If Lisa Marie Had All The Power” posts because there’s still a lot that I need to watch.  (I may publish them at some point in February, by which point everyone will have moved on but it will make me feel happy.)  I’m flying blind here with a lot of the potential nominees.  But I’ve been following the guilds and the critic awards and I feel reasonably confident about the predictions below.

Tomorrow morning, we’ll find out how right or wrong I am.

Best Picture

Anora

The Brutalist

A Complete Unknown

Conclave

Dune Part II

The Brutalist

A Real Pain

September 5

The Substance

Wicked

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Edward Berger for Conclave

Brady Corbet for The Brutalist

Coralie Fargeat for The Substance

Best Actress

Pamela Anderson in The Last Showgirl

Cynthia Erivo in Wicked

Karla Sofia Gascon in Emilia Perez

Mikey Madison in Anora

Demi Moore for in Substance

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Compete Unknown

Domingo Colman in Sing Sing

Daniel Craig in Queer

Ralph Fiennes in Conclave

Best Supporting Actress

Jamie Lee Curtis in The Last Showgirl

Ariana Grande in Wicked

Margaret Qualley in The Substance

Isabella Rossellini in Conclave

Zoe Saldana in Emilia Perez

Best Supporting Actor

Yura Borisov in Anora

Kieran Culkin in A Real Pain

Edward Norton in A Complete Unknown

Guy Pearce in The Brutalist

Jeremy Strong in The Apprentice

Jim Jarmusch in SLING BLADE (1996) – a scene that I love!


Way back in 1995, Jim Jarmusch gave Billy Bob Thornton a part in his film DEAD MAN. Well the next year, Billy Bob Thornton directed his own movie, SLING BLADE. He asked Jarmusch if he would do a small part in his movie. The resulting scene would be one of my favorites in the entire film. I still mention “French fried potaters” to this day, especially the “big ‘uns!” And I just love the fact that Jarmusch was right here in Benton, Arkansas.

The Frosty Cream is a McDonald’s now, but I love seeing the area how it was 30 years ago! Watch and enjoy!

4 Shots From 4 Films: Special Jim Jarmusch Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday of one of the most important and independently minded filmmakers of the past 40 years, Jim Jarmusch!

It’s time for….

4 Shots From 4 Jim Jarmusch Films

Stranger Than Paradise (1984, dir by Jim Jarmusch, DP: Tom DiCillo)

Down by Law (1986, dir by Jim Jarmusch, DP: Robby Muller)

Dead Man (1995, dir by Jim Jarmusch, DP: Robby Muller)

The Dead Don’t Die (2019, dir by Jim Jarmusch, DP: Frederick Elmes)

Happy Birthday in heaven, Telly Savalas! Who loves ya, baby??


Telly Savalas was born on January 21, 1922 and he died on January 22, 1994. When I think of Savalas, I first think of his most famous character, KOJAK (1973-1978).

After that I think of his work with my movie hero, Charles Bronson. They worked together on THE DIRTY DOZEN (1967) and VIOLENT CITY (1970). They were also in the BATTLE OF THE BULGE (1965), but they didn’t share any scenes together. I’ll always remember Savalas in the movie KELLY’S HEROES (1970). This was one of my son’s favorite movies when he was growing up. He watched it constantly.

Based on this work, Telly Savalas will always be one of my favorite actors! Happy birthday, sir, and thanks for countless hours of entertainment in my life!

20 Shots From David Lynch


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his birthday, we take the time to pay tribute to one of our favorite directors.  Needless to say, when it comes to David Lynch, there’s an embarrassment of riches.

Here are….

