Retro Television Review: St. Elsewhere 2.22 “Hello, Goodbye”

Posted on October 31, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, season two comes to an end.

Episode 2.22 “Hello, Goodbye”

(Dir by Linda Day, originally aired on May 16th, 1984)

Due to St. Eligius being structurally unsound, the first floor is temporarily closed. The ER, which was the busiest part of the hospital, is no longer operative and Shirley Daniels is assigned to redirect any and all ambulances to Boston General. As Joan explains it, either the first or the third floor had to be closed so that a team of engineers could strengthen the building. The third floor is surgery, where all the money is made. And so, it’s the ER that closes. Joan, meanwhile, is designated as the scapegoat for all of the recent problems at St. Eligius. She loses her job with the mayor’s office.

Fresh from interviewing a nervous Dr. Elliott Axelrod (Stephen Furst) for a position as a resident, Dr. Auschlander collapses. Dr. Westphall fears that his old friend is going to die but finally, Auschlander wakes up and says that he’s not done fighting yet. Neither is St. Eligius.

Luther finds a stuffed Cheshire cat for a young heart patient. Dr. Craig finally starts to forgive his drug addict son, Stephen (Scott Paulin). And Dr. Morrison takes his son on a walking tour of Boston and meets a college student named Clancy (a young Helen Hunt). Even though Clancy label Morrison a “boomer,” she still spends the night with him. Morrison finally takes off his wedding ring and appears ready to try to move on with his life.

The second season ends on a melancholy note. Apparently, the show’s producers weren’t sure whether or not St. Elsewhere was going to be renewed for a third season and this episode was designed to work as both a season and a series finale. Very few of the regular characters appear and the episode is dominated by Westphall and Morrison, both of whom tend to be rather somber. In other words, this is a depressing episode but it’s not an episode without hope. Auschlander does wake up. Morrison does pursue a tentative relationship with Clancy. Even with the hospital temporarily shut down, life goes on. Unlike Wendy Armstrong, nobody gives up. It’s sad but at least there’s a chance that things could get better.

Both this episode and the second season overall were a roller coaster, deftly mixing drama and comedy and giving the show’s ensemble cast a chance to shine. Next week, we start season three!

Retro Television Review: St. Elsewhere 2.10 “A Pig Too Far”

Posted on August 8, 2025 by Lisa Marie Bowman

This week, we learn about something called hacking.

Episode 2.10 “A Pig Too Far”

(Dir by Linda Day, originally aired on January 11th, 1984)

I’ve got a family thing going on today so I’m just going to do a bullet-point review.

The bigger, richer hospitals are transporting their indigent patients to St. Eligius. When one of those patients dies, Joan Holloran and Dr. Cavanero (making one of her infrequent appearances) attempt to find out why. It turns out that other hospitals view St. Eligius as being a dumping ground. It’s not ethical or particularly nice but everyone seems to agree that it’s a common practice.
Ehrlich wants to ask Roberta (Jean Bruce Scott) to marry him, despite the fact that he’s extremely immature and has no idea how to have a meaningful relationship with anyone.
Matthew Brody (David Knell) is a teenage computer nerd who, from his hospital bed, is able to hack into the hospital’s computer system. You can tell this episode was from the 80s because of a lengthy scene in which Matthew explains what hacking is. Everyone is stunned that such a thing can be done.
Bobby shaves his mustache. Now he looks like the handsome Mark Harmon we all know!
A woman with violent mood swings is brought into the psych ward. Dr. Ridley diagnoses her as having PMS. He and Dr. Morrison have a good laugh about it while this reviewer narrows her eyes and considers throwing her laptop out the bedroom window.
Shirley and Dr. White are still under investigation. What’s odd is that Shirley says that she’s currently not allowed in the ER but actually, we saw her working in the ER in the previous episode. That leads me to suspect that the episodes were aired out of their extended order.
EXCEPT — last week’s episode was a Christmas episode. This week’s episode features a somewhat random scene of Dr. Craig demanding someone take down a Christmas tree because Christmas is over. So maybe Shirley being in the ER last week was genuine mistake on the part of the writers.

This was a bit of a bland episode, to be honest. At this point, I assume anyone who shows up in the hospital is guaranteed to eventually die a terrible death.

Retro Television Review: Changing Patterns 1.1 “Pilot”

Posted on March 21, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Changing Patterns, which aired on CBS in 1987. The entire show is currently streaming on YouTube!

This week, Valerie Perrine and Brenda Vaccaro are changing patterns!

Episode 1.1 “Pilot”

(Dir by Linda Day, originally aired on June 26th, 1987)

Molly (Oscar nominee Valerie Perrine) and Maxine (Oscar nominee Brenda Vacarro) are two housewives who lives in the suburbs. Molly’s husband (Alex Rocco) is an old friend of Maxine’s husband (Robert S. Woods). Maxine’s husband makes smoothies in the blender. Molly’s husband likes to play golf. They made a fortune in the tire business but now, they’re both retired and ready to support Maxine and Molly’s dream. What a wacky group of neighbors.

Molly and Maxine are trying to break into the fashion industry. Since this the 80s, all of their designs feature shoulder pads and none of them look like they would, in any way, flatter the figure of anyone under the age of 57. Despite having never sold a design and presumably having never made any money from their career, Molly and Maxine have a store in the mall and they’re able to employ a professional cutter (Eric Christmas).

When Steve Ballinger (George DelHoyo), a buyer from Sacks, steps into their store, he’s impressed with their work. He wants to buy some of their hideous designs. But — uh oh! — he also mentions that he would like to set Maxine up with a single friend of his. Molly and Maxine assume that Steve is talking about himself and, eager to make a sale, they don’t reveal that Maxine is married.

Molly and Maxine lie to their husbands and then meet Steve for dinner. Steve shows up with his wife! And his single friend, Jim (Hugh Maguire). When Molly and Maxine thought that Steve was interested in Maxine himself, they thought he was being sleazy. But when they discover that Steve just wants to Maxine to hook up with his friend, they think it’s charming. Either way, it doesn’t really seem that professional on Steve’s part. I, honestly, was expecting Steve to be revealed to be a big liar. I mean, do buyers of major stores really walk around the strip mall? Not to mention that none of Molly and Maxine’s designs were actually any good or, in any way, unique. Steve might soon be out of a job.

Anyway, Maxine reveals that she is married and everyone has a good laugh over the misunderstanding. Then Molly and Maxine go home and have a second dinner with their husbands, who are both amazingly forgiving of the whole lying thing. I mean, Alex Rocco was Moe Greene. There’s just something weird about seeing him play such a wimpy character.

You can probably guess that this was the only episode of Changing Patterns. The show had a number of problems, including a laugh track that went off even when nothing funny was happening. The main problem, though, is that Molly and Maxine were pretty much interchangeable. They both had the same personality, the same outlook, the same ambitions, and the same sense of humor. That might work for a friendship but, for a television show, it means that there’s not enough conflict to keep things interesting. For Changing Patterns to succeed, it would have needed to change its own patterns.