Music Video of the Day: Inside Out by Anthrax (1998, directed by Marcos Siega)


Today’s music video of the day is a take on the classic episode of The Twilight Zone where William Shatner spots something on the wing of an airplane.  This time, it’s not a goblin.  Instead, it’s John Bush-era Anthrax!

Director Marcos Siega is one of those directors who did music videos for just about everyone who was anyone.  Eventually, he moved on to directing episodic television, along with the occasional movie.  Among the shows that he’s directed for: Dexter, True Blood, The Flight Attendant, and Batwoman.

Enjoy!

TV Review: Dexter: New Blood 1.10 “Sins of the Father” (dir by Marcos Siega)


I’ve been thinking about the finale of Dexter: New Blood for about three days now.  I’m going to guess that if you’re a Dexter fan, you’ve already seen it so I’m going to just talk about what happened without posting any spoiler warnings.  I hate spoiler warnings anyways.

Harrison shot and apparently killed Dexter.  Now, I have to admit that, when Harrison first showed up during the first episode, my initial thought was that Harrison was going to end up killing Dexter for the same reason that Dexter had killed so many others.  And, as other have pointed out, the entire show was pretty much leading up to either Harrison killing Dexter or Dexter being forced to kill Harrison.  So, really, I guess I should be happy that the show followed its storyline to its only logical conclusion.  I can certainly respect the show for staying true to itself but respect and happiness don’t always go together.

To be honest, even though I knew that it should happen, I really thought there was no way that the show would actually do it.  I was so used to Dexter being able to get out of any situation that I just naturally assumed that he would be able to do it again.  And if Dexter had managed to escape from the jail without killing Logan in the process, I think Dexter probably could have pulled it off.  But, by killing Logan, Dexter broke Harry’s code.  Dexter revealed that the code was really just a part of his own sociapathic ritual.  It wasn’t something that he truly obeyed,  Instead, it was something that he used to justify his dark urges.

Harrison realized what Dexter had done and, as a result, Harrison shot him.  I didn’t necessarily buy the idea that Dexter would just stand there and encourage his son to kill him.  That was a bit convenient and it required Dexter to have a conscience, which is something that we all know he didn’t have.  Even Dexter’s comment that he had never felt love until the minute Harrison pulled the trigger felt like another case of Dexter what he knew the audience wanted to hear.

My main issue with the episode wasn’t so much Harrison shooting Dexter as it was what happened next.  Allowing Harrison to escape and agreeing to cover up what he did was totally out-of-character for Angela.  Angela, who has shown that she’s willing to arrest anyone in town regardless of how close she may be to them, had no problem wiping Harrison’s prints off the gun and tossing him some money for his journey.  It didn’t make any sense.  Angela barely knows Harrison.  How does she know that Harrison didn’t help Dexter with the murders?  Also, after Angela discovered that Dexter was a murderer, did it not occur to her that there might be something strange about the stabbing at the school?  Is Angela okay with Harrison driving off to freedom while the kid that Harrison tried to murder is destined to always be remembered as a potential school shooter?  I can accept Harrison shooting Dexter.  I can even respect it.  But I cannot accept that Angela would let him get away with it.

There were other loose ends that bothered me.  Why was Edward Olsen such an important character in the first few episodes?  Why did he mysteriously vanish?  Why did the show seem to building up to a twist about Audrey’s parentage, just to abandon the whole thing an episode later?  How did Kurt manage to capture Molly, who was more or less aware that Kurt was a killer and certainly wouldn’t go anywhere willingly with him.  Considering that this episode appeared to be the definitive end of Dexter’s story, those loose ends are frustrating.

That said, it was a well-directed episode.  Michael C. Hall was riveting and genuinely frightening in the scenes where he manipulated Angela and Logan.  The final montage of the faces of everyone innocent person who died as a result of Dexter’s actions was an emotional moment and I’m glad to see that Doakes was included with Deb, Rita, LaGuerta, Lundy, and all the rest.  Doakes always got a raw deal.

Dexter: New Blood was a success.  Even the fact that I have mixed feelings about how it ended is proof of how well executed this revival was.  (Trust me, I could have hardly cared less when Dexter sailed into that hurricane, so fed up was I with the show at the time.)  And, between you and me, I’m not convinced that Dexter’s dead.  Yes, he was shot.  Yes, he didn’t look good.  But Harrison drove away before the paramedics arrived.  Dexter’s survived a lot.

At the very least, Ghost Dex would be amusing….

