Film Review: Godzilla vs. Megalon (dir by Jun Fukada)


Look, I get it.

I fully understand why there are some people out who cannot stand Godzilla vs. Megalon. I mean, Godzilla vs. Megalon is a film that totally goes against everything that originally made Godzilla unique. When Godzilla first showed up and destroyed Tokyo, he was relentless and he ruthless and he was destructive. He didn’t care about humanity. One of the most haunting scenes in the original Gojira features a mother holding her children while Godzilla approaches. Godzilla was created to be a symbol of chaos and madness. For a nation that was still struggling with the trauma of the bombings of Hiroshima and Nagasaki, Godzilla was a nightmare come to life. That’s something that was made very clear in the original Gojira and it’s a theme that’s still present in the American cut of the film, Godzilla, King of the Monsters.

That, however, is not a theme that you’ll find in Godzilla vs. Megalon. There is a nuclear explosion at the start of the film, of course. It rips apart Monster Island and it also angers an underwater civilization. The underwater people retaliate by summoning their God, a giant beetle named Megalon. Why would an underwater civilization worship a beetle? Who knows? Once the beetle starts attacking humanity, it’s up to Godzilla to save the day.

Of course, someone has to let Godzilla know what’s going on. That mission falls to Jet Jaguar, a humanoid robot that is briefly controlled by the bad guys before the good guys override their commands. Jet Jaguar actually gets more screen time than Godzilla and, from what I’ve read, Jet Jaguar is one reason why a lot of hardcore Godzilla fans dislike this film.

Jet Jaguar

Yes, Jet is kind of silly but, when you’re fighting a giant beetle, you do what you have to do. Godzilla doesn’t seem to have a problem with him.

See? BFFs.

Perhaps realizing that it’s going to be really difficult for a beetle to defeat both a dinosaur and a robot, the underwater people contact a bunch of aliens who agree to lend them Gigan, who is a really cool monster who has a chainsaw in his chest for some reason.

Gigan and Megalon

It all leads to knock-down, drag-out fight, one that sees Godzilla going in for a flying kick. Basically, it looks more like a tag team wrestling match than anything else but again, it’s all about the saving planet and if you don’t cheer when Godzilla goes flying through the air, I don’t know what to tell you.

Now, those who complain that this film feels like it was made for children have a point. It definitely does have something of a chidlish feel to it and the fact that it was one of the more financially successful Godzilla films outside of Japan led to a lot of people assuming that all Godzilla films were like this one. Whenever anyone rolls their eyes at the thought of Godzilla being a serious metaphor for nuclear war, it’s probably because the only Godzilla film that they’ve seen is this one or the original King Kong vs. Godzilla.

So, don’t get me wrong. I full understand why some people don’t like this movie but …. well, I do like it. Or, I should say, I always enjoy it when I see it. Seriously, it’s just all so silly and rather innocent. It’s pure fun, which may go against what Godzilla is meant to represent but, at the same time, it’s impossible for me not to smile whenever I watch it.

Fortunately, though, Jet Jaguar never appeared in another film. He did an okay job in Godzilla vs. Megalon but, by the end of the movie, you could tell he was starting to let his new-found fame go to his head.

Sick of Reading About The Oscars? Here’s the Son of Godzilla (dir by Jun Fukuda)


Hi!  Are y’all sick of reading about the Oscars yet?  I mean, here at the Shattered Lens, we love the Oscars but I’m sure, by this point, some of our readers are ready to move on.  Well, don’t worry!  We haven’t forgotten about you!

And neither has … Minya, the son of Godzilla!

Oh my God, it’s Minya!

Now, as you can probably tell from this picture above, Minya doesn’t bear that much of a resemblance to his father.  I’m going to guess that he got his looks from the mother’s side of the family.  We really can’t say for sure because we don’t really get the exact details of how Minya came to be.  We get to watch as Minya hatches out of an egg but we’re never sure who laid the egg.  For all we know Godzilla laid the egg.

Then again, there’s also some debate as to whether or not Godzilla is actually Minya’s father.  When Minya hatches out of the egg, Godzilla shows up on the island to protect him but, before that, it’s not like we ever saw Godzilla actually taking care of the egg or anything.  In fact, right before Minya hatched, a bunch of giant preying mantis things were on the verge of eating the egg…

That means that Godzilla is either a really crappy father or this movie is about Godzilla kidnapping a baby monster.

Oh well, it’s probably best not to think too much about it because Minya is absolutely adorable!  He can’t really roar that well.  And when he tries to breathe atomic fire, he just ends up producing some atomic smoke rings instead.  Fortunately, Godzilla does get off his lazy ass long enough to teach Minya how to create flame.

