October True Crime: An Officer and a Murderer (dir by Norma Bailey)


 

Gary Cole is an interesting actor.

He’s handsome in a distinguished way, even if he’s played some roles that have required him to play down his looks.  (Think about his perm in The Brady Bunch Movie or the glasses that he wore in Office Space.)  He’s not exactly movie star handsome but he’s definitely good-looking enough to be the star of his own detective series.  He’s got the authoritative voice of someone who you instinctively trust.  You look at Gary Cole and you see someone who knows what’s going on and who you would probably trust in a crisis.

At the same time, with just about every character that Cole has played, there’s always been a sign of something lurking behind the friendly smile and perfect haircut.  At the very least, there’s usually a hint of a threat concealed behind his polite manner.  Gary Cole is the ideal actor to play a character who has secrets to hide, whether he’s playing Mike Brady as someone who cheerfully offers up nonsensical advice or telling one of his employees that he’s going to need to come in over the weekend.  It’s hard to trust a character played by Gary Cole.  Cole has appeared in a wide variety of films and shows.  As anyone who has seen Veep can tell you, Gary Cole can be a very funny actor.  But where Gary Cole really shines is when he plays the bad guy who no one suspects is a bad guy.

In 2012’a An Officer and A Murderer, Gary Cole plays a very bad guy indeed, Russell Williams.  Williams is a colonel in the Canadian Air Force.  He’s such a highly respected figure that he was given the job of flying with the Queen of England when she last visited Ontario.  Williams has a big house in the suburbs.  He has a beautiful wife (played by Nahanni Johnstone).  His neighbors love him and they all say hi whenever he’s out for his morning run.  Williams had just been appointed the new commander of the local Canadian Air Force base.  He’s a respected and beloved figure who raises money for charity, mentors younger pilots, and seems like the ideal gentleman.

But at night, Russell Williams sneaks out of his house and breaks into the homes and apartments of single women.  He starts out as an underwear thief, obsessively cataloging all of the bras and the panties that he steals from each house.  Unknown to his wife, he has two suitcases filled with stolen underwear.  Occasionally, he even wears them himself.  The two detectives (played by Laura Harris and Rossif Sutherland) who investigate the break-ins theorize that the perpetrator is going to start to escalate his activities and Williams soon does just that. Williams assaults a young mother, blindfolding her and then filming her while he poses with her.  He breaks into another house and removes his clothes while he stares at the homeowner showering just a few feet away.  Eventually, two women are murdered.  The detectives suspect Russ but can they get him to slip up and give them the evidence that they need to arrest him?

An Officer and A Murderer is based on a true story, which makes it all the more disturbing to watch as Williams breaks into his neighbor’s homes and even tries to frame an innocent man for his crimes.  Watching this movie, I found myself wondering about all of the neighbors that I’ve had over the years.  Part of living in neighborhood is trusting the people around you but how well do we know the people who are living just a few houses or a few apartment away from us?  An Officer and a Murderer tells a sordid story and occasionally, it lingers over the details of Williams’s crimes to such an extent that you worry that Williams’s real-life victims are being exploited all over again.  That’s always an issue with films about real-life crimes.  That said, Gary Cole gave a genuinely frightening performance as Russell Williams and, if nothing else, the film reminded me to make sure that all of my doors and windows are locked tonight.

Cleaning Out The DVR: Just The Ticket (dir by Richard Wenk)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 193 things recorded!  I’ve decided that, on January 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded the 1999 romantic comedy Just The Ticket off of Epix on October 13th!)

Just The Ticket tells the story of Gary Starke (Andy Garcia).

Gary lives in New York City.  He is a tough, streetwise character, loyal to his friends and quick to anger if he feels that anyone is trying to take advantage of him.  He has no time for pretentious posturing or snobbish social gatherings.  Gary’s a man of the people.  He works with and takes care of an aging former boxer named Benny (Richard Bradford).  He looks after a pregnant, former drug addict named Alice (Laura Harris).  When the slick and dangerous Casino (Andre B. Blake) starts to do business in Gary’s territory, Gary is the only person with the guts to stand up to him.  Having never had a family (he’s never even seen his birth certificate and has no idea who his parents were), Gary has adopted the street people as his surrogate family.

