Music Video of the Day: Separate Ways (Worlds Apart) by Journey (1983, directed by Tom Buckholtz)


The song is an anthem but the music video is widely considered to be one of the worst of all time.  What happened to Journey when they gathered on a wharf in New Orleans and shot the video for Separate Ways (Worlds Apart)?  Let’s break it down:

0:00 — The video starts with a shot of the Louisa Street Wharf in New Orleans.  Where’s Journey?

0:03 — There, they are.  But where are their instruments?

0:04 — Yes, Jonathan Cain is playing air keyboards.

0:08 — Journey has their instruments now so they look a lot less ridiculous.  Still, Jonathan Cain will never live down those air keyboards.

0:21 — A woman in a black leather skirt walks down the wharf.  The members of Journey jump out at her.  This will prove to be a reoccurring theme throughout the video.  The woman was played by a local girl named Margaret Olmstead.

0:35 — Again, Journey has lost their instruments and Jonathan Cain is forced to play air keyboards.

0:41 — If Steve Perry looks more annoyed than usual here, it is probably because he wasn’t happy while shooting this video.  This was the first Journey video to have a “storyline,” as opposed to just being edited footage of the band performing.  Perry was opposed to the idea.  According to Cain, Perry said, “We’re performers, we’re entertainers, but we’re not actors.”

0:51 — Who has stolen Journey’s instruments?

0:54 — At this point, Jonathan Cain’s air keyboards are truly out of control.  Is he playing an imaginary synthesizer or is he pretending to be a tiger stalking his prey?  Your guess is as good as mine.

0:58 — Not only has Journey lost their instruments but Steve Perry has lost his sleeves.

1:13 — Eagle-eyed viewers will notice that Journey is performing in front of a mattress warehouse.  This detail will pay off at the end of the video.

1:27 — At least Jonathan finally found his keyboards.

1:32 — The salesman who sold me my very first used car looked just like Ross Valory.

1:47 — The video was shot on a very cold morning.  In between takes, Perry would rush into his camper to try to get warm.

1:57 — The shoot was also tense because of the presence of Perry’s then-girlfriend, Sherri Swafford.  Swafford took an intense dislike to Margaret Olmstead and demanded that she be removed from the video.

2:22 — I worked in a warehouse one summer and I can tell you that one thing you never want to do is walk backwards through a maze of palettes.

2:29 — Do you think Steve Smith likes foosball?

2:34 — The members of Journey jumping back and forth and singing while Margaret ignores them is my favorite part of the video.

3:04 — What did they do to Steve’s drums?

3:37 — As if the video hadn’t already flown off the rails, here’s a few minutes of gratuitous slow motion.

4:15 — Say what you will about the video, no one could belt it out like Steve Perry.

4:18 — It was all a dream!  That explains so much.

In 1999, MTV named this video as the 13 worst video of all time.

Enjoy!

Song of the Day: Open Arms (by Journey)


This past weekend I ended up seeing a film that will probably become one of my favorite films of 2011. It wasn’t perfect, but for 2/3’s of it the film was perfect in bringing up feelings of nostalgia. Nostalgia gets a bad rap and deservedly so since it turns anything decades-old into a classic because it was heard, seen or played in one’s youth. The latest “Song of the Day” brings up past memories born of nostalgia and just fond reminiscing. I speak of the greatest power ballad of all-time: Journey’s “Open Arms”.

The song was released in 1982 as part of Journey’s seventh full album, Escape, and the song became an instant classic both in the radio-play and during the band’s arena concerts. “Open Arms” became the rock power ballad by which all other power ballads gets compared to. The song, like all power ballads, is all about love-lost and love re-found. I don’t know anyone, no matter what types of music they’re into, who hasn’t at least taken someone close to them for a slow dance on the dance floor to this very song as it played.

While it wasn’t a song that was widely played during dances, balls and proms when I was in high school it definitely was a song that got major playtime once I was older and went to weddings and other similar type gatherings. Part of this ballad’s timeless appeal doesn’t just come from the earnest emotions inherent in the lyrics, but the emotional power and feeling Steve Perry’s performance gives to the song. His singing has been described as operatic, powerful and never sappy or playing to the crowd. Perry sings this song as if he’s speaking of very intimate personal experiences described in the lyrics.

I don’t usually pick ballads and slow jams when it comes to “Song of the Day” but thanks to J.J. Abrams’ Super 8 nostalgia hit me that this song was one of the first to bring back memories both fond and heartbreaking.

Open Arms

Lying beside you
here in the dark
Feeling your heart beat with mine

Softly you whisper
you’re so sincere
How could our love be so blind
We sailed on together
We drifted apart
And here you are by my side

So now I come to you
with open arms
Nothing to hide
believe what I say
So here I am with open arms
Hoping you’ll see what your love means to me
Open arms

Living without you
living alone
This empty house seems so cold

Wanting to hold you
wanting you near

How much I want you home
But now that you’ve come back
Turned night into day
I need you to stay

So now I come to you
with open arms
Nothing to hide
believe what I say
So here I am with open arms
Hoping you’ll see what your love means to me
Open arms