Music Video of the Day: One Step Closer by Linkin Park (2001, dir. Gregory Dark)


Yesterday I heard about the passing of Chester Bennington of Linkin Park. I have never been fan. I never really kept up on their career. However, I would feel remiss not doing a Linkin Park video today, so I picked the one video that did have a part in my life up to this point.

When this came out in 2001, I was 17 going on 18. Since I am part of whatever you want to call the transgenerational gap between Gen X and Millennials, my music as a kid was stuff like Nirvana or The Offspring. In other words, the Gen X bands of the early 90s. Despite the fact that I was in elementary and middle school during that time, watching Singles (1992) earlier this year when Chris Cornell also left us (his birthday was yesterday) was like looking through a time portal to an era I distinctly remember.

Britney Spears, Limp Bizkit, Backstreet Boys, and Blink-182 were the kind of musicians that popped up and flooded MTV and VH1 during the late 90s. Of course back then, you didn’t have a choice as to what videos you were going to see when you turned on the television. It’s not like it is today where if I want to watch Fat Lip by Sum 41, then I can, and then watch any other music videos I want for months or years before returning to watch that video. No such luck back then. If those weren’t the people you wanted to see, then too bad. As a result, I looked to the lists of greatest musicians that VH1 was putting out, and music documentaries in order to begin to fill in the music that came before my time–something I’m still doing to this day. That was me in high school. I was listening to The Velvet Underground while riding out musicians like the ones I already mentioned.

In 2001 I was in my last semester of high school. I’d been on permanent independent study for at least two-and-a-half years at that point. I watched a lot of TV, which didn’t help those musicians because it meant that I was probably seeing their video 2-3 times a day, everyday. That’s not a good thing. Aside from shows like TRL or the handful of videos VH1 played, there seemed to be no other outlet unless you were willing to be up early in the morning when MTV still played videos. Then I discovered that I had MTV2. They played all kinds of stuff. It was wonderful. This is where I remember Linkin Park first showing up on my radar. They showed up with this arguably embarrassing video. They looked and sounded like I would expect Backstreet Boys to be if they tried to combine rap with metal. They did nothing for me.

After I moved onto college and this video stopped being shown, the band basically disappeared from my life. It wasn’t until I transferred to Cal in 2007 that they showed up again. I don’t remember if my first roommate liked their music or not, but they came up. I was rooming with a freshman, so they were probably 10-11 when this came out. This was not the Linkin Park my roommate knew.

In the years that followed, I would hear them on the radio, and it wasn’t this Linkin Park. At the time of writing this, a new Linkin Park video was released for the song Talking To Myself. That is not the band in this video at all. They came a long way from my unfortunate introduction to them in presentation, style, and the place I was in at the time of its release. It’s doubtful that I’ll ever develop the kind of deep connection that many people have to the band. They slipped through the cracks in my life leaving only the memories of them that I have stated above.

Would I have written about this video at some point even if this tragedy hadn’t happened? Yes, I would have. While on the fringes, this video has stuck with me all these years. It would’ve essentially been the same thing I already wrote above about how much they changed while I wasn’t looking. It just wouldn’t have had to be in a somber tone, I would have had some fun with how ridiculous the video looks, made a comparison with It’s My Life by Bon Jovi, and it would have been wonderful to not have to include the following:

Rest in peace, Chester Bennington.

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Now I need to talk a little bit about the crew because this may have one of the most unique directors I have come across while doing these posts. Gregory Dark got his start making adult films. I’ve only seen one of his movies–New Wave Hookers (1985). It is infamous for having Traci Lords in it. Well, had her in it, since the version that is available has her edited out, which is the version I saw–thankfully. The movie is bonkers, colorful, funny, has a humorous setup, and is so 80s it hurts–much like this video is so 2001 it hurts. That film seems to have kickstarted his career.

Looking at Dark’s filmography, it appears that about a decade later he moved into music videos. I can find credits for about 70 of them. I know that Michael Bay made an adult film while also doing music videos. But I’m pretty sure this is the first video I’ve spotlighted that was made by someone who had made a career out of making them.

The video was edited by prolific editor Jeff Selis. He’s done over 100 videos. Even with only 372 of these posts, this is already the third video he edited that I have put up here.

The concept for the video came from Linkin Park member Joe Hahn–according to IMVDb. According to Wikipedia, the video was originally supposed to be like the one released yesterday. He would go on to direct a bunch of their videos.

Toni Jo Peruzzi did the make-up for the video. For her, I can only find a handful of credits.

