A Movie A Day #124: Mad Dog Coll (1992, directed by Greydon Clark and Ken Stein)


New York.  The prohibition era.  The Coll Brothers, Vincent (Christopher Bradley) and Peter (Jeff Griggs), are sick of working for the Irish gangster, O’Malley (William Anthony La Valle).  They want to hang out at the Cotton Club with big time gangsters like Lucky Luciano (Matt Servitto), Legs Diamond (Will Kempe), and Dutch Schultz (Bruce Nozick).  Vincent has fallen in love with Lotte (Rachel York), a singer at the club but the club’s owner, Owney Madden (Jack Conley), makes it clear that Lotte is too good for a low-rent thug.  After killing O’Malley, Vincent and Peter go to work for Dutch Schultz but soon, they grew tired of the low wages that Schultz pays them.  The Colls decide to strike out on their own, leading to all out war with New York’s organized crime establishment.

Vincent Coll was a real-life gangster who actually did go to war with Dutch Schultz and Lucky Luciano.  After a five-year old boy was fatally caught in the crossfire of a gun battle between Coll and his rivals, Vincent was nicknamed “Mad Dog” by the New York press.  Mad Dog Coll presents a highly fictionalized account of Coll’s life, suggesting that the kid was actually shot by one of Coll’s rivals and presenting Coll as an idealistic rebel who refused to be controlled by Luciano’s organized crime commission.  Luciano, Vincent and Peter agree, has sold out and no longer remembers where he came from.

Mad Dog Coll was one of two gangster movies that Menaham Golan produced, back-to-back, in Russia.  In fact, Mad Dog Coll may be the first American film in which Russia stood in for America instead of the other way around.  Though this film was produced after Golan broke up with his longtime producing partner, Yoram Globus, Mad Dog Coll still has a definite Cannon feel to it.  It is low-budget, fast-paced, unapologetically pulpy, and entertaining as Hell.  For a Golan production, the performances are surprisingly good.  Bruce Nozick steals the entire movie as crazy Dutch Schultz.  None of it is subtle but it is enjoyable in the way that only a Greydon Clark-directed, Menahem Golan-produced gangster film can be.  1920s New York is recreated on Russian soundstages. The threadbare production design and cardboard cityscape brings a Jon Pertwee/Tom Baker-era Dr. Who feel to the movie.  All that is missing is The Master brewing up moonshine and the Daleks exterminating the Chicago Outfit.

In the U.S., Mad Dog Coll was retitled Killer Instinct, probably to cash in on the recent success of Basic Instinct.  The entire cast was featured in the sequel, the Menahem Golan-directed Hit the Dutchman.

A Movie A Day #123: Dillinger and Capone (1995, directed by Jon Purdy)


1934.  Chicago.  The FBI guns down a man outside of a movie theater and announces that they have finally killed John Dillinger.  What the FBI doesn’t realize it that they didn’t get Dillinger.  Instead they killed Dillinger’s look-alike brother.  The real John Dillinger (played by Martin Sheen) has escaped.  Over the next five years, under an assumed name, Dillinger goes straight, gets married, starts a farm, and lives an upstanding life. Only a few people know his secret and, unfortunately, one of them is Al Capone (F. Murray Abraham).  Only recently released from prison and being driven mad by syphilis, Capone demands that Dillinger come out of retirement and pull one last job.  Capone has millions of dollars stashed away in a hotel vault and he wants Dillinger to steal it for him.  Just to make sure that Dillinger comes through for him, Capone is holding Dillinger’s family hostage.

This film, which was produced by Roger Corman, combines two popular but probably untrue rumors, that Dillinger faked his own death and that Al Capone had millions of dollars stashed somewhere in Chicago.  Though the two never met in real life (and moved in very different criminal circles), the idea of bringing Dillinger and Capone together sounds like a good one.  Unfortunately, the execution leaves a lot to be desired.  Sheen and Murray are both miscast in the lead roles, with Sheen especially being too old to be believable as the 40 something Dillinger, and the script never takes advantage of their notoriety.  In this movie, Dillinger could just as easily be any retired bank robber while Capone could just as easily be any unstable mob boss.  In classic Corman fashion, more thought was given to the title than to the story.

