Brad reviews RETURN TO ME (2000), starring David Duchovny and Minnie Driver!

Posted on December 1, 2025 by Bradley Crain

I’m a sucker for a good romance. Every year during tax season, I like to stream romantic films while I prepare my clients’ tax returns late into the evening. They make me feel good and help my mood as I work the necessary 80 to 90 hours every week leading up to April 15th. My list of favorites includes movies like HITCH (2005) with Will Smith, NOTTING HILL (1999) with Julia Roberts and Hugh Grant, and YOU’VE GOT MAIL (1998) with Tom Hanks and Meg Ryan. I also really enjoy the period romance movies based on the novels of Jane Austen, films like Ang Lee’s SENSE AND SENSIBILITY (1995) and the five-hour mini-series version of PRIDE AND PREJUDICE (1995) starring Colin Firth and Jennifer Ehle. There’s a decent chance that if you walk into my office at the end of one of these films you might even catch me wiping a tear from my eye as the obstacles finally clear, and we’re left with two people in love embarking on their specific “happily-ever-after” together. One such movie, that I don’t hear mentioned very often, but that I personally love, is the 2000 romantic film RETURN TO ME.

RETURN TO ME opens by introducing us to two families. First, we meet Bob Rueland (David Duchovny), a successful architect, and his wife Elizabeth (Joely Richardson), a kind-hearted zoologist, who are clearly very much in love. We follow the couple as they attend a fund-raising dinner that’s been organized to help expand the zoo’s gorilla habitat, a cause that’s very dear to Elizabeth’s heart, with Bob volunteering his own time and talents to design the new facility. The evening includes many sweet words and some quality slow dancing. Next, we meet Grace Briggs (Minnie Driver), who is very sick and in need of a heart transplant in the worst possible way. Her Catholic family and her friends, which includes her loving grandpa Marty O’Reilly (Carroll O’Connor) and her best friend Megan Dayton (Bonnie Hunt), are a wonderful support system, but without the new heart, she won’t be able to live much longer. On the same night that unspeakable tragedy strikes the Rueland’s on their way home from the fundraiser, Grace and her Grandpa’s prayers are answered when they get the call that a healthy heart is now available. A year later, Bob and Grace meet by chance at Marty’s business, O’Reilly’s Italian Restaurant. Bob has been a shell of the man he once was as he’s been unable to deal with his wife’s passing, while Grace has attempted to figure out life with her new heart. There’s just something about Grace though, so Bob asks her out and, after a series of sweet dates, it seems the two may be falling in love. But when Grace accidentally discovers that the heart that Bob is falling in love with was once beating inside the chest of his deceased wife Elizabeth, Grace doesn’t know how to tell him. Feeling guilty, as well as fearful of how Bob may respond to the shocking information, Grace decides she has no choice but to tell him. Will their blossoming love survive this unexpected and tragic revelation?

I love RETURN TO ME, and the main reason is that I love the characters, and especially the world that director Bonnie Hunt creates inside the film. The love story at the center is played well by Duchovny and Driver, but the greater love of family and friends is what sets this movie apart for me. In a way, Hunt creates a world that contains the kind of friends and family that we’d all love to have in real life. She does this by spending a lot of time with the entertaining supporting characters, showing them to be kind and decent people, the kind who make our lives valuable. As an example, O’Connor’s performance as the doting grandpa to Grace is wonderful, but we also get to see the interplay between Grace, Marty and their “family” at the restaurant, played by such great character actors as Robert Loggia, Eddie Jones, William Bronder and Marianne Muellerleile. Hunt herself is excellent in the role as Grace’s best friend Megan, but the time we spend with her blue-collar husband, played perfectly by James Belushi, and their kids are some of the best and funniest of the film. Based on the time and attention to these characters, as well as the time spent at “O’Reilly’s Italian Restaurant,” Hunt has created a scenario that feels like we’re watching real family and friends, in the best possible way. I never watch this film that I don’t want to go eat a big plate of spaghetti afterwards. The relationship between Bob and his best friend Charlie (David Alan Grier) isn’t quite as successful, but it has its moments as well.

