Retro Television Reviews: T and T 1.7 “The Silver Angel” and 1.8 “And Baby Makes Nine”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, we meet T.S. Turner’s family!

Episode 1.7 “The Silver Angel”

(Dir by Donald Shebib, originally aired on February 22nd, 1988)

“In this episode,” Mr. T informs us, “Amy and I get mixed up with a modern day Robin Hood and we are forced to recruit some heavyweight help.”

The Silver Angel is a silver-clad trumpet player who has been going to a high-priced grocery store, filling his cart with food, and then running off with the cart and not paying.  The police that think that they have finally arrested him.  However, the man that they caught is Duffy (Edward Atienza), an elderly crossing guard who doesn’t even seem to know what’s happening to him.  Amy is assigned to his case.

T.S., however, has other things to worry about.  As he explains to gym owner Decker, his nephew is a member of a rap group known as The Fat Boys and, as you might guess from their name, they’re a bit overweight.  Their manager wants The Fat Boys to lose a few pounds before their next tour and who better to oversee their diet than T.S. and his friend Decker?  The Fat Boys show up at the gym and it’s time for an exercise montage!

Anyway, it soon becomes apparent that Duffy is not as senile and frail as he appears to be and he actually is the Silver Angel.  Amy discovers that Duffy has been taking the stolen food to a homeless shelter.

“It’s still a crime,” T.S. says.

“I know.  It looks like I’m going to lose this case!” Amy declares, as if she’s the first attorney to ever defend someone who was guilty.  One would think that Amy would understand that the job of a defense attorney is to serve as an advocate for their client and to help them make their way through the legal system.  The question of whether or not the guy is actually guilty really isn’t the issue that she should be concerning herself with.

The Fat Boys, overhearing Amy and T.S.’s conversation, decide that they need to help the Silver Angel.  “My mind is clear,” one of the Fat Boys says, “so you stay right here!”  Did I mention that the Fat Boys rap all of their dialogue?  “I went downtown to get this stuff,” another Fat Boy declares as they collect food to give to the homeless, “Come on, brothers, it’s up to us!”

Anyway, Duffy puts on his angel costume once again and shows up at the grocery store.  When the store’s manager, Mr. Hanlon (Sam Moses), orders security to catch the Angel, the Fat Boys suddenly show up in angel costumes and it leads to a chase scene throughout the store.

T.S. brings the chase to a close by grabbing Mr. Hanlon, lifting him up and carrying him around the store.  T.S. tossed Mr. Hanlon into a display of eggs and declares, “Sorry, brother!  Nobody touches an angel!”

How about a thief?  Are they allowed to touch a thief?

Anyway, for some reason, Hanlon drops the charges so I guess Duffy gets away with his crimes and Amy maintains her perfect acquittal record.

This was dumb.  Grocery store owners don’t owe you a thing and, by stealing all of that food, the only thing Duffy did was probably cost everyone their Christmas bonus.  I mean, is there a reason why he couldn’t buy food and then take it to the homeless shelter?  Some hero.  More like the Silver Jackass, am I right?  Let’s move on.

Episode 1.8 “And Baby Makes Nine”

(Dir by Harvey Frost, originally aired on February 29th, 1988)

“In this episode,” Mr. T tells us, “Amy and I find that more than just diapers are dirty when we track down the person responsible for an abandoned baby.”

One of Amy’s clients leaves a baby on the front doorstep on the office, along with a note that says she’ll be back in a few days.  As opposed to calling the police or child protective services, Amy gives the baby to T.S. to look after.  T.S. takes the baby to the hospital and, after discovering the baby is in perfect health, he takes the baby to Decker’s gym.  Amy is not happy when she sees T.S.’s car parked outside the gym.  A gym is no place for a child, she declares, not with all the sweaty men around.

“The baby has to learn how to sweat,” Decker replies, “He can’t pant like a dog for all of his life!”

Back at the office, Amy explains that parenting is a little bit more complicated nowadays than it was when T.S. was a child.

“Babies still need to be changed, don’t they?” T.S. replies, “Wow!  Look at the great job I did on his diaper!”