One things that does work about the movie is the supporting cast, which is full of familiar faces.  Clint Howard, Don Stroud, Bert Remsen, Jeffrey Dean Morgan, Catherine Hicks, Maria Ford, and Martin Sheen’s brother, Joe Estevez, are all present and accounted for.  Especially be sure to keep an eye out for Jeffrey Combs, playing an FBI agent who suspects that Dillinger may still be alive.  He may not get to do much but he’s still Jeffrey Combs.

A Movie A Day #122: The Lost Capone (1990, directed by John Gray)


Chicago.  1915.  Up-and-coming gangster Al Capone (Eric Roberts) berates his younger brother, Jimmy (Adrian Pasdar), for not being aggressive enough in a street fight.  Not wanting to follow his brothers into a life of organized crime, Jimmy runs away from home and eventually finds himself in Harmony, Nebraska.  Claiming to be a World War I vet named Richard Hart, Jimmy impresses everyone with both his marksmanship and his incorruptible nature.  Soon, the new Richard Hart has been named town marshal.  While Al Capone is taking over the Chicago rackets, Richard is keeping the town safe with his Native American deputy, Joseph Littlecloud (Jimmie F. Skaggs), and starting a family with the local school teacher, Kathleen (Ally Sheedy).  When illegal liquor from Chicago starts to show up on a nearby Indian reservation, Richard Hart comes into conflict with the Chicago Outfit and his secret is finally revealed.

There is a sliver of truth to this made-for-TV movie.  Al Capone really did have a brother named James, who ended up changing his name to Richard Hart and working as a prohibition agent in Nebraska.  Otherwise, the movie changes so many facts that it is hard to know where to begin.  In real life, Al and James Capone grew up in New York.  James, who was actually several years older than Al, ran away from home not to escape Al’s bullying but because he wanted to join the circus.  (Al was only 9 when James ran away.)  James changed his name to Richard Hart not to keep people from realizing that he was related to Al but because he admired silent screen cowboy William S. Hart.  Though James did work in law enforcement, he never came into conflict with Al Capone’s organization and, in fact, regularly visited Chicago.

The Lost Capone is a forgettable mix of western and gangster clichés, featuring a notably stiff performance from Adrian Pasdar in the lead role.  It does feature two of the strangest performances that I have ever seen.  Eric Roberts, complete with a phony scar, playing Al Capone is just as weird as it sounds, while Ally Sheedy plays a wholesome and always smiling teacher but delivers her lines in the same halting tone of voice that she used as the “basket case” in The Breakfast Club.

There is probably a good movie that could be made about the life of James Capone/Richard Hart but The Lost Capone is not it.

Movie A Day #120: Teenage Bonnie and Klepto Clyde (1993, directed by John Shipperd)


Scott Wolf plays Clyde, a nerdy high school student who has a go-nowhere job at a burger place.  Maureen Flannigan, best known for starring in Out Of This World, is Bonnie, who likes to steal stuff and have fun.  Unfortunately, Bonnie’s father (played by Tom Bower) is not an avuncular alien who sounds like Burt Reynolds.  Instead, he’s the extremely strict and controlling police commissioner of their hometown.  Clyde like Bonnie but Bonnie wants nothing to do with him.  It’s not until Clyde spies Bonnie shoplifting in a record store that he realizes that larceny is the key to her heat.  When Clyde steals a van and Bonnie steals her father’s guns, the two of them head for Mexico, robbing banks, shooting guns, making love (which, judging from the comments I have found online, is the main reason the film found an audience once it started showing up on HBO) and becoming media celebrities along the way.

An attempt to do a teenage version of Bonnie and Clyde, Teenage Bonnie and Klepto Clyde predates Natural Born Killers by a year with its critique of the public’s fascination with sex and violence.  While the film was hurt by its low-budget, both Maureen Flannigan and Scott Wolf were ideally cast as the young lovers and the entire movie is a hundred times better than anyone would ever expect something called Teenage Bonnie and Klepto Clyde to be.  After being typecast of Out of this World‘s wholesome Evie, Maureen Flannigan tried to change her image with this violent film.  Unfortunately, the movie ended up exiled to late night showings on HBO where it guaranteed that kids like me would never look at reruns of Out of This World the same way ever again.

