Horror on the Lens: The Bat (dir by Crane Wilbur)


Today’s Horror on the Lens is 1959’s The Bat.  A simple case of bank embezzlement leads to a murder that may or may not be connected to a series of other murders that are apparently being committed by a mysterious killer known as “The Bat.”  The Bat is said to have no face and steel claws and, needless to say, everyone in town is worried about becoming the next victim.

Who is the Bat?  Is Dr. Malcolm Wells (Vincent Price), the shady scientist whose work has led to him doing experiments on bats?  Is it Victor Bailey (Mike Steele), the bank clerk who is a prime suspect in the embezzlement case?  Is it the butler (John Sutton) with a secret past?  Could it even be one of the cops (Gavin Gordon and Robert B. Williams) who has been tasked with capturing The Bat?  Can mystery novelist Cornelia van Gorder (Agnes Moorehead) solve the mystery before becoming The Bat’s next victim!?

The Bat is based on a play and it’s definitely a bit stagey but when you’ve got performers like Agnes Moorehead and Vincent Price onscreen, it really doesn’t matter.  The Bat is an entertaining and atmospheric mystery, featuring a Vincent Price playing another one of his charmingly sinister cads.

Enjoy!

Horror Film Review: The Invisible Man Returns (dir by Joe May)


1940’s The Invisible Man Returns opens with Sir Geoffrey Radcliffe (Vincent Price) sitting on Death Row.  Convicted of the murder of his brother, Radcliffe is due to soon be executed.  Radcliffe claims that he was framed and his girlfriend, Helen Manson (Nan Grey), has spent the past week of her life begging for someone to order a stay on the execution.  However, with the home secretary out of the country, there is no hope of a reprieve.

Dr. Frank Griffin (John Sutton), brother of the original Invisible Man, visits Radcliffe in prison and gives him the same serum that his brother previously developed.  Now invisible, Radcliffe is able to escape from the prison.  Radcliffe is determined to prove his innocence but Dr. Griffin is more concerned with developing a way to reverse the serum’s effects before Radcliffe is driven insane, just as the original Invisible Man was.  Radcliffe becomes convinced that his brother was murdered by their cousin, Ricard Cobb (Sir Cedric Hardwicke) but is Radcliffe correct or is the serum just making him paranoid?  With Inspector Sampson (Cecil Kellaway) searching for Radcliffe and fully aware of what effects the serum are going to have on his mind, can Radcliffe clear his name before he loses his sanity?

The Invisible Man Returns went into production after the success of Son of Frankenstein proved that there was a market for sequels to previously successful horror films.  (Yes, there was a time when sequels were not an automatic thing.)  This was also one of the first horror films in which Vincent Price made an appearance.  (Today, we’re so used to the image of Vincent Price as a somewhat campy horror icon that it’s easy to forget that he originally started his career as a romantic leading man and was even seriously considered for the role of Ashley Wilkes in Gone With The Wind.)  As he spends the majority of the film wearing the same tight bandages that hid Claude Rain in the first film, Price’s actual face is only visible for slightly less than a minute and, without his famous mustache, it’s actually rather difficult to recognize him.  That said, there’s no mistaking Price’s voice, heard as the invisible Radcliffe bitterly complains about everything from a barking dog to other people’s doubts about Cobb being the murderer.  While this film does find Price in a slightly more subtle mood than many of us horror fans are used to, it still features plenty of hints of what the future would hold.

I enjoyed The Invisible Man Returns, which featured some witty invisibility sequences (watch invisible Vincent Price toss off those clothes!) and also managed to take the story’s violence about as far as it could without violating the production code.  While it’s always a pleasure to watch any film featuring Vincent Price, I also liked the performance of Cecil Kellaway, who played the inspector as being the epitome of the the upstanding but dryly humorous British policeman.  One gets the feeling that absolutely nothing could ever take the Inspector by surprise …. not even an Invisible Man!

Previous Universal Horror Reviews:

  1. Dracula (1931)
  2. Dracula (Spanish Language Version) (1931)
  3. Frankenstein (1931)
  4. Island of Lost Souls (1932)
  5. The Mummy (1932)
  6. The Invisible Man (1933)
  7. The Bride of Frankenstein (1935)
  8. Dracula’s Daughter (1936)
  9. Son of Frankenstein (1939)
  10. The Wolf Man (1941)
  11. Ghost of Frankenstein (1942)
  12. Frankenstein Meets The Wolf Man (1943)
  13. Son of Dracula (1943)
  14. House of Frankenstein (1944)
  15. House of Dracula (1945) 
  16. Creature From The Black Lagoon (1954)

Halloween Havoc!: RETURN OF THE FLY (20th Century-Fox 1959)


gary loggins's avatarcracked rear viewer

Last year’s “Halloween Havoc” took a bug-eyed look at THE FLY , so this year we’ll buzz in on it’s sequel. RETURN OF THE FLY was done on a much lower budget and trades in the original’s Technicolor for black and white, but it’s got a lot going for it. A creepy atmosphere and a strong performance from Vincent Price help lift the movie above it’s admittedly ‘B’ status, and while not wholly successful, it is fun for “Bug-Eyed Monster” fans.

The film opens at the rain-soaked graveyard burial of Helene Delambre, widow of Andre and mother to young Philippe, who’s now all grown up. Uncle Francois (Price) finally relates the truth about Andre’s mad experiments with matter disintegration/reintegration to Philippe, and the brooding youngster now wants to resume his father’s work and vindicate his legacy. Together with his fellow scientist Alan Hines, Philippe begins to reassemble his father’s machinery, moving…

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