Horror Film Review: The Pit (dir by Lew Lehman)


The 1981 Canadian film, The Pit, tells the story of a creepy little jerk named Jamie Benjamin (Sammy Snyders).

Now, admittedly, Jamie is only twelve years old and, usually, I make allowances for bad behavior from people who aren’t old or mature enough to know better.  But there’s just something off about Jamie.  He comes across as creepy from the first minute he shows up, with his intense stare and his blonde bowl cut.  He spends a lot of time in the woods, where he has discovered a hole in the ground.  The hole is full of hungry creates that Jamie calls Trogs.  Jamie regularly takes raw meat to the hole and tosses it in.  Unlike all of the kids at school and his own parents, the Trogs are always happy to see Jamie.

It may sound like a bad idea to give meat to a bunch of monsters that you just happened to find in the woods but Teddy thinks it’s a good idea.  Teddy is Jamie’s teddy bear.  Teddy talks.  Teddy has all sorts of ideas for how Jamie can get back at everyone who has ever made fun of him or left him feeling insecure.  Why not just toss them into the pit?  Is Teddy real or is he just in Jamie’s mind?  The film tries go for some ambiguity.  That said, the Trogs are definitely real so it’s not that difficult to go from accepting the idea of carnivorous monsters to buying into a talking teddy bear.

Jamie is entering puberty and his hormones are going crazy.  When his parents leave for a trip, they hire a psychology student named Sandy O’Reilly (Jeannie Elias) to keep an eye on Jamie.  Jamie develops a crush and soon becomes obsessed with Sandy.  Jamie is the type of kid who pretends to drop something just so he can look up Sandy’s skirt.  (Bad Jamie!)  Despite Jamie’s crush on Sandy, he still steals money from her so that he can buy raw meat for the Trogs.  When he can’t get any more meat, he starts tempting real people out to the woods and pushing them in.  When he tells Sandy about the Trogs, she doesn’t believe him.  He takes her to the pit and that’s when things really start to get bad….

The Pit is an odd little film, one that never quite settles on a tone.  In the original script, the Trogs and Teddy’s advice were all meant to be in Jamie’s head and Jamie himself was only meant to be 9 years old.  The horror elements were meant to be products of Jamie’s disturbed imagination and one can still see elements of that in the completed film.  However, director Lew Lehman decided to make Jamie older, to leave no doubt that the Trogs were real, and to add a small amount of humor.  As such, The Pit is a film that veers from being a horror film to being a somewhat depressing coming-of-age film to a somewhat mean-spirited comedy.  Sammy’s behavior, which might have been understandable for a 9 year old, becomes even more creepy now that he’s a twelve year-old who still takes orders from a teddy bear.

It’s a confused film but Sammy Snyders gives one of the best creepy kid performances of all time and there’s something undeniably satisfying about the ending.  As Jamie discovers, he’s not the only kid with a pit and teddy bear can only protect him for so long.

The TSL Grindhouse: Nomads (dir by John McTiernan)


1986’s Nomads opens with anthropologist Jean-Charles Pommier being rushed into an emergency room, badly beaten and struggling for his life.  Despite the best efforts of Dr. Eileen Flax (Lesley-Anne Down), Pommier dies in the ER.  Flax is shocked by Pommier’s death and, naturally, she’s upset that she couldn’t save him.  But, at the same time, people die in hospitals.  It happens to the best of doctors.

Except soon, Flax is seeing flashes of the events that led to Pommier’s death.  Pommier has somehow entered her mind and soon, she’s reliving his investigation into the origins of a group of destructive, urban nomads that Pommier witnessed causing havoc throughout Los Angeles.  Pommier often felt like he was the only person who was capable of seeing the nomads and he grew to be tortured by his fear that they were specifically stalking him.  We soon learn that there was reason for that….

Now, based on his name, you’re probably assuming that Pommier is meant to be French.  And he is!  He’s from France, though he considers himself to be a citizen of the world.  He’s traveled everywhere, taking pictures of different cultural rituals across the globe.  However, in Nomads, the very French Jean-Charles Pommier is played by Pierce Brosnan.  Pierce Brosnan is, needless to say, not French.  He’s Irish, even though a lot of people seem to be shocked when they first learn that.  Brosnan normally speaks with an accent that could best be described as a mix of posh London and mid-Atlantic American.  Everything about him screams the UK.  In short, Pierce Brosnan is one of the least convincing French people ever seen on film and he delivers his lines in an accent that sounds like every accent other than the French accent.  Watching this film, I found myself thinking about the Monty Python skit where Terry Jones and Carol Cleveland starred in a French movie.  (“I see you have a cabbage.”  “Oui.”)  Brosnan is not a bad actor and it’s entertaining to watch him overact in Nomads.  But there’s nothing French about him and every time that someone referred to him as being French, it totally took me out of the movie.

Which is a shame because Nomads may be narratively incoherent but it’s got some memorably surreal visuals and it does a good job of generating a properly ominous atmosphere.  Director John McTiernan (who later went on to do Predator, Die Hard, and The Hunt For Red October) makes smart use of slow motion and a handheld camera to keep the audience off-balance.  At its best, Nomads achieves a dream-like intensity that makes up for the fact that the story doesn’t make the least bit of sense.  The nomads themselves are a memorable and creepy.  While Adam Ant plays their leader (and the scene where he smiles as Brosnan attempts to throw him off a building is truly disturbing), the most frightening of the nomads is Mary Woronov as Dancing Mary.  Seriously, after I watched this film, I checked all the locks in the house.  No urban nomads were going to interrupt me in my sleep!

My suggestion to everyone is to do a Nomads/Nomadland double feature.  You’ll never get in another van.

Horror On The Lens: The Pit (dir by Lew Lehman)


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For today’s horror on the lens, we have an odd little Canadian horror film from 1981.

The Pit tells the story of 12 year-old Jamie Benjamin (Sammy Snyders, giving a genuinely creepy performance), a weird kid who lives in rural Wisconsin.  Jame is an outcast who is regularly picked on by the other kids.  His only friend is a teddy bear with whom he has regular conversations and yes, Teddy does talk back.

One day, Jamie comes across a pit out in the middle of the woods.  The pit is full of cannibalistic monsters.  Jamie quickly takes a liking to them and starts to bring them raw meat.  However, Teddy has a better idea.  Maybe Jamie could start feeding them people…

In the original script, both Teddy and the monsters were supposed to be figments of Jamie’s imagination.  However, director Lew Lehman made the decision to make the monsters real and to keep the audience guessing as far as Teddy was concerned.  The end result is a very odd film about a very odd kid.

And you can watch it below!

(Warning: Though this film is tame by our standards, it would still probably be considered to be NSFW.)

http://www.youtube.com/watch?v=3UmP4lr-Efw