Film Review: Mortal Kombat (dir by Simon McQuoid)


About ten minutes into Mortal Kombat, there’s a title card that reads, “Earthrealm is on the verge of catastrophe….”

As soon as I saw it, I shouted, “Oh my God, this is one of those films!”

And indeed, it is. Mortal Kombat is one of those films that has a lot of mythology that doesn’t quite make sense but which the audience is expected to blindly accept because it’s Mortal Kombat. The main idea here is that, of the last few Mortal Kombat tournaments, Earthworld has lost nine of them and, if it loses for a tenth time, the rules state that Outworld will then be able to conquer Earthworld. What I want to know is who agreed to those stupid rules in the first place? Were they drunk at the time? Who decided on the ten-victory arrangement? Does it have to be ten victories in a row or do they just have to win ten times? If Earthworld wins the next tournmant, does everything reset or are we now in a position where we have to win every single tournament until the end of time? The film tells us that Raiden, the God of the Thunder, is the protector of Earthworld. Can we get a new protector because Raiden obviously sucks at his job.

Anyway, with an opening like that, you would think that Mortal Kombat would be all about the tournament but we don’t actually get the tournament in this film. We get a lot of combat (or should I say, “kombat”) because the champions of Outworld keep trying to kill the champions of Earthworld before the tournament. That sounds like cheating to me but whatever. All of the fighters have a special power, though some powers are more impressive than others. Kano (played by Josh Lawson) may be loud and obnoxious but he eventually learns how to shoot a laser beam out of his eye, which seems pretty nice until you consider that Liu Kang (Ludi Lin) can do all sorts of cool stuff with fire and Raiden can turn his hat into a freaking buzzsaw. Jax (Mehcad Brooks) loses his arms early on but then he gets some replacement arms that he can use to tear people in half. “These motherfuckers really work,” Jax says after savagely killing an opponent. Excuse me, Jax, but that was someone’s child.

The main character is Cole Young (Lewis Tan), who is a washed-up MMA fighter who gets a chance to save the world. Cole is a boring characters and his powers kind of suck too. After watching the film, I checked and I discovered that Cole is apparently not a character in any of the Mortal Kombat video games so I guess he was created to give the audience someone to relate to. But I would think that the audience would want to relate to someone who can actually do spectacular things as opposed to just standing around and whining about how his powers are inadequate.

The film’s big attraction is watching Sub-Zero battle Scorpion at the end. I’ve never even played Mortal Kombat and even I know who Sub-Zero and Scorpion are. That’s how much they’ve become a part of pop culture. Sub-Zero (who is played by Joe Taslim) is actually portrayed fairly well in the film. Taslim moves like a confident killer and, visually, the film comes up with some striking images of his ice-covered existence. If you’re only watching for the big Scorpion/Sub-Zero fight, be aware that it doesn’t happen until the very end of the film and it’s a bit anti-climatic. But Scorpion does say, “Get over here!” He says it in English despite all of his other dialogue being in Japanese and he shouts it at a character who is also never heard to speak English but whatever. It’s Mortal Kombat. They might be able to get away with not showing the tournament but there’s no way they could have gotten away with not using the line.

Mortal Kombat is pretty forgettable. It gets bogged down in story when its should just be concentrating on combat and the fights themselves are pretty rudimentary. There’s a lot of blood but not much imagination. I’m going to write a movie called Moral Kombat, which will just be three hours of Benedictines and Jesuits arguing with each other. I think it’ll be a hit.

The Tournament beckons in the Mortal Kombat Trailer


Way back in 1995, Paul W. S. Anderson made his big break with the original Mortal Kombat film. 25 years is high time for an update. Produced by James Wan, this Mortal Kombat seems to be a little stronger with the story it’s sharing. So far, I’m liking the cast here. The Raid‘s Joe Taslim as Sub-Zero, Hiroyuki Sanada (Avengers: Endgame, The Wolverine) as Scorpion, True Blood’s Mechad Brooks as Jax, and those are just the names I recognize. I’m just happy they added Kung Lao to the mix.  I’m hoping there will be more fighting action in this version, and a great soundtrack to boot.

Directed by newcomer Simon McQuoid, Mortal Kombat’s release date is set for later this year, and since it’s a Warner Bros. Picture, there’s a good chance HBO Max may get it early as well.

Playing Catch-Up With The Films of 2017: Power Rangers (dir by Dean Israelite)


So far, on this Christmas Day, I have posted three reviews for films that featured plots that made little to no sense to me.  Well, here’s a fourth one.

Power Rangers is a cinematic reboot of the old Mighty Morphin Power Rangers television show from the 90s.  It deals with five teenagers who meet in detention and, though a series of events that I really don’t feel like wasting my time recounting, end up in an old gold mine where they find five coins, which allow them to turn into … well, I guess they’re Power Rangers.

There’s Jason (Dacre Montgomery), who was a star football player until he stole a car as part of a prank and ended up crashing it.  (The initial car crash is entirely filmed inside the automobile, which adds some deceptive excitement to the film.)  And then there’s Kimberly (Naomi Scott), who is the mean girl who actually has a good heart.  She’s in detention because she’s a cyber bully.  Billy (RJ Cyler) is the genius, which means that he’s the type of socially awkward student who accidentally blows up his locker.  And then there’s Trini (Becky G) and Zack (Ludi Lin), who are both just kind of there.  Every good group of three has to have two extra people to get in the way and that’s pretty much the function of Trini and Zack.

Anyway, after they discover the Power Coins and share a few moments that feel as if they were lifted from Chronicle, the new Power Rangers are trained by a robot named Alpha 5 (Bill Hader) and a former Power Ranger named Zordon (Bryan Cranston) who died at around the same time as the dinosaurs.  Apparently, finding the power coins has allowed the ancient evil of Rita Repulsa (Elizabeth Banks) to be reborn and now she’s threatening to destroy either Earth or the universe.  Actually, I was never quite sure what Rita was trying to do.  But the Power Rangers have to set aside their differences, learn to work as a team, and come together to defeat her.

Or something like that.  Honestly, this film featured a lot of exposition about people with names like Zordon and Rita Repulsa and Goldar and my eyes pretty much glazed over while I was trying to listen to it all.  Listen, I am a fidget spinner-carrying member of the Severe ADHD Club.  The minute they started explaining the lengthy history of the Power Rangers, my mind pretty much started looking for anything else to focus on.  It would have been different if the film has some sort of epic scope or if it made it look like it would actually be fun to be a Power Ranger.  Instead, it just turned into another franchise-opening action film.  Basically, it felt like The Fantastic Four movie, with one extra member of the team.

I should admit that I’ve never seen an episode of Mighty Morphin Power Rangers.  Perhaps if I had, I would have gotten more out of this movie.  The five actors playing the Power Rangers are all talented and charismatic and I look forward to seeing what they do in the future.  But this confusing mess of a movie just left me with a headache.