That’s not all.  Gary is also a lapsed Catholic who, when he goes to confession, opens by saying that it’s been 25 years since his last confession and that he’s taken the Lord’s name in vain 20 to 30 times that morning.  Gary needs some help because his girlfriend, an aspiring chef named Linda (Andie McDowell), has left him and Gary wants to win her back.  The priest asks Gary if he can get him tickets to see the Knicks…

Why does he ask that?

You see, Gary is a legendary ticket scalper and…

Okay, I probably just lost you when I used the terms “legendary” and “ticket scalper” in the same sentence.  And I’ll admit that, when I discovered this movie was about ticket scalpers, it nearly lost me as well.  Just The Ticket treats ticket scalping with a dignity and reverence that I’m not quite sure it deserves.  I wasn’t surprised to discover that director/writer Richard Wenk apparently based the character of Gary on an actual ticket scalper that he knew.  A lot of bad movies have been made as the result of a director, writer, or producer coming across some mundane activity and thinking, “Wow, this would make a great movie!”

(That’s one reason why, every few years, we suddenly get a dozen movies about race car drivers.)

However, I was pleasantly surprised to discover that Just The Ticket is not a terrible movie.  Admittedly, it’s totally predictable and there are a lot of scenes that don’t work.  For instance, there’s a lengthy scene where Gary and Linda destroy a snobbish food critic’s kitchen.  I could imagine Gary doing that because he has nothing to lose.  But Linda is actually hoping to become a chef in New York City.  Would she really run the risk of making a permanent enemy at the New York Times?  There’s nothing about Andie McDowell’s performance that suggests she would.  The scenes between Gary and his aging partner also tend to overplay their hand.  Richard Bradford gives a good performance as Benny but we all know what’s going to end up happening to him as soon as he starts crying after Gary insults him.

With all that in mind, Just The Ticket still has an undeniable charm.  Some of it is due to Andy Garcia’s dedicated performance.  He is frequently better than the material and he and Andie McDowell have enough chemistry that you do want to see Linda and Gary get back together.  Some of it is because Just The Ticket is not afraid to shy away from being sentimental.  It’s hard to think of any other romantic comedy in which the Pope plays such an important supporting role.  It’s a sweet movie.  It has a good heart.

There’s something to be said for that.

Back to School #52: The Faculty (dir by Robert Rodriguez)


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Have you ever wanted to see Jon Stewart get stabbed in the eye with a hypodermic needle?

If you answered yes, then 1998’s The Faculty might be the film for you!

The Faculty takes a look at what happens when a new alien species happens to turn up outside of a painfully normal high school in Ohio.  By painfully normal, I mean that Herrington High School is just as messed up as you would expect a suburban high school to be.  The teachers are all underpaid and resentful of their principal (Bebe Neuwrith).  Prof. Furlong (Jon Stewart) is the overqualified science teacher who will perhaps be a little too excited about the chance to examine a new alien species.  Coach Willis (Robert Patrick) is the emotionally shut off coach of the school’s losing football team.  Mrs. Olson (Piper Laurie) is the drama teacher who struggles to promote creativity in a school that’s more interested in blind conformity.  Miss Burke (Famke Janssen) is the teacher who cares too much.  And, finally, there’s Nurse Harper (Salma Hayek), who looks a lot like Salma Hayek.

And, as typical as the teachers may be, the students are even more so.  We get to know a few and they all neatly fit into the expected stereotypes.  Casey (Elijah Wood) is the nerdy outcast who is regularly picked on by … well, by everyone.  Deliliah (Jordana Brewster) is the status-obsessed head cheerleader who has just broken up with her boyfriend, Stan (Shawn Hatosy), because he quit the football team.  Zeke (Josh Hartnett) is the school rebel, the kid who is repeating his senior year and who sells synthetic drugs out of the trunk of his car.  Stokes (Clea DuVall) is an intentional outcast who pretends to be a lesbian and has a crush on Stan.  And finally, there’s Marybeth (Laura Harris), a new transfer student who speaks with a Southern accent.