TV Review: Dexter: New Blood 1.6 “Too Many Tuna Sandwiches” (dir by Marcos Siega)


AGCK!  HARRISON BROKE THAT KID’S ARM!

Listen, a lot of interesting and important things happened on the latest episode of Dexter: New Blood.  Angela broke up with Dexter after revealing that she knew that Dexter was lying about his identity.  Dexter now has all the evidence that he needs to know that Kurt is a serial killer.  Kurt is continuing to bond with Harrison, to the extent that he’s now becoming as much of a father figure to Harrison as Dexter is.  The scene where Dexter and Harrison went to therapy together was classic, cringey Dexter.  Harrison and Audrey’s relationship is getting serious.  Hell, even Molly had something important to do this week.  There were a lot of good and memorable moments to be found in the sixth episode of Dexter: New Blood.

But what we’re always going to remember is Harrison coolly and efficiently snapping that kid’s arm.  Maybe it was the “crack” sound effect or that the show cut away just as the bone snapped but that totally freaked me out.  I’m just hoping the bone didn’t piece the skin.  God, I’m cringing just thinking about it.

Yes, Harrison definitely has some issues.  That’s been clear since the first episode.  With each subsequent episode, Harrison has gotten a little bit more openly violent, a little more openly insolent, and a little angrier.  Harrison is a time bomb and you have to wonder just what exactly Dexter is going to do about this.  Because his son seems like he’s going to snap eventually — ugh, snap.  Snap just like that kid’s arm….

The obvious solution would be for Dexter and son to go into business together, working as a team to take down murderers.  But is it too late for Dexter to do for Harrison what Harry did for him?  Dexter was raised for an early age to hunt down evildoers.  Harrison has developed his “dark passenger” without the benefit of guidance.  The entire town should be worried.

As for the rest of the episode, it was a good one.  It didn’t get bogged down in improbable coincidences like the previous episode and the story is definitely moving forward.  Dexter now knows that Kurt is a serial killer and, as a result of following Molly, he now knows where Kurt takes his victims.  But how long until Kurt figures out just who exactly Dexter is?  It’s going to happen.  Either Harrison is going to tell him or Kurt will figure it out on his own by listening to Molly’s podcast.  It’s obvious already that Kurt is going to do what he can to break up Harrison and Dexter …. in fact, he’s going to break up their uneasy relationship just as surely as Harrison broke that kid’s arm!  OH MY GOD!

Michael C. Hall and Jennifer Carpenter get and deserve a lot of praise for their work on Dexter.  Clancy Brown is doing good work as Kurt but that shouldn’t be a surprise, seeing as how he’s Clancy Brown.  But I have to say that the actor who is really taking me by surprise is Jack Alcott.  In previous episodes, Alcott has done a great job maintaining a balance between making Harrison sympathetic and making him petulant.  I mean, Harrison has been through a lot so it makes sense that he would not be the most emotionally stable character on the show and Alcott has done a good job of capturing Harrison’s unpredictable nature.  But last night, Alcott was briefly terrifying.  The look of pure hatred that went across Harrison’s face before he broke his opponent’s arm was genuinely scary.  And, of course, only Dexter and the audience noticed.  I’ll be interested to hear what Ghost Deb thinks about all this.

This was a good episode and I look forward to seeing what happens next week.  Will Harrison face any consequences or will he get away with yet another act of violence?  And how long until Kurt and Dexter have their final confrontation?

We’ll know soon enough!

TV Review: Dexter: New Blood 1.5 “Runaway” (dir by Marcos Siega)


There was a lot of coincidences in the latest episode of Dexter.  In fact, I would argue that there were perhaps more coincidences than were necessary.

For instance, I can accept that — having killed his latest victim — Kurt would just happen to drive up on Harrison while the latter was trying to run away from home.  And I can accept that Kurt would possibly see Harrison as being a kindred spirit.  It’s not just that Harrison and Kurt both have homicidal tendencies.  It’s also that they’re both people who feel like they’re on the outside of normalcy looking in.  Harrison probably reminds Kurt of himself as a teenager and, by mentoring Harrison, it’s possible that Kurt can try to fix the mistakes that he made while raising Matt.  Either that or he just wants to make Harrison his new partner in his side hustle, murdering hitchhikers.

I can accept all of that.  I mean, this is Dexter that we’re talking about.  Dexter requires a certain suspension of disbelief in order for the show to work.  If you spend too much time focusing on the chances of two serial killers actually ending up in the same small town in upstate New York, you’re never going to have time to appreciate Dexter’s sense of the macabre.

