As chaotic as 2021 may have been, one thing remained unchanged! Lifetime provided me with a lot of entertainment! Below, you’ll find my picks for the best Lifetime films and performances of the past year!
Doomsday Mom is a Lifetime true crime film, based on the disappearance of 16 year-old Tylee Ryan and 7 year-old J.J. Vallow and the subsequent arrest of their mother, Lori Vallow, and her new husband, Chad Daybell. Both Lori and Chad were heavily involved in the Doomsday movement, the belief that the end times were quickly approaching and that only the righteous would be saved. (Hence the title, Doomsday Mom.) Apparently, before the children disappeared, Lori and Chad had said that they had become demonically-possessed zombies. While the police were investigating the disappearances of Tylee and J.J., they also uncovered evidence that suggested that Lori and Chad may have been involved in several more deaths and attempted murders, including those of Lori’s ex-husband and her brother and Chad’s first wife.
It’s a disturbing story but it’s also one that hasn’t been resolved yet. Both Lori and Chad are currently in prison, awaiting trial. While the state of Idaho has ruled the Lori is not mentally competent enough to stand trial for murdering her children, the state of Arizona has still indicted her for attempting to kill one of her ex-husbands. Meanwhile, Chad will be facing the death penalty when his trial finally begins. Because neither has been convicted of any crime, they are still considered to be innocent until proven guilty in a court of law. If they are found guilty, there’s still the question of how many of the mysterious deaths that occurred within their orbit were the result of foul playe and how many were just coincidences. (Lori’s brother, for instance, died at a rather convenient time for Lori but everyone still seems to agree that he had been in poor health long before Lori even met Chad.) There’s also the question of whether or not Lori is actually legally insane or if she’s just faking it to get out of being sent to death row.
That proves to be a bit of a problem for Doomsday Mom, which is a film that suggests a lot of things but can’t actually come out and take a definite stand on anything, beyond the fact that Lori and Chad were a creepy couple who believed in some strange things. Though the film clearly believes that both Lori and Chad are guilty, it still has to try to maintain some sort of ambiguity. Hence, we learn that people have died but we never learn much about the circumstances of their death. We learn that Tylee was rebelling against her mother’s strict rules but we don’t learn much details about those rules, beyond Lori insisting that Tylee stay home to babysit so that Lori could go to church whenever she felt like it. We don’t see much of Chad’s first wife, nor do we learn much about his family.
Perhaps most importantly, we don’t really learn much about Lori and Chad’s doomsday beliefs, beyond the fact that they were convinced the world was ending and that the people around them were being possessed by demons. The film suggests that both of them were motivated by their own ego. Lori and Chad enjoyed being mini-celebs in the Doomsday movement. But, by not exploring how they came to have such beliefs in the first place, it’s hard not to feel that the film is refusing to give us some very important clues to understanding how all of these murders could have occurred in the first place. Presumably because the question of Lori’s mental competence is still in the air, the film cannot take a clear stand on whether Lori really believes all of the things that she says or if she’s just using all of the doomsday talk as a cover for her own selfishness. As often when happens when a film about a true crime case is rushed into production, Doomsday Mom often leaves the viewer with a number of unanswered questions.
On a positive note, both Lauren Lee Smith and Marc Blucas are chilling in the roles of Lori and Chad. Smith, in particular, is frightening as she switches from being a normal, overprotective mother to a wild-eyed religious fanatic, seemingly at random. Playing the role of the concerned grandparents of the missing children, Patrick Duffy and Linda Purl do a great job of capturing their desperation as they start to realize that, despite all of their hopes and efforts, they will probably never see their grandchildren again. The scene were they learn the fate of Tylee and J.J. is poignantly portrayed by both Duffy and Purl.
I always have a slightly problem with films like Doomsday Mom. I’m not a fan of rushing films into production to take advantage of a tragedy still being in the news. But Doomsday Mom is a well-acted and well-directed film, even if it can’t provide us with the answers that we may be looking for.
17 year-old Mia Hall (Chloe Grace Moretz) appears to have everything that a girl could want. She has a wonderful, if somewhat goofy, father in former musician-turned-teacher Denny (Joshua Leonard). She has a loving mother, a travel agent named Kat (Mirelle Enos). She has an adorable little brother (Jakob Davies), a loyal best friend (Liana Liberato), and — best of all — she has an older boyfriend named Adam (Jamie Blackley), who is on the verge of rock stardom. Even better, Mia has a wonderful future ahead of her. A musical prodigy, Mia is cello player who is waiting to hear whether or not she’s been accepted to Julliard.
And then, one day on a snowy road, it all changes. There’s a car accident. Both Denny and Kat are killed. Mia’s brother is several injured. And Mia in a coma. While her friends and what remains of her family watch over her at the hospital, Mia has an out-of-body experience. She walks through the hallways of the hospital, she listens to her loved ones as they struggle to accept what has happened, and she remembers all of the days that came before the accident. She remembers first meeting Adam. She remembers falling in love with him. She remembers their fights and then she remembers her family and she realizes that she’s facing a future without any of them. Ultimately, Mia has to decide whether to wake up and stay or to die and perhaps be at peace.
Based on an excellent novel by Gayle Forman, If I Stay is a tear jerker in the best sense of the word. Yes, the film has been clearly designed to make you cry but what’s wrong with that? Sometimes, crying is the best thing that one can do and, much like The Fault In Our Stars, the film’s tears are earned. As directed by R.J. Cutler, the film strikes a deliberate and telling contrast between Mia’s lively memories and the stark coldness of the hospital through which she now finds herself wandering. Joshua Leonard and Mirelle Enos bring a lot of life to the roles of the doomed parents and Stacy Keach is great as Mia’s grandfather. (Try not to cry when he tells the comatose Mia that it’s okay to move on. I dare you!)
Finally, Chloe Grace Mortez gives a wonderful and soulful performance of Mia. Moretz is one of those young actresses who always seems to be both wise beyond her years and painfully fragile as well. If I Stay contains yet another strong performance from her, one that elevates the entire film. That said, I hope she gets to do a nice romantic comedy at some point in the future because, after all the trauma she’s acted out in everything from Kick-Ass to Texas Killing Fields to Carrie to If I Stay, she’s earned it!
As for If I Stay, it’s still playing at theaters even as I write this review. If you haven’t already, go see it.