A Movie A Day #119: Dead Solid Perfect (1988, directed by Bobby Roth)


Based on a novel by veteran sports writer Dan Jenkins, Dead Solid Perfect takes an episodic look at a year on the PGA tour.  Kenny Lee (Randy Quaid) is a good but aging golfer who wants to finally have his time in the spotlight.  His sponsor (Jack Warden) is an eccentric old racist.  His girlfriend (Corinne Bohrer, who has a lengthy scene where she walks naked down hotel hallway while carrying an ice bucket) isn’t looking for a commitment while his wife (Kathryn Harrold) is getting sick of his emotional immaturity.  Kenny Lee just wants to hit the perfect shot.

An early HBO production, Dead Solid Perfect is one of the best movies ever made about pro golfers, not that there is really much competition.  Eschewing the pretentious blathering that has marred other golf films (like The Legend of Bagger Vance), Dead Solid Perfect focuses on the day-to-day life of aging athletes who have never had to grow up.  This was Dan Jenkins’s specialty and Dead Solid Perfect feels authentic in a way that many other sports film, like Bagger Vance, do not.  Randy Quaid, long before he had his widely publicized breakdown and started making videos about the “star whackers,” is perfectly cast as Kenny.  Sadly, Dead Solid Perfect has never been released on DVD or Blu-ray but it will entertain any golf fan who owns an operational VCR.

Of course, the best movie about golf is still Caddyshack.

 

A Movie A Day #118: Navy SEALs (1990, directed by Lewis Teague)


While rescuing hostages in the Middle East, a team of Navy SEALs discover that terrorist leader Ben Shaheed (Nicholas Kadi) has a warehouse full of stinger missiles.  Hawkins (Charlie Sheen) wants to destroy the missiles but his superior, Curran (Michael Biehn), orders him to concentrate on saving the hostages.  As a result, Shaheed has time to move the missiles to another location.  With the help of a Lebanese-American journalist (Joanne Whalley-Kilmer) and the CIA, the SEALs must now track down the new location and destroy the missiles before they are used by Shaheed’s organization.

Navy SEALs is mostly memorable for the amount of James Cameron alumni who appear in its cast.  The cast not only features The Terminator‘s Michael Biehn and Rick Rossovich but Bill Paxton as well.  Of course, the main star is Charlie Sheen, still technically a serious actor at the time, who gives a wide-eyed and histrionic performance that suggests Hawkins may have snorted a little marching powder before reporting for duty.  24‘s Dennis Haysbert plays a SEAL who is engaged to marry Law & Order‘s S. Epatha Merkerson.  Haysbert spends so much time planning his wedding and talking about both the importance of both duty and love that the only shocking thing about his role is that he manages to survive half the movie before getting killed.  Neither Val Kilmer nor Cary Elwes is in the cast, though it seems like they both should be.

Navy SEALs was a box office bust in 1990 but, after the death of Osama Bin Laden, it experienced a sudden upswing in popularity and even appeared on primetime television a few times.  The scene where the SEALs blow off some steam by playing golf is a classic but, otherwise, this is a largely forgettable Top Gun rip off.

A Movie A Day #117: Shadow Hours (2000, directed by Isaac H. Eaton)


Straight from the direct-to-video graveyard comes this journey through the seedy underbelly of Los Angeles.  Michael Holloway (Balthazar Getty) used to drink every hour and snort cocaine every night.  That was the past.  Now, he is clean and sober.  Michael is married to Chloe (Rebecca Gayheart) and they have a baby on the way.  In desperate need of money to support his family, Michael gets a job working the night shift at a 24-hour gas station.  Most of his customers are the scum of the Earth until, one night, Stuart Chappell (Peter Weller) steps into the station.  Stuart claims to be a writer and he hires Michael to accompany him on an exploration of the dark side of L.A.  They start with strip bars and then eventually move on to fight clubs and BDSM parlors.  Everywhere they go, Stuart is recognized but everyone knows him by a different name.  Soon, Michael is not only drinking and doing drugs again but he is also the prime suspect in a murder.

