10 Films For The Week (9/22/25)


With the passing of Robert Redford last week, I want to start things off by recommending one of his last films, 2013’s All Is Lost.  Redford gives a great performance as a nameless man trying to survive on a damaged boat.  The film opens with a brief Redford voice over and then, towards the end of the film, Redford utters one other line.  Even without dialogue, Redford dominates the screen and shows why he was one of great movie stars.  All Is Lost is streaming on Tubi.

Also streaming on Tubi is 1972’s Jeremiah Johnson, starring Redford as a mountain man who is trying to escape from civilization.  Jeremiah Johnson is today probably best-known for giving the world the nodding Redford meme but it’s also a strong film in its own right and it features Redford at his best.  Jeremiah Johnson can be viewed here.

I was very happy to recently see that one of my favorite films, 1982’s Split Image, is now streaming on Tubi.  Split Image is one of those films that I am always recommending to anyone who hasn’t seen it.  Michael O’Keefe plays a college athlete who is brainwashed into joining a cult led by Peter Fonda.  O’Keefe’s father (Brian Dennehy) hires a sleazy cult deprogammer (James Woods) to rescue his son.  This is an intelligent and well-acted film.  It was also shot in my part of the world.  If you watch it, pay attention to the scene in which O’Keefe is abducted from a college campus.  The scene was shot at Richland Community College.  It’s a lovely campus that still looks the same in 2025 as it did in 1982.  Split Image is on Tubi.

James Woods and Brian Dennehy also teamed up in 1987’s Best Seller, a smart thriller that was written by Larry Cohen and directed by Rolling Thunder’s John Flynn.  Dennehy plays a cop-turned-writer.  Woods plays the hitman who has decided that he wants Dennehy to write his life story.  Best Seller can be viewed here.

2013’s The Spectacular Now is listed as “leaving soon” over on Tubi so now is as good a time as any for you to watch this well-written and surprisingly poignant coming-of-age story.  Miles Teller and Shailene Woodley both give strong performance as teen lovers.  Kyle Chandler steals the film as Teller’s alcoholic father.  The Spectacular Now is streaming here.

In a world where politics is becoming increasingly violent, 2008’s The Baader Meinhof Complex feels as relevant as ever.  This film takes a look at the group of middle and upper-class activists who decided to play at being revolutionaries and how their actions spiraled out of-control.  This film is a powerful portrait of a group of people who some proclaimed to be heroes and who some (correctly) portrayed to be political LARPers.  It can be viewed on Prime.

Follow up The Baader Meinhof Complex with 1988’s Patty Hearst, Paul Schrader’s film about the kidnapping and subsequent brainwashing of heiress Patty Hearst.  The film’s first half is especially harrowing.  By the end of the film, Patty has almost become a powerless bystander as she watches her own story unfold in front of her.  Patty Hearst can be viewed on Tubi.

1974’s Big Bad Mama is a Roger Corman-produced Depression epic, in which Angie Dickinson and her daughters rob banks and shoot guns.  This one is worth watching not just for Dickinson’s performance but also for the supporting turns of two very different actors, William Shater and Tom Skerritt.  It can be viewed on Prime.

William Shatner is also present in The Kidnapping of the President (1980), a Canadian-made and -set film in which President Hal Holbrook is taken hostage while visiting Toronto.  William Shatner is the Secret Service agent negotiating for the President’s release.  Van Johnson is the Vice President and Ava Gardner is his wife.  Maury Chaykin appears as one of the kidnappers.  With a cast like that, you can be assured that there’s not a piece of unchewed scenery to be found in this slight but entertaining thriller.  It is streaming on Tubi.

Finally, it doesn’t get more 70s than 1973’s The Harrad Experiment, in which a group of students enroll at Harrad College, a progressive school where everyone is encouraged to lose their clothes, hug trees, and have open relationships.  James Whitmore and Tippi Hedren play the unlikely founders of the college.  Don Johnson, Laurie Walters, and Bruno Kirby are students.  Fred Willard has a brief cameo as himself.  It’s not necessarily a good film but it’s such a product of its time that it’s interesting from a historical perspective.  It’s streaming on Prime.

