Late Night Retro Television Reviews: Highway to Heaven 1.11 “Dust Child”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan offers up some clues about his past.

Episode 1.11 “Dust Child”

(Dir by Victor French, originally aired on November 28th, 1984)

Mark and Jonathan’s latest mission finds them in a small California town.  It seems like a nice and welcoming  community …. or, at least, it does if you’re an American.  If you are one of the many refugees from Vietnam who have recently settled in the town, it’s a far less welcoming place.

When Mark goes into a gas station, he witnesses the owner refusing to give change to two Vietnamese kids.  When Mark demands to know why, he’s told that the refugees are coming over and stealing everyone’s jobs.

“It’s a sickness worse than the plague,” Jonathan later says, “But the cure is in every one of us …. love!”  And that may sound a bit simplistic but Michael Landon delivers the line with such conviction that he totally makes it work.

Working as house painters, Jonathan and Mark get a job remodeling the home of Richard Gaines (James Whitmore, Jr.), a Vietnam vet who has just discovered that, as the result of a wartime romance, he has a daughter named Nguyen (Denice Kumagai).  15 year-old Nguyen comes over to America to live with Richard and his wife (Jenny Sullivan) and his teenage son, Brad Gaines (Billy Jacoby).  From the minute she arrives in the town, Nguyen finds herself facing prejudice.  The other kids at school taunt her with derogatory slurs.  Brad resents both the attention that Nguyen gets and the fact that his best friend, Larry (K.C. Martel), now refuses to talk to Brad because Larry’s father was killed while serving in Vietnam.

Eventually, Jonathan introduces himself to Larry and we discover a little bit about who Jonathan was before he became an angel.  Jonathan says that he served in Vietnam with Larry’s father and he goes on to explain that Larry’s father died while protecting a group of South Vietnamese orphans from the Viet Cong.  As Jonathan explains it, Larry’s father viewed the orphans as his own children.  That’s all it takes for both Larry and Brad to see the errors of their ways and to welcome Nguyen into the neighborhood.

(Is Jonathan telling the truth about serving in Vietnam with Larry’s father?  Jonathan’s an angel so I assume that he is.  That, of course, means that this episode’s mission was not to help Nguyen feel at home in America but instead to help Larry overcome his own prejudice.)

As Jonathan and Mark prepare to leave for their next assignment, two kids on bicycles ride by and shout a slur at Nguyen.  They immediately fall of their bicycles and, when they try to get back on, they fall off yet again.  Mark laughs and says that God probably won’t object to Jonathan making that happen.  Of course, if Mark read about what happened to the Canaanites, he would know those two kids got off easy.

Especially when compared to last week’s odd episode, this was an admirably straight-forward episode.  There weren’t any great surprises to how the story unfolded but the story was told with such obvious sincerity that it worked.  It can be easy to laugh at this show’s lack of subtlety but, in an episode like this, the lack of subtlety worked to the show’s advantage.  Personally, I’ve gotten so used to snarky entertainment that it can be a bit of a pleasant surprise to watch something like this that is totally earnest and well-intentioned.  This was a heartfelt episode and, in its old-fashioned way, it still holds up today.

Shattered Politics #30: The Candidate (dir by Michael Ritchie)


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“What do we do now?” — Democratic senate candidate Bill McKay (Robert Redford) in The Candidate (1972)

When I reviewed Advise & Consent, I mentioned that if anyone could prevent billionaire Tom Steyer from winning the Democratic nomination to run in the 2016 California U.S. Senate election, it would be Betty White.  Well, earlier today, Tom Steyer announced that he would NOT be a candidate.  You can guess what that means.  Betty White has obviously already started to set up her campaign organization in California and, realizing that there was no way that he could possibly beat her, Tom Steyer obviously decided to step aside.

So, congratulations to Betty White!  (I would probably never vote for her but I don’t live in California so it doesn’t matter.)  As future U.S. Senator Betty White prepares for the next phase of her career, it would probably be a good idea for her to watch a few movies about what it takes to win political office in the United States.

For example: 1972’s The Candidate.

The Candidate would especially be a good pick for the nascent Betty White senate campaign because the film is actually about a senate election in California!  California’s  U.S. Sen. Crocker Jarmon (Don Porter) is a Republican who everyone assumes cannot be defeated for reelection.  Democratic strategist Marvin Lucas (a heavily bearded Peter Boyle) is tasked with finding a sacrificial candidate.

The one that Marvin comes up with is Bill McKay (Robert Redford, before his face got all leathery), a 34 year-old lawyer who also happens to be the estranged son of former Governor John J. McKay (Melvyn Douglas, whose wife Helen ran for one of California’s senate seats in 1950).  As opposed to his pragmatic and ruthless father, Bill is idealistic and the only reason that he agrees to run for the Senate is because Marvin promises him that he’ll be able to say whatever he wants.  Marvin assures Bill that Jarmon cannot be beaten but if Bill runs a credible campaign, he’ll be able to run for another office in the future.

However, Jarmon turns out to be a weaker candidate than everyone assumed.  As the charismatic Bill starts to close the gap between himself and Jarmon, he also starts to lose control of his campaign.  He soon finds himself moderating his positions and worrying more about alienating potential voters than stating his true opinions.  (In one of the film’s best scenes, Bill scornfully mutters his standard and generic campaign speech to himself, obviously disgusted with the vapid words that he has to utter in order to be elected.)  The film ends on a properly downbeat note, one that reminds you that the film was made in the 70s but also remains just as relevant and thought-provoking in 2015.

Written by a former political speech writer and directed, in a semi-documentary style, by Michael Ritchie, The Candidate is an excellent film that answer the question as to why all political campaigns and politicians seem to be the same.  The Candidate is full of small details that give the film an air of authenticity even when a familiar face like Robert Redford is on screen.

Whenever I watch The Candidate, I find myself wondering what happened to Bill McKay after the film’s iconic final scene.  Did he ever regain his idealism or did he continue on the path to just becoming another politician.  As much as we’d all like to think that the former is true, it’s actually probably the latter.

That just seems to be the way that things go.

Hopefully, Betty White will learn from Bill McKay’s example.

http://www.youtube.com/watch?v=thSY0g22j8Y