Tonight, for our horror on the lens, we have the fifteenth episode of the 2nd season of Friday the 13th: The Series!
In this episode, a doctor uses a cursed syringe (agck!) to withdraw pieces of another person’s soul that he can give them to his daughter, who is extremely violent. Unfortunately, this usually lead to bad things for soul donors. This episode was directed by Armand Mastroianni, who also directed the classic 1980 slasher film, He Knows Your Alone. That was Tom Hanks’s first film so, without Armand Mastroianni, who knows who would have ended up starring in Captain Phillips?
This episode originally aired on February 18th, 1989.
After the ship that he’s working on sinks, engineer Andrew Braddock (Michael York) washes up on an uncharted island. It’s a beautiful island but it quickly proves dangerous as another survivor of the sinking is killed by wild animals. The injured Braddock passes out and when he wakes up, he’s being cared for by a mysterious scientist named Moreau (Burt Lancaster).
Braddock discovers that the island is populated by creatures that are half-human and half-animal. Led by the Sayer of the Law (Richard Basehart), these creatures are the results of experiments conducted by Moreau and his assistant, Montgomery (Nigel Davenport). Moreau’s experiments are expected to obey Moreau’s laws. Should they fail, they will be taken to the House of Pain and punished. When Baddock objects to Moreau playing God, Moreau plots to reverse the experiment on Braddock and turn him into an animal. Even as he falls in love with a former cheetah (played by Barbara Carrera), Braddock realizes that he must escape the Island of Dr. Moeau.
This is the forgotten adaptation of H.G. Wells’s classic novel, as well as being the most faithful. The Island of Lost Souls, from 1932, is considered to be a classic. The third version, directed by John Frankenheimer and starring Marlon Brando and Val Kilmer, is a legendary disaster. This version, though, is usually overlooked. It’s also my favorite of the three but that might be because it was the first version that I ever saw. It’s a straight-forward version of H.G. Wells’s story of science gone mad with director Don Taylor not wasting any time getting the action started. Michael York, always an underrated actor, convincingly portrays Braddock’s outrage and his struggle to maintain his humanity after Moreau starts to experiment on him while Carrera is beautiful and mysterious as Maria. Probably the film’s biggest surprise is Burt Lancaster, who turns out to be ideally cast as Moreau. More subdued than either Charles Laughton or Marlon Brando, Lancaster plays Moreau as a brilliant but callous man who is too arrogant to realize that he’s become as much of an animal as those he claims to be perfecting. What makes Lancaster’s Moreau so disturbing is that he doesn’t have the excuse of being insane. Instead, he’s just too stubborn to admit that he’s potentially made a huge mistake.
It may be forgotten but this still the version of The Island of Dr, Moreau that I would recommend.
That, of course, is from 1982’s Halloween 3: The Season of the Witch. The makers of the new Halloween films might not care for the original sequels but just try to get that Silver Shamrock song out of your head! Even more importantly, just try to listen to it without thinking about the mask melting into your face and turning into a bunch of spiders and snakes. It can’t be done. That’s the sign of an effective horror movie. An effective horror movie is all scaring the audience and not about worrying about whether or not the critics are going to get it.
Speaking of horror, just 8 more days til Halloween Halloween! Just 8 more days til Hallowen! Silver Shamrock!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
With only a week to go until the big day, now is a good time for me to honor one of my favorite horror directors, the French surrealist Jean Rollin. Now is the time for….
If a group of vampires are determined to ruin your night, what should you do? Well, according to the classic Mexican film Santo vs. las Mujeres Vampiro, your first move should be to call a wrestler.
It takes place in the 50s of the pop cultural imagination, with neatly laid out suburban neighborhoods and perfectly mowed lawns and big cars driving down the street. Nick (Randy Quaid) and Lily (Mary Beth Hurt) seem like the perfect couple. Lily stays at home and spends a lot of time in the kitchen. Nick is an engineer who works for a company called Toxico and who is helping to develop what will become known, during the Vietnam War, as Agent Orange. Nick and Lily are friendly, well-mannered, and they love to eat meat. Lily explains, at one point, that she didn’t really love to eat meat until she married Nick and he showed her how wonderful it could be.
Their son, ten year-old Michael (Bryan Madorsky), is a bit less conventional. He’s a quiet boy who never smiles and who, when asked to draw a picture of his family, freaks out his school’s guidance counselor (played by Sandy Dennis). Michael has frequent nightmares. Michael doesn’t like to eat meat and, in fact, it’s hard to think of a single scene in the movie where Michael is seen eating anything. Michael is haunted by the sight of his parents making love in the living room. He’s also haunted by a growing suspicion that his parents are cannibals.