Anyway, the baby is actually the son of Henry (Martin Neufeld) and Betty (Joanne Vannicola).  Henry made a deal with a corrupt adoption attorney named Mr. Finn (David Calderisi) to sell his son.  Not wanting to lose her child, Betty dropped the child off at the law office in the hopes that Amy would know how to stop the adoption.  When Henry goes down to the gym to try to grab his son, he is instead grabbed by T.S. Turner.  When Turner threatens to sell Henry, Henry asks what he’s talking about.

“We’re talking about baby selling, Henry!” Turner replies, “We’re talking about what type of man would sell his own flesh and blood!  What do you think we should do to a father who would sell his own son?”

Turner scares Henry straight and he promises not to sell the baby.  Betty forgives him, which is kind of weird.

“It’s people like you,” Amy later hisses at Finn, “who give my profession a bad name.”

And that’s the end of that.  This was yet another episode that would have worked better if the story played out of an hour instead of just 30 minutes.  As it is, the whole thing felt rather rushed.  That said, at least Betty was a more sympathetic client than the Silver Angel jackass.

Next week: T. and T. reminds us that it’s a Canadian show with an episode that is all about hockey!

Retro Television Reviews: T and T 1.5 “The Drop” and 1.6 “Something In The Air”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Mr. T takes on drug dealers and mad bombers!

Episode 1.5 “The Drop”

(Dir by Allan Kroeker, originally aired on February 8th, 1988)

“In this episode,” Mr. T tells us, “a kid’s life is shattered when he’s arrested for dealing drugs.  Amy and I try to pick the pieces, with some unexpected help from Renee!”

This episode begins with one of my favorite cop show clichés.  A suspected drug courier is grabbed by two cops.  They open the envelope that he was carrying and discover a white powder.  One of the cops puts some of the power on her fingers and then sticks her fingers in her mouth.

“High grade crack!” she announced.

Hey, just be happy it wasn’t anthrax!

In this case, the accused courier is a 14 year-old named Norm (Gerry Musgrave), who says that he has no idea what was in the envelopes and he was only carrying them because he answered a classified ad asking for delivery people.  However, the prosecution is determined to send a message by trying Norm as an adult!  Fortunately, Norm is friends with T.S.’s goddaughter, Renee (Rachael Crawford).  Renee brings T.S. and Amy onto the case.

“Loosen up, brother, you already convinced us,” T.S. tells Norm, “Now we just got to the convince the court.”

Norm moves into T.S.’s home, where he is looked after by the gospel-singing Aunt Martha (Jackie Robinson).  While Jackie helps Norm get settled in, Renee approaches T.S. and says, “I’ve seen the ads on crack.  I know what it does.”

“And you want to help Norm,” T.S. says, “Don’t get involved!  People dealing drugs are very dangerous!”

Renee does not take T.S.’s advice and instead, approaches the school drug dealer, Bob Douglas (Jeremy Ratchford).  She compliments Bob on his red trans am and Bob invites her to meet up with him at a local disco.  Renee’s friends tell her that she might be making a mistake but Renee snaps that she can’t look the other way like everyone else at school.

While Renee skips class so she can meet up with Bob at the most depressing nightclub I’ve ever seen (seriously, there’s just one very sad disco ball hanging over the dance floor), T.S. meets with Fat Sam, who is not fat and who is played by future television director Clark Johnson!  (As an actor, Johnson is probably best-known for playing Meldrick Lewis on Homicide and later Gus Johnson on The Wire.)

“Fat Sam,” T.S. says, “you’re the coolest dude I know!”

“As long as the dice keep rolling my way,” Fat Sam replies, “Rumor on the street has it that you’re looking for a specific crack dealer.”

“Be honest with you, Fat Sam,” T.S. replies, “I want to bust all the crack dealers but I want this one first.”

Fat Sam makes some phone calls and tells T.S. that the crack dealer he’s looking for is …. BOB DOUGLAS!

“Thanks, Fat Sam, I owe you one,” T.S. replies.

Meanwhile, Bob Douglas has taken Renee to his loft apartment!  When Bob discovers the Renee has been searching his apartment while he was distracted, Bob has a paranoid breakdown, accuses Renee of being a narc, and makes a run for it.  Fortunately, T.S. and Amy show up in time to catch him and clear Norm’s name!  Yay!

