When Bronson Met Perkins: Someone Behind The Door (1971, directed by Nicolas Gessner)


Dr. Laurence Jeffries (Anthony Perkins) is an American-born neurosurgeon living in the UK.  One night, as Dr. Jeffries is preparing to head home, he meets a confused and frightened man who is identified in the credits as being The Stranger and who is played by Charles Bronson.  The Stranger has no memory of who he is or how he came to be where he is.  Dr. Jeffries takes the Stranger back to his house.  Dr. Jeffries says that he often takes patients back home for overnight observation but it turns out that he has more than treatment on his mind.  Dr. Jeffries knows that his wife, Frances (Jill Ireland, who was Bronson’s offscreen wife), has been cheating on him with her French lover.  What if Dr. Jeffries can convince the Stranger that Frances is married to and cheating on him?  Could The Stranger, who may have already attacked another woman on the beach, be manipulated into murdering Frances’s lover?

Before Death Wish made Charles Bronson a box office force in the United States, he was a huge star in Europe.  Someone Behind The Door is one of many films that Bronson made in France before he returned to America.  It’s always interesting to see Bronson’s European films because European directors were willing to cast him as something other than just a vengeance-driven vigliante.  In Someone Behind The Door, Bronson actually gets to play someone who isn’t in control of his fate and who doesn’t always have the perfect tough guy quip on the end of his tongue and Bronson gives a surprisingly good performance.  He brings The Stranger’s inarticulate fear and eventual rage to life.  Indulging in his usual nervous mannerisms, Anthony Perkins matches him every step of the way.

Someone Behind The Door largely takes place in just one location and it’s really too stage-bound to be successful.  Still, fans of Perkins and Bronson should find the pairing of the two to be interesting.  The pair play off each other surprisingly well, with Perkins nervy energy bouncing off of Bronson’s physicality.  It’s too bad that this was the only time that these two actors appeared opposite each other.

Horror Scenes that I Love: Checking Out The Boat in Lucio Fulci’s Zombi 2


The scene below comes from the 1979 Lucio Fulci masterpiece, Zombi 2.

In this scene, a mysterious boat is floating towards New York City.  Two cops are sent to check the boat out and, as they eventually discover, the boat isn’t quite as deserted as they thought it was.

Now, there’s a few reasons why this scene is important.  Number one, Zombi 2 is an Italian film that was designed to pass for an American film.  (Technically, it was sold as being a prequel to Dawn of the Dead, which was released under the title Zombi in much of Europe.)  In order to maintain the illusion, Italian filmmakers would often spend a day or two shooting on location in a recognizable American city.  More often than not, that city would turn out to be New York.

Number two, since Zombi 2 was promoted as being a bit of a prequel to Dawn of the Dead, one could argue that this scene shows how the whole zombie apocalypse began in the United States.  It wasn’t radiation from space or Hell running out of room.  No, instead, it was juts a boat floating from an island in the Caribbean all the way to New York.

This scene is also memorable because of the “boat zombie,” who is one of the best-known of the movie zombies.  Even people who have never heard of Lucio Fulci will probably recognize the boat zombie.  He’s an icon of the undead!

Finally, this scene sets up one of the greatest closing shots in the history of zombie cinema.  New York beware!

Paperback Review: The Vampire Curse by Daoma Winston


Yesterday, Erin shared the cover.  Today, I’m reviewing the book!  That’s what teamwork is all about!

This 1971 novel is all about an 18 year-old named Teena Halliday.  Needless to say, anyone with a name like Teena Halliday is going to be young, beautiful, and innocent.  Teena was perfectly happy living in a Mediterranean villa with her mom but then her mom had to go off and get remarried.  With her mom heading off to South America on a whirlwind honeymoon, Teena is being sent to Massachusetts, where she’ll stay with the Rentlows, some distant relatives that she has yet to actually meet.  Teena is hoping that, once she’s in Boston, she’ll get the chance to spend some time with her father.  However, when Teena arrives, her father is nowhere to be seen.

