Late Night Retro Television Review: Pacific Blue 2.21 “The Last Ride”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, wild things are happening in Malibu.

Episode 2.21 “The Last Ride”

(Dir by Michael Levine, originally aired on April 13th, 1997)

Mahmoud (Shaun Toub) has promised everyone that he will be going straight as soon as he completes his community service.  However, we all know better than to trust Mahmoud!  It turns out that he’s gotten involved in an elaborate con job to sell Malibu Pier to some naive investors.  Oh, that Mahmoud!

What was that?  What did you ask?  Oh, who is Mahmoud?

I asked that exact same question when I watched this episode.  I had no idea who Mahmoud was or why exactly he was at the center of an episode of a show about bicycle cops.  Chris and Cory did show up occasionally to harass him but, still, it really did seem like Mahmoud belonged on a different show.  After this episode ended, I did a search of my previous reviews and discovered that Mahmoud actually has appeared on the show before.  As a vendor on the beach, he sold Chris a necklace that made her neck turn green.  But that was about eight episodes ago and it was a rather minor subplot, all things considered.

As for Mahmoud in this episode, he was annoying.  His dialogue was overwritten, his story felt cartoonish, and Shaun Taub’s overacting didn’t help things.  Still, it’s interesting to think that the regular characters were so boring that the show’s writers decided they would rather do a show about a minor supporting character than actually try to come up with anything for Chris and Cory to do.

The episode’s other subplot actually does feature the bicycle cops.  Victor’s childhood friend has been released from prison and is now the head of a violent car theft ring.  Victor is forced to deal with his own guilt over being a juvenile delinquent as he and TC try to take down the car thieves.  This was pretty standard stuff but it did feature one scene that was just stupid enough to be entertaining.  With the car thieves opening fire on them, Victor and TC ride their bikes straight toward the thieves.  Eventually they both stand up on their still-moving bikes and, leaning forward against the handle bars, they start shooting their guns back at the bad guys.  Somehow, they’re able to do this and aim well-enough to take out the car thieves while also keeping their bikes rolling forward.  (TC does get shot but it turns out the bullet only grazed his forehead.  “He’ll just have a headache for a while,” Chris says.  Yeah, I would think so.)  This is one of those moments that would have been really badass if not for the fact that Victor and TC were still wearing their dorky bike cop uniforms during it.  The blue shorts, the white polo shirts, the bicycle helmets — sorry, you just can’t look cool when you’re wearing all that.  Nice try, guys!

Next week, season 2 ends!

Late Night Retro Television Review: Pacific Blue 2.13 “Outlaw Blues”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, there’s way too much happening on the Boardwalk.

Episode 2.13 “Outlaw Express”

(Dir by Michael Levine, originally aired on December 8th, 1996)

Mahmoud (Shaun Toub) is selling cheap jewelry on the boardwalk.  He gives Chris a “silver” necklace that makes her neck turn green.  Uh-oh, someone’s allergic to tin!

Palermo’s daughter is hanging out with some extreme athletes who are pressuring her to take part in increasingly dangerous pranks on the boardwalk so that they can film them for their web site!

Two criminals are hijacking trucks and then forcing merchants to sell stolen goods!  When they see that one truck driver is wearing a tie-dyed t-shirt, they shoot him in the back and then tell him, “Say hi to Jerry for me.”  (I’m guessing they were referring to Jerry Garcia and not Jerry Springer but who knows with this show.)

Finally, Victor’s mother is staying at his apartment which means Victor can’t get laid!

Wow, there’s a lot to deal with this week.  When a show tries to juggle this many plots, it really does remind you of the importance of having clearly defined and compelling characters.  Pacific Blue doesn’t have any of that so this episode kind of sucked.  We are 24 episodes into this stupid show and I still can’t tell the difference between Victor, TC, and Palermo whenever they’re riding their bikes.  That’s a problem.  24 episodes in and Chris still doesn’t have a personality beyond being annoyed by everyone she talks to.  That’s another problem.

(“I didn’t catch your first name Officer Kelly,” Mahmoud says.  “Officer,” Chris replies, deploying the power glare.)

Seriously, just think about how much it would suck to be a victim of the crime, call 911, and then have these douchebags show up.

Counterpunch (2013, directed by Kenneth Castillo)


Emilio Manrique (Alvaro Orlando) was born in the part of Miami that is never featured in any tourism commercials.  With an absentee father (Steven Bauer) and an addict mother (Yennifer Behrens), Emilio struggled while growing up, getting in trouble and spending time in a mental hospital before he was given a good home by his uncle (Oscar Torre) and grandmother (Ivonne Coll).  Boxing provides an escape for Enrique, a chance to make something out of himself.  But few promoters are willing to take a chance on him, not with his criminal background and rumored mental health woes.  Only Talia Portillo (Camila Banus), who is eager to prove herself as Miami’s first female boxing promoter, is willing to support Emilio but can even she get him a fight against the champion (Jilon VanOver).

From what I understand, Counterpunch was inspired by Alvaro Orlando’s actual life story.  (Along with director Kenneth Castillo, he’s credited with writing the film’s screenplay.)  Almost every boxing cliche is present in Counterpunch but I appreciated that the film took a look at not just how Emilio’s childhood set him on the path to becoming a boxer but also at what it did to him mentally.  As fearsome as Emilio’s opponents are in the ring, the greatest threat to his success of a boxer comes from his own inner demons.  Alvaro Orlando is believable as Emilio, which makes sense since it’s his story!  Danny Trejo and Steven Bauer both show up in small roles.  Trejo plays Emilio’s counselor and he gives a heartfelt performance, playing a character who doesn’t seem like he’s too far off from who Trejo actually is.

Counterpunch is a good boxing movie, even if it doesn’t exactly rewrite the rules of the genre.