This episode suffered a bit because, for all the build-up, it turned out that all Amy and T.S. needed to do to prove Norm’s innocence was to get Fat Sam to make one phone call.  It felt a bit anticlimactic, to say the least.  This is a case where the limits of that 30-minute running time really worked against the story the show was trying to tell.  That said, Mr. T growling against crack is always enjoyable to watch.

Episode 1.6 “Something In The Air”

(Dir by Allan A. Goldstein, originally aired on February 15th, 1988)

“In this episode,” Mr. T tell us, “a radio DJ is the target of an angry phone caller.  While Amy fights to keep the D.J. on the air, I get to make a few calls of my own.”

After radio DJ PJ Reynolds (Lee Curreri) encourages his listeners to “take it to the streets,” one of his listeners blows up a mailbox.  The district attorney wants to take Reynolds off the air!  Fortunately, Reynold is a client of Amy Taler’s!  When Louney (Neil Munro), the smarmy D.A. tries to convince Amy and T.S. to deliver a court summons to the DJ, T.S. replies, “Sorry, brother.  We ain’t a delivery service!”

Because there’s only one explosives dealer in all of Canada, Turner confronts his friend Whisperer (Martin Donlevy) and demands to know who he has been selling to.  Whisperer says that he sold a timer to a man who said that he wanted to take down Reynolds.  “He sounded like someone who was used to getting what he wants.”  Somehow, T.S. figures that this means Louney is behind the bombings.  Turner needs Louney to call the show again but Reynolds has voluntarily taken himself off the air.

“Let’s talk responsibility,” Turner snaps at the DJ, “That’s the big talk!”

Convined that he has a responsibility, Reynolds goes back on the air and Louney can’t help but call him.  Though Louney hangs up before the police can trace the call, T.S. is staking out Louney’s house and, as soon as Louney steps outside with a briefcase bomb, Turner goes after him.  It leads to a car chase that ends with T.S. capturing Louney and forcing to Louney to defuse his latest bomb right before it detonates.

A grateful PJ promises that, from now on, he’s going to be “Mr. Mellow” on the air.  When Amy says she doesn’t think it’ll happen, PJ says, “You’ll have to tune in and see.”

“Not me, brother,” T.S. replies, “I’m going to stick to my TV …. it’s my favorite medium!”

I liked this episode because it stood up for free speech.  Any show that exposes a power-crazed bureaucrat, I’m going to enjoy.

Next week, Amy and T.S. search for …. THE SILVER ANGEL!

Retro Television Reviews: T. and T. 1.3 “Settling the Score” and 1.4 “Stowaway”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S. Turner confronts the man who framed him!

Episode 1.3 “Settling the Score”

(Dir by Allan Goldstein, originally aired on January 25th, 1988)

“In this episode,” Mr. T tells us before the opening credits, “a young boxer is accused of throwing a fight.  While Amy tries help him clear his name, I get a rematch with the man who sent me to prison.”

The episode opens with T.S. Turner in a very polite Canadian bar, watching a boxing match.  He’s shocked when the favored boxer, “Dancin'” Joe (Louis Ferreira), starts to act groggy and is knocked out in the 2nd round.  The next day, at the courthouse, people are talking about how Joe obviously took a dive.  Amy, however, is busy keeping her latest clients out of jail.

“Hey, Amy,” T.S. asks, “what’s the score today?”

“Justice triumphed,” Amy says, “Suspended sentence.”

Woo hoo!

Amy then asks T.S. about Dancin’ Joe’s boxing lisence.  T.S. reveals that the Commission suspended Dancin’ Joe and now they’re after his friend Decker because Dancin’ Joe trained at Decker’s gym.

“They’re after his lisence, too?” Amy asks.

“No one gets away clean,” T.S. growls.

T.S. thinks that Dancin’ Joe was forced to take a dive by Targon (Steven Makaj), the same gangster who earlier framed T.S. for the beating death of his manager.  T.S. confronts Targon in his bar.  (All gangsters have a bar.)

“A little far from home, aren’t you, Turner?” Targon says.

“Yeah,” T.S. replies, “and traveling don’t improve my temper …. I know you got to Dancin’ Joe.  But this time, you’re going down!  Last night’s fix makes it a whole new ball game.”

(Really, the main pleasure of T. and T. is listening to Mr. T speak.)

Back at the gym, a bruised Dancin’ Joe shows up to tell Decker and T.S. that he didn’t throw the fight.  According to Dancin’ Joe, he suddenly started to feel woozy during the fight.  Maybe Amy can help him get his license back!