However, the show also asked me to believe that Angela and Molly would just happen to be in New York at the same time as Angel (David Zayas) and that Angel would just happen to be talking about the murders previously committed by the man that Angela now knows as Jim Lindsay.  I mean, it was good to see Angel again and I’m glad he’s still wearing the hat but his sudden appearance was a bit too convenient.  It was also very convenient that, earlier in the episode, a drugged Harrison told Audrey that his father was using a fake name and that Audrey later told Angela, at the exact moment that Angela was having her first doubts about Jim/Dexter.  The episode ended with Angela printing out an old obituary for Dexter Morgan, one that featured Dexter’s picture.

From the start of Dexter: New Blood, it has been obvious that Angela was going to learn that Jim was actually Dexter.  We all knew it was going to happen but I was hoping that Angela would learn the secret as the result of her own investigations, as opposed to just happening to attend the same random conference as someone from Dexter’s past.  Audrey very easily could have just told Angela what Harrison told her and Angela could have then done some investigating on her own.  Having her randomly stumble across the truth felt like a bit of a disservice to the character.  It felt like the type of groan-worthy plot twist that far too often popped up during the final seasons of the show’s original run.

So, yes, I was a bit disappointed.  A lot of this episode felt like filler.  Dexter returned to his serial killer ways to take out a drug dealer but, in another coincidence, Logan showed up to arrest the dealer before Dexter could actually do his full ceremony.  (Interestingly enough, the same thing happened with Kurt when his latest victim refused to run when he ordered her to.)  So, Dexter had to force the man to overdose on drugs before making a hasty retreat.  That was probably for the best, considering that Dexter still hasn’t found a good place to dump the bodies.

Still, there were a few intriguing moments in this episode.  I’m liking the idea of Harrison having to potentially choose between two serial killing mentors and Clancy Brown continues to give a strong performance as Kurt.  And, regardless of how she discovered the information, I’m looking forward to seeing Angela confront Dexter.

One final note: I still don’t think Kurt is working alone.  I think Olsen is somehow involved.  It wouldn’t surprise me if Molly was somehow involved too.  Seriously, if Molly isn’t secretly a killer then she’s just an extremely annoying character.  On a show like this, it’s always better to be a killer as opposed to just annoying.  Either way, we’ll see what happens!

TV Review: Dexter: New Blood 1.2 “Storm of Fuck” (dir by Marcos Siega)


The second episode of Dexter: New Blood had a title that I’m sure Deb would have appreciated.

Indeed, any Deb-centric episode of the first series of Dexter was always guaranteed to feature a storm of profanity and one of the the things that I always liked about Dexter is that everyone on the show was always as shocked by Deb’s language as the viewer was.  Ghost Deb tends to curse a lot as well.  Of course, Ghost Deb has her reasons.  Not only is she dead but she can’t get her stupid stepbrother to listen to her advice.  Ghost Deb told Dexter not to let Harrison stay in the cabin.  She told Dexter that everyone he gets close to dies.  And yet, over the course of Storm of Fuck, Dexter not only invited Harrison to live with him but he also took Harrison along with him while he covered up the previous episode’s murder of Matt Caldwell.  (Of course, he didn’t tell Harrison what he was actually doing.  Dexter is very good at keeping his secrets.)

A few thoughts on Storm of Fuck:

First off, it’s pretty obvious that the girl in the motel is going to be used as the target in some version of The Most Dangerous Game, right?  And it’s also pretty obvious that Edward Olsen is the one behind it.  It’s in no way a big surprise because Dexter has always been full of evil, rich serial killers.  It also seems fairly obvious that Audrey is eventually going to end up getting hunted by Olsen.

Secondly, I don’t think Matt’s father (played by Clancy Brown) is a serial killer but I do think that he’s going to eventually figure out what Dexter did to his son.  He’ll be the New Blood‘s equivalent of James Doakes, the man who knows the truth but can’t get anyone to listen to him.

Third, Harrison has totally murdered someone, right?  I mean, he may not be a serial killer.  And the events of Storm of Fuck would seem to indicate that he doesn’t have anything to do with any of the recent missing persons cases.  But, obviously, he’s got some secrets.  What did he do back when he was on drugs?  Was he even on drugs or was that just something he said?  Are those drawings of people who he knows or people he killed?  When he read Dexter’s letter about “dark tendencies,” was he upset because he discovered Dexter was alive or was it because he knew that he did have those dark tendencies?  My point is that Harrison is destined to follow in his father’s bloody footsteps eventually.