These students would seem to have nothing in common but they’re going to have to work together because the entire faculty of Herrington High has been taken over by aliens!  Fortunately, the aliens are vulnerable to Zeke’s drugs, which is something that is learned after Jon Stewart takes a hypodermic to the eye…

When one looks over the top Texas filmmakers (director like Terrence Malick, Richard Linklater, Mike Judge, and David Gorden Green), Robert Rodriguez often comes across as being both the most likable and the least interesting.  Like his frequent collaborator Quentin Tarantino, Rodriguez fills his movies with references and homages to other films but, unlike Tarantino, there rarely seems to be much going on behind all of those references.  However, Rodriguez’s referential style works well in The Faculty because, along with acting as an homage to both Invasion of the Body Snatchers and John Carpenter’s The Thing, The Faculty also manages to tap into a universal truth.

Teachers are weird!

Or, at least, they seem weird when you’re a student.  Now that I’m out of high school, I can look back and see that my teachers were actually pretty normal.  They were people who did their jobs and, as much as I like to think that I was everyone’s all-time favorite, I’m sure that there have been other brilliant, asthmatic, redheaded, aspiring ballerinas who have sat in their class.  My teachers spent a lot of time talking about things that I may not have been interested in but that wasn’t because they were obsessed with talking to me about algebra or chemistry or anything like that.  They were just doing their job, just like everyone else does.

But, seriously, when you’re a student, it’s easy to believe that your teachers have been possessed by an alien life form.

Probably the best thing about The Faculty is the fact that the aliens cause the teachers to act in ways that are the exact opposite of their usual personalities.  For most of the teachers, this means that they turn into homicidal lunatics.  But, in the case of Coach Willis, this actually leads to him not only becoming a happy, well-adjusted human being but it also turns him into a good coach.  Suddenly, Willis is getting emotional about the games, his team loves him, and he even gets a win!

Go Coach Willis!

As for the film itself, it’s not bad at all.

Lisa’s rating: 7 out of 10.

What Lisa Marie Watched Last Night: A Friend of the Family (dir. by Stuart Gillard)


What did I watch last night?  I watched A Friend of the Family, a 2007 film that shows up on the Lifetime Movie Network every couple of weeks.

Why Was I Watching It?

Ennui.

What Was It About?

Well, it’s yet another Canadian true crime, exploitation film that has found a second life on Lifetime.  Newly weds Allison and Darrin (Laura Harris and Erik Johnson) move to a small town in Canada.  Darrin befriends and goes into business with David (Kim Coates) and David is like so obviously a serial killer but Allison is the only one who notices.  And then, when Allison attempts to let people know that David’s the one who has been killing all the blonde waitresses in town, everyone responds by saying that she’s the one who is being silly and emotional!

What Worked

It all worked!  Well, okay, not all of it but enough of it worked that I had fun curling up on the couch and watching it.  Laura Harris was a sympathetic heroine (and she played her character with just a hint of instability so you wondered sometimes if maybe she was just imagining it all), Kim Coates was creepy in that Kim Coates way, and Erik Johnson — Oh. My. God.  So. Cute.

Add to that, I could relate to this film.  Nobody believed me when I said the janitor in high school was a serial killer and I’m still pretty sure I was right about that.

What Didn’t Work?

You know what?  It all worked, as far as I’m concerned.

“Oh my God!  Just like me!” Moments

There were several, most of them having to do with Alison’s struggle to get people to listen to what she was saying.  Seriously, men need to lean how to shut up and listen when it comes to potential serial killers living next door.

Lessons Learned

The main lesson was the same one that’s taught by most Lifetime movies: If you ever think the guy next door might be obsessed with you and plotting to kill you, take the law in your own hands.  Seriously, all the men in your life are worthless when it comes to these situations.