Texas Panhandle (1945, directed by Ray Nazarro)


Secret Service agent Steve Buckner (Charles Starrett) is told by his boss that his activities as the Durango Kid have led some in the Agency to suspect that Steve is himself an outlaw.  Even after Steve explains that he only takes on the Durango Kid identity when he needs to step outside of the law to protect innocent people, Steve is still suspended pending an investigation.

With nothing better to do, Steve rides off to the Texas panhandle, where he learns that outlaws have been robbing settlers and stealing government gold.  Working as the Durango Kid, Steve discovers that it’s not just outlaws that are targeting the new arrivals but it’s also the corrupt head of the local land office, Ace Gatlin (Forest Taylor).  Helping out Steve are settler Tex Harding and Cannonball (Dub Taylor), who works at the saloon and sings a few songs.

This is a standard Durango Kid film.  It has all the usual gunfights and horse chases but it doesn’t have Smiley Burnette.  Dub Taylor takes Smiley’s place as the comedic sidekick and, while Taylor isn’t bad, he’s still no Smiley Burnette.  Dub Taylor’s characters were usually more buffoonish than the clever helpers played by Smiley Burnette and, as a result, the Durango Kid movies with Taylor feel more juvenile than the ones with Smiley.  That’s the case here.

This installment is interesting because it reveals that Steve’s superiors knew about his Durango Kid side hustle and were as a confused about why he needed it as everyone else was.  Steve reveals he would rather lose his job than give up being Durango.  Luckily, at the end of the movie, he gets a telegram telling him that the investigation is over and he’s been reinstated with the Secret Service.  All’s well that ends well.

Challenge of the Range (1949, directed by Ray Nazarro)


On the frontier, someone is raiding the homes of ranchers like Jim (Henry Hall) and Judy Barton (Paula Raymond).  The Homeowners Association summons Steve Roper (Charles Starrett) to bring a stop to the raids.  Everyone suspects that Cal Matson (Steve Darrell) and his son, Rob (Billy Halop), are behind  the raids but Steve, as the Durango Kid, discovers that a third party is trying to set everyone at war with each other for his own benefit.

The entry in the Durango Kid series was Charles Starrett’s 103rd western.  It’s not a particularly distinguished entry, relying heavily on stock footage.  I did find the idea of the film’s bad guy trying to manipulate the Bartons and the Matsons into destroying each other to be interesting but the movie doesn’t do much with it and the identity of main villain will be obvious to anyone who watches the film.  There is one good scene where Steve disarms three bad guys and then makes them walk all the way back to town without their boots on.  Steve doesn’t mess around.

Smiley Burnette provides the comic relief and a few songs.  This time, Smiley’s a dime store writer researching his next book.  Musically, he is accompanied by The Sunshine Boys.  103 movies in and Smiley still hasn’t figure out that Steve and Durango are one of a kind.

Gunning For Vengeance (1946, directed by Ray Nazarro)


Steve Landry (Charles Starrett) rides into another town and is once again named the new sheriff.  Luckily, Steve’s old friend Smiley Burnette is working as the town’s blacksmith.  Steve makes Smiley his deputy and then sets about trying to break up a gang of cattle rustlers.  When Steve learns that his jurisdiction does not extend beyond the city limits, he dons the disguise of his alter ego, The Durango Kid, to go after the outlaws.

Has Steve met his match in Belle (Phyllis Adair), the saloon owner who is the secret leader of the outlaws?  She notices that The Durango Kid’s boot tracks are the same as Steve’s boot tracks.  I’m surprised that no one has ever noticed that before.  Steve went through a lot of trouble to disguise himself as Durango but he never bothered to change his boots.

This entry in the Durango Kid series features a lot of Smiley Burnette so your enjoyment on the film will depend on how much tolerance you have for Smiley’s songs and his style of humor.  Each film featured Smiley being followed around by a different group of musicians.  In this one, Smiley is accompanied by The Trailsman.  When Smiley accidentally locks himself in a jail cell, the Trailsman stand on the other side of the bars and sing a song about how Smiley can’t get out of the cell.  Smiley does eventually get out but, later on, he’s knocked out cold during an attempted jail break.  Smiley’s not much of a help in this one.

This has all of the typical Durango Kid elements, including the stock footage of the stampeding cattle that appeared in nearly all of his films.  There’s another saloon fight and a gunfight towards the end.  Durango rides out of town alone, leaving Smiley behind, but we know they’ll soon be reunited in another adventure.

The Lone Hand Texan (1947, directed by Ray Nazarro)


Oil’s been discovered on the Texas frontier and Sam Jason (Fred Sears) has got the rights to several wells.  Someone in town keeps sabotaging his operations and blowing up his oil wells.  Sam sends a telegram to his old friend, Steve Driscoll (Charles Starrett).  Steve shows up in town to help Sam set up his business.  Meanwhile, Steve’s alter ego, the masked Durango Kid, works to discover who has been targeting Sam.