RETURN TO ME is the kind of romantic film that we don’t get to see very often these days. A snarky, cynic would probably have a field day with this film, with its outrageous set-up, its old-fashioned values, and even older-fashioned characters. But that’s what I love about this film. As an example, this is the kind of movie where characters ask each other to pray, they do it, and the only purpose of it being shown is so we know how much these people care about each other. That feels very old-fashioned for 2025, but based on my own experiences in life, it’s something I can completely identify with.

Ultimately, RETURN TO ME is not a perfect film. Clocking in at almost 2 hours, there are definitely some scenes that could have been shortened or eliminated all-together. And it may seem like a criticism that I find the central love story of the film less appealing than the love shown by the main characters’ family and friends, but it’s really not. RETURN TO ME is a movie I return to every year because, at the end of the day, it’s an entertaining film that helps me appreciate the love of a family and the possibility that sometimes love is just meant to be.

Film Review: Circle of Friends (dir by Pat O’Connor)

Posted on March 17, 2025 by Lisa Marie Bowman

1995’s Circle of Friends tells the story of three friends who come of age in 1950s Ireland.

Bernadette Hogan (Minnie Driver), better known as Benny, is our narrator, the daughter of a local tailor whose shyness and insecurity disguises a quick mind and a sarcastic wit. After years of jokes about her weight (which feel particularly cruel since Benny doesn’t appear to be particularly overweight), Benny has resigned herself to being alone. Her parents may want her to marry their accountant, Sean Walsh (Alan Cumming), but Sean is obviously a creep. He’s one of those guys who drinks his tea with his pinky extended. Everyone knows better than to trust him.

Eve (Geraldine O’Rawe) is an orphan and was largely raised in a convent. Now that she’s 18, the Westawards — the protestant heretics who once employed her father — are grudgingly keeping their promise and paying for her education. She gets 60 pounds per term. (I know my uncle, who paid my college tuition, would have loved it if my college tuition had been whatever the American equivalent of 60 pounds may be.) Eve has inherited a cottage, a nice and isolated little building that becomes quite important later on in the film.

And finally, there’s Nan (Saffron Burrows). Nan grew up with Bernadette and Eve, though her family eventually moved to Dublin. Benny says that Nan is destined to be known for being pretty.

Nan is reunited with Benny and Eve when they all enroll at University College Dublin. The film follows their friendship at the college, examining how they grow and change over the course of the term. Benny develops a crush on and eventually starts dating Jack Foley (Chris O’Donnell), a medical student who enjoys playing rugby. (I’ve never quite understood rugby, to be honest. It seems weird to me that everyone always starts all huddled up and then apparently, they all try to grab a muddy ball until someone ends up with a compound fracture. I’m not sure why someone would want to risk losing a limb over a game.) Eve dates Jack’s friend, Aidan (played by a young Aiden Gillen). And Nan …. at first glance, Nan would seem to be living every film lover’s dream! Not does she lose her virginity to a character played by Colin Firth (in this case, Firth is playing Simon Westward) but they also regularly have sex in Eve’s lovely little cabin. Of course, they don’t bother to let Eve know what they’re doing. That’s part of the forbidden appeal of it all! Unfortunately, despite being played by Colin Firth, Simon turns out to be a bit of cad.

Indeed, all of the men turn out to be a bit of a disappointment, though some do manage to redeem themselves. The film is less about Benny finding love and more about Benny discovering that it’s even more important to love and respect herself. As so often happens when it comes to lifelong friends, there are some struggles. Not all of the friendships survive. Unfortunately, that’s just a part of growing up. Still, Benny, Eve, and Nan are all wonderfully written and acted characters and the film does a great job of portraying their difficult but very true-to-life relationship.

Circle of Friends is a lovely film and a personal favorite of mine. Unfortunately, it’s not always an easy film to watch. It’s not streaming on any of the usual services. However, the film has been uploaded to YouTube so be sure to watch it while you can.

CONVICTION (2010) – Hilary Swank and Sam Rockwell star in the real-life story of a sister who saves her brother from a wrongful conviction!

Posted on January 14, 2025 by Bradley Crain

My wife and I love movies based on real-life stories. We were looking for something to watch this afternoon on the MAX app and came across their “Real Life Dramas” section. One of the movies we saw listed was CONVICTION (2010) starring 2-time Oscar winner Hilary Swank. My wife loves Hilary Swank so we decided to give it a spin.

