This looks like fun!
Coming soon to Shudder, Late Night With The Devil takes place in 1977, on a night in which a television broadcast brings evil into the world. Before anyone asks, The Brady Bunch Variety Hour did air in 1977 but it started in 1976. So, as tempting as it is to speculate, I think the two events were unrelated.
Here’s the trailer for Late Night With The Devil!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, Deanna Dawn will be hosting the original, 1956 Invasion Of The Body Snatchers!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime. I’ll probably be there and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!
How many more people must die before the Quilt of Hathor is stopped!? Let’s find out.
Episode 1.20 “The Quilt of Hathor: The Awakening”
(Dir by Timothy Bond, originally aired on May 9th, 1988)
We pick up where the previous episode ended. Ryan is still living with the ultra-religious Pentites and is still viewed with suspicion by the majority of them. He is still in love with the Reverend Grange’s daughter, Laura. And Effie Stokes still has the quilt that she can use to enter the dreams of others and kill them.
However, Effie is not the main villain here. Instead, it is the Reverend Grange (Scott Paulin) who is corrupted by the quilt. When the community’s elders tell Grange that it is important that he select a wife, he finally selects Effie. Effie is overjoyed but, as soon becomes clear, she intends to use the quilt to kill Grange on their wedding night so that she can take over the community. However, in the dream, Grange gets the upper hand and kills Effie instead. Soon, Grange is using the quilt to go after anyone in the community with whom he has a grudge. And when the members of the community suspect that witchcraft is afoot, he casts the blame on Ryan.
This is the episode where Ryan nearly gets burned at the stake. Fortunately, Micki and Chris show up just as Ryan is about to be set on fire. They distract the Pentites long enough for Laura to discover Effie’s body and to reveal that Grange is the murderer. A long chase ends with Grange falling out of a barn to his death.
That, of course, also kills Laura and Ryan’s romance. Ryan realizes that he has a holy duty to help Chris and Micki track down cursed antiques. And Laura says that she has to stay behind to help the community rebuild. Personally, I think she’s just reluctant to declare her love for the man who killed her father. That’s understandable.
This was not a bad episode. I liked the way that, for once, we got to see how a formerly good and reasonable person could be corrupted by one of the cursed antiques. Laura and Ryan’s romance was a bit too obviously lifted from Witness but still, John D. LeMay and Carolyn Dunn had a likable chemistry together. Just as with the first part of the story, the surreal nightmares were well-done and genuinely frightening.
Next week, Ryan and Micki search for a haunted camera!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.
Odd episode, this week.
Episode 1.22 “Satan In The Suburbs”
(Dir by Warner Shook, originally aired on May 13th, 1989)
Despite having graduated from Yale (and having the sweatshirt to prove it), Xantipe Finch (Deborah Strang) is struggling. Unable to interest any publishers in any of her books and raising her son, Marty (Danny Gerard), alone, Xantipe is forced to make extra money through baking and selling cookies. The bill collectors keep calling and threatening to turn off her electricity and to kick her and Marty out onto the streets.
Then a mysterious man (played by a young Chris Noth) materializes in her kitchen. The man says that he’s come from Hell. Because he won a football bet with Satan, the man has been allowed to come to Earth and to recruit Xantipe to write his autobiography. If the book is published, the man will continue to be a happy demon. If the book fails, he’ll be either demoted or turned into a low-level angel. Huh? What? I don’t know. It didn’t make any sense while the man was explaining it and it doesn’t make any sense now that I’m typing it up.
Reluctantly, Xantipe helps the man. The man, for his part, deals with the bill collectors and also starts to corrupt both Xantipe and her son. The book gets written and published but Xantipe rejects the devil’s influence, even though it means returning to a life of struggling to pay the bills. The episode ends with Xantipe back in her kitchen, baking cookies. The man is also there but he now has tiny angel wings on his back.
Yeah, I don’t know what any of it means either. It makes even less sense when you watch it.
This was not a great episode. It was never really explained why the book has to be written, why Xantipe had to be the one to help write it, or why the man turned into an angel. The episode ended with a suggestion that Xantipe and the man were now in love but there was nothing in the 20 minutes that preceded it that would have set the audience up for that ending. Chris Noth was adequate as the demon and Deborah Strang was likable as Xantipe but otherwise, this episode felt like filler.
