Jenn Griffin | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Ryan learns why you never meet your heroes.

Episode 1.10 “Tales of the Undead”

(Dir by Lyndon Chubbock, originally aired on January 25th, 1988)

Comic book fan Ryan is shocked when he witnesses the murder of the owner of his favorite comic book store. He’s even more shocked by the fact that the murderer appeared to a legendary comic book character, a robot who was created and drawn by an artist named Jay Star.

Micki is skeptical when Ryan tells her that he thinks one of his favorite comic book characters has come to life. Despite having dealt with a cursed doll and quill that could kill someone just by being used to write that person’s name, Micki draws the line at living comic book characters. However, Ryan does some research and discovers that a cursed comic book was indeed purchased from the store.

Seriously, think about this. Ryan not only witnesses a murder but the murder is committed by his favorite comic book character and then he discovers that it’s all linked to the cursed antique store where Ryan just happens to work. That’s an amazing coincidence! Jack would probably be concerned about how all of that came to happen but, oddly enough, Jack is not in this episode.

Instead, it falls to Ryan and Micki to track down the comic book. This leads them to the man who created the robot, Jay Star (played by special guest star Ray Waltson). Jay Star created the robot in the 40s and became a hero to comic book readers everywhere but he feels that he wasn’t properly compensated for his services. (This is something that happens far too often to real comic book artists as well. Some people have definitely gotten a lot of money as a result of all the Marvel films but the families of Jack Kirby and Steve Ditko have not.) The comic book company kept the rights to his character and they refused to publish the issue in which Jay killed him off. The company is still making money off of Jay’s work while Jay lives in obscurity as a recluse. At the start of the episode, Jay Star does not own the cursed comic book. However, he does manage to track it down and steal it from its current owner, Cal (David Hewlett). Soon, Jay is transforming into the killer robot and seeking revenge on everyone who he feels has betrayed him.

This was one of the stronger episodes of Friday the 13th. What really set this episode apart from some of the ones that came before and after was that Ryan had a personal stake in recovering the cursed item. As he explains it to Micki, comic books were the one constant he had during his dysfunctional childhood. He grew up admiring artists like Jay Star and dreaming of being one of them and of being a hero who could solve all of the world’s problems. In this episode, Ryan discovers that his hero is a murderer and John D. LeMay does a very good job of playing Ryan’s disillusionment. The episode ends on a rather sweet note, with Micki encouraging Ryan to remember Jay Star for his talent and not for his crimes.

The episode is also distinguished by Ray Waltson’s empathetic performance as Jay Star, a villain for whom you can’t help but have some sympathy. When Jay transforms into the killer robot, the episode itself switches to comic book-style animation, which is one of those gimmicks that works far better than one might expect. Even the robot was about as scary as a monster on a low-budget show like this could possibly be!

This was a good episode. I hope Ryan never stopped drawing.

The 1993 film, When A Stranger Calls Back, opens with the recreation of an urban legend.

A teenager babysitter named Julia Jenz (Jill Schoelen) arrives at a big suburban house for a routine baby-sitting gig. The two children are already asleep in bed. All Julia has to do is sent in the living room and do her homework until the parents return from their party. Julia settles in. She gets one mysterious phone call but hangs up.

Then, someone knocks on the door.

The man on the other side of the door explains that his car has broken down and he asks if he can come inside to call his auto club. (This is one of those films that could have only worked in the age of landline phones.) Julia doesn’t want to let the man into the house but the man is insistent that he needs Julia’s help. Finally, Julia says that she’ll call the auto club for him but, when she goes to the phone, she finds that the line is dead. Rather than tell the man the truth, Julia lies to him and says that she called the auto club. The man thanks Julia and says that he’s returning to his car.

(What is an auto club?)

Eventually, the man returns, knocking on the door and asking if Julia really called the auto club. Julia continues to lie, even as the man becomes increasingly belligerent. What Julia doesn’t know but soon discovers is that the man is not outside talking to her but he’s actually inside of the house. And he’s abducted the children!

The opening scene, which of course harkens back to the original When A Stranger Calls, is a genuinely well-done and suspenseful sequence. Again, much like as if with the first film, the opening of When A Stranger Calls Back is so strong that the rest of the film can’t really keep up.

When A Stranger Calls Back is indeed a sequel to When A Stranger Calls, which means that, after Julia’s terrifying night of babysitting, the film jumps forward five years. The children are never found and the man who knocked on the door is never identified. Julia is now a college student but she’s still traumatized by the night and has a difficult time trusting anyone. When she starts to suspect that someone has been in her apartment, she turns to Jill Johnson (Carol Kane), who is a counselor at the college and also the protagonist from When A Stranger Calls. Jill helps Julie out, teaching her how to shoot a gun and also calling in the man who killed her stalker, John Clifford (Charles Durning). Clifford figures out that Julia’s stalker is probably a ventriloquist. Personally, I think the film made a huge mistake by making the stalker a ventriloquist instead of the ventriloquist’s dummy.

Despite strong performances from Carol Kane, Charles Durning, and Jill Schoelen, When A Stranger Calls Back suffers from the same problem as When A Stranger Calls. After a scary and effective opening sequence, the rest of the film just feels like a letdown. The killer in When A Stranger Calls Back is not quite as wimpy as the phlegmatic British guy from the first When A Stranger Calls but still, how intimidated can you be by a ventriloquist? An even bigger problem is that When A Stranger Calls Back cheats at the end, suddenly revealing that a character who we had every reason to believe to be dead is actually alive. It feels a bit as cop out on the part of the film, an attempt to slap an improbable happy ending on a film that would otherwise be pretty dark.

These films make me happy that I was never responsible enough to be a babysitter.