Live Tweet Alert: Join #ScarySocial For A Halloween Double Feature


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, we’ve got a special Halloween double feature!  First up, we’ve got 1977’s Suspiria, directed by Dario Argento and hosted by me!

After Suspiria, we will watch the original Terrifier, starring Art the Clown!

Along the way, we will have tricks, treats, trivia, and prizes!  The Halloween season is always fun at #ScarySocial!

If you want to join us on Saturday night, just hop onto twitter, start Suspiria at 9 pm et, and use the #ScarySocial hashtag!  The films are available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Horror On The Lens: Silent Night, Bloody Night (dir by Theodore Gershuny)


The 1974 film Silent Night, Bloody Night is an oddity.

On the one hand, it’s pretty much a standard slasher film, complete with a menacing mansion, a horrible secret, a twist ending, and John Carradine playing a mute newspaper editor.

On the other hand, director Ted Gershuny directs like he’s making an underground art film and several of the supporting roles are played by actors who were best known for their association with Andy Warhol.

Personally, I like Silent Night, Bloody Night.  It has a terrible reputation and the film’s star, Mary Woronov, has gone on record calling it a “terrible movie” but I like the surreal touches the Gershuny brought to the material and the sepia-toned flashbacks have a nightmarish intensity to them.  The film makes no logical sense, which actually makes it all the more appealing to me.  As the saying goes, your mileage may vary.

Watch and decide for yourself!

Horror Song of The Day: Main Theme From Suspiria by Goblin


Suspiria (1977, dir by Dario Argento, DP: Luciano Tovoli)

You knew this was coming!

Today’s horror song of the day is the classic main theme to Dario Argento’s Suspiria!  (The Argento version is the only version that matters.)  The iconic soundtrack was composed by Goblin.  I saw an interview with Claudio Simonetti in which he said he wanted the song to be “almost annoying” in its intensity.  While I could never be annoyed this song, I do understand Simonetti’s point.  The score is designed to be as overwhelming as the evil at the center of the film.

All together now: “WITCH!”

Music Video of the Day: Aquamarine by Addison Rae (2024, dir by Sean Price Williams)


This video has a decadent feel to it, one that makes it perfect for the scary season.  It may not be about vampires but perhaps it should be.

Enjoy!

Late Night Retro Television Review: Friday the 13th: The Series 2.15 “Better Off Dead”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Micki’s in even more danger than usual as a desperate doctor uses a magic syringe to try to find a cure for his daughter.  This is also our final episode of Friday the 13th for October.  Can you believe Halloween is right around the corner?

Episode 2.15 “Better Off Dead”

(Dir by Armand Mastroianni, originally aired on February 13th, 1989)

John Cusack plays Lane Meyer, an artistic high school student who is stunned with he is dumped by….

Oh wait, sorry.  Wrong Better Off Dead.

This Better Off Dead tells the story of Dr. Warren Voss (Neil Munro), who lives in an isolated mansion with his pre-adolescent daughter, Amanda (Tara Meyer).  Amanda has a disease that makes her violent and dangerous.  She attacks almost anyone who comes near her, including her own father.  Dr. Voss believes that he has finally found a cure for her condition and, if he’s right, he’s convinced that he can cure all violent behavior.

Unfortunately, the cure is a bit extreme.  Dr. Voss starts out by bringing prostitutes to his mansion and then using a silver syringe to extract their brain fluid, which he then injects into his daughter.  This temporarily calms down his daughter but it turns Voss’s unwilling donors into violent maniacs.  Voss claims that he’s doing all of this for the greater good and he’s only using donors who would be better off dead.  But, as the episode unfolds, it becomes clear that Voss’s good intentions can’t hide his own sadistic streak.

The syringe once belonged to Jack the Ripper and, as you definitely already guessed, it’s a cursed object.  After a friend of Micki’s becomes one of Voss’s victims, Micki is herself kidnapped and becomes Voss’s latest donor.  When Jack and Ryan show up to save the day, they not only have to battle Voss.  They also find themselves attacked by Micki.  And Micki, due to the experiments and perhaps also due to the resentment that anyone would feel over having to put their lives on hold to search for cursed antiques, proves to be a fierce opponent.

Fear not, of course.  Things are resolved.  Micki is saved and, at the end of the episode, she is slowly recovering from her trauma.  Voss is attacked and killed by his own daughter.  Ryan wonders about whether or not Voss could have eliminated violent behavior if he had been allowed to continue his experiments.  Jack says that it’s not worth wondering about.  I agree.  Leave Micki alone!  Better the whole world suffer than one redhead be inconvenienced, say this proud redhead.

Director by Armand Mastroianni, this was a really good episode.  Both Neil Munro and Tara Meyer gave good performances as the doctor and his daughter and Robey, who has often felt underused on this show so far, got a chance to show off her own dramatic abilities.  As for the question at the heart of the episode, I agree with Jack.  The cost outweighs the benefits.  Friday the 13th deserves a lot credit, though, for seriously considering the issue.  This was an episode that was both creepy and intelligent.

Horror on TV: One Step Beyond 3.21 “Night of Decision” (dir by John Newland)


In tonight’s episode of One Step Beyond, an important historical figure is consumed with self-doubt.  Fortunately, a spirit guide appears to give him the strength to keep fighting, even though victory will eventually lead to an even greater war.

Who knew George Washington was so neurotic?

CAN YOU PROVE IT DIDN’T HAPPEN!?

This episode aired on February 21st, 1961.

Horror Scenes That I Love: Swimming With The Creature From The Black Lagoon


Today’s horror scene that I love comes from one of my favorite films, 1953’s Creature From The Black Lagoon.  In this scene, Julia Adams goes for a swim.  Little does she realize that, under the water, the Creature is following her every move.  Wonderfully directed by Jack Arnold, this creepy yet oddly lovely scene is one of the best of the 50s.

(By the way, I’m happy to say that I will be viewing this wonderful movie on the big screen this weekend!  I can’t wait!)

4 Shots From 4 Films: Special Jack Arnold Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we honor the one and only Jack Arnold, who was responsible for some of the best sci-fi/horror films of the 1950s.

4 Shots From 4 Jack Arnold Films

It Came From Outer Space (1953, dir by Jack Arnold, DP: Clifford Stine)

The Creature From The Black Lagoon (1954, dir by Jack Arnold, DP: William E. Snyder)

Tarantula (1955, dir by Jack Arnold, DP: George Robinson)

The Incredible Shrinking Man (1957, dir by Jack Arnold, DP: Ellis W. Carter)