Horror Film Review: House (dir by Steve Miner)


Yesterday, I didn’t get to watch or review any horror films because the air conditioner at the house stopped working.  While I know that a lot of people up north think that AC is a luxury that’s going to destroy the world, I live in Texas and an air conditioner is a necessity down here.  So, if that leads to glaciers melting and me getting a lecture from some obnoxious little brat …. well, fine.

Anyway, we were able to get the air conditioner fixed.  It took a while but it’s now working again.  Once the AC was again blowing cool air into the house, I started to think about how it could be worse.  I mean, the house could be haunted.  We always tend to assume that ghosts are going to be nice but really, there are some nasty ghosts out there.

Take the 1986 film, House, for instance.  House stars William Katt as Roger Cobb, a horror author who needs a best seller.  Cobb is dealing with a lot.  He’s wife (Kay Lenz) has left him.  His son has vanished.  His aunt has recently committed suicide, leaving behind her house.  On top of all that, Cobb is still haunted by his experiences during the Vietnam War, when he was forced to leave behind a gravely wounded soldier named Big Ben (Richard Moll).  Cobb wants to write about his Vietnam experiences but his agent is aghast.  No one wants to talk about the war!

So, Roger moves into his aunt’s old house.  He was originally planning on selling it but, for whatever reason, he thinks living in an abandoned house that drove its last owner to suicide will be a good idea.  Roger thinks that living in the house will help him finish his book.  The House has different ideas.

Soon, Roger finds himself dealing with a series of incidents that feel as if they were lifted from other, more cohesive horror movies.  In a scene that feels like it was inspired by the Evil Dead, his wife turns into an otherworldly creature and tries to attack him.  Weird gremlin creatures, which could have come from Troll or Ghoulies, keep showing up and trying to kidnap an obnoxious neighbor child.  Roger’s neighbor (George Wendt) thinks that it’s possible that Roger is a murderer and that he’s buying his victims out in the backyard.  Even worse, a decaying and pissed off Big Ben starts to show up.

House is an occasionally likable attempt to mix horror and comedy.  Most of the comedy comes from Roger’s attempts to keep anyone else from noticing just how crazy things have gotten in the house.  (Disposing of a demon’s body turns out to be not as easy as one might imagine.)  William Katt does a good job with selling the comedy, though he never quite convinces you that he’s a best-selling horror author.  That said, the horror aspect is far more interesting, if just as a metaphor for Roger’s PTSD.  At its best, the film suggests that the house is feeding off of the lingering trauma of Roger’s war experiences.  It’s an interesting idea but not one that’s really explored as much as you might like.  Unfortunately, the film struggles to balance the horror and the comedy.  Just when it really starts to scare you, it remembers that it’s supposed to be a comedy.  Sam Raimi would have been the ideal director for House.

That said, House is entertaining, if a little bland.  If nothing else, watching it made me feel better about my own house.  My air conditioner may have gone down for a few hours yesterday but at least it didn’t open a portal to Hell.

4 Shots From 4 Steve Miner Films: Friday the 13th Part II, House, Lake Placid, Day of the Dead


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using this feature to recognize and honor some of our favorite horror directors!  Today, we honor the one and only Steve Miner!

4 Shots from 4 Films

Friday the 13th Part II (1981, dir by Steve Miner)

House (1985, dir by Steve Miner)

Lake Placid (1999, dir by Steve Miner)

Day of the Dead (2008, dir by Steve Miner)

International Horror Film Review: House (dir by Nobuhiko Obayashi)


The 1977 Japanese horror film, House, opens with a teenage girl named Gorgeous (Kimiko Ikegami) who is excited about the start of summer.  Her father has finally returned home from Italy, where he was scoring a film for Sergio Leone.  (Supposedly, Leone said that her father was even more talented than Ennio Morricone!)  However, Gorgeous is upset to discover that her father has remarried and she has a new stepmother!  No longer wanting to be around her father, Gorgeous writes to her aunt and asks if she can spend the summer with her.  Gorgeous’s aunt (Yōko Minamida) agrees and invites Gorgeous to visit the country house where she lives with a white cat.

However, Gorgeous will not be traveling on her own.  She’s bringing six of her school friends with her!  Like Gorgeous, all of them have trait-appropriate names.

For instance, Kung Fu (Miki Jinbo) is athletic and good at kung fu.

Prof (Ali Matsubara) is intelligent and wears glasses.

Fantasy (Kumiko Oba) is a daydreamer.

Mac (Mieko Sato) enjoys eating.

Melody (Eriko Tanaka) plays music.

Sweet (Masayo Miyako) is …. well, sweet.

