Anime You Should Be Watching: That Time I Got Reincarnated as a Slime (Tensei Shitara Suraimu Datta Ken)


“If I happen to die because of this, get rid of my PC.” — Satoru Mikami

That Time I Got Reincarnated as a Slime (Tensei Shitara Suraimu Datta Ken or just Tensura) is one of those anime that sounds ridiculous until you actually watch it—and then it wins you over completely. At first glance, it looks like just another overpowered-protagonist isekai: an average guy dies, wakes up in a fantasy world, and immediately breaks every rule of balance by becoming borderline divine. But the secret of Slime is that it plays the genre cliché knowingly, twists it in clever ways, and wraps it around a surprisingly heartfelt story about kindness, leadership, and how to build a community from the ground up. Adapted from the smash-hit light novel series by Fuse, this anime manages to blend humor, politics, action, and emotional sincerity into something both epic and easy to love.

The plot starts simply enough. Satoru Mikami, a 37-year-old office worker in Tokyo, leads an unremarkable life—no family, no glory, just gray daily routine. When he’s stabbed while saving a coworker from an attack, his story seems over. But in those final moments, a disembodied voice (which fans will come to know as the “Great Sage”) grants him strange abilities based on his dying wishes—resist pain, store knowledge, devour anything—and rebirths him in another world. Only there’s a catch: he’s not reborn as a mighty warrior or a handsome prince—he’s a slime. A small, bouncy, blue blob.

And that’s the brilliance of Slime. Right from the start, it refuses to take itself too seriously. Satoru—now officially calling himself Rimuru Tempest—reacts to his new form with more curiosity than despair. He experiments with his strange “Predator” skill, realizing he can absorb monsters, materials, and abilities. What could have been a story about survival quickly becomes something much more strategic and creative. Rimuru uses his curiosity and intelligence—his distinctly human mindset—to adapt and thrive. Rather than treating this world like his personal video game playground, he studies how it works, learns its rules, and decides to reshape it with compassion instead of domination.

The premise is standard isekai dressing, but the execution sets it apart. Instead of endless dungeon fights or brooding antiheroes, Rimuru’s first big win is domestic: helping a desperate goblin tribe survive by organizing them into an early community. That act of leadership kickstarts the show’s core theme—world-building not just in the literal sense, but in the moral one. Rimuru’s journey isn’t just “how strong can I get?” It’s “how can I make life better for everyone who trusts me?”

Season 1 captures this beautifully. It’s full of warmth, humor, and charm, balancing genuine emotional stakes with endlessly creative fantasy world-building. Each new episode adds another layer: goblins evolve, wolves unite, ogres become loyal allies, and soon Rimuru’s little settlement turns into the thriving “Tempest Federation.” Watching this society grow feels oddly satisfying—like SimCity mixed with The Lord of the Rings. Rimuru’s mix of modern knowledge and genuine empathy makes him an ideal leader, not because he’s undefeatable, but because he listens. And yes, he is overpowered—but his strength never alienates him from others. Instead, it’s his compassion that keeps everyone orbiting around him.

Then Season 2 hits, and that’s where Slime surprises anyone who thought it was just a feel-good story. Without spoiling any major turns, the narrative expands dramatically, weaving in politics, moral conflict, and real emotional stakes. We see the pressures that come with leadership—and that building a nation means dealing with jealousy, greed, and betrayal from other powers. Rimuru faces choices that test his entire philosophy: when kindness clashes with survival, which wins? It’s during this stretch that Slime truly proves it’s not all fluff. It’s not afraid to explore tragedy, anger, and questions of responsibility while still maintaining that core optimism. The emotional moments hit harder precisely because the first season was so upbeat—when darkness strikes, it matters.

By Season 3, the show evolves from a fun fantasy romp into full-blown epic world-building. The stage grows larger as Tempest becomes recognized as a power equal to human nations and even the Demon Lords themselves. The scale of the story starts to echo grand political and military dramas, yet Slime never loses its charm or humor. New characters arrive, alliances form, and the world Fuse created in the light novels starts unfolding in earnest, rich with lore and history. The storytelling becomes more intricate, drawing on themes of diplomacy, governance, and the tension between peace and power. Rimuru, now balancing the weight of nations, remains empathetic, even as he stands toe-to-toe with gods and demons. The anime’s pacing gets sharper in these seasons—the stakes feel higher, but every step still connects back to Rimuru’s original dream of coexistence.

What’s striking is how Slime manages to mature without losing its brightness. Other isekai get darker as they grow “serious,” but Slime earns that depth while keeping its warm soul intact. You still get the lovable banter, the laugh-out-loud humor, and the chaotic cooking incidents with Shion’s questionable meals—but now those lighthearted scenes are contrasted by moments of real tension, making the highs and lows hit harder. It’s a tonal balance most anime fumble, but this one handles gracefully.