Instead, Teena is met by the mysterious but handsome Rory, who takes her to Rentlow Retreat.  Teena meets the Rentlows and discovers that they’re a bit more eccentric than she was expecting.  Neither Uncle Charlie nor Aunt June seem to be happy to see her and Teena’s cousin Estrella obviously views Teena as being competition for Rory’s attention.  In fact, the only person who seems to be the least bit welcoming is Jeremy Rentlow.

Jeremy is a world-renowned sculptor, despite the fact that everyone and everything that poses for him seems to end up dead.  The family seems to always be nervous around Jeremy.  Could it have something to do with those rumors that Jeremy might be a vampire?  Teena isn’t quite sure what to make of Jeremy, especially when he starts to tell her that she’s the most beautiful woman that he’s ever seen and that she simply must pose for him.  Teena is hesitant but what else is she going to do?  I mean, she has to do something to pass the time, especially considering that her dog Scuffy dies of a mysterious “wasting” disease shortly after Teena arrives at Rentlow Retreat.

Of course, soon, Teena is not only starting to feel a bit anemic herself but Jeremy suddenly announces that they’re going to be married and Teena is not to leave the estate!  Is Jeremy a vampire or is he a human with serious and dangerous control issues?  Is Teena being drained of blood or is she feeling weak because of the stress of the situation in which she’s found herself?  You can probably guess the answer to both of those questions.

Just like Air Force One Is Haunted, The Vampire Curse is one of the books that I found while searching through my aunt’s old paperback collection.  It was a fun and (at 196 pages) quick read.  It’s very much a gothic romance first and a vampire story second but there’s an undeniable charm to the efficiency with which author Daoma Winston told the story.  Everything you could want from a gothic romance is here: breathless, first person storytelling, an old house, an eccentric family, a dark secret, passionate kisses and, of course, a hedge maze.  There’s always a hedge maze.

The Vampire Curse was an enjoyable read.  I’m a bit stunned that Lifetime has never adapted the book into a film.  If they can turn everything credited to V.C. Andrews into a “film event,” surely they can find some time for The Vampire Curse.

 

 

International Horror Film Review: Alien 2: On Earth (dir by Ciro Ippolito)


Don’t get too excited about that title.  Yes, I know that it says Alien 2: On Earth, which would suggest that this is a sequel to the classic sci-fi horror film that we all know and love but …. well, we’ll get to it in a moment.

First, let’s talk about the movie….

HEY, EARTH!  YOU’RE GETTING INVADED AGAIN!

This time, it’s not flying saucers.  It’s not pod people.  It’s not the monsters from Cloverfield or A Quiet Place or Battle Los Angeles or Skyline or any of those films.  Instead, this time, you’re getting invaded by little blue rocks.  These rocks may look pretty but, if you hold them long enough, something will spring out of them and cause your face to explode.  Sometimes, the creature inside the rock will even hug onto your face for a while.  I guess maybe you could call it a face hugger, assuming that you had enough money to settle the copyright suit that would follow….

Famed cave explorer Thelma Joyce (Belinda Mayne) has been having horrific visions, largely due to the fact that she’s psychic whenever it’s convenient for the plot.  Could her visions have something to do with a spacecraft that has recently returned to Earth with all of its inhabitants missing?  (The implication is that the spacecraft was captained by a man named Dallas and had a warrant officer named Ripley, though that’s never specifically stated.)

Oh, why worry about all that ominous outer space stuff?  After all, Thelma and her husband Roy (Mark Bodin) have already got a full weekend planned out.  They’re going to get together with a group of friends and explore a cave!  It sounds like fun.  Of course, on the way to the cave, one of their friends finds a blue rock and decides to take it with him.  Hmmm….there’s no way that could backfire.

Once everyone’s in the cave, Thelma tells Roy that she has a feeling that something awful is about to happen.  Roy laughs off her concerns.  I mean, is Thelma supposed to be a psychic or something?  Oh, wait a minute….

Can you guess what happens?  If you think that Roy, Thelma, and their friends end up getting trapped in the cave with an alien that’s looking to dissolve all of their faces, you might be as much of a psychic as Thelma.  Needless to say, everyone picked the wrong weekend to go underground.

This Italian production from 1980 is, in many ways, a typical low-budget exploitation film.  There’s a lot of gore (including a pretty nifty beheading) and the film ends on a properly (and somewhat humorously) dark note but it takes forever for the movie to actually get going.  Fans of Italian horror will be happy to see Michele Soavi show up as one of the cave explorers and, if nothing else, the film does feature an effective sequence involving a survivor running down the streets of an eerily deserted city.

That said, this film is best-remembered as an example of just how shameless that Italian film industry could be when it came to ripping off more successful films.  Alien 2 had nothing to do with the original Alien but, because Ridley Scott’s film was a huge hit, the film was marketed as being a direct sequel.  Because the word “alien” existed long before any of the movies using it as a title were ever released, 20th Century Fox’s efforts to sue producer/director Ciro Ippolito for copyright infringement were just as unsuccessful as Ippolito’s later attempt to sue the makers of The Descent for, in Ippolito’s opinion, ripping off his story of cave explorers getting ripped apart by a strange creature.

So, no, this is not technically a part of the Alien franchise …. unless you want it to be.  That’s the fun thing about watching an unofficial sequel like this.  You can decide for yourself whether or not to accept it.

Finally, keep watching the skies and don’t pick up any blue rocks!  To quote the film’s final title card, “YOU MAY BE NEXT!”

 

4 Shots From 4 Films: Dawn of the Dead, The Grapes of Death, Halloween, Martin


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!

4 Shots From 4 1978 Horror Films:

Dawn of the Dead (1978, dir by George Romero)

The Grapes of Death (1978, dir by Jean Rollin)

Halloween (1977, dir by John Carpenter)

Martin (1978, dir by George Romero)

Horror Film Review: Firestarter (dir by Mark L. Lester)


Adapted from Stephen King novel, 1984’s Firestarter is a film about a girl with a very special power.

Back in the day, a bunch of college students needed weed money so they took part in a government experiment.  Half of them were told that they were being given a placebo.  The other half were told that we would be given a low-grade hallucinogen.

Surprise!  The government lied!  It turns out that everyone was given the experimental drug!  Some of the students ended up going crazy.  One unfortunate hippie clawed his eyes out.  Meanwhile, Vicky (Heather Locklear) gained the ability to read minds.  She also fell in love with Andy McGee (David Keith), a goofy fellow who gained the ability to mentally control people’s actions.  They married and had a daughter named Charlie (played by a very young Drew Barrymore).  Charlie, it turns out, can set things on fire!  She’s a firestarter!

Well, of course, the government can’t just leave the McGees out there, controlling minds and setting things on fire.  Soon, the McGees are being pursued by the standard collection of men in dark suits.  Vicky is killed off-screen, leaving Charlie and Andy to try to find some place where they’ll be safe.

Good luck with that!  This is the government that we’re talking about.  The thing with films like this is that the government can do practically anything but it never occurs to them to not all dress in dark suits.  I mean, it just seems like it would be easier for all of these secret agents to operate if they weren’t automatically identifiable as being secret agents.  Anyway, Andy and Charlie are eventually captured and taken to The Farm, a really nice country estate where Andy and Charlie are kept separate from each other and everyone keeps talking about national security.

Running the Farm is Capt. Hollister and we know that he’s a bad guy because he wears a suit and he’s played by Martin Sheen.  Working with Hollister is John Rainbird (George C. Scott), a CIA assassin who kills people with a karate chop across the nose.  When Charlie refuses to show off her firemaking abilities unless she’s allowed to talk to her father, Rainbird disguises himself as a custodial engineer and proceeds to befriend Charlie.  Of course, Rainbird’s plan is to kill Charlie once she’s displayed the extent of her powers….

Stephen King has written that he considers this film to be one of the worst adaptations of one of his novels but, to be honest, I think the movie is actually a bit of an improvement on the source material.  Firestarter is probably the least interesting of Stephen King’s early novels.  Supposedly, Charlie was based on King’s youngest daughter and, reading the book, it’s obvious that everyone’s fear of Charlie is mostly a metaphor for a father trying to figure out how to raise a daughter.  Unfortunately, instead of concentrating on those primal fears, the book gets bogged down in boomer paranoia about MK-ULTRA experiments.

The movie, however, is just silly enough to be kind of charming.  For example, consider the way that Andy grabs his forehead and bugs out his eyes whenever he uses his powers.  Andy’s powers may be slowly killing him but he just looks so goofy whenever he uses them that you just can’t help but be entertained.  And then you’ve got Drew Barrymore sobbing while setting people on fire and George C. Scott growling through all of his dialogue and even Martin Sheen gets a scene where he gets excited and starts jumping up and down.  (And don’t even get me started on Art Carney and Louise Fletcher as the salt-of-the-Earth farmers who try to protect Andy and Charlie….)  Some of the special effects are a bit hokey, as you might expect from a film made in 1984 but occasionally, there’s a good shot of something (or someone) burning up.  It’s all so over-the-top and relentlessly dumb that you can’t help but be entertained.  You can even forgive the fact that basically nothing happens between the first 10 and the last 15 minutes of the movie.

Firestarter‘s silly but I liked it.

Horror on the Lens: Dr. Jekyll and Mr. Hyde (dir by John S. Robertson)


394px-Dr_Jekyll_and_Mr_Hyde_1920_poster

Ever since the birth of film, Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde has been a popular subject for adaptation.  Not only does the classic story of a good doctor who unleashes his evil instinct via potion serve as a potent metaphor for everything from sexual repression to drug addiction, but the dual role of Dr. Jekyll and Mr. Hyde has provides an excellent opportunity for an actor to show off.

The first film adaptation of Dr. Jekyll and Mr. Hyde is believed to have been made in 1908.  Two more version followed in 1912 and 1913 and then, suddenly, 1920 saw three different film versions.

The best known of the 1920 version is our film for today.  This version is best remembered for John Barrymore’s powerful performance in the title role but it also holds up remarkably well as a work of cinematic horror.

Music Video Of the Day: Creatures by Motionless in White (2011, dir by Stephen Penta)


AGCK!

Today’s music video of the day is this wonderfully creepy video from Motionless in White.  Seriously, there’s always something disturbing about a maniacal grin in a music video.

With the exception of the chorus, this song was composed of lyrics that were sent by fans of the band.  Here’s what the fans came up with:

I fall
This is the end of you
This is the end of you
Whispers are their weakness
Their weakness
Everyday I must practice
To fake this smile on my face
It’s all the rain that’s putting me to sleep
It’s all the rain that’s putting me to sleep
I’ll let the blood tell the truth tonight, this is my life’s work
11 tracks is not enough, to tell you how I’ve died inside
And love is lost like words
11 tracks is not enough
In spiders eyes a man becomes a fly
In prolonged silence, we all stand defiled
We fall in line with the atrophy of life
The calm before the storm is a defeating silence
I’ve given my all, to this valley of despair
We are the damned, the cursed and the broken
There’s so much more inside us
We are the lost, the sick and unspoken
There’s so much more inside us
I’m drowning in an ocean of the tears that I’ve cried
I tried to drown my sorrows
Instead they’re all drowning me
I tried to drown my sorrows
Instead they’re all drowning me

Enjoy!

Horror on TV: The Curse of Degrassi (dir by Stefan Brogren)


This is a special episode of my favorite TV show of all, Degrassi!  Originally airing on October 28th, 2008, The Curse of Degrassi features Degrassi’s main mean girl, Holy J Sinclair (Charlotte Arnold), getting possessed by the vengeful spirit of deceased school shooter, Rick Murray (Ephraim Ellis).  Chaos follows!  Fortunately, Spinner (Shane Kippel) is around to save the day.  As any true Degrassi fan can tell you, only Spinner has a chance against the forces of the undead.

What I like about this episode is that, in the best tradition of Degrassi, it goes there.  Holly J does get possessed.  Just about the entire cast end up dying horribly.  Spinner has to battle the undead spirit of Rick Murray and he has to do it without the help of Drake.  And, as far as we know, this episode is canon.  So, yes, Rick Murray’s ghost actually does haunt Degrassi Community School and yes, only Spinner can save us all.

Go Spinner!

Enjoy!