Hercules In The Haunted World (1961, directed by Mario Bava)


Returning home from his latest adventure, Hercules (Reg Park) and his sidekick, Theseus (George Ardisson), are shocked to find their home city has fallen victim to a plague that puts its victims in a trance-like state.  The woman that Hercules loves, Deianira (Leonara Ruffo), is one of the victims and, since she was also the city’s queen, the sinister Lico (Christopher Lee) is ruling in her place.

Hercules consults with the oracle, Medea (Gaia Germani).  Medea says that the plague can only be lifted by the Stone of Forgetfulness, which can only be found in the land of the dead, Hades.  Hercules and Theseus set out for Hades but before they can enter the realm of the dead, they have to perform a quest to defeat a rock monster and retrieve a magic apple from a giant tree.  Nothing is simple in ancient Greece.

The best of all the Hercules films, Hercules in the Haunted World may not have had Steve Reeves in the lead role but it did have Mario Bava behind the camera.  Bava shows what a clever director can achieve just through creative lighting, colorful mists, and detailed set design.  The film has all of the mythological monsters and toga-clad action that you expect from a Hercules film but it also has atmosphere, bleeding plants made from the souls of the dead, zombies, and Christopher Lee.  Lee may not be playing a vampire here but he still finds an excuse to drink blood in an attempt to achieve immortality.

Reg Park was a Brit who was inspired to become a bodybuilder after watching Steve Reeves in a competition.  When Reeves left the role of Hercules, Park was cast in his place.  Park only made a total of five peplum films and he was even worse at expressing emotion than Steve Reeves.  Park did have the physique necessary to play Hercules and that was really all that was needed.  Though Park tired of acting, he would still go on to mentor another bodybuilder who was inspired by Steve Reeves and would play Hercules in a film, Arnold Schwarzenegger.

The Daily Horror Grindhouse: Murder Mansion (dir by Francisco Lara Polop)


Maniac Mansion Title

1972’s Murder Mansion (which is also known as Maniac Mansion) is an enjoyable Italian/Spanish co-production.  It’s been included in a few dozen Mill Creek box sets and it’s usually advertised as being a zombie film.  While I don’t want to give too much away about the film’s twisty plot, I do feel obligated to let our readers know that it is most definitely NOT a zombie film.  Instead, it’s an old-fashioned gothic giallo.

Murder Mansion opens with various people separately traveling across the countryside.  A few minutes is devoted to allowing us to get to know them and we quickly discover that they are all familiar giallo types.  There’s the cold businessman, the lecherous man with the beard and the driving gloves, and, of course, the free-spirited young lovers who have just met.  There’s also the emotionally unstable, Elsa (Analia Gade).

When a huge fog rolls in, Elsa is the first of the travelers to find herself stranded outside of a foreboding mansion.  She thinks she sees two shadowy figures in the fog — a woman and a hulking man dressed like a chauffeur — pursuing her.  As she runs through the fog, she runs into the young lovers, who are also similarly stranded.  They decide to seek refuge inside the mansion and … guess what?  It turns out that all the other travelers have decided to seek refuge there as well!

Well, it turns out that the mansion is looked after by a housekeeper named Martha (Ida Galli, a.k.a. Evelin Stewart).  Martha explains that the former owner of the mansion was killed years ago in an automobile accident, along with her chauffeur.  (Hmmm….)  Martha also goes on to explain that the village around the mansion is deserted because the villagers became convinced that the woman and her chauffeur were vampires.  Martha then invites everyone to spend the night.

As everyone prepares to turn in for the night, they can’t help but notice a few strange things.  First off, why is every bedroom decorated with a disturbing painting?  And why does the painting of the former, now deceased, owner of the house look so much like Martha?

As you probably already guessed, a mysterious figure soon starts to prowl around the house, killing the travelers one-by-one.  Meanwhile, Elsa continues to have her nervous breakdown and soon starts to have flashbacks to some unspeakable acts that were committed by her father…

Murder Mansion is an enjoyable little giallo, one that is full of creepy atmosphere, twisty plot developments, and memorably strange characters.  It’s actually a lot of fun to watch as our heroes creep around the mansion and try to put together all of the clues.  (It made me want to go out and solve mysteries!)  As far as blood, gore, and nudity are concerned, Murder Mansion is actually remarkably tame by the standards of Italian (and, for that matter, Spanish) thrillers, which makes it an appropriate introduction to the genre for people who may not have previously seen a lot of giallo films.

(Trust me.  I tried to introduce my aunt to giallo by showing her Mario Bava’s Bay of Blood and she made me stop the movie after the double impalement.  If I had been smart, I would have started with Murder Mansion and then worked my way up.)

All in all, Murder Mansion is a lot of fun and great Halloween treat!

Horror On The Lens: Hercules In The Haunted World (dir by Mario Bava)


Herculesinthehauntedworld

In many ways, 2014 was the year of Hercules.  Or, at the very least, it could have been the year of Hercules.  Neither one of the two Hercules film released this year exactly managed to set the American box office on fire.  Of the two, The Legend of Hercules was memorable largely for being forgettable while the Dwayne Johnson-starring Hercules was far better than any film directed by Brett Ratner has any right to be.

Neither one of them, however, can really hold a candle to the 1961 film, Hercules In The Haunted World.  In this Italian film, Hercules (Reg Park) discovers that his lover Princess Deianira has gone insane so he goes to Hades in order to get the Stone of Forgetfulness, so he can use it to cure her.  The story’s really not that important.  What is important is that this visually stunning film was the first color film to be directed by Mario Bava and that the film’s villain is played by Christopher Lee.

Enjoy!