This leads to a scene of T.S. Turner, shadowboxing while wearing a pink jumpsuit, and having flashbacks to the time that Targon demanded that he take a dive.  “T.S. Turner ain’t going in the tank!” T.S. declared before knocking out his opponent.  Targon framed T.S. for murdering his trainer.  (Fortunately, Amy was there to somehow get a second trial and win T.S. an acquittal.)

Turner starts to investigate the Dancin’ Joe’s fight so Targon decides to stop T.S. by …. framing him for a crime he didn’t commit!  (Hey, it worked before.)  Targon’s goon beats up Dancin’ Joe’s cornerman and Targon’s bartender calls the police and claims that he witnessed T.S. doing it.  Learning that there is a new warrant out for his arrest, T.S. hits the mean streets of Canada in an attempt to clear his name.

Luckily, the cornerman survived his beating and he informs T.S. that Targon put some sort of drug on Dancin’ Joe’s mouthpiece.  T.S. gets the mouthpiece from Decker, holds it up to his nose, and announces, “What they used, it don’t smell.”  Amy then shows up to tell T.S. that he needs to turn himself in and that the reports from the lab prove that Dancin’ Joe was drugged.  T.S. flees from the gym so he can track down the bartender who claimed to see him beating up the cornerman.

Because there’s only five minutes left in the episode, Targon and his men suddenly show up at the gym and take Decker and Amy hostage.  Fortunately, T.S. decides to come back to the gym and he rather easily beats up all of Targon’s men and Targon himself!

“Stop, T.S.,” Amy says, “Leave Targon for the law.”

“Look at me!” T.S. shouts at Targon, “I want you to see what’s coming!”  T.S. then runs his finger across his throat, allowing Targon to know that he will be heading to one of Canada’s prisons.  Fortunately, for Targon, Canada has no death penalty.

With Targon captured, Dancin’ Joe gets to fight again and T.S. makes peace with Detective Jones (Ken James), the man who arrested him years ago and who has always doubted his innocence.

“I’m never going to change,” the Detective says.

“Neither am I,” T.S. growls.

Woo hoo!  You tell ’em, T.S!

Episode 1.4 “Stowaway”

(Dir by Allen Kroeker, originally aired on February 1st, 1988)

“In this episode,” Mr. T says, “A runway kid has to grow up quickly when his friendship is tested and life depends on the outcome.”

“You know, when I was small,” T.S. says, “I used to think about running away also, but I didn’t realize my mother was doing the best she could with what she had.”  T.S. delivers these lines from a hospital bed, which is where he spends most of this episode.  While searching for a runaway named Fabian (Sean Roberge), T.S. got hit on the back of the head by a group of smugglers, temporarily taking him out of action.

Indeed, the majority of this episode is dominated not by T.S. Turner and Amy Taler but instead by Captain Grayson (played by the episode’s special guest star, Don Stroud).  Captain Grayson is the captain of a boat that transports goods to South America.  Fabian befriended Captain Grayson when he went to the docks to draw pictures.  When Fabian runs away from home because he wants to go to sea with Captain Grayson, he discovers that Grayson is smuggling guns.

“People need those guns,” Grayson explains.

“Guns hurt people!” Fabian yells.

Anyway, Grayson is a good-hearted smuggler but his boss is not.  Grayson is ordered to keep Fabian on the boat and to drop him off somewhere in South America.  However, Grayson feels very guilty about this and Don Stroud, who is probably best-remembered for playing the convict who Clint Eastwood tracked to New York in Coogan’s Bluff, does a really good job of portraying Grayson’s inner conflict.  Grayson finally decides to let Fabian go home.  At the same time, T.S. Turner sneaks out of his hospital bed and rescues Fabian from the other smugglers, none of whom are as good-hearted as Grayson.

“If you really want to make your mother proud of you,” T.S. tells Fabian, “stay in school, get a good education, learn to become an architect, and never run away again.”  T.S. also convinces Fabian to forgive Grayson for holding him prisoner.  “Little brother, that man cares for you.”

These were two good episodes of T. and T.  Yes, the plots were predictable but the appeal of this show is listening to Mr. T talk and sound like Mr. T.  And Mr. T does a lot of talking in these two episodes.