They’re all fun, cheerful, optimistic, and good-natured.  (They also all have a crush on their teacher, Mr. Togo (Kiyohiko Ozaki),  goofy fellow with sideburns and an old car.)  As soon as the girls arrive at Auntie’s house, they present her with a watermelon and then take a tour of the old house.  They all take the time to notice Auntie’s white cat, who is adorable but seems to have a little bit of an attitude.  Everyone’s happy and perky and it truly appears that this is going to be the greatest summer of their lives….

Of course, not everything’s perfect.  There are a few complications.  For instance, Gorgeous is still upset about her father remarrying and chooses to go off on her own. Mac goes out to the well and then doesn’t return.  However, her head is later seen floating around the house and biting the other girls.  One girl gets eaten by a clock.  Another loses her hands while playing the piano.  The piano then proceeds to eat the girl while Mac’s disembodied head giggles and says, “Naughty!”  Soon, there are body parts flying around all over the house and the downstairs is flooded with blood.  The cat, it must be said, appears to be rather amused….

I don’t know if words alone can convey what a strange movie House is.  This really is one of those movies that has to be seen to believed.  In many ways, it feels like a children’s film made by someone who really dislikes children.  Everything starts out very happily, with bright colors, frantic camera work, corny humor, and cheerful music playing in the background.  There’s even several incidences of deliberately crude, pop art-style animation sprinkled throughout the film.  Then the girls reach the house and suddenly, everyone’s screaming and there’s blood spurting everywhere and disembodies heads and other limbs flying around and yet, the tone of the film doesn’t change.  The music remains cheerful.  The humor remains corny, especially in the scenes involving hapless Mr. Togo and his attempts to rescue the girls, and the film’s special effects remains deliberately crude.  At the same time, there’s an interesting subtext to the film.  Gorgeous’s aunt is bitter over the death of her lover, who never returned from World War II.  When Gorgeous meets her new stepmother, the sky glows with an almost atomic intensity and one unfortunate character is literally vaporized into nothing.  The old house is literally eating the young, perhaps to punish them for being the first generation to be born after the end of the war and to have no firsthand experience with the twin traumas of the destruction of Hiroshima and Nagasaki.

As I said, it’s a weird, weird movie.  It’s also an incredibly watchable one, one that comes very close to capturing the feel of a filmed dream.  It’s not for everyone, this oddly cheerful bloodbath.  But I’d still recommend watching it at least once.

Song of the Day: As If It’s Your Last (by Blackpink)


Blackpink

It would be impossible to talk about K-pop without putting up as a “Song of the Day” a track by one of the most popular K-pop girl group of the last couple years. I am talking about YG Entertainment’s quartet known as Blackpink.

The group made their debut on the K-pop scene on August of 2016. The quartet are seen as taking up the YG Entertainment K-pop legacy with the disbandment of the ultra-popular quartet girl group 2NE1. Even their stylistic choices have been compared to their predecessors who were able to combine both the cutesy image seen by many as K-pop with the edgier sound of hip-hop and R&B.

For the most part, most of their singles since their debut in 2016 have what the group itself call as their “Black” concept which leans heavily on hip-hop, drum and bass and R&B influences. The choice for today’s Song of the Day is the group’s first foray into introducing their “Pink” side.

“As If It’s Your Last” still retains the highly-energetic beats and tempo of their previous releases, but also incorporates the more traditional dancepop influence in K-pop. While it helps showcase their cute side both in their vocal deliveries and the music video, the song still manages to mix in some reggae and moombahton influences.

This gives “As If It’s Your Last” not just a dance house edge but the familiar catchy hooks of traditional bubblepop K-pop.

Hottie of the Day: Olivia Wilde


OLIVIA WILDE

Our latest hottie of the day is truly the only reason why one should even be watching House on the Fox network. Olivia Wilde’s character “Thirteen” is just stunning in every episode she is in. Her character being a promiscuous bisexal is just icing on the cake. But the medical procedural drama on Fox wasn’t the first time she’s been seen on TV. She was also the only good thing about the little-seen drama on NBC called The Black Donnellys.

Ms. Wilde is of Irish-American heritage and those eyes and skin tone belie her Emerald Isle genes. In addition to becoming a regular on House, she has also appeared in films such as The Girl Next Door, Alpha Dog, Turistas and the Jack Black/Michael Cera 2009 comedy, Year One. While her role as “Thirteen” on House has been her stand-out and breakthrough acting role the fact that she was strongly considered for the part of Vesper Lynd in the 2005 James Bond reboot, Casino Royale shows that she’s just not beautiful but has the acting chops to go far.

Site: Olivia Wilde Fan