Click here for last week’s films!

 

 

4 Shots From 4 Films: Special Sydney Pollack Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

90 years ago today, Sydney Pollack was born in Indiana.  Though Pollack got his start as an actor, he soon moved into directing and was one of the key television directors of the 1960s.  He eventually branched out into film, making a name for himself as a director of intelligent and sensitive comedies and dramas.  Though he only directed 21 films over the course of his career, his films received a total of 48 Oscar nominations and 11 wins.  1982’s Tootsie and 1985’s Out of Africa were both nominated for Best Picture.  Out of Africa won.  Pollack also returned to acting in the 90s, making a name for himself as a skilled character actor.  I’ll always remember him from Eyes Wide Shut, intimidating Tom Cruise while playing pool.

In memory of Sydney Pollack, here are….

4 Shots From 4 Sydney Pollack Films

Jeremiah Johnson (1972, dir by Sydney Pollack, DP: Duke Callaghan)

The Yakuza (1974, dir by Sydney Pollack, DP: Duke Callaghan and Kozo Okazaki)

Three Days of Condor (1975, dir by Sydney Pollack, DP: Owen Roizman)

Out of Africa (1985, dir by Sydney Pollack, DP: David Watkins)

4 Shots From 4 Films: Special Sydney Pollack Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

89 years ago today, Sydney Pollack was born in Indiana.  Though Pollack got his start as an actor, he soon moved into directing and was one of the key television directors of the 1960s.  He eventually branched out into film, making a name for himself as a director of intelligent and sensitive comedies and dramas.  Though he only directed 21 films over the course of his career, his films received a total of 48 Oscar nominations and 11 wins.  1982’s Tootsie and 1985’s Out of Africa were both nominated for Best Picture.  Out of Africa won.

Pollack also returned to acting in the 90s, making a name for himself as a skilled character actor.  I’ll always remember him from Eyes Wide Shut, intimidating Tom Cruise while playing pool.

When he passed away in 2008, Pollack was remembered as one of the best directors of Hollywood’s second golden age.

In honor of Sydney Pollack, here are….

4 Shots From 4 Sydney Pollack Films

Jeremiah Johnson (1972, dir by Sydney Pollack, DP: Duke Callaghan)

The Yakuza (1974, dir by Sydney Pollack, DP: Duke Callaghan and Kozo Okazaki)

Three Days of Condor (1975, dir by Sydney Pollack, DP: Owen Roizman)

The Electric Horseman (1979, dir by Sydney Pollack, DP: Owen Roizman)

4 Shots From 4 Films: Special Sydney Pollack Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

88 years ago today, Sydney Pollack was born in Indiana.  Though Pollack got his start as an actor, he soon moved into directing and was one of the key television directors of the 1960s.  He eventually branched out into film, making a name for himself as a director of intelligent and sensitive comedies and dramas.  Though he only directed 21 films over the course of his career, his films received a total of 48 Oscar nominations and 11 wins.  1982’s Tootsie and 1985’s Out of Africa were both nominated for Best Picture.  Out of Africa won.

Pollack also returned to acting in the 90s, making a name for himself as a skilled character actor.  I’ll always remember him from Eyes Wide Shut, intimidating Tom Cruise while playing pool.

When he passed away in 2008, Pollack was remembered as one of the best directors of Hollywood’s second golden age.

In honor of Sydney Pollack, here are….

4 Shots From 4 Sydney Pollack Films

Jeremiah Johnson (1972, dir by Sydney Pollack, DP: Duke Callaghan)

Three Days of Condor (1975, dir by Sydney Pollack, DP: Owen Roizman)

Out of Africa (1985, dir by Sydney Pollack, DP: David Watkin)

The Firm (1993, dir by Sydney Pollack, DP: John Seale)

4 Shots From 4 Films: Special Sydney Pollack Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

87 years ago today, Sydney Pollack was born in Indiana.  Though Pollack got his start as an actor, he soon moved into directing and was one of the key television directors of the 1960s.  He eventually branched out into film, making a name for himself as a director of intelligent and sensitive comedies and dramas.  Though he only directed 21 films over the course of his career, his films received a total of 48 Oscar nominations and 11 wins.  1982’s Tootsie and 1985’s Out of Africa were both nominated for Best Picture.  Out of Africa won.