Are they? Perhaps. It’s hard to say. The first time you watch the movie, it seems deceptively obvious that Nick and Lily are exactly what Michael says they are. The second time, you start to notice a few odd things. For one thing, we never see Michael actually going from one location to another. Instead, he just seems to magically show up wherever he needs to be to hear something that will confirm his suspicions. When his teacher and his guidance counselor discuss his home life, Michael just happens to be in a nearby closet. When his mother is preparing something that looks like it might be a human organ, Michael just happens to be standing in the pantry. Are we seeing reality or are we just seeing what Michael thinks is reality? When Nick starts to threaten Michael and later claims that there’s no way Michael is his son, is he really saying that or is Michael just imagining his fatherr confirming all of Michael’s insecurities? How much of the film is real and how much of it is in Michael’s head?
It’s an odd film, Parents. It’s also the directorial debut of character actor Bob Balaban. Balaban has spent the majority of his career playing shy, slightly repressed characters. Parents, with the withdrawn Michael as the main character, is a film that feels autobiographical. That’s not to say that Balaban’s parents were cannibals but the scenes where Nick goes from being a loving father to an abusive monster are too intense and suffused with too much pain for them to be anything other than personal. Balaban’s direction is heavily stylized. At times, it’s a bit too stylized but ultimately, it works. The final 30 minutes of the film feel like a nightmare that has somehow been filmed.
A satire of conformity and suburbia, Parents is also a portrait of an alienated child struggling to figure out where he fits into his family. He’s given the choice of either indulging in his family’s sins or living life alone. Except, of course, it really isn’t a choice. Nick expects Michael to do what he’s been told, no matter what. Randy Quaid and Mary Beth Hurt are both terrifying as the parents but, at the same time, Balaban makes good use of the fact that both of those performers — at least at the time this movie was made — were naturally likable. You want Nick to be the perfect father that he pretends to be and you share Michael’s anger and disillusionment when he turns out to be something very different.
Parents may be a strange film but it’s not one that you’re going to forget.
Tonight, for our horror on the lens, we have the fourteenth episode of the 2nd season of Friday the 13th: The Series!
In this episode is a sequel to the Vanity’s Mirror episode from season 1. The gold compact is back and this time, an aging model is using its power to maintain her youth. Unfortunately, there’s a price for looking young and that price is …. can you guess it? ….. murder!
This episode originally aired on February 11th, 1989.
You are in a city that you do not know, a stranger in a strange land. You are hiding behind the counter of a small cafe while, outside, the world comes to an end. Whether it’s due to a plague or just people finally being driven mad by the stress of every day life, going outside is not recommended. The cafe is your only sanctuary. Behind the counter, you experience memories of the way the world was in the days leading up to whatever has happened. When an intruder enters the cafe, it is time for action!
Like a lot of Twine games, Taste of Fingers is more of a short story with choices than an actual game. You really don’t have much control over how the game progresses or how it ends. The main choice you get to make is which memories to explore while you hid behind the counter. It’s not possible to explore every memory over the course of just one play through, which does give this game a high replay value. The descriptions of the cafe and the memories are vivid enough that you’ll want to explore them, even if it would have been nice to have had more options. Realistically, though, there aren’t that many options available when the world is ending around you. Taste of Fingers captures the feel of a world spinning out of control. It’s not a happy game but it does what it does well.
Over the course of his long career, Christopher Lee often cited his performance as the charismatic but ultimately sinister Lord Summerisle in 1973’s The Wicker Man as one of his personal favorites. It’s easy to see why. The role not only showcased Lee’s ability to be menacing but it was also one of the few films that allowed him to be witty as well. Lord Summerisle may be a pagan who maintains his power by sacrificing virgins but he’s still quite charming. With his longish hair, sideburns, and turtleneck, Lord Summerisle is the perfectly aristocratic 70s rogue.
Today’s scene that I love comes from the original The Wicker Man. (Sorry, the Nicole Cage “bees” scene from the remake will have to wait for next year’s horrorthon.) In this scene, Lord Summerisle expalins the ways of the island to a skeptical police detective. Little does the detective know that he’s already been selected to be the next sacrifice. Lee’s avuncular performance holds up wonderully.
Through the Shattered Lens 