Today, we celebrate what would have been the 93rd birthday of the rugged American actor Christopher George.
George may have gotten his start in westerns and war movies but he is best remembered for a series of horror films in which he appeared in the late 70s and early 80s. One of the best of those was Lucio Fulci’s 1980 classic, City of the Living Dead.
In today’s scene that I love, Christopher George plays a reporter who realizes that psychic Catriona MacColl has been buried alive. He digs her up. Of course, this is a Fulci film, so things nearly go terribly wrong.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial! The movie? 2020’s Black Box!
If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Black Box is available on Prime!
See you there!
Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!
This week, Micki screws up and Ryan finds love!
Episode 1.19 “The Quilt of Hathor”
(Dir by Timothy Bond, originally aired on May 2nd, 1988)
Looking to retrieve a cursed quilt that allows its owner to enter other people’s dreams and kill them, Micki and Ryan go undercover as members of the Pentite Sect.
Who are the Pentites? Basically, they’re Mennonites except for the fact that they’re called Pentites. They are a hard-worked and religious community, one that eschews modern technology. The members of the sect dress modestly, they don’t sing or dance, and they do everything that their leader, Reverend Grange (Scott Paulin), tells them to do.
Effie Stokes (Kate Trotter) is in love with the Reverend and wants to become his wife. She also happens to own the Quilt of Hathor and soon, she is entering the dreams of her romantic rivals and killing them. While Effie is trying to win the love of Reverend Grange, Ryan is falling in love with Grange’s daughter, Laura (Carolyn Dunn). Quicker than you can say Witness, Ryan is temping Laura to dance and being forced to fight Laura’s suitor, Matthew (Diego Matamoras), while balancing above an open flame pit. I don’t think Mennonites do that, which is probably why the Pentites broke off from them in the first place.
Micki does figure out that Effie is the one with the quilt and she even manages to grab it away from her. However, when she tells Ryan that it’s time to return to the antique shop, Ryan replies that he can’t go with her. Ryan has fallen in love with Laura and is planning on living the rest of his life as a Pentite.
Micki returns to the shop and, heartbroken, she tells Jack that she lost Ryan. Jack then reveals that she also managed to grab the wrong quilt. So, basically, Micki really screwed up.
This is a two-part episode so I imagine that Micki will return to the Pentite community next week and hopefully, she’ll pay attention and grab the right quilt this time. Will Ryan return to the civilization with her? Considering that John D. LeMay didn’t leave the show until the end of the second season, I imagine he probably will.
This was a pretty good episode. The scenes where Effie entered the dreams were well-directed and definitely achieved a nightmarish intensity. Some of the Pentite stuff was a little bit silly but John D. LeMay really sold his decision to stay with the sect. With everything that we’ve seen of Ryan on this show, his decision actually makes sense. Ryan has always been the one searching for deeper meaning while Micki is the more down-to-Earth member of the team.
Next week: Part two of the Quilt of Hathor!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we celebrate the 120th anniversary of the birth of the great British film director, Terence Fisher. Though Fisher worked in all genres, he is best remembered for the horror films that he directed for Hammer Studios. Along with proving that there was still an audience for horror, he also helped to make stars out of Peter Cushing and Christopher Lee.
It’s time for….
4 Shots From 4 Terence Fisher Films
The Curse of Frankenstein (1957, dir by Terence Fisher, DP: Jack Asher)
Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)
The Mummy (1959, dir by Terence Fisher, DP: Jack Asher)
The Devil Rides Out (1968, dir by Terence Fisher, DP: Arthur Grant)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.
A lot of talented people came together to create this week’s episode of Monsters!
Episode 1.21 “All In A Day’s Work”
(Dir by Allen Coulter, originally aired on May 6th, 1989)
Steven Rose (James Morrison) is a graduate student whose studies of ancient magic have accidentally summoned a creature who looks exactly like him and who also follows him everywhere that he goes. Following the advice of a friend, Steven seeks help from a white witch named Fiona (Adrienne Barbeau). Fiona is willing to help but first, she needs to pick up her son, Ian (Brandon Bluhm), from school.
When she returns to her apartment building with Ian, she discovers that the doppelganger is waiting in the hallway and apparently, it wants Ian’s soul. Locking herself in her apartment with Steven and Ian, Fiona is forced to do the unthinkable. She commits a mortal sin by summoning a demon named Belphamelech (Eddie Velez). As she explains it to Steven, if she can get rid of his doppelganger than she will be forgiven for summoning a demon. And if she can’t get rid of the doppelganger, it won’t matter what happens.