Shadow Hours is a dumb but entertaining vision of Los Angeles as Hades.  It has loads of atmosphere but it’s all taken from other movies, a hint of Taxi Driver there and a pinch of 8mm here.  The film’s main weakness is that it stars Balthazar Getty, who, as an actor, has the least sympathetic screen presence this side of Edward Furlong.  Even if Getty was playing a paraplegic veteran who had devoted his life to finding good homes for stray puppies, he would still come across as unlikable.  Make him a loser who spend most of the movie lying to his pregnant wife and it is impossible to care what happens to Michael.  The film’s main strength is that it also stars Peter Weller, who is pitch perfect as the mysterious Stuart, who might be the Devil.  If the whole movie had just been Peter Weller going to bars and fight clubs and hanging out with Lydia Lunch, Shadow Hours would have been a B masterpiece.  It’s too bad he had to take an oil heir with him.

A Movie A Day #116: Evocateur: The Morton Downey, Jr. Show (2012, directed by Seth Kramer, Daniel A. Miller, and Jeremy Newberger)


Long before the rise of trash TV, reality television, Jerry Springer, Maury Povich, Fox News, and MSNBC, there was The Morton Downey, Jr. Show.  Airing at the end of the 1980s, The Morton Downey, Jr. Show featured its host railing against liberals, vegetarians, communists, feminists, libertarians, animal rights activists, teenagers, and pot smokers.  Though the show only lasted for two seasons and ended after a bizarre incident in which Downey faked being the victim of a hate crime, The Morton Downey, Jr. served as a forerunner to the rise of our current toxic political culture.

At least, that is the claim made by Evocateur, a documentary about both the show and the controversial showman who hosted it.  Since I was too young to watch the show when it originally aired, it was interesting, for me, to watch the many clips that were featured in this documentary.  Downey would chain-smoke and shout, while kicking people off his stage.  At one point, Downey literally wrapped himself in an American flag and ordered a guest to kiss his ass.  On another show, Downey provoked then-Libertarian presidential candidate Ron Paul into shouting at him to shut up.  One of the high points of the documentary comes when guest Roy Innis loses his temper and sends Al Shaprton falling to the floor.  The audience would into it, chanting “Mort!  Mort!  Mort!” in the same way that the audience of The Jerry Spring Show chant “Jerry!” whenever a fight breaks out or a guest takes a spin on a the stripper pole.  As way of comparison, a clip of Phil Donahue respectfully interviewing a professional foot model (and promising to let his audience know if maybe they could become a foot model too) is used to illustrate just how different The Morton Downey, Jr. Show was from everything else on the air at the time.  It is a stretch to try to connect (as this film attempts to do) The Morton Downey, Jr. Show to the rise of the Tea Party but it is true that both Donald Trump and Morton Downey, Jr. borrowed a page from the same populist playbook.

Through home video footage and candid interviews, the documentary attempts to show how Morton Downey, Jr. went from being the son of a famous Irish crooner and a friend of Ted Kennedy’s to being the forerunner of trash tv.  There is a lot of speculation about what motivated Downey, some parts of which are more credible than others.  A lot of attention is given to Downey’s relationship with his father and his early attempts to have a musical career of his own. As a singer, Mort was always overshadowed but, as a political provocateur and, later, as an anti-smoking activist, Mort was able to establish an identity of his own.  Along with archival footage and talking head clips, Evocateur uses animation to tell a good deal of the story.  It’s distracting but that currently seems to be the trendy thing to do when it comes to documentaries.

Despite its flaws, Evocateur is an interesting profile of a man whose influence is still being felt even if he has largely been forgotten.

