20 Films For The Week (10/19/25)


A Few Classics

The original The Omen (1976) can currently be viewed on Tubi.  The Omen is still the best of all of the 1970s apocalypse movies.  Whereas later Omen films would increasingly get bogged down with overly elaborate death scenes, the first Omen still holds up as a genuinely scary movie.  The scene with David Warner and that plate of glass …. agck!  Damien Thorne was never creepier than he was in The Omen, perhaps because little Harvey Stephens didn’t know that he was playing a villain.  Unfortunately, it doesn’t appear that the sequels are available to stream for free.  I have a soft spot for the mess that is Damien: Omen II.  The Omen can be viewed here.

Of the many film that were inspired by The Omen, my favorite remains The Visitor (1979).  John Huston — yes, the director — plays a Polish angel who lives on a plant far away.  Huston is sent to Earth to rescue 8 year-old Katy, who has psychic powers and who has apparently been picked to mate with her half-brother and give birth to the Antichrist.  Lance Henriksen plays a Satanist who also owns a basketball team.  Mel Ferrer, Shelley Winters, Glenn Ford, and director Sam Peckinpah all have small roles.  Franco Nero plays Jesus!  This is a visually stunning and narratively berserk film.  The Visitor is on Tubi.

The Changeling (1980) is an absolutely brilliant horror film that should definitely be seen by more people.  After a family tragedy, widower George C. Scott moves into a mansion that turns out to be haunted.  It all links back to potential scandal involving a U.S. Senator, played by Melvyn Douglas.  Well-acted, this film has tons of atmosphere and one of the best seance scenes that I’ve ever seen.  The Changeling is on Tubi.

If The Changeling is an unusually intelligent haunted house film, Burnt Offerings (1976) is perhaps the opposite.  It’s a remarkably dumb film but thanks to the performances of Karen Black and Oliver Reed and the no-holds barred direction of Dan Curtis, it’s still a pretty scary movie.  Poor Bette Davis is wasted in one of her final roles.  You’ll cheer when the chimney collapses.  Burnt Offerings is on Tubi.

John Saxon later said that making Cannibal Apocalypse (1980) was one of the most depressing experiences of his career, just because he wasn’t prepared for how gory the film would get and he wasn’t particularly happy about the idea of playing a veteran-turned-cannibal.  That feeling certainly comes through in his performance, which ironically is so authentic that it elevates Cannibal Apocalypse above the typical Italian zombie/cannibal film.  Giovanni Lombardo Radice and Tony King give excellent performances as Saxon’s fellow cannibals and the entire film is far more emotionally effective than it has any right to be.  Cannibal Apocalypse can be viewed on Tubi.

The Black Cat (1981) never gets as much attention as it deserves but it’s probably one of Lucio Fulci’s more accessible films.  An adaptation of the Edgar Allan Poe short story, it features David Warbeck at his most likable, Patrick Magee at his most demented, and a killer cat with more than 9 lives.  The Black Cat can be viewed on Shudder.

I, Madman (1989) is a personal favorite of mine, largely because I relate to the main character played by Jenny Wright.  Wright plays an aspiring actress and bookstore employee who becomes obsessed with the horror novels of an obscure pulp fiction writer named Malcolm Brand.  Suddenly, murders start to occur that seem to match the murders in the books.  Both Jenny Wright and Clayton Rohner give likable performances in this film and Randall William Cook’s disfigured surgeon is a wonderful villain.  I, Madman can be viewed on Tubi.

Time After Time (1979) provides viewers with the rare chance to see Malcolm McDowell play a gentle soul.  McDowell plays H.G. Wells, whose time machine is used by Jack the Ripper (David Warner) to escape into the modern age.  Wells pursues him.  Time After Time is as much a love story as it is a thriller.  (McDowell married his co-star Mary Steenburgen.)  McDowell, Warner, and Steenburgen all give excellent performances.  Time after Time is on Tubi.

Malcolm McDowell is far more sinister in Paul Schrader’s 1982 film, Cat People.  Cat People was made at a time when cocaine was very popular in Hollywood and the film has all the excessive hallmarks of a production that was under the influence.  It’s about thirty minutes too long, the plot makes little sense, and Schrader sometimes seems to be struggling with determining what it is he’s trying to say.  That said, it’s also an atmospheric and stylish film and it has a killer soundtrack.  The sequence where Annette O’Toole is menaced while jogging and then swimming still creeps me out.  Cat People can be viewed on Prime.

Tombs of the Blind Dead (1972) was the first and the most effective of several Spanish horror films to feature Templar zombies wrecking havoc on the countryside.  This film is atmospheric and creepy and features some of the most convincing zombies to ever appear in a movie.  This film also actually manages to effectively use slow motion.  The Blind Dead are pure nightmare fuel.  Tombs of the Blind Dead can be viewed on Tubi.

