October True Crime: The Stalking of Laurie Show (dir by Norma Bailey)


2000’s The Stalking of Laurie Show takes place in Pennsylvania, a wonderful state as long as you don’t count Philadelphia.  Even more specifically, the film takes place in Pennsylvania Dutch country.  An Amish man occasionally appears, sitting in his buggy when it moves down the road.  One character, a lunkhead named Butch (Rel Hunt), goes to an Amish coffeeshop while his girlfriend is committing a horrific murder.

The Amish don’t play a huge role in The Stalking of Laurie Show, which is ultimately a story of a murder amongst high school students.  Still, seeing them in the background is a reminder of a simpler life and also a reminder that not everyone is consumed by hate.  That’s a welcome reminder because this film, much like our present world, is full of irrational hate.

Michelle Lambert (Marnette Patterson) is, at least when the film starts, the queen of her high school.  Everyone wants to be her friend and everyone fears getting on her bad side.  She’s a master manipulator, someone who obviously feels that she has the right to take whatever she wants.  And yet, when we first meet her, it’s hard not to feel at least a little sympathy for her.  Her homelife isn’t the best.  She doesn’t get along with her father.  She’s very protective of her younger siblings.  Despite appearances, she’s not rich.  The only reasons she has expensive clothes and makeup is because she’s very good at shoplifting.  When I was a teenager, I was very good at shoplifting too so I could …. well, I don’t want to say that I related to her because there is a difference between pocketing purple eyeshadow and stealing an entire wardrobe.  As well, it soon becomes clear that Michelle has a mean streak that no amount of a bad family life could justify.

Michelle takes a new student, innocent Laurie Show (Jennifer Finnigan) under her wing and, for a while, she and Laurie are best friends.  But then, when Michelle’s lunkhead boyfriend Butch takes an interest in Laurie, things change.  Michelle is fiercely jealous of Butch and soon, Michelle and her friends are conspiring on ways to humiliate Laurie.  When Michelle gets pregnant, she drops out of school, moves into a trailer with Butch, and eventually alienates almost all of her friends after she attacks Laurie in a bowling alley parking lot.  Only Tabitha (Joanne Vannicola) remains loyal to Michelle.  Soon Tabitha and Michelle are plotting Laurie’s death….

Agck!  It’s a disturbing story, especially since it’s true.  Michelle and Tabitha murdered Laurie Snow in December of 1991, just five days before Christmas.  (There’s some debate as to whether or not Butch took part in the actual murder or not.)  Michelle is currently in prison while Tabitha, a juvenile at the time of the murder, was paroled in 2019.  Today, of course, Michelle and her friends would have hounded Laurie online, sending her anonymous messages, filming every fight between the two of them, and telling her to “kill yourself.”  Every time I read about a teenager who committed suicide due to cyberbullying, my immediate response is that they didn’t kill themselves.  They were murdered.  Anyone who would taunt a fragile person to the point of suicide is as guilty as if they pulled the trigger or tightened the noose themselves.  And don’t give me any of that, “They didn’t know it would happen” crap either.  In every case, they knew what they were doing.

As for the film itself, it’s definitely sensationalized.  Marnette Patterson fully embraces the melodrama as Michelle, at first playing her as just being a standard mean girl before then going totally over-the-top as Michelle’s grip on reality becomes more and more loose.  Jennifer Finnigan is sympathetic as Laurie and Jessica Greco gives a good performance as a friend of Laurie’s who is also drawn into Michelle’s crowd.  If the film wasn’t based on a true story, it would probably be a camp classic.  But since it is based on a true story, it works best as a plea for people to stop turning a blind eye to bullying.  That’s not a bad message.

Retro Television Review: T and T 3.4 “Cry Wolf”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, someone from the past shows up but it’s not Amy.

Episode 3.4 “Cry Wolf”

(Dir by Alan Simmonds, originally aired on January 26th, 1990)

While filming footage for what is sure to be a riveting cinematic essay on urban decay, high school student Martina (Joanne Vannicola) films a drug deal going to down in an abandoned warehouse.  (The world of T and T was full of abandoned warehouses where people were either selling drugs or hiding stolen money.)  Unfortunately, Martina runs out of film before actually capturing the drugs being exchanged.  Everyone who sees the footage says that it doesn’t prove anything.

Martina decides to take justice into her own hands.  I’m not really sure why.  Martina’s obsession with tracking down the drug dealers and getting them arrested feels somewhat unhinged and it’s a bit disturbing to see coming from a teenager.  I mean, Martina doesn’t know the drug dealers.  She is apparently not a user of cocaine.  She’s just decided that these people deserve to be taken down by her.  One gets the feeling that Martina is going to grow up to be a member of the secret police.

Martina’s investigation leads her to a suburban couple who capture her and make plans to eventually kill her.  Fortunately, Martina’s best friend is Joe Casper (Sean Roberge) and he is able to enlist his mentor, T.S. Turner, to save Martina’s life.

That’s right!  Joe’s back.  He was a semi-regular during the second season, appearing in the opening credits even though he rarely got to do anything on the show.  Still, the return of Joe would, in theory, be the perfect opportunity for the show to explain what happened to Amy.  Amy and Joe were close, after all. It seems like it would be natural for Joe and Turner to say something about missing Amy and perhaps provide us with a clue as to why Amy has been replaced by Terri.

However, that doesn’t happen.  In fact, Turner acts as if he barely knows Joe, despite the fact that he practically adopted him during the second season.  “Why are you kids always here?” he growls when he sees Joe and Martina in Decker’s gym.  And seriously, why is everyone always in Decker’s gym?  The place is a dump!  And is there no one at the gym who could tell T.S. that the hot pink bodysuit that he wears while boxing looks kind of silly?