Pollack also returned to acting in the 90s, making a name for himself as a skilled character actor.  I’ll always remember him from Eyes Wide Shut, interrogating Tom Cruise while playing pool.

When he passed away in 2008, Pollack was remembered as one of the best directors of Hollywood’s second golden age.

In honor of Sydney Pollack, here are….

4 Shots From 4 Sydney Pollack Films

Jeremiah Johnson (1972, dir by Sydney Pollack, DP: Duke Callaghan)

The Yakuza (1974, dir by Sydney Pollack, DP: Duke Callaghan and Kozo Okazaki)

The Electric Horseman (1979, dir by Sydney Pollack, DP: Owen Roizman)

The Firm (1993, dir by Sydney Pollack, DP: John Seale)

Jeremiah Johnson (1972, directed by Sydney Pollack)


In the 1840s, Jeremiah Johnson (Robert Redford) is a veteran of the Mexican War who wants to get away from civilization.  He sets up an isolated life for himself in the Rocky Mountains and looks to support himself by working as a trapper.  At first, he struggles but eventually he gets some much-needed help from a veteran trapped named Chris Lapp (Will Geer).  Along the way, Johnson discovers that life in the mountains can be harsh and violent.  He adopts a mute boy named Caleb, whose family has been killed by Blackfoot warriors.  Later, the chief of the local Flathead tribe “gives” Jeremiah his daughter.  Despite the language barrier between him and his new wife, Jeremiah is soon the head of a happy family.

One day, when the U.S. Calvary shows up and requests that Jeremiah guide them through the mountains so that they can rescue some starving missionaries, Jeremiah reluctantly leaves behind his family and helps them.  However, Lt. Mulvey (Jack Colvin) insists that Jeremiah lead them through a sacred Crow burial ground.  The Crow retaliate by killing Jeremiah’s family.  Driven mad by grief, Jeremiah sets out to kill every Crow that he can find.

Jeremiah Johnson is really two movies in one.  The story starts out with Jeremiah as a proto-hippie who wants to get away from the hypocrisy and violence of modern society.  Jeremiah takes care of the land, makes friends with other outcasts, and makes a good life for himself.  After Jeremiah’s family is killed, the movie turns into a Death Wish-style revenge thriller, with Jeremiah losing himself in his rage and killing almost everyone that he sees.  Redford is surprisingly convincing as the insane, murderous Jeremiah and the sudden outbursts of violence provide a strong contrast to the relatively peaceful first half of the film.

Jeremiah is a like a lot of the early American settlers.  He wants to get away from the world and start an entirely new life for himself.  He’s seen what the civilization has to offer and he would rather just build a cabin in the mountains and pretend that the rest of the world doesn’t exist.  If Jeremiah had been born earlier, he probably could have pulled it off.  But, by the time Jeremiah tries to go off the grid, it’s already too late.  Society is growing too fast for him to escape from it.  Jeremiah discovers that it’s impossible to truly cut yourself off from humanity. In the end, he’s much like the Crow Indians that he’s declared war upon.  His way of life is ending, whether he’s ready for it or not.  When he and the Crow chief greet each other with a raised open hand (meaning that they come in peace), they are both acknowledging that they are bonded as men whose time is coming to an end.

Jeremiah Johnson was the second of Robert Redford’s many collaborations with director Sydney Pollack and it’s one of their best.  This may be an epic film but it never loses its humanity and, for once, Redford plays someone who isn’t a cut-and-dried hero.  Jeremiah Johnson has recently been rediscovered because of a popular meme of a bearded Redford looking at the camera and nodding but people should know that it’s also a damn fine film on its own.