Hack and Slash

Directed by Bill Rebane, Blood Harvest (1989) tells the story of a young woman who returns to her family home, just to discover that her parents are missing and the house has been vandalized.  As the bodies are strung up in a nearby barn, viewers are left to try to figure out who the killer is.  Is it the handsome and hunky Gary?  Or is it his brother, Mervo?  Mervo, who deals with stress by putting on clown makeup, is played by Tiny Tim, a notably eccentric singer.  This is one of those odd films that everyone simply has to see once.  It can be viewed on Tubi.

Directed by Joseph Zito, The Prowler (1981) is a notably gruesome but undeniably effective slasher film.  The gore effects were provided by Tom Savini.  Zito keeps the action moving, the cast is filled with actors who are likable enough to make up for the fact that none of the characters are written to have much depth, and the killer is truly frightening.  The Prowler can be viewed on Tubi.

Terror Train (1980) is another classic slasher film that is perfect for Halloween viewing, as all of the victims are in costume and the killer is a master of disguise.  The train makes for a wonderfully claustrophobic setting and the film owes as much to the Italian giallo genre as it does to the typical American slasher film.  Jamie Lee Curtis, Hart Bochner, and Timothy Webber are amongst those being stalked.  Ben Johnson is wonderful as a conductor.  Even magician David Copperfield is put to good use.  Terror Train can be viewed on Tubi.

Prom Night (1980) is another Canadian classic.  This is film the mixes disco with slasher thrills.  Jamie Lee Curtis rallies the school with her dance moves.  Leslie Nielsen gives one of his final “serious” performances at the principal of the school.  The kills are genuinely frightening and, given that most of the victims are either likable or determined to live, genuinely sad.  The twist ending works a hundred times better than it should.  Prom Night!  Everything is alright!  I love this movie.  It can be viewed on Tubi.

The House on Sorority Row (1982) is a diabolically clever little slasher film about a prank gone wrong.  One minute, you’re accidentally causing your house mother to have a heart attack after you pull a gun on her.  The next minute, you’re getting tossed in a shallow grave.  The main lesson here is don’t try anything like this when you’ve also got a big, end-of-the-year college bash to put together.  Director Mark Rosman comes up with some truly inspired visuals.  Eileen Davidson gives a great performance as the sorority sister who can’t believe how difficult it is to cover up a murder.  It can be viewed on Tubi.

Finally, Mountaintop Motel Massacre (1983) is not as well-known as some of the other films that I’ve mentioned but it features a memorably isolated location and a few effective scares.  It’s a good example of the rural slasher.  It can be viewed on Tubi.

Odds and Ends

Zombie Nightmare (1987) features a long-haired zombie, an early performance from Tia Carrere, and an oddly serious performance from Adam West.  The zombie is played a heavy metal musician named Jon-Mikl Thor.  It’s a film so ludicrous that it becomes entertaining.  It can be viewed on Tubi.

Ghost Story (1981) features a dead woman whose ghost returns, seeking vengeance on a group of elderly men who, decades before, covered up her death.  Fred Astaire, John Houseman, Melvyn Douglas, and Douglas Fairbanks Jr. play the four men.  Alice Krige is the ghost.  Patricia Neal is Astaire’s wife.  Craig Wasson plays twins.  It’s a bit of an uneven film but it still has its moments.  It can be viewed on Prime.

Night Terror (1977), which is also known as Night Drive, features Valerie Harper as a woman trying to drive from Phoenix to Denver over the course of the night and finding herself pursued by a mute psycho played by Richard Romanus.  Clocking in at 74 minutes, Night Terror is suspenseful and features good performances from both Harper and Romanus.  It can be viewed on Prime.

Finally, The Little Girl Who Lives Down The Lane (1977) is a creepy little film starring Jodie Foster as a child who will stop at nothing to keep people from figuring out that she’s living on her own.  The true monster in this film is played, quite memorably, by Martin Sheen.  It can be viewed on Prime.

4 Shots From 4 Films: The Church, I Madman, Vampire’s Kiss, Warlock


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!

4 Shots From 4 1989 Horror Films:

The Church (1989, dir by Michele Soavi)

I, Madman (1989, dir by Tibor Takacs)

Vampire’s Kiss (1989, dir by Robert Bierman)

Warlock (1989, dir by Steve Miner)

The TSL’s Horror Grindhouse: I, Madman (dir by Tibor Takacs)


In the 1989 horror film, I, Madman, Jenny Wright stars as Virginia.  Virginia’s an aspiring actress who makes ends meet by working in a used bookstore.  (I’m not sure how much money the typical used bookstore employee makes but I have to say that Virginia’s apartment is absolutely to die for.)  Virginia is also dating a police detective named Richard (Clayton Rohner), who is handsome and sweet and looks good in a suit.  In fact, the only problem with Richard is that he thinks that Virginia spends too much time reading trashy horror novels.  According to him, they give her nightmares and they cause her imagination to run wild.