Anyway, T.S. goes down to the suburbs and saves Martina.  As usual, it doesn’t take much effort because the drug dealers are all kind of wimpy whereas T.S. Turner is Mr. T.  It was only as things ended that I realized that Terri didn’t even appear in this episode.  With Amy gone and Terri not being all the important, T and T is feeling more and more like T.

This episode was pretty dumb but I did appreciate that the drug dealers were essentially just two suburbanites who had no idea what they were doing.  That was a nice twist.  But otherwise …. yeah, pretty dumb.

Retro Television Reviews: T and T 1.7 “The Silver Angel” and 1.8 “And Baby Makes Nine”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, we meet T.S. Turner’s family!

Episode 1.7 “The Silver Angel”

(Dir by Donald Shebib, originally aired on February 22nd, 1988)

“In this episode,” Mr. T informs us, “Amy and I get mixed up with a modern day Robin Hood and we are forced to recruit some heavyweight help.”

The Silver Angel is a silver-clad trumpet player who has been going to a high-priced grocery store, filling his cart with food, and then running off with the cart and not paying.  The police that think that they have finally arrested him.  However, the man that they caught is Duffy (Edward Atienza), an elderly crossing guard who doesn’t even seem to know what’s happening to him.  Amy is assigned to his case.

T.S., however, has other things to worry about.  As he explains to gym owner Decker, his nephew is a member of a rap group known as The Fat Boys and, as you might guess from their name, they’re a bit overweight.  Their manager wants The Fat Boys to lose a few pounds before their next tour and who better to oversee their diet than T.S. and his friend Decker?  The Fat Boys show up at the gym and it’s time for an exercise montage!

Anyway, it soon becomes apparent that Duffy is not as senile and frail as he appears to be and he actually is the Silver Angel.  Amy discovers that Duffy has been taking the stolen food to a homeless shelter.

“It’s still a crime,” T.S. says.

“I know.  It looks like I’m going to lose this case!” Amy declares, as if she’s the first attorney to ever defend someone who was guilty.  One would think that Amy would understand that the job of a defense attorney is to serve as an advocate for their client and to help them make their way through the legal system.  The question of whether or not the guy is actually guilty really isn’t the issue that she should be concerning herself with.

The Fat Boys, overhearing Amy and T.S.’s conversation, decide that they need to help the Silver Angel.  “My mind is clear,” one of the Fat Boys says, “so you stay right here!”  Did I mention that the Fat Boys rap all of their dialogue?  “I went downtown to get this stuff,” another Fat Boy declares as they collect food to give to the homeless, “Come on, brothers, it’s up to us!”

Anyway, Duffy puts on his angel costume once again and shows up at the grocery store.  When the store’s manager, Mr. Hanlon (Sam Moses), orders security to catch the Angel, the Fat Boys suddenly show up in angel costumes and it leads to a chase scene throughout the store.

T.S. brings the chase to a close by grabbing Mr. Hanlon, lifting him up and carrying him around the store.  T.S. tossed Mr. Hanlon into a display of eggs and declares, “Sorry, brother!  Nobody touches an angel!”

How about a thief?  Are they allowed to touch a thief?

Anyway, for some reason, Hanlon drops the charges so I guess Duffy gets away with his crimes and Amy maintains her perfect acquittal record.

This was dumb.  Grocery store owners don’t owe you a thing and, by stealing all of that food, the only thing Duffy did was probably cost everyone their Christmas bonus.  I mean, is there a reason why he couldn’t buy food and then take it to the homeless shelter?  Some hero.  More like the Silver Jackass, am I right?  Let’s move on.

Episode 1.8 “And Baby Makes Nine”

(Dir by Harvey Frost, originally aired on February 29th, 1988)

“In this episode,” Mr. T tells us, “Amy and I find that more than just diapers are dirty when we track down the person responsible for an abandoned baby.”

One of Amy’s clients leaves a baby on the front doorstep on the office, along with a note that says she’ll be back in a few days.  As opposed to calling the police or child protective services, Amy gives the baby to T.S. to look after.  T.S. takes the baby to the hospital and, after discovering the baby is in perfect health, he takes the baby to Decker’s gym.  Amy is not happy when she sees T.S.’s car parked outside the gym.  A gym is no place for a child, she declares, not with all the sweaty men around.

“The baby has to learn how to sweat,” Decker replies, “He can’t pant like a dog for all of his life!”

Back at the office, Amy explains that parenting is a little bit more complicated nowadays than it was when T.S. was a child.

“Babies still need to be changed, don’t they?” T.S. replies, “Wow!  Look at the great job I did on his diaper!”

Anyway, the baby is actually the son of Henry (Martin Neufeld) and Betty (Joanne Vannicola).  Henry made a deal with a corrupt adoption attorney named Mr. Finn (David Calderisi) to sell his son.  Not wanting to lose her child, Betty dropped the child off at the law office in the hopes that Amy would know how to stop the adoption.  When Henry goes down to the gym to try to grab his son, he is instead grabbed by T.S. Turner.  When Turner threatens to sell Henry, Henry asks what he’s talking about.

“We’re talking about baby selling, Henry!” Turner replies, “We’re talking about what type of man would sell his own flesh and blood!  What do you think we should do to a father who would sell his own son?”

Turner scares Henry straight and he promises not to sell the baby.  Betty forgives him, which is kind of weird.

“It’s people like you,” Amy later hisses at Finn, “who give my profession a bad name.”

And that’s the end of that.  This was yet another episode that would have worked better if the story played out of an hour instead of just 30 minutes.  As it is, the whole thing felt rather rushed.  That said, at least Betty was a more sympathetic client than the Silver Angel jackass.

Next week: T. and T. reminds us that it’s a Canadian show with an episode that is all about hockey!