Betty Anne Waters (Hilary Swank) watches as her brother Kenny (Sam Rockwell) is convicted of the murder of Katherine Brow on May 21st, 1980 in Ayer, Massachusetts and sentenced to life in prison. Even though she knows he’s a troublemaker, Betty Anne is convinced that he’s not a murderer, so she gives up everything in her life to try to prove his innocence, especially after she learns that he tried to kill himself while in custody. Her husband (Loren Dean) divorces her and takes their kids with him. This doesn’t stop her. She goes back to school, eventually making her way to law school for the sole purpose of helping to exonerate her brother. In a positive turn of events, Betty Anne realizes that the new field of DNA testing could be the key to overturning her brother’s conviction. She contacts attorney Barry Scheck (Peter Gallagher) from the “Innocence Project” who assists those who believe DNA testing can help overturn previous convictions. Will Betty Anne finally be able to prove Kenny’s innocence, or will he have to spend the rest of his life in jail for a crime she doesn’t think he’s capable of committing?

Movies like CONVICTION are such an interesting watch for me, especially since we can know how these stories play out with a simple google search. When I see a movie is based on a real story, I purposefully avoid the facts of the actual events so I can see the events depicted on screen without my own internal bias taking front and center. I enjoyed watching how the events unfolded in CONVICTION. Hilary Swank and Sam Rockwell are such good actors, and I appreciate the work they put in here. I don’t pretend that everything depicted on screen is exactly how it was in real life, but I do believe that the actors portray the essence of truth, and I must admit to a tear in my eye when that truth is finally acknowledged for Kenny Waters at the end of the film. I also enjoyed telling my wife that the director of CONVICTION is Tony Goldwyn, the bad guy in the blockbuster film, GHOST. I just thought that was kind of cool, and so did she.

The real truth of Betty Anne Waters and Kenny Waters is ultimately bittersweet, but their story is both a testament to, and an indictment of, the American judicial system. As a person who truly loves our country, I think it’s important to realize that things aren’t always perfect, even in the United States of America!

See the trailer for CONVICTION below:

Scenes I Love: The Phantom of the Opera (Part 3)

Posted on September 30, 2015 by Arleigh

It’s time to finish off my triptych of Scenes I Love from 2004’s film adaptation of The Phantom of the Opera. The first two parts were my favorite solo and chorus scenes from film and now we finish it off with what has to be the top scene (IMO) from the film.

The characters of The Phantom and Christine have always been the focal point of the film. Even with the arrival of the wholesome and (as Lisa Marie would call him) vanilla Raoul, Vicomte de Chagny, the film continues to truly sizzle when it’s all about The Phantom and Christine moving their relationship from ingenue and mentor to unrequited lovers.

It’s the latter which this scene looks to portray through a duet written by The Phantom himself and where he swaps himself into the role of Don Juan. This duet has always been a fan favorite for those who love the musical and many different versions of it have played throughout the years. Yet, they all have one thing in common and that is the heated chemistry between the two characters once the duet begins.

The scene itself begins and comes off pretty much like foreplay between the two characters without having literal sex on the stage. The whole scene is so sexually charged that even those watching the duet who set the trap looked so transfixed that they fail to act. Even Raoul, Christine’s own fiance, finishes the scene with such a look of cuckold expression once he realizes that he could never have such a deep and personal connection that Christine has with The Phantom.

For me, this duet pretty much sums up what the whole is all about.

Scenes I Love: The Phantom of the Opera (Part 2)

Posted on September 27, 2015 by Arleigh

Here we have the second of three scenes I love from the 2004 film adaptation of The Phantom of the Opera.

The first scenes was my favorite solo from the film with Emmy Rossum as Christine Daaé performing the solo “Think of Me”. It’s a powerful scene that more than holds it’s own against the other solos in the film. The second favorite scene from this film comes in the beginning of Act II.

“Masquerade” is really the one and only true full cast and chorus production in the film and in the stage musical. While both would have songs and scenes involving multiple characters and a large of background chorus, this one pretty much cements the film’s grandiose and epic visuals.

Director Joel Schumacher may have his detractors and critics, but he definitely nails the grand masquerade ball in the opera house to begin the second half of the film.