Richard’s not going to be happy to discover that Virginia has a new favorite author.  His name is Malcolm Brand and, despite the fact that Virginia says that he’s better than Stephen King, he’s a mysteriously obscure author.  In fact, no one but Virginia seems to have ever heard of him.  Virginia has just finished reading Brand’s first book, Much of Madness, More of Sin.  Now, she simply has to find his second book, which was called I, Madman.

(Personally, I think Much of Madness, More of Sin is a brilliant title.  I, Madman on the other hand is a little bit bland, as far as titles go.)

When Virginia finally tracks down a copy of the book, she discovers that it is all about this mad scientist who falls in love with an actress.  Because the scientist is horribly disfigured, the actress rejects him.  So, the scientist starts killing people and stealing pieces of their faces, all so he can patch together a new face for himself.

It’s while she’s reading the book the strange things start to happen in Virginia’s life.  For instance, the people around her start dying.  When she witnesses one of her neighbors being murdered, she swears that the murder was committed by a man who had no nose …. just like in the book!  Richard thinks that she’s letting her imagination run wild but Virginia soon comes to wonder if maybe she’s being stalked by the real Malcolm Brand….

I, Madman is an entertaining little horror film, one that sometimes comes across as being an extended episode of something like Tales From The Crypt.  From the minute the movie started with Virginia curled up on her couch in her underwear, reading a trashy novel with her oversized reading glasses on and a storm raging outside, I was like, “Oh my God, they made a movie out of my life!”  And really, this is one of the reasons why I, Madman makes such a good impression.  As played by Jenny Wright, Virginia serves as a stand-in for every horror fan who has ever read a scary novel and immediately imagined themselves as either the protagonist or the victim.  If you’ve ever had a nightmare after reading Stephen King or watching a horror movie, you’ll be able to relate to Virginia.  Both Jenny Wright and Clayton Rohner give likable and quirky performances in the lead role and they’re surrounded by capable of character actors.

The film itself is a bit of an homage to the suspense classics of the past.  It’s easy to compare Malcolm Brand’s novel to The Phantom of the Opera while a scene in which Virginia watches her neighbor play piano brings to mind Hitchcock’s Rear Window.  When Virginia imagines herself as a character in one of Brand’s stories, the film even manages to work in some stop-motion animation.  All in all, I, Madman is an entertaining horror film, perfect for October and any other season.

4 Shots From 4 October Films: Vampire Circus, The Beyond, The Living Dead Girl, I Madman


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Only one more month to go and it’ll be time for TSL’s annual horrorthon!  I’m already working on my October reviews.  Here’s four shots from 4 films that I’m planning on reviewing in October!

4 Shots From 4 October Films

Vampire Circus (1972, dir by Robert Young)

The Beyond (1981, dir by Lucio Fulci)

The Living Dead Girl (1982, dir by Jean Rollin)

I, Madman (1989, dir by Tibor Takacs)

Don’t worry.  It’s almost October!

Trailers for Halloween, Part One


Welcome to Part One of the Halloween Edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers!  Watch for Part 2 tomorrow and Part 3 on Monday. 

1) I, Madman (1989)

I love this trailer for the title alone.  Anything called I, Madman is automatically going to be great.

2) Dark Forces (1980)

This is one of those trailers that I just happened to wander across on YouTube and the main reason it’s here is because I just like the kitschy, pop art feel to it.  How scary can anyone named Harlequin really be?

3) Boardinghouse (1982)

“In Horrorvision!”  Judging from this trailer, Horrorvision apparently is another way of saying, “Shot on video tape.”  I actually own this film on DVD.  I bought it solely because it was a Code Red DVD and I needed to complete my collection.  I managed to watch about 10 minutes of it before the extreme tackiness of the whole thing overwhelmed me and I just had to turn it off and watch some Degrassi instead.  Still the trailer has a certain deam-like quality to it.

4) Tourist Trap (1979)

This trailer gets to me because mannequins get to me.  Seriously, they creep me out and once when I was like nine, I saw one move by itself in the mall.  True story!  Plus, the last time I went to Victoria’s Secret, there were headless, lingerie-clad mannequins in the display window.  Seriously!  Where were the heads?  It was so creepy and serial killer-like.  Don’t even get me started on Dexter this season.  Seriously, mannequins suck.

5) Motel Hell (1980)

Honestly, I would never stay at a place called Motel Hell.  Especially if there’s a Comfort Inn nearby.

6) The Funhouse (1980)

This trailer actually really scared me the first time I saw it.  Once again, mannequins suck.  (You can spot a few in this one.)