Horror Film Review: The Return of the Vampire (dir by Lew Landers)


1943’s The Return of the Vampire opens in 1918.

Lady Jane Ainsley (Frieda Inescort) and her colleague, Dr. Walter Saunders (Gilbert Emery), suspect that there might be a vampire active in London.  After reading a book on vampirism that was written by Dr. Armand Tesla, they manage to find the vampire’s coffin.  As the vampire’s servant — a werewolf named Andreas (Matt Willis) — watches, Lady Jane and Dr. Saunders drove a metal stake through the vampire’s heart.  It turns out that the vampire was none other than Armand Tesla himself!  Andreas turns back into a normal person and becomes Lady Jane’s assistant.

Jump forward to the 1940s.  During an attack by the Germans, a bomb explodes over Tesla’s grave and exposes not just his coffin but also the metal pole in the middle of his skeleton.  Two workmen assume that the pole is just bomb debris and they remove it.  Tesla (Bela Lugosi) promptly comes back to life and Andreas turn back into a werewolf.  Tesla sets out to get revenge on Lady Jane and the daughter of Dr. Saunders, Nicki (Nina Foch).

The Return of the Vampire is an interesting film.  Since the film was not made by Universal Pictures, it could not use the name “Dracula” for its vampire but it’s obvious from the start that Armand Tesla is meant to be Dracula.  Tesla wears his Dracula costume, speaks in his Dracula voice, and gives his Dracula performance.  To his credit, Lugosi actually gives a very strong performance in The Return of the Vampire.  His anger towards the people who staked him feels very real and there’s nothing of the intentional campiness that marred some of Lugosi’s later performances.  Lugosi leaves little doubt that Tesla is not only evil but he’s someone who truly enjoys being evil.  He can’t leave England until he gets his revenge on the people who previously defeated him.  For all the talk of stakes, sunlight, and crosses, the vampire’s true weakness is its own vanity and its inability to let go of a grudge.

As a history nerd, I found myself fascinated with how the film worked the then-current Blitz into its story.  The main villain may have been played by Bela Lugosi but the Germans definitely played their role as well, launching the bombing raids that distracted the authorities from the vampire in their midst.  Indeed, it’s probably not coincidence that it was a German pilot who brought Tesla back to life in the first place.  The German pilot is shot down but not before he drops a bomb on Tesla’s crypt.  The film says to be aware of the outside threat but to also be aware that threats can come from the inside as well.  While the Germany terrify the citizens of London, the vampire coolly moves through the night.

Clocking in at a fast-paced 69 minutes, The Return of the Vampire also features a stiff upper lip Scotland Yard inspector (Miles Mander) who, of course, is skeptical of the existence of vampires.  At the end of the film, he asks his subordinates if they believe in vampires.  They reply that they do.  He then looks at the camera and asks us, “And do you, people?”

Well, do you?

Horror on the Lens: The Boogie Man Will Get You (dir by Lew Landers)


Today’s horror on the lens is a short horror comedy from 1942.  In The Boogie Man Will Get You, Winnie Slade (Miss Jeff Donnell) buys an old house from Prof. Billings (Boris Karloff) with plans to covert it into a hotel.  However, one of the conditions of the sale is that Prof. Billings and his servants be allowed to live on the property.  What Winnie doesn’t know is that Prof. Billings had been conducting experiments on traveling salesman.  He hopes to turn them into supermen who, much like Captain America, can then be sent overseas to fight the Nazis.  However, his experiments have yet to be successful and have mostly just resulted into a lot of salesman being buried out in the rose garden.

However, things start to look up for Prof. Billings when he meets Dr. Lorencz (Peter Lorre), who is not only a doctor but also a mayor, sheriff, and dog catcher.  Seriously, Dr. Lorencz can do it all!

The Boogie Man Will Get You is a fun little time capsule of the time in which it was made.  For horror fans, it is mostly interesting because it features both Boris Karloff and Peter Lorre.  Both Karloff and Lorre appear to be having a lot of fun parodying their usual screen images.