As for the rest of Storm of Fuck, it was an okay episode.  It didn’t exactly move the story forward by much but it did allow us a chance to get to know all of the new characters.  To me, this episode worked best as an example of the show’s often underrated use of dark humor.  As macabre as the subject matter often is, it’s hard not to laugh at the contrast between Michael C. Hall’s deadpan voice-over and the events happening on screen.  And, in grand Dexter tradition, the entire episode featured Dexter getting one lucky break after another until, during the final few minutes, everything fell apart.  Dexter had nearly gotten everyone away from his cabin when Kurt Caldwell showed up and gave a rousing speech.  On any other show, we would have cheered a community coming together and Kurt’s speech would have been a big hero moment.

On Dexter, though, it’s just a storm of fuck.

TV Review: Dexter New Blood 1.1 “Cold Snap” (dir by Marcos Siega)


When last we saw erstwhile serial killer Dexter Morgan, he had faked his death, fled Miami, and was apparently working as a lumberjack in Oregon.

That was how Showtime’s Dexter originally ended, back in 2013.  It was not a popular ending and yet, I don’t think anyone was expecting to be satisfied by Dexter’s finale.  In retrospect, the highpoint of Dexter came during season 4, during the arc involving John Lithgow at the Trinity Killer.  The four seasons that came after the conclusion of that storyline could never quite escape the shadow of the battle of wills between Lithgow and Michael C. Hall.  Seasons 5, 6, and 7 all felt somewhat superfluous while season 8 seemed to go off the rails entirely.  As a result, I think everyone was mentally prepared to be let down by however the show ended but still, people were hoping for a little more than Dexter in Oregon.

Fortunately, Dexter Morgan is back!  Dexter: New Blood, which premiered last Sunday on Sunday, picks up ten years after the conclusion of Dexter.  Dexter (played by Michael C. Hall, of course) is no longer living in Oregon.  In fact, in the first episode, Oregon was never even mentioned. Instead, Dexter is now living in upstate New York.  He’s using the name Jim Lindsay.  He works at a sporting goods store.  He’s dating the local chief of police, Angela Bishop (Julia Jones).  He’s a popular citizen.  Everyone like Jim.  Everyone thinks that they know Jim.  Of course, what they don’t know is that Jim is actually Dexter, a serial killer who once specialized in killing other murderers.  They also don’t know that Dexter spends a good deal of his spare time talking to the ghost of his dead stepsister, Deb (Jennifer Carpenter, taking on the mentor role that James Remar played in the original series).  Deb continually tells Dexter that he can’t get close to anyone.  Anyone to whom Dexter gets close dies.  Of course, even in death, Deb doesn’t seem to understand that Dexter isn’t capable of being genuinely close with anyone.

When Cold Snap, the first episode, begins, it’s been ten years since Dexter killed anyone, though it’s obvious that he still has the urge.  Dexter’s ten-year break comes to an end when he meets Matt Caldwell (Steve M. Robertson), a spoiled rich kid who, several years earlier, was involved in a boating accident that killed five people.  When Dexter learns that Matt intentionally smashed into the other boat and then when Matt later shoots a rare albino stag that Dexter had spent days tracking, Dexter’s Dark Passenger returns.  Interestingly enough, it turns out that, despite being inactive for ten years, Dexter still has a perfect murderer’s lair inside his cabin’s shed.  Before Dexter ritualistically kills Matt, Matt says that his father is going to kill Dexter.  Who is Matt’s father?  I’m sure we’ll find out soon.  A part of me suspects that it might be Edward Olsen (Fredric Lehne), a billionaire who is planning on doing business in the town.  I also suspect that Olsen is probably connected to the disappearances of several young women in the area.  Wealthy businessmen often turned out to be serial killers on Dexter.

Speaking of fathers, Dexter is also a father.  He abandoned his son, Harrison, in Miami ten years ago.  Now, the teenage Harrison (Jack Alcott) has tracked Dexter down.  At first, Dexter pretended not to know who Harrison was and he gave Harrison money to buy a ticket on the next bus out of town.  However, at the end of the episode, Dexter, fresh from murdering Matt, showed up at the bus station, sat down next to Harrison, and said, “I am Dexter Morgan.”