20 Shots From David Lynch

Eraserhead (1977, directed by David Lynch, DP: Frederick Elmes and Herbert Cardwell)

The Elephant Man (1980, dir by David Lynch, DP: Freddie Francis)

Dune (1984, dir by David Lynch, DP: Freddie Francis)

Blue Velvet (1986, dir by David Lynch, DP: Frederick Elmes)

Twin Peaks: The Pilot (1990, dir by David Lynch, DP: Ron Garcia)

Twin Peaks 1.3 “Zen or the Skill To Catch a Killer” (1990, dir by David Lynch, DP: Frank Byers)

Wild At Heart (1990, dir by David Lynch, DP: Frederick Elmes)

Twin Peaks 2.7 “Lonely Souls” (1990, dir by David Lynch, DP: Frank Byers)

Twin Peaks 2.22 (1991, dir by David Lynch, DP: Frank Byers)

Twin Peaks: Fire Walk With Me (1992, dir by David Lynch, DP: Ron Garcia)

On The Air 1.1 “The Lester Guy Show” (dir by David Lynch, DP: Ron Garcia)

Lost Highway (1997, dir by David Lynch, DP: Peter Deming)

The Straight Story (1999, dir by David Lynch, DP: Freddie Francis)

Rabbits (2002, dir by David Lynch, DP: David Lynch)

Mulholland Drive (2000, dir by David Lynch, DP: Peter Deming)

Twin Peaks: The Return Part 3 (dir by David Lynch, DP: Peter Deming)

Inland Empire (2006, dir by David Lynch, DP: David Lynch)

Twin Peaks: The Return Part 8 (2017, dir by David Lynch, DP: Peter Dening)

Twin Peaks: The Return Part 18 (2017, dir by David Lynch)

What Did Jack Do? (2017, dir by David Lynch, DP: Scott Ressler)

VOYAGE (1993) – Rutger Hauer and Eric Roberts battle it out on a boat!


The 1993 made-for-cable television film VOYAGE opens with Morgan Norvell (Rutger Hauer) and his wife Kit (Karen Allen) headed to their 20-year class reunion. Morgan didn’t really want to go, but Kit talked him into it. It seems that Morgan was a champion diver back in high school. We know that because he’s looking at some pictures at the reunion that are meant to illustrate what a great athlete he once was. I say “meant to illustrate” because the man in the pictures looks absolutely nothing like a potentially younger Hauer would. Hauer is a big boned man, known for his blond hair. This guy in the pictures is scrawny with dark hair, but I’ll just move on, I guess. Morgan and Kit seem to be enjoying themselves, when they run into Kit’s old friend Gil Freeland (Eric Roberts) and his wife Ronnie (Connie Nielsen). It’s kind of awkward at first because Gil asks Morgan if he remembers him, and Morgan doesn’t, even though they were in the same class. Isn’t that the worst? I was recently at an Arkansas Razorbacks football game, and as I walked away from the concession area with my beverage, this lady’s voice said, “Well, if it isn’t Brad Crain.” I looked at the group of people standing in front of me, including the lady who said my name, and I immediately knew I was in trouble. They all looked kind of familiar, but a long time ago “kind of familiar,” and I knew none of their names. And then she asked that question I was hoping to avoid, “You don’t remember me, do you?” I had to admit I didn’t. We spoke for a few moments, and then I headed to my seat feeling a little embarrassed. I told my family about the exchange a few days later, and my sister Pam said that the lady was her best friend in school and that she used to spend the night at our house when we were kids. But the truth is that I still don’t really remember her, and now I’m starting to worry about how the hell I can’t remember her!

After that initially awkward moment, Morgan, Kit, Gil and Ronnie sit down together and start talking about their lives. We learn that Morgan is an architect (ala Paul Kersey), that Kit is an author, that Gil is a dentist, and that Ronnie just looks good. If she told her profession, I missed it. In a case of giving way too much information to people you haven’t seen in 20 years, Morgan and Kit tell the couple of their plans to go to Monte Carlo where they have a sailboat, which they plan to sail down the coast of Italy until they reach Malta. It seems that they purchased a hotel that is in much need of repair, and that they are going to live on the boat for a year, while Morgan puts his architect skills to good use and restores the property. The couple, who have had their share of struggles, are using this adventure as a fresh start in their marriage. Well Gil and Ronnie think this all sounds like a ball and even say that they’d love to join them for a few days if they could. No specific plans are discussed, and Morgan and Kit say that would be great, without expecting they’ll see them again after this night. Wrong! While Morgan is getting the boat ready in Monte Carlo, Gil and Ronnie show up. They have a good day on the ocean together and are enjoying some champagne that night when Gil proceeds to invite himself and Ronnie to go along with them on down the coast for a few days. She doesn’t want to be rude, but Kit is not for this idea so she kicks Morgan under the table. This is supposed to be their time to work on their relationship. Morgan should have known better than to say that Kit and Ronnie could join them for a few days, because any person who’s married or in a relationship should understand the under the table “kick to the shin.” But in a complete dumbass move, he invited them along anyway.