Enjoy!

The Fabulous Forties #22: Adventures of Gallant Bess (dir by Lew Landers)


Adventures_of_Gallant_Bess_FilmPoster

For nearly a month now, I’ve been making my way through the 50 films included in Mill Creek’s Fabulous Forties box set.  Like most Mill Creek box sets, the Fabulous Forties is full of public domain films.  Some of them are surprisingly good and some of them are surprisingly bad.  And then there are others that are somewhere right in the middle of bad and good.  These are films that may not be great works of cinematic art but, at the very least, they serve as a time capsule of the period in which they were made.

The 22nd film in the Fabulous Forties box set, 1948’s Adventures of Gallant Bess, is just such a film.  Obviously made to appeal to family audiences, Adventures of Gallant Bess tells a fairly predictable story.  Cowboy Ted Daniels (a youngish Cameron Mitchell) captures a wild mustang named Bess.  Ted and Bess soon become inseparable but, during a visit to the local town, Bess gets riled up and destroys a few cars.  Ted is told that he has to pay for the cars but he doesn’t have any money.  So, he enters the local rodeo.

However, the rodeo is operated by the evil Bud Millerick (James Millican) and Bud wants Bess for his own.  So, he arranges for Ted’s leg to be broken by a bull.  Injured and unable to work, Ted is forced to sell his beloved Bess to Bud.  Once Ted recovers, he discovers that Bud is abusing Bess and forcing her to perform in a demeaning rodeo show.  What’s a cowboy to do but steal back his horse?

You can probably guess everything that happens in Adventures of Gallant Bess just from reading the plot description but it’s still a pretty likable film.  Bess is a wonderful horse and there’s something oddly endearing about the obviously cheap sets and the often melodramatic performances.  Cameron Mitchell, of course, is best known for appearing in films like Blood and Black Lace, The Toolbox Murders, The Demon, The Swarm, and Space Mutiny, so it’s definitely interesting to see him playing a simple and honest cowboy here.

(It’s actually difficult to recognize Mitchell until he smiles.  Once you see that smirk, you know exactly who is playing Ted Daniels.)

Adventures of Gallant Bess was filmed in color, which was a big deal in 1948.  Seen today, it is so saturated with color (and so obviously filmed on sound stages) that the movie actually looks like a live action cartoon.  Seen today, it’s perhaps a little too easy to be dismissive of this old-fashioned film but I imagine that, in the 40s, it was quite a fun movie to watch.

And you can watch it below!

http://www.youtube.com/watch?v=7NjeXP9QqHk

Horror on the Lens: The Boogie Man Will Get You (dir by Lew Landers)


Today’s horror on the lens is a short horror comedy from 1942.  In The Boogie Man Will Get You, Winnie Slade (Miss Jeff Donnell) buys an old house from Prof. Billings (Boris Karloff) with plans to covert it into a hotel.  However, one of the conditions of the sale is that Prof. Billings and his servants be allowed to live on the property.  What Winnie doesn’t know is that Prof. Billings had been conducting experiments on traveling salesman.  He hopes to turn them into supermen who can then be sent overseas to fight the Nazis.  (Kind of like Capt. America, when you think about it…)  However, his experiments have yet to be successful and have mostly just resulted into a lot of salesman being buried out in the rose garden…

However, things start to look up for Prof. Billings when he meets Dr. Lorencz (Peter Lorre), who is not only a doctor but also a mayor, sheriff, and dog catcher.  Seriously, Dr. Lorencz can do it all….

The Boogie Man Will Get You is a fun little time capsule of the time in which it was made.  For horror fans, it is mostly interesting because it features both Boris Karloff and Peter Lorre.  Both Karloff and Lorre appear to be having a lot of fun parodying their usual screen images.

Enjoy!

http://www.youtube.com/watch?v=MWEvKYhKc2U