Music Video of the Day: Movies by Alien Ant Farm (2001, dir. Tamra Davis)


But I thought that the music video for Movies by Alien Ant Farm had the band jumping into a theater screen? They did. It just took them three videos to get there. Yes, there are three versions of this music video. Why? I know that the third one was shot after the success of Smooth Criminal. That makes sense. Why was this one was replaced? Maybe because it looks like it is in bad taste, cheap, and generic. Just a guess. It could also have had something to do with this part:

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Sure, we get that the point is supposed to be that, like the other girls, there’s something monsterish about her. In her case, she grows male muscles when she is turned on. Still, if mvdbase is to be believed, they shot another one that aired in March of 2001, which would coincide with the release of the album the song is on. Maybe that bit bothered people, so they made a new one. Maybe they wanted a more modern look. I don’t know.

Obviously I’m doing this music video today because of the Oscars. I honestly didn’t know that there were three versions of this video. I guess this will finish out February.

Now I have to sort out a little conflicting information. There seems to be no disagreement between IMVDb, mvdbase, and Wikipedia when it comes to the version we all know where they jump into a theater screen. That one was directed Marc Klasfeld who also did Smooth Criminal, and a few other videos for the band. The disagreement is over whether this version, or the next version, was done by Tamra Davis rather than Marcos Siega.

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That’s from the second version. M. Siega is director Marcos Siega and R. Nickell is cinematographer Ramsey Nickell. You can see the date as well.

Another way I’m sure this is the first version is that this video fits with the origin of the name of the band. According to guitarist Terry Corso in a Reddit AMA:

“Oh that was just my daydream about planet seeding by entities from other dimensions. bored at work stuff”

The women are the aliens who have come to where they are performing and each member of the band daydreams about each of them turning out to be an alien that tries to have sex with them. It makes sense to me that this was the first version unless someone comes along with additional information.

According to mvdbase, this was Tamra Davis’ last music video. It’s funny to note that while Davis didn’t do the jumping-into-the-theater-screen version, that one does feature the character of Veruca Salt, and she did direct a video for the band Veruca Salt.

Jeff Selis edited this music video. He also did Dragula for Rob Zombie. He’s edited well over 100 music videos, so we’ll see plenty more of his work in the future.

Enjoy!

Music Video of the Day: Dragula by Rob Zombie (1998, dir. Rob Zombie)


Nothing says 1998 like seeing Rob Zombie and a group of devils doing The Night at the Roxbury (1998) head bob.

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The greatest thing about this music video is knowing that Robert Osborne and/or Ben Mankiewicz saw it, which lead to him hosting TCM Underground for awhile. Thanks to Rob Zombie’s brief time there, I was introduced to Faster Pussycat! Kill! Kill! (1965).

I wouldn’t be surprised if the dancing lady is a reference to that movie. Then again, it could be any cult film from the 1960s.

Thanks to Wikipedia, I know some of the footage he uses. The bit about “superstition, fear, and jealousy” comes from the film The City Of The Dead/Horror Hotel (1960). The line is spoken by Christopher Lee. That part is played over footage from 1920’s Dr. Jekyll And Mr. Hyde. The killer robot is from the The Phantom Creeps (1939). Frankenstein is in there too. I know I’ve seen the shocked woman at the beginning somewhere, but I can’t place it. I wanna say the 1958 version of The Fly, but it’s just a guess.

There’s plenty more in there, but those are the only ones I could find. If you can tell me more, then please do so.

The car in the music video and in the song title itself comes from Grandpa Munster’s dragster on The Munsters.

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However, the car in the music video only resembles the car driven on the show.

This stuff came out in an interview that Rob Zombie gave with Billboard magazine. Don’t quote me on it, but I swear I remember him saying his dad or grandfather owned a Dragula, which is where the song came from. I could have just misheard it for Grandpa Munster. I couldn’t find a reference to that anywhere.

Of course Rob Zombie directed the music video before he went on to give us the backstory of Michael Myers that I don’t think anyone was asking about. After Halloween II (2009), I think it’s safe to say he was all but crucified. But being a zombie, it didn’t matter. He’s alive and well. Even 82-year-old John Hetlinger performed the song on an episode of America’s Got Talent back in July of this year despite not knowing what the lyrics mean–according to Songfacts.

Welcome to the club, Hetlinger! I have no idea what they mean either. This is one of those songs where I ignore the lyrics, and take Rob Zombie’s voice to be just another instrument. That goes for the music video that to this day is pure fun, whether it’s October or not.

Jeff Selis edited the music video. He’s edited over 100 music videos, and still is working today with artists like Beyoncé, Usher, Jennifer Lopez, Lana del Ray, Selena Gomez, Taylor Swift, and many more. It looks like before he was a music video editor, he was a location manager on films such as Body of Evidence (1993) and My Own Private Idaho (1991). I can’t find a credit for him working on a Madonna or Dogstar music video. That would be too awesome.

Dave Hussey was the colorist on this music video. He has worked on somewhere around 330 music videos with Ariana Grande, Taylor Swift, Eminem, Katy Perry, Britney Spears, OutKast, Aerosmith, The Offspring, Michael Jackson, and many many more. He has worked on two Madonna music videos.

Enjoy!