 

A Movie A Day #115: Zero Tolerance (1994, directed by Joseph Mehri)


In Zero Tolerance, Robert Patrick plays Jeff Douglas, an FBI agent who is sent down to Mexico to pick up a recently captured drug dealer.  Ray Manta (Titus Welliver) is the head of the White Hand drug cartel and he is not happy about having been arrested.  When Ray tells Jeff that his entire family is being held hostage and will be killed unless Ray is allowed to escape, Jeff demands that Ray give him his word that no harm will come to his wife and children.  Ray gives his “word of honor,” not realizing that his associates have already killed Jeff’s family.  Jeff is now out for revenge and he is not going to let the FBI, with its rules and procedures, stand in his way.  Jeff is not only out to get Ray.  He is also going to track down and kill every member of the White Hand, which includes everyone from Mick Fleetwood (yes, that Mick Fleetwood) to Jeffrey Anderson-Gunter (playing almost exactly the same role that he played in Marked for Death and Only The Strong) to Ator the Invincible himself, Miles O’Keeffe.

(How much keeffe is in this movie?  Miles O’Keeffe!  Ha ha, that never gets old!)

Robert Patrick is one of those actors who can make any movie worth watching and Zero Tolerance, an otherwise forgettable revenge flick, is proof of that.  No one plays a revenge seeking killing machine with as much panache as Robert Patrick.  After his family is killed, Patrick crosses the country, stopping everywhere from New Orleans and Las Vegas and seeing vengeance with a determination that almost makes Charles Bronson and Clint Eastwood seem mellow by comparison.  This is the type of movie where Robert Patrick literally drives his car through the side of a helicopter and, even after the helicopter explodes, still emerges unscathed.

There’s only one man who could pull that off.

Robert Patrick.

A Movie A Day #114: Scavenger Hunt (1979, directed by Michael Schultz)


When game designer Milton Parker (Vincent Price) dies, all of his greedy relatives and his servants gather for the reading of his will.  Parker’s lawyer, Benstein (Robert Morley), explains that Parker is leaving behind a $200 million dollar estate to whoever can win an elaborate scavenger hunt.  Dividing into five teams, the beneficiaries head out to track down as many items as they can by five o’clock that evening.  Among the items that they have to find: a toilet, a cash register, an ostrich, a microscope, and an obese person.  Hardy har har.

The five teams are made up of a who’s who of sitcom and television actors who had time to kill in 1979.  The Odd Couple‘s Tony Randall is Henry Motely, who is Parker’s son-in-law and who works with his four children.  Soap‘s Richard Mulligan plays a blue-collar taxi driver named Marvin Dummitz (because funny names are funny) who teams up with his friend, Merle (Stephen Furst).  The Mary Tyler Moore Show‘s Cloris Leachman (an Oscar winner, no less) gets stuck with the role of Milton’s greedy sister, Mildred.  She works with her conniving lawyer (Richard Benjamin) and her stupid son (Richard Masur).  Maureen Teefy plays Milton’s niece while his nephews are played by Willie Aames and Dirk Benedict.  Cleavon Little, James Coco, Roddy McDowall, and Stephanie Faracy play the servants.

It doesn’t stop there, though.  Avery Schreiber plays a zookeeper.  Meat Loaf plays a biker who beats up Richard Benjamin.  Ruth Gordon, Stuart Pankin, Pat McCormick, and Scatman Crothers all have cameos.  Even Arnold Schwarzenegger makes an appearance as a gym instructor who knocks Tony Randall out of a second story window.

There are a lot of famous people in Scavenger Hunt.  It’s just too bad that the movie itself is barely watchable and not at all funny.  It tries to go for the zaniness of It’s A Mad, Mad, Mad, Mad World but, unless watching Willie Aames steal a clown head from Jack in the Box is your idea of hilarity, the film never comes close to succeeding.  Michael Schultz directed some classic films (like Car Wash) during the 1970s but, unfortunately, he also directed Sgt. Pepper’s Lonely Hearts Club Band and this.

Scavenger Hunt used to show up on a late night television, where it was always advertised as starring Arnold Schwarzenegger.  (He barely has five minutes of screentime.)  It was released on DVD/Blu-ray earlier this year but watching for the cameos is the only reason to take part in this Scavenger Hunt.