Credit where it’s due: Studio Eight Bit deserves massive praise for consistency. Across multiple seasons, the animation remains vibrant, colorful, and fluid. Rimuru’s slime form has this elastic motion that never stops being oddly satisfying to watch, while the battle choreography builds steadily in intensity. The later large-scale fights—especially those involving entire armies—carry real cinematic weight, made possible by polished direction and careful scaling of power levels. And yet, some of the most memorable sequences aren’t the battles at all—they’re moments of world expansion, where the show slows down to reveal a new nation, a festival, or a simple shared meal. The world feels tangible, lived-in, and surprisingly peaceful when it needs to be.

The voice acting is equally excellent. Miho Okasaki’s performance as Rimuru captures the rare balance of leadership and levity—cool-headed yet warm, curious yet confident. Other standouts like M.A.O. as Shion and Makoto Furukawa as Benimaru bring distinctive energy to their roles, adding emotion even to comedic exchanges. The soundtrack enhances everything—rousing orchestral pieces for the grand battles, gentle piano and flute motifs for Tempest’s everyday life. The music, like the story itself, isn’t just about big moments; it’s there to remind you of what’s worth protecting.

Where the series really shines, though, is in how it redefines heroism. Rimuru isn’t a lone knight, a destined savior, or a man on a revenge mission. He’s a builder. He wins through collaboration, understanding, and logic as much as through magic or might. That makes him one of the most endearing protagonists in contemporary anime—a soft-spoken optimist who’d rather talk his way to peace than fight needlessly, but who won’t hesitate to defend what matters when push comes to shove. His brand of leadership feels quietly revolutionary, showing strength through empathy rather than ego. That’s the underlying hook of Slime: it’s power fantasy done with heart.

Supporting characters thrive within that dynamic. Shion’s unfiltered enthusiasm, Benimaru’s steady confidence, Shuna’s intelligence and warmth—each plays a vivid role in making Tempest feel like a real, breathing community. Even the side characters grow, gaining new depth as the seasons roll on. By the time you reach Season 3, the relationships built from earlier episodes pay off emotionally. Tempest doesn’t just survive because Rimuru’s strong—it endures because everyone around him shares his vision.

And just when it feels like the story has covered everything, the best news arrives: there’s much more coming. A massive fourth season has already been announced, set to include 60-plus episodes—one of the largest season plans in recent anime memory. This next arc is expected to dive deep into the light novels’ later storylines, some of the most complex and thematically rich in Fuse’s entire saga. Fans can expect broader conflicts, new continents, cosmic-level stakes, and a deeper dive into the philosophical questions the anime hints at. If Seasons 1 through 3 show Rimuru learning how to rule, Season 4 promises to show what it truly means—to lead, to balance ideals and pragmatism, and to face the cost of utopia head-on.

What’s most exciting is that the groundwork is already there. The anime’s consistent quality, expanding world, and loyal fanbase suggest that these upcoming arcs could elevate it into one of the great long-form fantasy anime—something closer to a serialized epic than a simple adventure. It’s rare for an anime adaptation to not just match its light novel source material but to build upon it visually and emotionally, and Slime continues to do exactly that.

So, why call That Time I Got Reincarnated as a Slime a must-watch? Because it does what few modern fantasy anime manage—it believes in its own heart. It’s smart without being cynical, hopeful without being naive, and endlessly entertaining while still exploring meaningful ideas about leadership, identity, and what it means to build something lasting. Rimuru’s world might be made of magic and myth, but his struggles and principles feel deeply human. Every season expands that truth in new directions, and the best part is, the story isn’t even close to over.

Whether you’re a long-time anime fan or someone looking for a genuinely uplifting escape, this series is pure comfort with real depth—a rare blend of world-building, intelligence, and soul. If you’ve overlooked it before because of its funny title, now’s the perfect time to dive in. With a massive new season on the horizon and Rimuru’s journey only getting grander, That Time I Got Reincarnated as a Slime isn’t just an isekai success story—it’s growing into one of the defining fantasy epics of this generation.

4 Shots from 4 Anime: Isekai Edition


Continuing my current focus on the isekai corner of the anime fandom I present four shots from four isekai anime series that is currently still airing with new seasons. All started out strong and gaining new fans.

Some have pointed out that the quality in later seasons have dipped for some, but those who invested their time to watch these series have stuck with the four series. With the dearth of mid to bad isekai series coming out year after year it’s just due time for the genre to go out with a whimper, but until that happens…“Isekai is dead! Long live the isekai!”

Overlord (Ōbārōdo) by Kugane Maruyama
The Rising of the Shield Hero (Tate no Yūsha no Nariagari) by Aneko Yusagi
That Time I Got Reincarnated as a Slime (Tensei Shitara Suraimu Datta Ken) by Fuse
The Eminence in Shadow (Kage no Jitsuryokusha ni Naritakute!) by Daisuke Aizawa

AMV of the Day: Eye of the Storm (Gate: Thus the Japanese Self-Defense Force Fought…)


My latest pick for AMV of the Day comes courtesy of creator WarLuxAMVs with his editing work using scenes from the isekai series Gate: Thus the Japanese Self-Defense Force Fought… (a series that was profiled years ago as an anime recommendation).

It focuses heavily on the character Rory Mercury who, despite her appearance, turns out to be the most powerful character in the whole series and is also the source of much hijinks involving the main protagonist, Yoji Itami. As the videos shows, she’s quite bloodthirsty in equal amounts to being the gothic lolita type. She’s also quite adept at wielding her massive halberd with ease.