And this is where things really start going in a different direction. That first night, Ronnie makes a sexual move on Morgan, which he somehow has the strength to turn down, while Gil and Kit are downstairs reliving old times… Strike 1! That same night, Morgan is awakened to the sounds of a person on the deck and finds Gil up there. Gil says he was needing some fresh air and dropped his champagne, but Morgan finds the fuel cap is loose after Gil goes back downstairs… Strike 2! A couple of days later, Ronnie tries to kiss Kit, Gil catches a fish and bashes its head in instead of just throwing it back and then has the nerve to imply to Morgan that he had sex with Kit in high school… Strikes 3, 4, and 5! Morgan knocks the crap out of Gil and then makes them get off the boat when they get back to shore that day.

And from that point forward, Morgan and Kit sail on down the coast of Italy, making their way to Malta where they rebuild both their relationship and the Hotel Riviera, and live happily ever after! I’m just kidding, the rest of the movie consists of Gil and Ronnie terrorizing the couple, ultimately wanting to kill them for far more nefarious purposes than I’ll reveal here. I believe that most people in the world will fit into 2 categories: those who want to watch a movie where Eric Roberts terrorizes and tries to kill Rutger Hauer, and those who don’t want to watch such a movie. I’m really writing this up for those in the first camp, so I don’t want to spoil this movies surprises!

Back in 1993, Rutger Hauer’s run as a big-screen lead was nearing its end. With a couple exceptions, he would spend the rest of the decade appearing in made-for-cable TV films and other low budget direct-to-video type fare. Eric Roberts, who had received an Oscar nomination a decade earlier, was also mostly doing low budget direct-to-video fare, TV movies, and the occasional character part in a larger budget movie. This is an interesting time for both actors as their careers were transitioning. But we’re talking about two guys who know how to act, as evidenced by Hauer’s 174 acting credits on IMDB and Roberts’ 760 acting credits on IMDB (and counting as he has 4 credits in 2025 already). Both Hauer and Roberts are capable of playing complete psychos, so I’m not sure how they settled in on Roberts to play the psycho in this one. It may be because Hauer played a psycho stalker in his earlier movie from 1993, the made-for-HBO film BLIND SIDE, but that’s just a guess.

I enjoyed VOYAGE when I watched it the night of its premiere on the USA Network on June 2nd, 1993, and I enjoyed it when I watched it again this morning. I’m a huge fan of Rutger Hauer, and I’ve always appreciated Eric Roberts. For me, it’s a real treat seeing these two guys face off. I enjoy that Hauer gets to play the “hero” while Roberts is the dangerous creep, and Roberts is as creepy as it gets in this movie. Hauer’s role isn’t very flashy, as he’s a pretty normal guy who finds himself in a bad situation, but he is Rutger Hauer so it’s not a surprise that he’s able to summon the strength to fight for his and his wife’s lives. VOYAGE was directed by John Mackenzie. Mackenzie made some good films earlier in his career, including the phenomenal British crime film THE LONG GOOD FRIDAY (1980), the Charles Bronson corrupt union drama ACT OF VENGEANCE (1986), and the Michael Caine / Pierce Brosnan spy thriller THE FOURTH PROTOCOL (1987). While VOYAGE is certainly not his most accomplished work, Mackenzie knows how to make a film, and he does a fine job here. And finally, I always enjoy a movie filmed in beautiful locations, and Malta definitely makes for some beautiful views.

Ultimately, I think your enjoyment of VOYAGE will come down to whether or not you like the idea of Rutger Hauer and Eric Roberts fighting it out to the death. I personally like that idea.  

See the trailer for VOYAGE below: