Phantom Ranger (1938, directed by Sam Newfield)

Posted on January 13, 2026 by Jedadiah Leland

Treasury agent Pat Doyle (John St. Polis) is sent to investigate a counterfeiting ring in Wyoming but ends up getting kidnapped by gang leader Sharpe (Karl Hackett) instead. With Doyle’s daughter, Joan (Suzanne Kaaren), demanding that the government rescue her father and generating all sorts of bad publicity for the Secret Service, the decision is made to send in Tim Hayes (Tim McCoy). Hayes, who will be working undercover, is selected because he’s not a “city boy.” He’s a cowboy, through and through. If you want to tame the west, you have to send a cowboy.

Phantom Ranger is a low-budget, 56-minute western from Monogram Pictures. The plot is nothing special but the film itself still interesting because it’s a western that takes place in the 1930s. Tim Hayes may ride a horse and wear a cowboy hat but he also works in a Washington D.C. office building and he interacts with a woman dressed like a flapper. In this movie, the frontier has not caught up with the modern world but the modern world has also forgotten what life is like away from civilization.

The movie has the usual collection of B-western stalwarts. Karl Hackett, John Merton, Charles King, Frank Ellis, Herman Hack, and Horace B. Carpenter are all present and accounted for. Tim McCoy, a former rodeo performer and army officer, plays the hero and brings a lot of natural authority to the role. McCoy was not only one of the first western heroes but he was also one of the best.

There’s no phantoms to be found in Phantom Ranger. It’s still a good western.

Knight of the Plains (1938, directed by Sam Newfield)

Posted on January 8, 2026 by Jedadiah Leland

Clem Peterson (Richard Cramer) has a plot to force all of the ranchers in the valley to give up their land. He gives a phony land claim to Carson (John Merton), who presents himself as being a Mexican nobleman. In a situation like this, you need a singing cowboy and luckily, there’s one nearby. Fred (Fred Scott) and Fuzzy (Al St. John) get involved after their cattle are stolen by Clem and his men. Fred not only fights to save the ranchers but he also sings a song or two.

Singing cowboy films are always strange. Cowboys who ride horses and pull guns and get into fistfights should not also be tenors. Fred Scott looks convincing on a horse and he has one heck of a fistfight towards the end of the movie but he’ll also start singing at the drop of a hat and it just doesn’t feel right. John Wayne did a few singing cowboy films early in his career and he could usually pull it off. Fred Scott wasn’t much of an actor and had a forgettable screen presence. He had a good voice, though.

This film was produced by Stan Laurel, of Laurel and Hardy fame. Always read those credits. You never know who you might find.

Horror Film Review: The Vampire’s Ghost (dir by Lesley Selander)

Posted on October 1, 2025 by Lisa Marie Bowman

1945’s The Vampire’s Ghost takes place in the African port of Bakunda. It’s the colonial period and the port is full of not just adventurers and local plantation owners but also all sorts of disreputable people who are looking to disappear from civilization for a while. A series of murders have recently rocked the port. Victims, almost all of them women, have been discovered drained of blood. The natives claim that it is the work of vampire but the colonialists dismiss that as superstition. Plantation owner Thomas Vance (Emmett Vogan) says that there is no such things are vampires. Thomas’s daughter, Julie (Peggy Stewart), says that there is no such things as vampires. Julie’s boyfriend, Roy (Charles Gordon), says that there is no such thing as vampires. Mysterious casino owner Webb Fallon (John Abbott) says that …. well, actually, Webb’s thoughts on the subject are a bit less certain.

Webb Fallon is known to be an expert on the occult and voodoo. The natives consider him to be a vampire and it turns out that they’re right! After he is wounded in an assassination attempt, Fallon is forced to reveal the truth of his existence to Roy. He also puts Roy under his psychic command, forcing him to serve as Fallon’s servant while Fallon proceeds to kill several people. Can Father Gilchrest (Grant Withers) save Roy from Fallon’s control and also prevent Fallon from turning Julie into his eternal vampire bride? And why exactly did Thomas think it was a good idea to buy a plantation next to the infamous Temple of Death in the first place?

It may not sound like it from the plot description but The Vampire’s Ghost is actually a fairly interesting take on the traditional vampire story. The film was made by Republic Studios and, as was so often the case with Republic, the budget was noticeably low and the film’s African locations were obviously just sets on a Hollywood soundstage. The film was apparently shot in ten days, which was considered to be a long shoot by Republic standards. And yet, despite the low budget, director Lesley Selander does a good job of creating a properly eerie atmosphere, opening with a POV shot of the vampire stalking a native woman and filling the soundtrack with the sound of beating drums in the distance. The beautiful Adela Mara appears as a dancer in Abbott’s casino and her dance scene is definitely one of the film’s highlights, a sudden burst of energy that fills the screen with life. With his somewhat wan appearance, John Abbott may not immediately strike most viewers as the most intimidating of vampires but, as the film progresses, Abbott’s performance win us over. He plays Webb Fallon as being a calculating villain who suffers from just a touch of ennui. He’s grown weary of his existence but he’s still driven by his vampiric urges.

This film was an early credit for screenwriter Leigh Brackett. Apparently, Howard Hawks hired her to adapt The Big Sleep after seeing this film. Brackett would go on to work on the scripts for Rio Lobo, El Dorado, The Long Goodbye, and The Empire Strikes Back. And it all started with a vampire named Webb.