It’s a pretty good thing that Godzilla shows up because remember those giant preying mantises that I mentioned earlier?  Well, they are literally everywhere.  Minya is definitely going to need Godzilla’s help if he’s going to defeat those things!

Now, admittedly, 1967’s Son of Godzilla may be fun and cute but it shares a flaw in common with a lot of Godzilla movies.  There’s way too many humans involved!  Seriously, when you watch a movie like this, you’re watching because you want to watch the monsters go at each other.  No one cares if Tokyo gets leveled as a result.  You just want to see a rubber monster fight.

But these later Godzilla films always seem to make the mistake of bringing in a bunch of humans who act shocked whenever the monsters show up.  With the number of times that Godzilla’s destroyed Japan, I would think that people would start taking a more nonchalant attitude towards him.  “Oh, it’s Godzilla again.  I’ll lock the door.  What’s for dinner?”  In this case, the humans are a bunch of weather scientists who are hanging out on the island.  There’s also a mysterious woman, a native of the island, who shows up because almost every Japanese monster movie made in the 60s and 70s had a mysterious woman living on an island.

Anyway, the humans aren’t important.  What’s important is the bond between Godzilla and his son, Minya!  Just check these two out!

Awwwwww!

Film Review: Godzilla vs. MechaGodzilla (dir by Jun Fukuda)


godzilla-mechagodzilla1974

The Godzilla marathon on Chiller is continuing.  Immediately following Godzilla, Mothra, and King Ghidorah, we were treated to the 14th film in the Godzilla franchise, 1974’s Godzilla vs. Mechagodzilla.

There’s no way that I can start this review without pointing out a mistake made by Chiller.  In both the programming guide and at the start and end of each commercial break, Chiller insisted that they were showing a film from 2002 called Godzilla Against MechaGodzilla.  However, from the minute the film started, it was obvious that we were watching something from the 70s.  Between the jazzy score and unfortunate male hair choices, this film was so 70s that it might as well have been snorting coke and listening to progressive rock.  Mind you, that’s not a complaint on my part.  In general, films from the 70s are a lot of fun.

And that’s a pretty good description of Godzilla vs. Mechagodzilla.  It’s a fun movie, especially if you’re watching it with a group of snarky friends.  Some movies were specifically made to be watched with a group and Godzilla vs. Mechagodzilla is one of those films.

When, in Godzilla vs. Mechagodzilla, Godzilla emerges from Mt. Fuji, he is greeted by his armadillo friend from Godzilla vs. Gigan.  Godzilla reacts by savagely attacking his armadillo friend.  “No,” I shouted at the TV, “bad Godzilla!”  Seriously, it may just be because I live in Texas and I always feel bad whenever I see one of his relatives laying dead in the middle of the street but I love that giant armadillo!

Anyway, Godzilla decides to live up to his new identity as Jerkzilla by going on yet another rampage through Japan.  Suddenly, Jerkzilla is confronted by … Godzilla!  That’s right, it turns out that Jerkzilla isn’t Godzilla at all.  Instead, he’s a giant robot named Mechagodzilla!

Mechagodzilla!

Mechagodzilla!

As you may have guessed, the blame all lies with aliens.  In Godzilla Vs. Gigan, the trouble was the result of intergalactic cockroaches that had taken on human form.  In Godzilla vs. Mechagodzilla, the villains are space monkeys who have taken on human form.  And I do have to say — and I mean no offense to the space cockroaches — but the space monkeys seem to have a much better shot at conquering the planet than those roaches ever did.

However, Mechagodzilla is not the only new monster to be found in this movie.  There’s also King Caesar, an ancient creature who, if you believe prophecy, is destined to rise out of the mountains.  (And, as we all know, one of the first rules of cinema is that prophecy always comes true!)  Through the efforts of a group of typical Godzilla movie humans, King Caesar does wake up.  Will he work with Godzilla or Mechagodzilla?

King Caesar

King Caesar

Godzilla vs. Mechagodzilla is a strange one and, judging from some of the comments that I’ve read online, that’s exactly why it’s a personal favorite of a lot of Godzilla fans.  Myself, I enjoyed it.  I wouldn’t necessarily recommend it to anyone who isn’t already a fan of the franchise but those of you who enjoy a good Godzilla movie will find a lot to appreciate here.  The monsters are silly but charming, the story moves quickly, and the film even has a big musical number for no particular reason.

Seriously, is a world that can’t appreciate a big robot Godzilla a world that any of us want to live in?

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