This is actually more of a Smiley Burnette movie than a Durango Kid film.  As always, Smiley is the Kid’s sidekick in the movie.  Smiley owns a general store and he’s the towns postmaster.  Everywhere Smiley goes, he is followed by two musicians, Mustard and Gravy.  Smiley sings even more songs than usual in this movie and he even has a brief romance with the local widow (Mary Newton), who unfortunately is also behind the efforts to drive Sam out of business.  Smiley may be the sidekick but he gets more screentime than the Durango Kid in The Lone Hand Texan and he does a mighty fine job with it.

One of the curious things about The Lone Hand Texan is that one of the bad guys also decides to wear a mask and claim to be The Durango Kid.  I wish the movie has done more with that because I have never really understood why Steve feels like he has to pretend to be Durango in the first place.  It’s not as if it’s difficult to recognize Steve, even when he’s wearing a mask.  I have never understood why no one in his movies ever notices that you never see Steve and the Durango Kid in the same place at the same time.  Even Lois Lane should have been able to figure out Durango’s secret identity.

The Lone Hand Texas is a standard Durango Kid outing, albeit not as dependent on stock footage as some of Durango’s other films.  Smiley gets to do more than usual, which is the only thing that really sets it apart.  As with most of the Durango Kid films, it will be best appreciated by those who are already fans.

Cyclone Fury (1951, directed by Ray Nazarro)


Brock Masters (Mark Roberts) has been awarded a contract to supply the army with horses.  Corrupt businessman Grat Hanlon (Clayton Moore) wants that contract for himself so he sends his henchmen to kill Brock.  Because Brock has no known relatives, Grat believes that both the horses and the contract will soon be his.

However, Brock does have an heir!  He adopted an Indian child named Johnny (Louis Lettieri).  Johnny inherits the contract and both the Durango Kid (Charles Starrett) and Smiley Burnett are going to make sure that Johnny is able to deliver the horses.  Smiley is also going to find some time to sing some songs that have even less to do with the story than usual.

Cyclone Fury was one of the later entries in the Durango Kid series.  By the time it was made, Colombia was no longer willing to spend much money on the series so that majority of the film’s action scenes are lifted from other Durango Kid movies.  If you’ve never seen another Durango Kid movie, the action scenes are exciting and feature some impressive stunts.  If you have seen another Durango Kid movie, this one is going to seem really familiar.

For western fans, the main appeal here will be seeing Clayton Moore playing a bad guy.  Moore had already played The Lone Ranger when he appeared in this movie.  At the time Cyclone Fury was made, Moore had been unceremoniously fired from his most famous role and The Lone Ranger was being played by John Hart.  Hart would only last a season and Moore would subsequently be invited back to play the role that defined his career.  As for Cyclone Fury, Moore is convincing as Grat, though the character himself is just a typical Durango Kid bad guy.  The Durango Kid was always going up against seemingly respectable businessmen who were actually outlaws.

One final note: Moore’s Lone Ranger co-star, Jay Silverheels, appears in this film but only in archival footage from an early adventure of The Durango Kid.

Phantom Valley (1948, directed by Ray Nazarro)


There’s trouble in Phantom Valley.  The ranchers who founded the town are increasingly at odds with the newly arrived homesteaders.  Each side blames the other for the tensions.  Marshal Steve Collins (Charles Starrett) is sent to investigate who is responsible for all of the trouble but, when two people are murdered, it is up Steve’s alter ego, the masked Durango Kid, to investigate and solve the murders.  Helping him out is his ever-loyal sidekick, Smiley Burnette.  Smiley compares himself to Sherlock Holmes, walks around with a magnifying glass, and sings a few songs.

This Durango Kid film opens with a exciting montage of cattle stampedes, shoot-outs, floods, and horse chases.  Even though it’s almost all stock footage that appeared in a countless number of other B-movies, it’s still exciting to watch.  Despite the opening montage, there’s still less stock footage than usual in Phantom Valley.  The emphasis is instead on the Durango Kid as a detective, trying to solve a stone-cold whodunit.  It makes for an interesting change of pace and the Durango Kid gets to show off his intelligence along with his shooting and horse riding skills.  Charles Starrett is convincing as a detective.  Even if he is trying to solve the case a century before finger printing, The Durango Kid knows that hand-writing is just as easy a way to identity a culprit.  Smiley Burnette, as usual, handles the comedic relief and the singing.  I could have done without the songs but Smiley trying to use a magnifying glass and losing his temporary position as the town’s marshal to a child will always be good for a laugh.

Phantom Valley was a welcome change of pace for the Durango Kid.  Western fans will find much to appreciate.