There were a lot of talented people involved with this episode. Adrienne Barbeau, of course, is still well-remembered for her appearances in The Fog, Escape From New York, and Creepshow. Nearly two decades after his appearance here, James Morrison would find fame as Bill Buchanan on 24 and as the prison warden on Twin Peaks: The Return. Eddie Velez is still a regular on television. This was one of the first shows to be directed by Allen Coulter, who go on to direct some of the best episodes of The Sopranos and Boardwalk Empire.
Considering all of talent both in front of and behind the camera, it’s not a surprise that this is one of the better episodes of Monsters, an atmospheric and well-acted 21 minutes that nicely mixes horror with humor. The episode works best when it contrasts Fiona’s magic powers with the normal activities of her everyday life. She can get rid of demons and yes, she can cook up a love potion or two and yes, she knows all of the things to say to control a demon. But, in the end, her main concern is making sure that her son gets to and from school without incident and that everyone has a good dinner in the evening.
Interestingly enough, the episode ends in such a way that makes it feel as if it was meant to be a pilot for a television series that would have featured Fiona dealing with the supernatural on a weekly basis. She ends the episode with both a new romance and a new assistant and it’s easy to imagine all of the future adventures that they could have all had together. If this episode was meant to serve as a pilot, it didn’t lead to a series and that’s a shame because it definitely had the potential to be a lot of fun.
When it comes to unfortunate and dumb ways to die, getting electrocuted while standing in a puddle of spilled milk would seem to rank fairly high on the list. Unfortunately, it’s exactly what happens to the wife of Cal Jamison (Martin Sheen) during the first few minutes of 1987’s The Believers.
Traumatized by his wife’s death (and probably also by all of the people asking, “Wait a minute, she was standing in milk?”), Cal relocates from Minneapolis to New York City. Accompanying him is his young son, Chris (Harley Cross). Upon arriving in New York, Cal starts a tentative new relationship with artist Jessica Halliday (Helen Shaver) and he also gets a job working a psychologist for the NYPD.
And several members of the NYPD are going to need a good psychologist because they are investigating a series of brutal and ritualistic murders. All of the victims are children around Chris’s age and the murders are so grisly that even a hardened cop like Lt. Sean McTaggart (Robert Loggia) finds himself traumatized. When Detective Tom Lopez (Jimmy Smits, in one of his first roles) discovers one of the bodies, he has an apparent mental breakdown and starts to rant and rave about an all-powerful cult that Tom claims is committing the murders.
After Tom commits suicide, his ravings are dismissed as being the product of a mentally ill man. However, Cal is not so sure and starts to investigate on his own. What he discovers is a cult made up of a motely mix of wannabe gangsters and members of high society. While his friends and lovers either die or lose their minds around him, Cal discovers that the cult is actually closer to both him and his son than he ever realized.
An odd film, The Believers. On the one hand, there’s plenty of creepy scenes, including one in which Jessica gets a truly disturbing skin condition. The scenes in which Cal discovers that his friends have lost their minds as a result of the Cult are frequently sad and difficult to watch. Robert Loggia has scene that brought tears to my eyes. The mix of street witchery and upper class power lust is nicely handled and, as always, Harris Yulin makes for an effective villain. The Believers creates an ominous atmosphere of paranoia, one in which you really do come to feel that no one in the film is quite who they say they are.
And yet, it’s obvious that director John Schlesinger — whose previous films included Darling and the Oscar-winning Midnight Cowboy — had more on his mind than just making an effective Omen-style horror film. He also tries to deal with Cal coming to terms with the death of his wife and Chris coming to terms with the idea of Cal dating someone new and all of those scenes of straight-forward domestic drama feel out-of-place in what should have been an energetic and grisly B-movie. In those ploddingly earnest scenes, Schlesinger seems to be trying almost too hard to remind us that he’s not really a horror filmmaker and they just feel out of place.
If there was ever a movie that called for the unapologetic and wickedly sardonic directorial vision of David Cronenberg, it was The Believers. As it is, The Believers is an intriguing but frustratingly uneven mix of paranoia, witchcraft, and domestic melodrama.
14 Days of Paranoia:
Through the Shattered Lens 