It was an interesting ending and a bit frightening considering everything that we know about Dexter.  Ghost Deb is right.  People who get close to Dexter do end up dying.  That said, we really don’t know much about Harrison.  In the books, Dexter was often concerned that Rita’s stepchildren, Cody and Astor, had their own dark passengers.  To the best of my memory, that wasn’t really explored on the television show with Harrison but what if Harrison does turn out to be a serial killer?  Even worse, what if Harrison turns out to be a serial killer who, like his father, only targets other serial killers?  Would Dexter have to kill Harrison or would Harrison have to kill Dexter?  But perhaps I’m getting ahead of myself.  As of the first episode, the only thing we know for sure is that Harrison managed to track his father down.

I was intrigued by the first episode of Dexter: New Blood, though I have to admit that most of that was due to the hints of what could happen in the future as opposed to what actually did happen in the episode.  As I said at the start of this review, the first four seasons of Dexter were brilliant.  The final four seasons were increasingly uneven.  Just as it’s hard for Dexter to run the risk of getting close to anyone, it’s also hard for us viewers to run the risk of fully embracing this revival because we’ve all seen first hand that there are limits to how far Dexter‘s concept can be taken without things falling apart.  It’s probably not surprising that the reviews for this episode were mixed.  Variety liked it.  The AV Club and Rolling Stone complained that it was too violent.  The generic online reviewer of today often seems more concerned with hitting the right talking points and satisfying the online mob than with actually giving thought to such quaint considerations at to whether or not a show is entertaining or if it actually holds your interest.  Dexter: New Blood held my interest and it was entertaining enough for me to set the DVR to record next week’s episode.  To me, that qualifies as a successful episode.

So far, Dexter: New Blood feels like it could be a return to the Dexter of those first four seasons.  Michael C. Hall remains a compelling presence.  I’m interested to see how things develop with Harrison.  I’m glad Dexter got the Hell out of Oregon.  I’ll be watching.

Music Video of the Day: Name of the Game by The Crystal Method (2001, dir by Marcos Siega)


Awww, poor Nosey!

Despite that “to be continued,” at the end, the story of Nosey has not been continued. I can only guess that he’s either incarcerated and buried in the prison graveyard. It’s a sad story but at least he appeared to have achieved some sort of happiness before it all came crashing down.

Enjoy!

Music Video of the Day: Movies by Alien Ant Farm (2001, dir. Marcos Siega)


That sure is another version of Movies. It probably looks familiar even if you’ve never seen it before. That’s because a lot of videos by bands like Alien Ant Farm had essentially the same music video at the time.

Used For Glue by Rival Schools

Used For Glue by Rival Schools

Waffle by Sevendust

Waffle by Sevendust

Moment of Weakness by Bif Naked

Moment of Weakness by Bif Naked

Promise by Eve 6

Promise by Eve 6

Last Resort by Papa Roach

Last Resort by Papa Roach

Crawling In The Dark by Hoobastank

Crawling In The Dark by Hoobastank

Chop Suey! by System Of A Down

Chop Suey! by System Of A Down

Satellite by P.O.D.

Satellite by P.O.D.

Fat Lip by Sum 41

Fat Lip by Sum 41

If you’re thinking all those music video were directed by Marcos Siega, then you’d actually be wrong. Fat Lip was directed by Marc Klasfeld who directed the jumping-into-the-theater-screen version of Movies. All the rest of those were directed by Marcos Siega.

I’m of course not bad-mouthing Marcos Siega. Siega also did other tropes of these kinds of videos such as fetishizing the bass player, close-ups of each of the members of the band, cutaways to what people would say are lost youth, and showing the music these bands were raised on. He also did some different stuff like Murder by The Crystal Method and Thorn In My Side by Quicksand. But it’s telling that I could lump Fat Lip in there, and it’s easy to believe that it was done by Siega. I could have also thrown My Friends Over You by New Found Glory in, and it would have fit in as well despite having been directed by the Malloys. Even Kevin Kerslake of Nirvana and Sonic Youth fame would get in on this with the video for Come Original by 311. Point is, I get why they shot another video that while still using a lot of the familiar tropes, such as the big audience, is much more interesting and memorable.

Something tells me that Siega was more than happy to do different things, but was told he had to follow this formula because all late-90s/early-2000s Nu-Metal and Punk-ish music must be shot this way. We’ll get to Klasfeld tomorrow.

Siega has since gone on to direct TV shows, such as Dexter and The Vampire Diaries. However, his main thing now seems to be producing. In particular, all 45 episodes of The Following.

Ramsey Nickell shot this music video. He seems to have shot around 20 music videos. He’s also shot some TV movies, among other things.

Enjoy!