Film Review: Ladybug Ladybug (dir by Frank Perry)


Long before he played the long-suffering Mr. Feeney on Boy Meets World, William Daniels made his film debut as another school principal in the 1963 film, Ladybug Ladybug.

In Ladybug Ladybug, Daniels plays Mr. Calkins and he’s got a lot more to worry about than just some unstable student with an unhealthy fixation on a girl that he’s gaslighted into loving him.  No, Mr. Calkins has to deal with the very real possibility that a nuclear war might break out at any second.  One day, when an imminent nuclear attack warning signal goes off, no one can be sure whether or not it’s real or if it was an accident.  However, Mr. Calkins takes no chances.  He dismisses school for the day and tells all of the students to go home.

However, there’s a problem.  The school is in a rural area and most of the students live several miles away.  Because it’s early in the day, there aren’t any school buses running.  The children will have to walk home.  To make sure that the kids get to safety, they’re divided into groups.  A teacher is assigned to each group, tasked with keeping the children calm and making sure they reach their houses.

It’s a long walk and the countryside is deathly quiet.  Some of the children talk about what’s going to happen if there really is a war.  Others, being too young to understand the seriousness of the situation, treat it all like a game.  As each child reaches their house, they have to deal with parents who are more concerned about why their child has come home early than the fact that there might be a war about to break out.

Back at the school, Mr. Calkins and a few remains teachers wait.  One teacher tries to clean up her classroom, all the while realizing that there’s a chance that the classroom will never be used again.

And we, the viewers, keep waiting for a bomb to drop or, at the very least, some sort of clarification about what’s really happening.  We wait in vain.  The film’s ending is harrowing but, at the same time, ambiguous.  Is the world ending or are the children going to wake up in the morning and head back to school?  It all depends on how you interpret the film’s final few moments.

Of course, by the time we reach that ending, a group of children has already taken cover in a bomb shelter.  Unfortunately, their self-appointed leader has decided that there’s not room for all the children, which means that one girl ends up getting kicked out.  Wandering around outside, she finds an old refrigerator to hide in.  Your heart sinks as you watch her climb in and close the door behind her….

Ladbybug Ladybug is a grim film.  At times, it runs the risk of being a bit too grim.  The film definitely gets across its point but it’s so relentlessly depressing that it’s a bit difficult to sit through.  Of course, Ladybug Ladybug was filmed around the same time as the Cuban Missile Crisis so, for many viewers in 1963, the film was less an allegory and more just a record of the feelings and fears that they had to deal with every single day.  Towards the end of the film, when one of the children desperately starts to yell, “Stop!  Stop!  STOP!,” he was undoubtedly speaking for an entire generation that grew up under the shadow of mutually assured destruction.

Ladybug Ladybug was one of the many nuclear war-themed films to be released in the early 60s.  One could easily imagine it as being a companion piece to Fail Safe.  While President Henry Fonda is debating whether or not to sacrifice New York, the children are simply trying to get home.

Film Review: Kid Blue (1973, directed by James Frawley)


KidBlueFor the past week and a half, I have been on a major Warren Oates kick.  The latest Oates film that I watched was Kid Blue, a quirky western comedy that features Warren in a small but key supporting role.

Bickford Warner (Dennis Hopper) is a long-haired and spaced-out train robber who, after one failed robbery too many, decides to go straight and live a conventional life.  He settles in the town of Dime Box, Texas.  He starts out sweeping the floor of a barber shop before getting a better job wringing the necks of chickens.  Eventually, he ends up working at the Great American Ceramic Novelty Company, where he helps to make ashtrays for tourists.

He also meets Molly and Reese Ford (Lee Purcell and Warren Oates), a married couple who both end up taking an interest in Bickford.  Reese, who ignores his beautiful wife, constantly praised Greek culture and insists that Bickford take a bath with him.  Meanwhile, Molly and Bickford end up having an affair.

Bickford also meets the local preacher, Bob (Peter Boyle).  Bob is enthusiastic about peyote and has built a primitive flying machine that he keeps in a field.  The town’s fascist sheriff, Mean John (Ben Johnson), comes across Bob performing a river baptism and angrily admonishes him for using “white man’s water” to baptize an Indian.

Bickford attempts to live a straight life but is constantly hassled by Mean John, who suspects that Bickford might actually be Kid Blue.  When Bickford’s former criminal partner (Janice Rule) shows up in town and Molly announces that she’s pregnant, Bickford has to decide whether or not to return to his old ways.

Kid Blue is one of a handful of counterculture westerns that were released in the early 70s.  The film’s biggest problem is that, at the time he was playing “Kid” Blue, Dennis Hopper was 37 and looked several years older.  It’s hard to buy him as a naïve naif when he looks older than everyone else in the cast.  As for Warren Oates, his role was small but he did great work as usual.  Gay characters were rarely presented sympathetically in the early 70s and counter-culture films were often the worst offenders.  As written, Reese is a one-note (and one-joke) character but Warren played him with a lot of empathy and gave him a wounded dignity that was probably not present in the film’s script.

Kid Blue plays out at its own stoned pace, an uneven mix of quirky comedy and dippy philosophy.  Still, the film is worth seeing for the only-in-the-70s cast and the curiosity factor of seeing Dennis Hopper in full counterculture mode, before he detoxed and became Hollywood’s favorite super villain.

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Ghosts of Christmas Past #15: On the 2nd Day of Christmas (dir by James Frawley)


So, you knew this was going to happen.

With it being the holiday season and me sharing whatever old holiday shows that I can find on YouTube and Hulu, you knew that I was going to eventually end up sharing a Lifetime movie.

But you know what?

I love Lifetime.  Lifetime makes me happy and Christmas is all about being happy!

Anyway, today’s Ghost of Christmas Past is On The 2nd Day Of Christmas, a 1997 made-for-tv movie in which a thief played by Mary Stuart Masterson is caught trying to steal at a department store.  Because the holidays are so close (oh, just go with it), security guard Bert (Mark Ruffalo) agrees to be responsible for both Masterson and her niece.  Romance follows.

Okay, so it’s kind of a silly movie but it’s a Christmas movie so it’s supposed to be kind of silly.  Plus, Mark Ruffalo is so cute in this film!