WarLuxAMVs does a very good job in syncing up the action scenes with the WattWhite song “Eye of the Storm” and if there’s one description that fits Rory Mercury when she’s going about her apostle duties then being the “eye of the storm” fits her like a black satin and lace glove.

Song: Eye of the Storm by WattWhite

Anime: Gate: Thus the Japanese Self-Defense Force Fought…

CreatorWarLuxAMVs

Past AMVs of the Day

Anime You Should Be Watching: Farming Life In Another World (Isekai Nonbiri Nouka)


The last anime I recommended was the mature and very dark MONSTER. It’s time to lighten and chill things down a bit with my next recommendation. This series is one of my recent favorites that I’ve re-watched several times since the 12-episode season came out January 2024. The series I am talking about is Farming Life In Another World (Isekai Nonbiri Nouka).

The series is quite light-hearted and almost a fantasy version of farming life sims like Stardew Valley. Like many isekai (trans. another world), Farming Life In Another World is about a random person (usually from Japan) who has been transported to another world either through the mistake of some multiversal god/goddess or through the machinations of a certain truck-kun.

What or who is a truck-kun? Well, I’m glad you asked. Truck-kun is literally a truck that has become the go-to implement in sending a poor person from our would and into another by running them over while they are not looking. If there was ever a perfect example of why we should always look both ways before crossing the street it is that truck-kun is always out there lurking, waiting for the right time to pounce and claim another victim. Except, truck-kun wasn’t the culprit this time around but health problems from literally being overworked to death that sends out protagonist reincarnating to another world.

So, back to Farming Life In Another World, our protagonist has been accidentally taken to another world by God and apologizes to our main character for the unfortunate turn his life had taken by sending him to this new world. God’s generosity he asks Hikaru for one wish to make his life easier on this new world and Hikaru, in his past-life as an overworked, middle-aged office worker from Japan, asks for long-life and a chance to live a quiet and arboreal life this second time around. With his new found abilities and the Omnipotent Farming Tool to help fulfill Hikaru’s wish, God sends him off to this new world, dropping him off in the Forest of Death where Farming Life In Another World begins in earnest.

This anime is definitely one of the lighthearted ones with a bit of the fan-service thrown in to add to the comedic aspect of the story being told. Farming Life In Another World was adapted from the light novel of the same name by author Kinosuke Naito. The source material made more use of Hiraku’s endless stamina courtesy of God by having him literally sleep with every female that joins the village he ends up building in the middle of the Forest of Death. The anime lightens up on this aspect of the light novel and turns it into a running joke in that he gets nervous and tries to forget the fact that every female (from vampires, killer angels to all types of elves) want to have sex with him. The anime adaptation is the PG-version of what was a very raunchy light novel.

Yet, despite the apparent change in tone with the anime adaptation compared to the light novel source material, Farming Life In Another World does actually work as a slice-of-life comedy isekai. Fans of the light novel may cry that the changes from the sex comedy that was the light novel was too much of a change for fans who have never read the light novel will not miss anything. What they will get instead is a lighthearted series that eases new fans to anime into a new genre of the medium that has dominated the industry for the past decade or so.

Just like any adaptation of a written source material there will always be those who complain that the adaptation should be slavishly faithful to the original material. Yet, I always say that even if the adaptation has made drastic changes to the source material it doesn’t change the fact that the original still exists to be enjoyed. Sure, the ecchi and heavy fanservice of the light novel has been changed to be more PG-rated but it doesn’t detract from the fun and chill vibes of the anime version.

Farming Life In Another World works, in my opinion, because it does minimize the more raunchier side of the story to concentrate on the day-to-day and slice-of-life tone of the source material. The anime focuses on the world building and comedy side of Hiraku’s journey with his companions as they build what amounts to as an advanced and powerful village in the middle of what his new world considers the most dangerous area in the world. He does this with the help from Rurushi Ru (vampire mage) and Tia (angel aka the Annihilation Angel) who start off as frenemies but turn into close friends and friendly rivals (the show hinted at Hiraku marrying both which is a compromise the show makes to the source material).

Isekai is a genre in anime that has been very prevalent each new season for the past decade or so. Some would say that this genre has been the bane of the anime industry since we see knock-offs after knock-offs every year with most being bad (though some I would consider bad but enjoyable enough to be guilty pleasures). Yet, the genre has produced some of the best series in that same time frame. They’re not the majority, but they’re there enough in number to wash the taste of the awful ones.

Does Farming Life In Another World count as one of the best in genre? I say no, but it doesn’t have to be one of the best. It just had to be the best in what it had to be and that’s a slice-of-life comedy with some clever world building that would make any one who is a fan of sims games giddy. While we don’t get the raunchy and fanservice heavy anime adaptation of the light novel (if one wanted to know what such a version would look like I suggest they watch 1980’s sex comedies like Porky’s or Revenge of the Nerds).

Plus, the anime has a banger of an opening song.

“Flower Ring” by Shino Shimoji and Aya Suzaki

Faming Life In Another World Series Trailer