In Memory of Robin Williams #4: Good Will Hunting (dir by Gus Van Sant)

Posted on August 22, 2014 by Lisa Marie Bowman

After being nominated three times, Robin Williams finally won an Oscar for his performance as Dr. Sean McGuire in 1997’s Good Will Hunting. The first time I ever watched Good Will Hunting, I was 16 years old and I loved it. 12 years later, I rewatched it for this review and, oddly enough, I did not love it. In fact, I barely even liked it. However, one thing that I did better appreciate the second time around was the performance of Robin Williams.

Good Will Hunting was, of course, written by its two stars, Matt Damon and Ben Affleck. It tells the story of Will Hunting (Matt Damon), a self-taught math genius who, as a result of being abused as a child, is full of anger and refuses to allow anyone to get close to him. His only true friend is Chuckie Sullivan (Ben Affleck), a construction worker. Will works as a janitor at MIT and, when he’s caught secretly solving a complex math problem, he’s taken under the wing of Prof. Gerard Lambeau (Stellan Skarsgard). While Will pursues a volatile romance with a med student named Skylar (Minnie Driver, who is good in an underwritten role), Lambeau arranges for Will to become a patient of psychologist Sean McGuire (Robin Williams). The recently widowed Sean helps Will to come to terms with his abusive childhood and deal with his anger issues. When Skylar tells Will that she’s moving to California, Will is forced to decide whether to follow her or to just push her away like he does with everyone else.

I can still remember that the first time I ever saw Good Will Hunting, I had such a crush on Will Hunting. After all, he looked like Matt Damon. He was smart but he could still stand up for himself. He was a jerk but that was just because he needed the right girl in his life. When he finally talked about being abused by his foster father, my heart broke for him and I just wanted to be there for him while he cried. When he drove off to see Skylar in that beat-up car of his, I thought it was such a romantic moment. Like, seriously — Oh. My. God.

That was the first time I saw the movie.

However, when I recently rewatched the film for this review, I had a totally different reaction to Will Hunting. Maybe it’s because I’m older now and I’ve had to do deal with real-life versions of the character but this time, I actually found myself very much not charmed by Will Hunting and his condescending verbosity. Whereas originally it seemed like he pushed the away the world as a defensive mechanism, it now seemed like Will was basically just a sociopath. People in both the audience and the movie assumed that, because he was so smart, there had to be something more to Will than just bitter negativity but actually, there was less. And even Will’s intelligence seemed to be more the result of the fact that director Gus Van Sant and screenwriters Damon and Affleck were kind enough to surround Will with less-than-articulate characters to humiliate. It’s easy to be the smartest person in the room when you’re surrounded by strawmen. I got the feeling that we were supposed to impressed because Will cites Howard Zinn at one point but, really, Howard Zinn is pretty much the historian of choice for phony intellectuals everywhere.

(In the interest of fairness, I guess I should admit that I may be biased because I once dated a phony intellectual who was always citing Howard Zinn, despite having not read anything that Zinn had ever written. Don’t get me wrong. He owned a copy of A People’s History of the United States and he always made sure it was sitting somewhere where visitors could see it but he had never actually opened it. I imagine he has since moved on to Thomas Piketty.)

Instead, I found myself reacting far more positively to the character of Chuckie Sullivan. Chuckie may not have been a genius but at least he was capable of holding down a job, actually cared about his friends, and was capable of communicating with people without trying to destroy their self-esteem. If I had been Skylar, I would have dumped Will and spent my last few months in Boston enjoying the working class pleasures of Chuckie Sullivan.

But here’s the thing — the main reason that we believe, despite all evidence to the contrary, that there is good inside of Will Hunting is because Sean Maguire tells us that there is. As I rewatched Good Will Hunting, I was surprised by just how good Robin Williams’s performance really was. The compassionate psychologist has become such a stock character that there’s something truly enjoyable about watching an actor manage to find nuance and individuality in the familiar role. Sean is such a kind and likable character (and Robin Williams gives such an empathetic performance) that we’re willing to give Will the benefit of the doubt as long as he is. In Good Will Hunting, Robin Williams once again had the beard that gave him gravitas in Awakenings. But he also had the saddest eyes. It’s the eyes that you remember as you watch the film because it’s those eyes that tell us that Sean has had to overcome the type of pain that Will Hunting will never be capable of understanding.

It’s those eyes, more than anything, that convince us that there might be some good in Will Hunting.